Sony enters the catchment in 8K with the new UHC-8300 and premiered three camcorders HDR 4K La c mara, desarrollada en estrecha colaboraci n con la NHK japonesa, cuenta con tres sensores 8K de 1,25 pulgadas y es capaz de generar salidas de se ales 8K, 4K y HD al mismo tiempo con la aplicaci n de diferentes espacios de color y OETF a cada se al.
Sony ha presentado este viernes en IBC 2017 su primera c mara 9K. La nueva UHC-8300 cuenta con tres sensores 8K de 1,25 pulgadas y se ha dise ado para que incluya todas las funciones necesarias en las producciones de alto nivel, lo que incluye emisiones en directo, programas de entretenimiento y documentales de alta calidad basados en hechos reales. Su formato de captura 8K (7680 x 4320) a 120p ofrece un metraje de alta resoluci n bien equilibrado con una impresionante profundidad de campo y un rango din mico amplio, lo que lo hace adecuado para metraje HDR tanto en S-Log3 como en Log-Gamma h brido (HLG), con compatibilidad con espacio de color ITU-R BT.2020.
El sistema de c mara UHC-8300 se puede utilizar no solo para producci n en 8K, sino tambi n para 4K. Es capaz de generar salidas de se ales 8K, 4K y HD al mismo tiempo con la aplicaci n de diferentes espacios de color y OETF a cada se al. Tambi n permite la salida simult nea de se ales 8K HDR, 4K HDR y HD SDR. Los accesorios para las c maras serie HDC, como los visores y los paneles de control remoto, tambi n son compatibles con el sistema UHC-8300.
El recorte en tiempo real de una imagen 8K a una imagen 4K ofrece un encuadre flexible al capturar la acci n en directo, lo que facilita funciones de mejora creativas que redundan en una mejor producci n de los programas.
La montura del objetivo original tiene 1,25 pulgadas, pero la UHC-8300 tambi n admite objetivos 4K con montura B4 con un adaptador de objetivo . La empresas del sector audiovisual pueden elegir los objetivos 4K correspondientes para asegurarse de que capturan cada instante de la acci n, especialmente en la producci n de deportes en directo, que requiere objetivos con zoom de alta potencia.
La se al 8K se transmite a trav s de SDI, aunque el sistema UHC-8300 tambi n es compatible con conectividad IP, por lo que est preparado para el sistema de producci n en directo con tecnolog a IP actual.
Sony ha desarrollado esta c mara en estrecha colaboraci n con la televisi n p blica japonesa NHK (Japan Broadcasting Corporation).
Venice
Sony ha revelado en IBC su nueva c mara para cinematograf a digital Venice, una soluci n de fotograma completo 6K de 36 24 mm, con capacidades anam rficas, sensor intercambiable, sistema de filtros ND de 8 niveles, nuevo sistema de gesti n de color y un dise o totalmente modular. La nueva generaci n de c maras CineAlta de Sony, que hereda aspectos de las populares F65 y F55, pretende expandir la libertad creativa de los directores a trav s de la captura de im genes de cine en fotograma completo y un gran formato, ofreciendo tonos naturales de piel y excelente respuesta en las bajas luces.
Ahora, el sensor de fotograma completo de 36 24 mm de la Venice permite la compatibilidad con una amplia gama de lentes, incluyendo lentes anam rficos, Super 35mm y montura PL de fotograma completo, lo que aumenta la libertad creativa con escasa profundidad de campo.
You can also change the lens mount to withstand lens mount and for shooting situations that require smaller, lighter and wider lenses. The selectable areas by the user of the image sensor allow to shoot on Super 35 mm 4 - perf. Future firmware upgrades will allow the camera handle a 36mm 6K resolution. Technology of quick scanning of images will also minimize the "Jello" effect.
Another aspect that brings the new Venice is its advanced color management that puts in the hands of creatives more control and freedom to refine color from the camera and prepare the way for the final correction in post-production. Venice also has more than 15 stops of latitude to handle challenging situations of lighting with little light or direct sunlight with a gentle roll-off.
Tres nuevos camcorders
En este IBC Sony la lanzado tres nuevos camcorders de mano (XDCAM PXW-Z90, NXCAM HXR-NX80 y la Handycam FDR-AX700). Cuentan con el innovador sistema Fast Hybrid AF de Sony y combinan una funci n de enfoque autom tico (AF) r pida y fiable adaptada para grabar con un sensor de imagen Exmor RS CMOS apilado de tipo 1.0. Todos los nuevos camcorders soportan un flujo de trabajo HDR (High Dynamic Range) instant neo, lo que permite a los usuarios producir contenido HDR impactante con una posproducci n m nima para adaptarse a distintas situaciones y aplicaciones de creaci n de contenido.
El sistema Fast Hybrid AF garantiza un enfoque de alta precisi n y realiza un seguimiento durante la grabaci n, proporcionado por 273 puntos de AF de detecci n de fase que cubren aproximadamente el 84 % del rea de grabaci n, una colocaci n de los puntos de enfoque autom tico de alta densidad y un algoritmo de AF de nuevo desarrollo. Esto reduce la carga de enfocar, especialmente cuando se requiere un enfoque preciso para grabar v deos 4K. En el modo de grabaci n de v deos, la visualizaci n de los marcos AF de detecci n de fase indica el rea que se enfoca y permite a los usuarios seguir f cilmente un sujeto que est enfocado. Los nuevos camcorders cuentan con un visualizador OLED de alta resoluci n (OLED de tipo 0,39, 2.359k puntos) y una operaci n de pantalla t ctil avanzada, en la gran pantalla LCD de tipo 3,5 (1.555k puntos), para permitir a los usuarios cambiar r pidamente el enfoque de un sujeto a otro, mientras que las funciones AF Drive Speed, Tracking Depth Range y Subject Switching Sensitivity pueden configurarse seg n se requiera para distintos sujetos y estilos de contenido.
Los nuevos camcorders soportan grabaci n 4K HDR con HLG (Hybrid Log-Gamma) y ofrecen un flujo de trabajo HDR in
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Sony enters the catchment in 8K with the new UHC-8300 and premiered three camcorders HDR 4K La c mara, desarrollada en estrecha colaboraci n con la NHK japonesa, cuenta con tres sensores 8K de 1,25 pulgadas y es capaz de generar salidas de se ales 8K, 4K y HD al mismo tiempo con la aplicaci n de diferentes espacios de color y OETF a cada se al. 
