Live From Super Bowl LVIII: For CBS Sports, a True Team Effort Involves an Army of Vendors, Crew, and Talent Years of planning and the efforts of thousands have gone into the massive operation By Ken Kerschbaumer, Editorial Director
Friday, February 9, 2024 - 12:05 pm
Print This Story | Subscribe
Story Highlights
The final pieces for Super Bowl LVIII are falling into place. Yesterday, the field tray rolled into Allegiant Stadium, and more and more of the production and support teams, especially those from vendors whose equipment and services are being used by CBS Sports, begin to arrive for the final push and game day.
The vendors are part of the collective effort that contributes to the Super Bowl production all week long, says Patty Power, EVP, operations and engineering, CBS Sports. We value their innovation, expertise, and teamwork to put on the biggest show of the year.
At the top of that vendor list are the three mobile-unit providers: NEP, Game Creek Video, and F&F Productions. Jason Cohen, VP, remote technical operations, CBS Sports, notes the contribution that they (and the other vendors) have made all season long.
It's important that our partners from Week 1 of the NFL are here, he says, not just to cover the Super Bowl with us but to celebrate the Super Bowl. For example, NEP is covering the game production for us as they did from Week 1, with our A-crew games produced out of Supershooter CBS. NEP is providing their TFC [Total Facility Control] Connect as well, which is the nucleus of everything [and routes all the audio and video signals].
While NEP has primary game duties, Game Creek Video is here with three trucks: Prime is handling pregame-show coverage, Varsity is doing the tape release, and Columbia is producing the Nickelodeon game. Game Creek also is providing edit support.
The front bench in Game Creek Video Prime will be very busy with Super Bowl LVIII pre/postgame and halftime activities.
F&F, meanwhile, has been at the Bellagio, with its GTX20 unit serving as the backbone of the studio shows.
They have an incredibly important task at the Bellagio, says Cohen, being the truck providing production for the CBS Sports Network shows that started on Monday of this week and carried on through the entire week. F&F also provided equipment to help get signals for shows like The Drew Barrymore Show and others out to their control rooms at home, where those shows are produced remotely.
When The NFL Today pregame show kicks off at 2 p.m. ET at the Bellagio, he continues, that show will be produced out of the Game Creek Prime truck, and, on Saturday, That Other Pregame Show is also produced out of Prime and connected to the Bellagio via fiber. But all the daily and nighttime shows from the Bellagio for CBS Sports Network are done out of F&F.
Those trucks collectively will have 37 EVS replay machines, providing more than 600 channels of recorded playback.
As for power generation, again, suppliers that worked with CBS this season are involved. Aggreko and Sunbelt helped us all season long with our regular-season and postseason power, notes Cohen. [Here] Sunbelt/Filmworks is doing all the compound power for us, and Aggreko is doing the Bellagio power for us from a comms and RF standpoint.
Specialty Cameras and Wireless On the wireless front, CP Communications is handling all the wireless PLs and microphones, and AVS oversees RF video. Then there are the specialty devices, such as 20 Fletcher robos in various locations around the field (4K down the line, the goal-line cameras, etc.) and in hallways and other stadium locations. In addition, four are scattered around the city: at The STRAT, Planet Hollywood, the Renaissance Hotel, and the Mandalay Bay.
Those are all using LiveU for transmission but are controlled robotically by Fletcher, Cohen explains. We also have LiveU for covering the team buses and team hotels and those sorts of things.
Skycam is providing three Skycams in the stadium and Skycam robos mounted above each goal line capturing images in 1080p for 4X-slo-mo playback.
We also will use two Flycam systems, says Cohen. One is in the stadium on the reverse side of the field to catch players running down the sideline on the far side of the field. At the Bellagio, we have a 1,000-ft. Flycam across the water.
Drones also will be in the mix. In Super Bowl first, one will fly within a 10-mile radius of the stadium on game day during pregame coverage.
Beverly Hills Aerials is providing a heavy-lift drone flying with a Sony P50 camera, says Cohen. It will be at the Bellagio, where it has been getting shots all week. Beverly Hills Aerials also provided a tethered drone that flies at 400 ft. from an adjacent space next to the stadium to the Magic parking lot, which is about a block and a half from the stadium. It gives us a great shot of the stadium with the city in the back. We had a tethered drone in Atlanta five years ago for Super Bowl LIII.
Two FPV drones are also in use. One is flying around the Bellagio set, doing small moves throughout the sets and signs; the other is at the Paramount Mountain activation zone at The Mirage.
A doink cam prior to being installed into one of the uprights for Super Bowl LVIII
The end zones are obviously the most important part of the field, and, for coverage there, several vendors are supplying specialty gear. BSI, Fletcher, and Antelope are involved with the front-goal-line pylons (Fletcher and Antelope were also integral to creation of the doink cam), and C360 is doing the back pylons as well as the C360 8K cameras mounted on the back of the goal posts and shooting toward the back line.
[The C360 8K cameras are] part of their overall 200-degree immersive replay system, notes Cohen.
Another new camera position is the Red Cat cam, a RED Digital Cinema camera located on the catwa
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
18/05/2026
Despite a bumpy start to the year, the provider of event-production support and ...
18/05/2026
Daktronics has partnered with the University of North Carolina to manufacture and install 11 LED displays totaling more than 10,000 square feet and more than 14...
