
There are probably more cloud-based services providing functional capability for media operations than for any other commercial sector. These services range from simple format conversion (transcode) to complex AI services which can automatically create temporal logs that describe' content based on object or other recognition models. The aggregate of even a small selection of the available services is extremely powerful. Cloud-provided service functionality has the capability to transform the efficiency of production and content supply chain operations. Aside from the breadth of functionality available in the cloud' the structure and fabric of cloud provides direct benefit for media businesses:
Scale, infinite scale for material storage and processing.
Resilience, at a fractional incremental cost.
Security, cloud affords greater security and auditability than on-prem storage.
Access, global access to content enabling remote and collaborative operations.
Economical, almost universally costs are on a consumption basis.
Interoperability, through standardised control interfaces*.
*A very welcome development in the broadcast and media industry.
Whilst there has been a significant increase in the use of cloud for production and content preparation workflows, broadly take-up has not been as rapid as it might have been. Aside from the migration issues relating to file size, covered here, the key reasons cited by media companies distil into three headlines: visibility, cost, and control.
These are genuinely held concerns; below are some real-world statements from media operators and details of how BLAM's functionality answers the issue.
Visibility & Discovery we recently put over a petabyte of media into the cloud as a backup / safety copy but now cannot see what we have without restoring it
This is a simple one for BLAM. The BLAM UI makes all media objects visible and playable'. For video assets, BLAM creates a full resolution browse / proxy version of all material that is brought into the platform so that it may be played within a standard web-browser.
The browse / proxy file is typically encoded at 2Mb/s (this is configurable) so the file stored on disk is between 0.5-4% of the original / master file size. If you are using AWS S3 storage, this means that only the small browse / proxy file is required to sit' at Standard Class. The much larger broadcast or mezzanine format may be archived to the Deep or Glacier class in AWS parlance.
The ability to see media and the relationships between media in this way means that cloud storage and services may be used in an extremely cost-effective way.
Content accessibility is enhanced with discovery tools - principally this means search. BLAM supports accessibility of media through a fast and sophisticated search capability underpinned by advanced metadata management for structured and unstructured data. BLAM provides:
Metadata synchronisation with live systems such as traffic or rights management.
Connectors to a range of legacy platforms for bulk data migration.
Generation of temporal metadata generation using AI and other services.
A powerful search capability to support simplified discovery.
Asset relationship management capability.
Cloud storage tagging tools to persist data at the object level.
With all the promise of scalability, our operation still suffers bottlenecks but, in the cloud, ironically, it is more difficult to see where .
Another form of visibility that has been designed into BLAM is real-time workflow monitoring. BLAM provides real-time status information for all processes that it is orchestrating - both for internal processes, such as checking technical data on a file, or long-running processes, such as transcoding. BLAM provides a single interface through which multiple services from multiple vendors (i.e. multi-cloud) can be monitored and managed. Crucially, BLAM supports the management by exception paradigm through alerts in the case of error. Such alerts provide specific detail so corrective action may be enacted quickly.
Cost It is extremely difficult to calculate how much as specific asset or job has cost us, particularly as we use the services of multiple providers
The fundamental of finance control, when using a consumption-based model, is to understand the aggregate cost of performing a specific function. This calculation is complex when using the services from several vendors - the multi-cloud problem. BLAM tracks fixed and variable costs based on transactions across all services, regardless of provider, and can compute these to provide meaningful management information.
Finance in BLAM is based on transaction units which are calibrated as time (seconds) or size (bytes) although these can be customised. Rates are manually set or applied to transactions dynamically through a service API. Calculating costs is then as simple as multiplying the rate by transaction units (which are tracked within each BLAM Workflows BLidget). Tracking transaction units at the BLidget level means that BLAM records data at the most granular level possible. Cost data may then be presented in an entirely customisable way, be it in a graphic form in a BLAM dashboard or in an Excel-based financial report. A common requirement in the content supply chain context is to see the cost of delivering a media package which includes a breakdown of all the services involved so that this may be recharged. An equally common request is to see the total cost of ownership information. BLAM now displays this as standard in the Media view.
It's the egress costs, that is where they catch you out
The fact is that storing large media files in AWS S3 at Standard class is expensive. It is also a fact that egress costs for large files are not trivial - although this aspect is under increasing
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
26/03/2026
Wayne, N.J., March 26, 2026 Phantom High-Speed announces the latest product li...
25/03/2026
Directed By, Spotify's documentary-style series that pulls back the curtain ...
25/03/2026
BTS is so back., This week, the global pop superstars took the stage at New York City's Pier 17 for their first U.S. performance in four years.
Part of Spo...
25/03/2026
How you listen can shape what you hear. That's the idea behind the new Spotify Listening Lounge, an acoustic space at our London headquarters purpose-built ...
25/03/2026
Tape effects taken to the extreme
The latest release from New York-based developer Iconic Instruments is said to accurately recreate the saturation and comp...
25/03/2026
Launched alongside new Vocal Phrases bundle
Sonuscore's latest release has been designed specifically for composers working on fantasy TV, film and game...
25/03/2026
Latest update now live
The latest version of Steinberg's post-production-focused DAW has just arrived, and comes packed with new dialogue editing, sound...
