Sony Pixel Power calrec Sony

NFL Los Angeles Spotlight (Part 2): Inside NFL Media's New Facility and the Cutting-Edge Technology Behind It

22/09/2021

NFL Los Angeles Spotlight (Part 2): Inside NFL Media's New Facility and the Cutting-Edge Technology Behind It IP-based, 4K- and HDR-capable facility sets a new technical watermark for industry By Jason Dachman, Chief Editor

Tuesday, September 21, 2021 - 2:35 pm

Print This Story | Subscribe

Story Highlights

The day before the 2021 NFL season kicked off, the league officially opened NFL Los Angeles. The 450,000-sq.-ft. Class A building at Hollywood Park adjacent to SoFi Stadium features 214,063 sq. ft. of office space and 74,922 sq. ft. of studio and studio-support space. As the new home for NFL Network, NFL.com, NFL RedZone, the NFL app, and other media and business operations, the new facility is among the most technologically advanced in the industry.

NFL Staff arrived on Tuesday, Aug. 31 in Inglewood, CA. (Photo: Dan Steinberg/AP Images for NFL)

When we do tours with people now, we actually look at each other and go, Wow! I can't believe we did this.' It's really quite remarkable, says Bruce Goldfeder, VP, Engineering, NFL Media. I think the team that we put together here is the best team in the country in terms of dealing with this [next-generation] technology, and that shows in the final product.

The state-of-the-art IP-based, 4K- and HDR-capable production facility took nearly four years to conceive, design, build, and integrate based on the SMPTE ST 2110 standard for media-over-IP production. NFL Media is currently producing 1080p60 broadcasts with Dolby 5.1 audio out of the building but is capable of 4K60 with Dolby Atmos 7.4.2 audio and can scale to any format in the future, including HDR or 8K, thanks to its robust IP infrastructure.

CLICK HERE for Part 1 of SVG's NFL Los Angeles Spotlight, focused on how NFL Media launched facility amid a pandemic.

The Studios: Cavalcade of Stages, Flypacks Provide Flexibility Throughout Hollywood Park The NFL L.A. production space houses five stages, led by the 5,970-sq.-ft. Studio 1, which serves as the primary studio for NFL Total Access, NFL Gameday Morning, and other marquee NFL Network studio shows.

The 5,970-sq.-ft. Studio 1 serves as the home to NFL Total Access in at the new NFL L.A. facility.

Our primary stage is multi-use and very flexible, says Shaw. It has windows that you can see SoFi stadium right outside, as well as the demo field that we built with natural turf right outside the building so our talent can walk outside for demos. We're really excited about what we can do with [a studio] like this.

The four other production stages, which serve NFL Red Zone and various digital productions, are Studio 2 (6,276 sq. ft.), Studio 3 (3,089 sq. ft.), Studio 4 (1,751 sq. ft.), Studio 5 (1,559 sq. ft.). In addition, the building houses a podcast studio (550 sq. ft.), a voiceover booth (300 sq. ft.) that is podcast-capable, and another four-person desk built inside the NFL Media Newsroom.

One of five broadcast studios at the new NFL L.A. facility (Photo: Jeff Lewis/AP Images for NFL)

Six production-control rooms and audio-control rooms serve the five stages and the podcast studio. Goldfeder and his team also built three portable flypacks, each comprising four cameras and six microphones, that can roll out anywhere in SoFi Stadium or across the Hollywood Park complex.

All the cameras and control rooms are interconnected so that any camera can be used in any control room, says Goldfeder. We can beef up the camera complement per studio depending on our needs. We also have a unified microphone and IFB system that works from anywhere across the entire property, as well as outside. So the talent can go from room to room without changing the microphones.

IP Backend: Routing, Playout, Postproduction, Audio, and More

The NFL Media production operation is built around a COTS IP routing switch featuring the Magellan SDN Orchestrator (SDNO) to manage the mix of SMPTE ST 2110 IP and HD-SDI baseband infrastructure.

Much of the technology was integrated in Burbank prior to arriving at the new NFL L.A. facility. (Photo: Jeff Lewis/AP Images for NFL)

NFL Media uses an integrated storage and replay-server system for multiple playout uses and installed EVS 12-channel XT VIA production servers across the board for ingest, playout, and quick-turnaround applications - totaling 48 channels of ingest and 48 channels of playback. All media is then input into NFL Media's Arvato media-asset-management system within 60 seconds of ingest so that editors can immediately access the content.

The NFL postproduction operation consists of 18 high-end edit rooms, two audio-sweetening suites, and 90 VDI thin-client desktop editors that can be accessed from anywhere in the building and even from home.

We've created our own virtual environment here in Inglewood that we can leverage so [editors] can work from anywhere and people can even keep working on their projects from home, says Goldfeder. We did 40 TB of content in one day [Sunday of Week 1], and it went well. So now we're looking at archiving and how we can continue to grow and offload that content.

One of six production-control rooms at the NFL L.A. facility (Photo: Dan Steinberg/AP Images for NFL)

On the graphics side, NFL Media also has 70+ graphics-creation stations, including 35 high-powered 3D-graphics systems plus another 35 VDI thin clients.

In terms of audio, all six studios are equipped with SSL audio consoles that are Dante-connected. In all, NFL L.A. has 18,000 Dante connections, 16,000 MADI connections, and 2,048 Riedel intercom channels.

