Sony Pixel Power calrec Sony

Friday Tip: Tempo Changes for Already Mixed Songs - Reloaded

09/08/2019

The June 22, 2018 tip covered how to make mastered songs better with tempo changes, but there was some pushback because it wasn't easy to make these kinds of changes in Studio One. Fortunately, it seems like the developers were listening, because it's now far easier to change tempo. I've been refining various tempo-changing techniques over the past year (and had a chance to gauge reactions to songs using tempo changes compared to those that didn't), so it seemed like the time is right to re-visit this topic.

WHY TEMPO CHANGES?

In the days before click tracks, music had tempo changes. However, with good musicians, these weren't random. After analyzing dozens of songs, many (actually, most) of them would speed up slightly during the end of a chorus or verse, or during a solo, and then drop back down again.

For example, many people feel James Brown had one of the tightest rhythm sections ever-which is true, but not because they were a metronome. There were premeditated, conscious tempo changes throughout the song (e.g., speeding up during the run up to the phrase papa's got a brand new bag, in the song of the same name, then dropping back down again-only to speed up to the next climax). Furthermore, the entire song sped up linearly over the course of the song.

Note that you didn't hear these kinds of changes as something obvious, you felt them. They added to the tension and release inherent in any music, which is a key element (along with dynamics) in eliciting an emotional response from listeners.

THE PROBLEM WITH TEMPO CHANGES

It was easy to have natural tempo changes when musicians played together in a room. These days, it's difficult for solo artists to plan out in advance when changes are going to happen. Also, if you use effects with tempo sync, not all of them follow tempo changes elegantly (and some can't follow tempo changes at all). Let's face it-it's a lot easier to record to a click track, and have a constant tempo. However

THE STUDIO ONE SOLUTION

Fortunately, Studio One makes it easy to add tempo changes to a finished mix-so you can complete your song, and then add subtle tempo changes where appropriate. This also lets you compare a version without tempo changes, and one with tempo changes. You may not hear a difference, but you'll feel it.

As mentioned in last year's tip, for the highest possible fidelity choose Options > Advanced > Audio, and check Use cache for timestretched audio files. Next, open a new project, and bring in the mixed file. Important: you need to embed a tempo, otherwise it's not possible to change the tempo. So, open the Inspector, and enter a tempo under File Tempo. It doesn't have to match the original song tempo because we're making relative, not absolute, changes. Also choose Tempo = Timestretch, and Timestretch = Sound - Elastique Pro Formant.

MANIPULATING THE TEMPO TRACK

Working with the tempo track is now as easy as working with automation: click and drag to create ramps, and bend straight lines into curves if desired. You can set high and low tempo limits within the tempo track; the minimum difference between high and low Tempo Track values is 20 BPM, however you can change the tempo track height to increase the resolution. The bottom lines it that it's possible to create very detailed tempo changes, quickly and easily.

So what does it sound like? Here are two examples. The first is a hard-rock cover version of Walking on the Moon (originally recorded by The Police, and written by Sting).

The differences are fairly significant, starting with a low of 135 BPM, going up to 141 BPM, and dropping down as low as 134 BPM.

https://youtu.be/ivXWaWW9e74

Here's another example, a slower song called My Butterfly. It covers an even greater relative range, because it goes from a low of 90 to a high of 96 BPM. You may be able to hear the speedup in the solo, not just feel it, now that you know it's there.

https://youtu.be/dgkhB9eo1dw

Note that when possible, there's a constant tempo at the beginning and end. It doesn't matter so much with songs, but with dance mixes, I can add tempo changes in the track as long as there's a constant tempo on the intro and outro so DJs don't go crazy when they're trying to do beat-matching.

So is it worth making these kinds of changes? All I know is that the songs I do with tempo changes get a better response than songs without tempo changes. Maybe it's coincidence but I don't think so.
LINK: https://blog.presonus.com/index.php/2019/08/09/friday-tip-tempo-change...
See more stories from presonus

Most recent headlines

09/11/2025

Dalet Unveils Agentic AI Media Workflows at IBC2025

Dalet today announced a transformative leap forward for media operations: Agentic Artificial Intelligence (AI) that unifies the Dalet ecosystem under one natura...

30/10/2025

Samba TV: 60% Of TV Time Spent Viewing Streaming Content

Television viewers are spending more time watching streaming content than linear TV, but sports continues to be a bright spot for broadcasters, according to the...

30/10/2025

Operative Media Names Mike Napadano as CEO

NEW YORK Advertising technology company Operative Media has named Mike Napadano as its new CEO....

30/10/2025

Walmart Selects Marshall Cameras to Power New Campus Broa...

Walmart Inc. has chosen Marshall Electronics cameras for use across its brand-new corporate campus studios and event center. The installation includes Marshall ...

30/10/2025

NETGEAR Academy Expands Into Industry-Wide IP Training Pl...