25/03/2026
Rohde & Schwarz joins FormFactor's MeasureOne partner program FormFactor and Rohde & Schwarz advance their partnership for on-wafer RF component character...
24/03/2026
As the music industry gathers for Canada's Juno Awards, the local edition of...
24/03/2026
Behind every great song is a complex web of people, stories, and inspirations th...
24/03/2026
Few filmmakers have shaped popular cinema as profoundly as Steven Spielberg. So ...
24/03/2026
Latest Eurorack modules revealed
ALM/Busy Circuits have just introduced another two Eurorack modules, delivering a powerful new modulator that builds on the...
24/03/2026
Smallest, most affordable MPC to date
Akai Pro have just introduced their most accessible standalone sampler to date, making the iconic MPC experience avail...
24/03/2026
Create & manage presets on Windows & macOS
Electro-Harmonix have announced that their free Mac/Windows application now allows users of their Oceans Abyss re...
24/03/2026
Rohde & Schwarz amplifiers enable high-field immunity testing expansion at IB Le...
24/03/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({...
24/03/2026
Rick Bernier reflects on a career that has taken him to the very top of live broadcast audio. As a Senior Broadcast Audio A1 Engineer and Music Director, he has...
24/03/2026
RT 's new history podcast, What Were We Like, is out now. Hosted by historian Diarmaid Ferriter and archivist Catriona Crowe, the series focuses on modern I...
24/03/2026
Tuesday 24 March 2026
Netflix partners with Sky Business to bring boxing night ...
24/03/2026
The Death of Bunny Munro and Lockerbie: A Search for Truth receive four nominations eachTuesday 24 March 2026
Sky celebrates 28 nominations at the 2026 BAFTA T...
24/03/2026
Tubi Turns Passion into Performance at IAB Newfront Announces New Interactive Ad Formats Including Scene Sense, Interactive Pause Ads and Connected Conversion...
24/03/2026
Arqiva shortlisted for Education Initiative of the Year'
We're excited to announce that we've been named a Finalist at the British Data Awards 202...
24/03/2026
Use of ABC data continues to grow, with 87% of buyers say they use it, compared ...
24/03/2026
All three presenters, Maura, D ith and Sinead, celebrate as afternoon chat show filmed in Cork hits milestone.
Ireland's longest running afternoon show, t...
24/03/2026
March 24 2026, 04:00 (PDT) Dolby Named to Fast Company's Annual List of the...
23/03/2026
It's been 20 years since Miley Cyrus introduced the world to Hannah Montana,...
23/03/2026
Made entirely from real natural recordings
Aimed at sound designers and editors working in film, TV and game audio, the latest release from BOOM Library com...
23/03/2026
Transcribe sheets, tabs or MIDI from audio files
Klang.io have announced the launch of a new AI-powered software tool that's capable of detecting multip...
23/03/2026
Monday 23 March 2026
Hacks, the multi-Emmy -winning Sky Exclusive comedy, retur...
23/03/2026
RT is sad today to learn of the death of legendary RT Sport broadcaster Michael Lyster, who died this morning aged 71 years.
Kevin Bakhurst, Director-General...
23/03/2026
RT Documentary On One has scooped its first ever dedicated music award. At the 2026 Icelandic Music Awards, composer lfur Eldj rn won Release of the Year in t...
23/03/2026
Inside Sport, Liveline, Morning Ireland and 2FM DRIVE will all be in Prague to bring fans to the heart of the action
Every Moment, Every GenerationRT | FIFA W...
22/03/2026
Free updates now available
VSL have just released some free updates that add some existing features to a selection of libraries in their expansive Synchron ...
21/03/2026
Presented to War Child UK's HELP(2) project
The MPG (Music Producers Guild) have announced the launch of the MPG Impact Award, a brand-new honour that w...
21/03/2026
Microtuning support for Arabic, Persian & Turkish scales
The latest release from Best Service brings together a selection of string, wind and percussion ins...
20/03/2026
In 2021, we launched EQUAL, a program designed to address an industry reality that persists: Women artists, songwriters, and producers too often face fewer oppo...
20/03/2026
BTS' long-awaited fifth studio album, ARIRANG, is finally here. To celebrate...
20/03/2026
A new era for Kenia Os has arrived, and Spotify marked the moment by putting fan...
20/03/2026
Una nueva era para Kenia Os ha llegado, y Spotify marc el momento poniendo a lo...
20/03/2026
Combines sampling & physical modelling
Sound Magic have announced the launch of a comprehensive virtual drum instrument that's been designed to cater to...
20/03/2026
How much difference should mastering make?
In our latest Mix Rescue feature, SOS Editor in Chief Sam Inglis revisits a project from back in 2019, carrying o...
20/03/2026
In this blog, Laura Rognoni reflects on key discussions from the Connected TV World Summit in London, where NAGRAVISION hosted a panel on content discovery and ...
20/03/2026
Dingle, Co. Kerry - Animation Dingle is delighted to announce that Suzanne Kelly, Head of Children's and Young People's Content at RT , will receive the...
20/03/2026
Friday 20 March 2026
Sky Extends Saturday Night Live UK Run to Eight Shows
Ahead of Saturday Night Live UK's launch tomorrow (March 21), Sky has confirmed...
20/03/2026
It's time to play The Money List! Baz Ashmawy is back at the helm as the qui...