
Through a strategic integration with Amazon Web Services (AWS), EEG Video is pushing new boundaries in closed captioning, helping customers harness the flexibility and efficiency of the cloud with innovative solutions that support closed captioning, accessibility and metadata processing in broadcast, post production, streaming, live event production, government, and education. Using AWS Cloud Digital Interface (CDI) network technology, EEG has expanded its Alta IP caption and subtitle encoder capabilities to include support for real-time captioning for uncompressed live video over IP.
For modern audiences, it's hard to remember a time when closed captioning wasn't a standard menu option. Across the US and much of the world, accessibility to the essential service became a government mandate via legislation set in the 1990s. Since then, encoding and decoding technology for closed captioning has advanced, but its evolution has been fast tracked by the cloud. Through strategic integration with Amazon Web Services (AWS), technology company EEG Video is pushing new boundaries in the space, helping customers harness the flexibility and efficiency of the cloud with innovative workflow solutions that support closed captioning, accessibility and metadata processing in broadcast, post production, streaming, live event production, government, and education. Using AWS Cloud Digital Interface (CDI)network technology, EEG has expanded its Alta IP caption and subtitle encoder capabilities to include support for real-time captioning for uncompressed live video over IP.
One of the promises of the SMPTE 2110 standard is that you can deliver video, audio, and ancillary data separately, and that's important for a device like a closed captioning encoder that doesn't need to be connected to an ultra high resolution video source to operate, which could save bandwidth, said Bill McLaughlin, CTO, EEG Video. However, technology is changing so quickly and SMPTE 2110 is not a public cloud technology. Using AWS CDI with Alta, we can offer the best of both worlds - the benefits of SMPTE 2110 and the scalable resources of AWS.
The largest closed captioning and subtitle delivery network in the world, EEG's iCap provides round-the-clock access to real-time captioners and is hosted on AWS. Connecting IP workflows to the iCap Network, Alta harnesses AWS CDI to ensure reliable, low latency transport of uncompressed live video. Captioning through Alta can be done via an iCap human typist or through artificial intelligence (AI), and broadcasters often use a combination of the two approaches based on budget and project requirements. Beyond broadcast or OTT programming, captioning is now also prevalent at events and in large-scale venues, and with the rise of video conferencing, is increasingly being offered in those platforms, leading to more accessible communication. Powerful cloud-based solutions, like AWS CDI, allow service providers, including EEG Video, to help customers adapt workflows with the new lightning pace of innovation.
Fifteen years ago, it made sense to invest in a data center, because it was easier to predict what customers were going to want and need long term. Today, the live media industry is changing far too quickly to be able to make sizable investments like that with confidence, so many companies are now software-driven, which is made possible by the cloud, NAME explained. Using AWS, independent software vendors like us can more easily take our specialties, such as captioning, to the public cloud, and with functionality provided by technology like AWS CDI, integrate without concerns about network drivers or hardware-related issues, and that's very helpful for building applications.
A typical customer setup with Alta will include a central hub from a common vendor, such as Evertz, running on an AWS CloudFormation template or wherever their overall broadcast infrastructure systems are hosted for routing videos, and this is also where clipping, resolution transformation and similar tasks would be completed. When a feed needs captioning, it would then be sent to an Amazon Elastic Compute Cloud (EC2) instance that is hosting EEG channels, then ingested and captioning would be added, either via human or automated methods. From there, the captioned feed would be re-ingested into the central hub for recording or other applications. The feed could also be sent directly to AWS Elemental MediaLive for encoding and repurposing feed data. AWS Elemental MediaPackage can then be used to make an HLS stack that can help generate a link for use on different player sites. Where a video is being hosted, the HLS URL can be used to output closed captions on a web player.
In integrating AWS CDI with Alta, the goal for EEG Video was not to fundamentally change its operational workflow around closed captioning, but rather save customers money while broadening capabilities. EEG Video's use of the cloud is also helping it globalize what has traditionally been a regionalized market.
McLaughlin concluded, AWS is allowing to do what we've always done but in the cloud. This allows us to offer a spin up/spin down opex model with the polish deserving of a major broadcast as many of our customers navigate business challenges driving them toward maximizing flexibility in their workflows.
More from TV-Bay
06/05/2026
Riedel Communications today announced the expansion of its leadership structure as part of a strategic initiative to strengthen both its operational management ...