NETGEAR, Inc. (NASDAQ: NTGR), a global leader in intelligent networking solutions designed to power extraordinary experiences, today announced the launch of its...

30/10/2025

Clear-Com Gen-IC Virtual Intercom Connects Students World...

Clear-Com recently contributed its award-winning Gen-IC virtual intercom solution to power real-time communications for On-Air Student TV, a 24-hour global st...

30/10/2025

Maxon Strengthens Growth Strategy with Appointment of Kse...

Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, and more, today announced t...

30/10/2025

Studio Technologies Dante Enabled Model 394 GPI Interface...

Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, announces that its new Model 394 GPI Interface and Model 39...

30/10/2025

Astro selects Broadpeak for high performance streaming an...

Broadpeak , a leader in streaming and monetization at scale, has been selected by leading Malaysian content and entertainment company Astro to enable two major ...

30/10/2025

Riedel Communications Appoints Ulrich Voigt as Director L...

Riedel Communications is pleased to announce that Ulrich Voigt has joined the company as Director Live Production Solutions, taking over the SimplyLive business...

30/10/2025

LiveU and Kinetiq Launch Cloud Native Watermarking Integr...

LiveU, the global leader in live IP-video contribution, production, and distribution, today announced a new partnership with Kinetiq, the AI-powered platform un...

30/10/2025

FCC Plans Nov. 20 Open Meeting, Provides Shutdown Update

WASHINGTON Federal Communications Commission Chair Brendan Carr has called for an end to the government shutdown while providing some updates on the agency'...

30/10/2025

Carr Issues Draft Proposal for More C-Band Spectrum Sales

WASHINGTON Federal Communications Commission Chair Brendan Carr has announced that he has circulated a proposal for the FCC to auction additional mid-band spect...

30/10/2025

Join the Resistance: ARC Raiders' Launches in the Cloud

Get ready, raiders - the wait is over. ARC Raiders is dropping onto GeForce NOW and bringing the fight from orbit to the screen. To celebrate the launch, gamer...

29/10/2025

MLS, EDGE Sound Research To Debut Immersive Embodied Sound' at LAFC vs. Austin FC Playoff Match

MLS, EDGE Sound Research To Debut Immersive Embodied Sound' at LAFC vs. Aus...

29/10/2025

SVG Remote Production Forum 2025: All Sessions Now Available to Watch on SVG PLAY

SVG Remote Production Forum 2025: All Sessions Now Available to Watch on SVG PLA...

29/10/2025

World Series 2025: How Audio Is Transported Around the Sites and Beyond

World Series 2025: How Audio Is Transported Around the Sites and BeyondThe signals also move not just between two countries but around the globeBy Dan Daley, Au...

29/10/2025

Inside the Archives: Celebrating Archives Month Through Sundance Film Festival Films

A still from 306 Hollywood, a film by sibling filmmakers Jonathan Bogar n and El...

29/10/2025

New research shows sense of belonging is growing stronger among multilingual Australians

New research shows sense of belonging is growing stronger among multilingual Aus...

29/10/2025

SBS, NITV and Screen Australia announce2025 Digital Originals Shortlist

SBS, NITV and Screen Australia announce2025 Digital Originals Shortlist 29 October, 2025 Media releases SBS, NITV and Screen Australia are excited to unvei...

29/10/2025

Clear-Com's Gen-IC Virtual Intercom Connects Students Worldwide for 24-Hour Global...

eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({...

29/10/2025

NAB New York 2025 Preview

NAB New York 2025 Preview | October 22-23 | Booth 544 | Javits Center, New York We're looking forward to meeting up with customers and partners at NAB New Y...

29/10/2025

Riedel Names Ulrich Voigt Director of Live Production Solutions

WUPPERTAL, Germany Riedel Communications has hired Ulrich Voigt as director, live production solutions, taking over the leadership of its SimplyLive business fr...

29/10/2025

Sinclair Taps Mark Martin to Lead Stations in Oklahoma

OKLAHOMA CITY and TULSA, Okla. Sinclair has named Mark Martin as vice president and general manager of KOKH-KOCB Oklahoma City and KTUL Tulsa....

29/10/2025

iSpot Taps Julie Van Ullen as President and Chief Revenue Officer

BELLEVUE, Wash. Julie Van Ullen has joined cross-platform TV ad measurement company iSpot as president and chief revenue officer....

29/10/2025

Lawo Delivers Audio, IP Infrastructure for New Swiss OB Vehicle

Brutal g et, a Swiss broadcast services provider, has rolled out a state-of-the-art outside broadcast (OB) vehicle built on a Lawo AoIP (audio-over-internet pro...

29/10/2025

FCC Commissioner Olivia Trusty Announces Temporary Staff Changes

WASHINGTON FCC Commissioner Olivia Trusty has announced a temporary staff change in her office....

29/10/2025

Berklee Valencia Talent Helps Score Alejandro Amenbar's El cautivo

Berklee Valencia Talent Helps Score Alejandro Amen bar's El cautivo Faculty and alumni from Berklee Valencia's scoring for film, television, and video...