One of the biggest challenges we had with audio was the different timings between audio and video, but we were able to work through that while we were still in Burbank, says Goldfeder. We actually have two different types of PTP - one running the Dante network, the other one running our ST
LINK: https://www.sportsvideo.org/2021/09/21/nfl-los-angeles-spotlight-part-...
See more stories from svg

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

20/04/2026

SBE Elevates Fred Willard to SBE Fellow

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update Brie Clayton April 20, 2026 0 Comments New update adds camera control and monitoring ...

20/04/2026

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D Brie Clayton April 20, 2026 0 Comments Cinema 4D brings professional 3D workfl...

20/04/2026

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environment

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environm...

20/04/2026

Register now - Market & Audience Department Ask Me Anything (AMA) Session

Register now - Market & Audience Department Ask Me Anything (AMA) Session 11 February 2026 Screen Australia Head of Market & Audience Rakel Tansley Talking to...

20/04/2026

Screen Australia appoints Tanya Phegan as Narrative Content Head of Development

Screen Australia appoints Tanya Phegan as Narrative Content Head of Development 17 March 2026 Tanya Phegan Screen Australia has today announced the appointmen...

20/04/2026

Applications Open for Skip Ahead 11

Applications Open for Skip Ahead 11 19 March 2026 Past Skip Ahead recipients (L-R): Macfarlane Bros, Rainbow Bop, Lyanna Kea. Screen Australia and YouTube Aus...

20/04/2026

Screen Australia empowers the next games generation, including new creatives from neighbouring disciplines

Screen Australia empowers the next games generation, including new creatives fro...

20/04/2026

Official Co-production Ask Me Anything (AMA) Session

Official Co-production Ask Me Anything (AMA) Session 26 March 2026 Image (L-R): Mix Tape, Michele McDonald, Flower & Flour. Interested in international Co-pro...

20/04/2026

Screen Australia announces Narrative Content funding for 91 projects, including four short films paired with industry mentors

Screen Australia announces Narrative Content funding for 91 projects, including ...

20/04/2026

Production Infrastructure and Capacity Analysis (PICA) pinpoints four key workforce challenges in the Australian screen industry

Production Infrastructure and Capacity Analysis (PICA) pinpoints four key workfo...

20/04/2026

Australians in Film and Screen Australia Announce the 2026 Participants in the Talent Gateway and Global Producers Program

Australians in Film and Screen Australia Announce the 2026 Participants in the T...

20/04/2026

Screen Australia relaunches website with new tools and improved user experience

Screen Australia relaunches website with new tools and improved user experience 16 April 2026 Screen Australia relaunches website Screen Australia has relaun...

20/04/2026

Ikegami Announces VFE-P07D Monocular OLED Viewfinder

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

EVS Launches Choreon Robotic Control Solution

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Ross Video Showcases End-To-End Production Ecosystem at 2026 Nab Show

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Heidi Steffen to Become President of TitanTV

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

NVIDIA and Partners Showcase the Future of AI-Driven Manufacturing at Hannover Messe 2026

Manufacturing is at an inflection point. Across every major industrial economy, ...

20/04/2026

Autonomous AI at Scale: Adobe Agents Unlock Breakthrough Creative Intelligence With NVIDIA and WPP

AI agents are transforming how work gets done across all industries, acceleratin...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...

19/04/2026

NAB 2026: Cobalt Digital introduces blueCORE standalone processors for SDI and ST 2110 workflows

Cobalt Digital (Booth N1340) will introduce the blueCORE family of standalone si...

19/04/2026

NAB 2026: Chyron and Asport to demonstrate AI-driven end-to-end sports production and distribution workflows

Chyron and Asport (Booth N2441) will demonstrate an integrated sports video work...

19/04/2026

NAB 2026: MediaKind outlines growth of Multiview deployments as Charter rollout expands in North America

MediaKind (Booth W1743) provided an update on its Multiview deployments at NAB S...

19/04/2026

NAB 2026: Calrec and Grass Valley announce partnership to integrate ImPulseV with AMPP platform

Calrec (Booth C6907) and Grass Valley (Booth C2408) announced a long-term broadc...

19/04/2026

NAB 2026: Oracle and partners to demo MoQ-based streaming ecosystem

Oracle is bringing a multi-partner demonstration of Media over QUIC (MoQ)-based live streaming to NAB Show 2026, showcasing how independent systems from multipl...

19/04/2026

NAB 2026: Encompass Digital Media and Oracle Cloud Infrastructure expand partnership for cloud-native broadcast operations

Encompass Digital Media announced an expanded partnership with Oracle Cloud Infr...

19/04/2026

SportsTechBuzz at NAB 2026, Day 1: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

19/04/2026

NAB 2026: Blackmagic Design Announces ATEM 4 M/E Constellation IP Switchers

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Waves update Sync Vx

Now available in VST3, AU and AAX formats Waves have recently released an update that extends their vocal-alignment plug-in's capabilities to all DAWs -...

19/04/2026

TV and Radio HQ Moves Closer to the Conversation

Share Copy link Facebook X Linkedin Bluesky Email...

19/04/2026

Expanded Creator Lab Seeds Digital Synergies

Share Copy link Facebook X Linkedin Bluesky Email...

19/04/2026

Why Streamers Are Seizing the Now

Share Copy link Facebook X Linkedin Bluesky Email...

19/04/2026

Make Every Dollar Count on Set

Share Copy link Facebook X Linkedin Bluesky Email...