SVG Sit-Down: A1 Jeri Palumbo on Becoming a Production-Music Entrepreneur The broadcast-sports veteran is co-founder of new Arena Waves library By Dan Daley, Audio Editor
Thursday, May 6, 2021 - 11:18 am
Print This Story | Subscribe
Story Highlights
Every production-music library has developed its sports vertical, but, for newcomer Arena Waves, sports is its one and only. Not surprising, given than founding partner Jeri Palumbo has been one of the go-to A1s in broadcast sports for 27 years. The Telly Award-winning musician-turned-mixer has handled sound for NFL, NBA, MLB, NHL, and NASCAR events, as well as the Super Bowl, World Series, Stanley Cups, and the Oscars. She sat down with SVG to discuss where her new venture came from, where it's going, and what's facing production music for broadcast and live sports.
Jeri Palumbo: Arena Waves is different because we are crafting cues from the bottom up: a user's perspective. We know what they are looking for.
You were a musician before moving into pro audio, a not-uncommon transition for sports A1s. But what prompted this move into production music? What opportunity or need do you see in a market that already has millions of tracks available?
All of my work is deeply rooted in my musical training and background before I moved into broadcasting. As an A1, I had to edit music to fit the broadcast needs. After a chance meeting in New York City with my current partners in Arena [Rich Tozzoli and Pat Finnegan], we had a lengthy discussion about the specifics of how sports music is different from film and television cue, including the vernacular.
I always thought that a music library dedicated to sports would be extremely useful to every aspect of production, and this partnership was ideal not only from a catalog-volume perspective but in the willingness of my partners to curate it into being sports-specific. In addition, we had an enormous talent pool we could combine between us (East and West Coast established session musicians and composers).
It was very natural to take all of my experience, broadcast and music combined, and apply it to this new partnership for the creation and curation of music specifically for the sports and esports market. Arena Waves is different because we are crafting cues from the bottom up: a user's perspective. We know what they are looking for.
What sets Arena Wave apart from competitors? How does your perspective as a broadcast-sports A1 provide unique insights here?
We make super-high-quality cues that are drop-in-ready, no editing required. We've done the editing. Having spent countless hours over the years shaving cues, we understand how time-consuming this is. With our cues, you can plug and play. Or, if you want something very specific, we are happy to do that, too. Arena Waves understands sports, esports and live broadcast production. We know how music is chosen because we've actually sat in that chair for 25 years.
What search technologies and services can Arena Wave provide to clients?
Arena Waves is mobile-platform-friendly. You can work with Arena Waves anywhere from your phone or computer, so there is no downtime on creating production playlists.
We also broke out curated playlists by style for easy searching. What you don't find in our curated playlist, you can find by genre, type, style, etc. in our main search field. In addition, we can deliver the most complicated requests quickly to our clients without compromise in as little as 48 hours.
We also created the Producer's Edge section, where broadcast producers, editors, and creators can get ready-made precision cut-downs for bumpers and highlights, freeing the A1 or editors from having to shave cues or edit. This is specifically helpful for live environments, when time is critical. Producers, A1s, and creators don't have to think about it; they can just add it to their Spot On, Ableton, 360 Systems, or whatever [platform] they are using.
What are Arena Waves' positions on such issues as royalty-free music and how to deal with DCMA takedowns of tracks used by sports?
Since Arena Waves personnel have experience coming from both the music industry and the broadcast world, we are sensitive to these issues. There will always be a place for royalty-free catalogs, and they are appropriate for, say, corporate in-house video or other smaller outlets. However, our talent pool of composers and musicians is top-notch, and Arena Waves will always strive to take care of them. That means getting the most-viable licensing syncs. In regard to DCMA takedowns, if a cut is being used for a professional production without the owner's permission, then absolutely I agree with the DCMA takedown.
A lot of music for sports has settled into some predictable pairings: hip hop for the NBA, pastoral themes for golf, triumphal horns and crunchy guitars for the NFL. Are these genres due for a shake-up?
Like any music bed, it needs to fit the narrative and make sense. Music paints a story on one hand while, other times, it's used to energize. Even though there is a comfortable and somewhat predictable pattern in the sports-broadcast world, we believe it's fresh and exciting to shake things up and try something new when appropriate.
What are the challenges in developing music for sports on the air and in the venue?
The main challenge is understanding the different needs of sports post- and pre-productions vs. a live over-the-air broadcast. Stadium and arena venues handle these differently from live broadcasts, and esports handles it differently from all the above. We understand all these differences because, again, we have sat in the chair of all those positions.
What does the future hold for sports music? Surround? 3D?
A lot! While traditional broadcasts have a tendency to go with what is predictable - stand
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
31/05/2026
Olivia P rez-Collellmir to Premiere Original Work at Gaud Centennial in Barcelona The Berklee graduate and faculty member will debut her choral symphony with...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
29/05/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
29/05/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
29/05/2026
The days are getting longer, the temperatures are rising, and playlists are filling up for the season. With summer around the corner, Spotify's global edito...
29/05/2026
New retro-inspired MPC announced
There are few devices that have gained the status held by Akai Pro's MPC range, and in recent years, the company have s...
29/05/2026
Save up to 30 on acclaimed titles
Following a successful launch at Superbooth 2026, Bjooks have revealed that they will be continuing the Kickstarter campa...
29/05/2026
Binaural monitoring application improved
Genelec have just released an update that brings some powerful new features to their HRTF-based binaural headphone ...
29/05/2026
6 June 2026 at SAE Institute, London, UK
IMSTA FESTA 2026 is almost upon us, with some of the biggest names in pro-audio set to descend upon SAE Institute i...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, died April 12, 2026, at his home in...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Comparing 5 AI Video Enhancers for Restoring Old Video Quality
Kate Luvis May 29, 2026
0 Comments
Digitizing VHS, MiniDV, and other legacy formats doe...
29/05/2026
Studio Hamburg Builds New Post Pipeline with DaVinci Resolve Studio
Brie Clayton May 29, 2026
0 Comments
Workflow replaces a patchwork of legacy tools...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
At the Intersection of Music and Dance, an Epic Collaboration Boston Conservatory musicians and dancers found creative parallels in their recent performance o...
29/05/2026
Back to All News
Latino Film Institute Fellows Screen Their Short Films at the Egyptian Theatre
The Inclusion Fellowship and Spark Animation Grant uplifts 15 ...
29/05/2026
GLOOKAST LAUNCHES CINNAFILM TACHYON PLUGIN FOR MEDIA PRODUCER AND MEDIA SERVICES
This release first appeared here.
Visit our Tachyon product page or contact...
29/05/2026
May 29 2026, 09:00 (PDT) Dolby and rednote Bring More Immersive Storytelling to...
29/05/2026
Something fundamental has shifted in how people consume media. Audiences aren't abandoning television or radio content; they're just expanding how, wher...
29/05/2026
Youtube exclusive special drops today
Watch now
UKTV today announces another e...
SVG Sit-Down: A1 Jeri Palumbo on Becoming a Production-Music Entrepreneur The broadcast-sports veteran is co-founder of new Arena Waves library By Dan Daley, Audio Editor 