29/10/2025

Disney Takes Ownership of Fubo

The Walt Disney Company today announced they have closed their transaction to combine Fubo's business with Disney's Hulu + Live TV business....

29/10/2025

Ulrich Voigt

WUPPERTAL, Germany Riedel Communications has hired Ulrich Voigt as director, live production solutions, taking over the leadership of its SimplyLive business fr...

29/10/2025

MLS To Unveil Immersive Embodied Sound' During Playoff Match

LOS ANGELES Major League Soccer will introduce a broadcast audio enhancement tonight during the LAFC vs. Austin FC playoff match....

29/10/2025

ESPN, Sony Ink Deal to Expand Animated Altcasts for 2025-26

ESPN said it will produce animated telecasts for NFL, NHL, NBA and WNBA games across The Walt Disney Co. and ESPN platforms during the 2025-26 season under an a...

29/10/2025

FCC Approves Notice of Proposed Rulemaking on NextGen TV

WASHINGTON Despite the government shutdown, the Federal Communications Commission has passed, with some revisions, a previously announced Notice of Proposed Rul...

29/10/2025

SBS, NITV and Screen Australia announce 2025 Digital Originals Shortlist

29 10 2025 - Media release SBS, NITV and Screen Australia announce 2025 Digital Originals Shortlist The 2025 Digital Originals shortlisted teams. Photo credit...

29/10/2025

Hyundai Motor Group Brings Dolby Atmos to Elexio, Hyundai Motor Group's First China-Exclusive Electric Vehicle

October 29 2025, 17:00 (PDT) Hyundai Motor Group Brings Dolby Atmos to Elexio, ...

29/10/2025

Riedel Communications Appoints Ulrich Voigt as Director Live Production Solutions

Wuppertal October 29, 2025 Riedel Communications Appoints Ulrich Voigt as Dire...

29/10/2025

Start of Filming for Daniel Snchez Arvalo's New Netflix Movie

Back to All News Start of Filming for Daniel S nchez Ar valos New Netflix Movie Entertainment 29 October 2025 GlobalSpain Link copied to clipboard The fil...

29/10/2025

Comscore's 2025 State of Streaming Report Reveals Surging Growth of Both Ad-Supported Platforms and FAST Channels

Comscore's 2025 State of Streaming Report Reveals Surging Growth of Both Ad-...

29/10/2025

RT PUBLISHES 2024 ANNUAL REPORT

RT PUBLISHES 2024 ANNUAL REPORT RT REPORTS NET SURPLUS OF 5.5 MILLION IN 2024 A YEAR WITH MANY SPECIAL EVENTS UEFA EUROS 2024, THE OLYMPICS AND PARALYMP...

29/10/2025

Into the Omniverse: Open World Foundation Models Generate Synthetic Worlds for Physical AI Development

Editor's note: This post is part of Into the Omniverse, a series focused on ...

28/10/2025

SVG All-Stars: Catherine Chalfant, Manager, Remote Operations, ESPN

SVG All-Stars: Catherine Chalfant, Manager, Remote Operations, ESPNThe Ole Miss alum is an operational force behind ESPN's extensive college-football catalo...

28/10/2025

Elevating the Experience: AI and Data Take Ryder Cup to the Next Level

Elevating the experience: AI and data take Ryder Cup to the next level By Joe OHalloran Tuesday, October 28, 2025 - 10:25 Print This Story NBC produced th...

28/10/2025

Conquering the Air (Waves): Taking a Close Up Look at the IBC Accelerator Private 5G from Land to Sea to Sky'

Conquering the Air (waves): Taking a close up look at the IBC Accelerator Priva...

28/10/2025

World Series 2025: Spectrum SportsNet LA Brings Dodgers Fans Closer to the Action With Pre/Postgame Coverage

World Series 2025: Spectrum SportsNet LA Brings Dodgers Fans Closer to the Actio...

28/10/2025

The Thing with Feathers Brings the Horror of Grief to the Screen

Dylan Southern and Benedict Cumberbatch at the premiere of The Thing with Feathers (photo by George Pimentel / Shutterstock for Sundance Film Festival)...

28/10/2025

Spotify's Greasy Tunes Caf Serves Up the Sights, Sounds, and Flavors of Lagos

For three weeks in Lagos, Spotify's Greasy Tunes Caf pop-up brought the cit...

28/10/2025

Spotify's New OFFCULT Playlist Is a Love Letter to the Future of German Rap

Once a niche subculture, German rap has evolved into an influential cultural movement. Now, Spotify is giving the genre a new home with OFFCULT, a playlist dedi...

28/10/2025

Shane Delia's Malta serves up the Mediterranean this summer

Shane Delia's Malta serves up the Mediterranean this summer 28 October, 2025 Media releases Feast on 9,000 years of culinary history Mondays from 24 No...