18/05/2026
CBS LA has announced a multi-year partnership with the Los Angeles Rams, covering exclusive local broadcasts of Rams preseason games, weekly year-round programm...
18/05/2026
Skyline Communications has announced an integration between its DataMiner xOps p...
18/05/2026
eCLUTCH, the hybrid esports platform powered by iKOMG, has announced an expansion of its distribution across Europe, MENA, Africa, and Asia, along with new cont...
18/05/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/05/2026
With 22 games this season, the production team looks forward to tweaking and enhancing the coverage
After 8,660 days off the air, the WNBA returned to NBC yest...
18/05/2026
(L-R) Midori Francis and Natalie Erika James attend the Saccharine premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 22, 2026, in ...
18/05/2026
Last night, the Spotify Podcast Awards in Mexico returned to the country's capital. Now in its second year, the evening honors creators whose voices are hel...
18/05/2026
ZEN-Core synth goes mobile
Roland's powerful ZEN-Core software synthesizer has just been introduced to the iPad, offering a convenient entry point into ...
18/05/2026
Versatile new limiter plug-in announced
Based in Sheffield, UK, fedDSP offer a range of plug-ins that span the music production, live sound and high-end med...
18/05/2026
A new use for convolution?
Viiri Audio's debut plug-in aims to do something a little different with convolution processing, allowing users to adjust all...
18/05/2026
Delta Goodrem shines for SBS as more than 3.27 million Australians tune in for E...
18/05/2026
The Australian Defence Force uses L3Harris T4 and T7 robots for explosive ordnan...
18/05/2026
Continued investment across Europe and Germany is expanding local teams and improving access to stock, regional expertise, and specialist broadcast support.
CV...
18/05/2026
18 May 2026
Dubai and New York, May 18, 2026 - VEON Ltd. (NASDAQ: VEON), a glob...
18/05/2026
Monday 18 May 2026
Sky News offers ad-free podcasts and bonus episodes for just...
18/05/2026
Comscore March 2026 Consumer AI Chatbot Usage Rankings Show Claude Gaining Share OpenAI's ChatGPT maintains lead while Anthropic's Claude continues to c...
17/05/2026
Delta Goodrem's Eurovision Eclipse marks end of a stellar run
17 May, 2026
Media releases
Bulgaria wins Eurovision 2026
Relive every spellbinding mome...
17/05/2026
Back to All News
Oasis Premieres on Netflix June 19
Entertainment
17 May 2026
GlobalSpain
Link copied to clipboard
Summer, sunshine, the beach, parties. T...
16/05/2026
Helps to deliver a clean, balanced midrange
Developed alongside Newfangled Audio, the latest plug-in in Eventide's software collection has been designed...
16/05/2026
Brings onboard stem rendering to RANE System One
Engine DJ have just released Engine DJ 5.0, a free update for their Engine DJ OS embedded hardware and Engi...
16/05/2026
Boris FX Continuum Pairs AI Precision and Advanced Creative Controls
Jessie Electa Petrov May 16, 2026
0 Comments
The 2026.5 release adds automatic de...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Seattle Sounders FC and Seattle Reign FC, in partnership with RAVE Foundation an...
15/05/2026
Dan Brumm has served as sound designer on Bluey, the Australian children's t...
15/05/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are accepting applications for the 6th annual Mark Brunner Professional Audio Schola...
15/05/2026
Netflix has announced an expanded NFL schedule for 2026 and beyond under a four-year partnership extension with the NFL through the 2029-30 season. Each season,...
15/05/2026
Ateme is supporting TVRI (Televisi Republik Indonesia) with a contribution and d...
15/05/2026
Concacaf has announced the launch of a new website and mobile app built on Deltatre's FORGE platform. Concacaf.com and the mobile app, available on iOS and ...
15/05/2026
Eutelsat has announced the launch of QBC Business Economic Channel by Qatar Media Corporation, broadcasting in 4K/UHD via Eutelsat's 7/8 West video neighbo...
15/05/2026
Major League Soccer has announced four original content series timed to the 2026...
15/05/2026
The Alliance for IP Media Solutions (AIMS) has announced it will exhibit and present at InfoComm 2026, taking place June 13-19 at the Las Vegas Convention Cente...
15/05/2026
InfoComm 2026 will take place June 13-19 (exhibits June 17-19) at the Las Vegas Convention Center. The show will include sessions and exhibits covering broadcas...
15/05/2026
Tracy McGrady's Ones Basketball League (OBL) and FuboTV Inc. have announced ...
15/05/2026
Disguise has partnered with Creative Technology (CT) to deliver visual playback ...
15/05/2026
Sony Electronics has announced two new products for professional imaging: the Alpha 7R VI full-frame mirrorless camera and the FE 100-400mm F4.5 GM OSS super-te...
15/05/2026
In-venue and creative video staffers at the professional and collegiate level ha...
15/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
15/05/2026
For sports organizations, the most valuable assets are often the most sensitive:...
15/05/2026
The NFL's broadcast partners released their 2026 regular season schedules ye...
15/05/2026
Besides drawing on experience with boxing, the production integrates specialty c...
Live From Super Bowl LVIII: For CBS Sports, a True Team Effort Involves an Army of Vendors, Crew, and Talent Years of planning and the efforts of thousands have gone into the massive operation By Ken Kerschbaumer, Editorial Director 