06/05/2026
For nearly three decades, Veteran Production Sound Mixer and Five-time Emmy Award Winner Dirk Sciarrotta has helped define the sonic identity of the long-runnin...
06/05/2026
Narrative Entertainment has partnered with Encompass to deliver high-quality subtitling of its Great! network content using the Altitude Intelligence AI assiste...
06/05/2026
SipRadius, widely recognized for making content processing and connectivity secure and seamless, is proud to launch a dramatic new approach to AI content creati...
06/05/2026
When the broadband and media industry gathers at ANGA COM in Cologne from May 19 to 21, Big Blue Marble will be at the forefront. The international broadcast an...
06/05/2026
Cinegy GmbH, a leading developer of software-defined television technology, is proud to exhibit at MPTS for the first time. Visitors to the stand will discover ...
06/05/2026
When live cycling races and international marathons stretch for miles across cities and countryside, there is no margin for RF failure in live broadcast. As Chi...
06/05/2026
Oberkochen/Germany, May 5, 2026
ZEISS announces the launch of CinCraft LensCore, a novel solution for creating physically based cinematic lens looks for visual...
05/05/2026
Project Marks First Major Broadcast Deployment of Latest Addition to SNP Lineup
Imagine Communications today announced that France T l visions is the first br...
05/05/2026
Shotoku Broadcast Systems Wins 2026 NAB Show Product of the Year Award
Shotoku Broadcast Systems announced today that its Swoop range of robotic cranes has be...
05/05/2026
DigitalGlue's creative.space Intelligence Wins Future's Best of Show Award, Presented by TV Tech
creative.space Intelligence (CSI), part of the creativ...
05/05/2026
Zixi, a leader in live video delivery and workflow orchestration, will showcase next-generation broadcast workflows at the Media Production and Technology Show ...
05/05/2026
Following a successful NAB Show in Las Vegas, DHD will promote examples from its wide range of broadcast-quality audio production equipment at the May 13th-14th...
05/05/2026
LucidLink today announced its programme for MPTS 2026, where it will exhibit at Stand M59 at Olympia London, 13 to 14 May. The company will showcase its latest ...
05/05/2026
Limecraft today announces the release of Limecraft 2026.3, the third platform update in its 2026 release cycle. Limecraft is an AI-powered production platform t...
05/05/2026
Huge leap forward in revenues and engagement...
05/05/2026
Broadcast Solutions, a leading system integrator and provider of innovative solutions for the broadcast media industry, has taken another significant step in st...
05/05/2026
Operative today announced the appointment of Dang Ly as Chief Product Officer, signaling the company's accelerating commitment to delivering the next genera...
05/05/2026
The Media Talent Manifesto (MTM) today announces the return of the World Skills Caf at IBC2026, positioning the event as a critical industry forum to confront ...
01/05/2026
To celebrate the opening of its new showroom and office, Lightware UK hosted a dedicated launch event at the new London location. The event welcomed partners, c...
01/05/2026
Choice without compromise
The broadcast industrys transformation is accelerating, and traditional broadcasters are having to fundamentally reinvent how they o...
01/05/2026
Beam Dynamics will return to MPTS 2026 with its asset intelligence platform, helping systems integrators, live production teams, media facilities and profession...
01/05/2026
Best-in-class UX design and rapid, scalable delivery for next-generation viewing experiences
Leading video software provider, Synamedia, today announced a coll...
01/05/2026
The Post Republic London's Re-recording Mixer and Dialogue Editor Dan Johnson has built a reputation for clean, emotionally resonant mixes that place dialog...
30/04/2026
CPI Media, a voluntary organization within the Missionary Society of St Paul (MSSP) and a leading media house dedicated to producing socio-religious content, ha...
30/04/2026
New software platform delivers comprehensive timing measurement across production workflows...
30/04/2026
Once again, the UK Pavilion in Hall 5 of BroadcastAsia 2026 will feature the latest and best in technology specifically developed and tailored for modern media ...
30/04/2026
Scalable broadcast-grade production over public internet, replacing traditional OB workflows...
30/04/2026
Live demonstrations highlight LCEVC ecosystem momentum, AI-powered video pipelines, and expansion across broadcast, streaming, and social media.
DTV (TV 3.0) ...
30/04/2026
A flexible monitoring platform designed to simplify ST 2110 operations, consolidate vendor tools, and support modern live production environments. See it at NAB...
30/04/2026
Sundance-premiering Run Amok is an expressive, unconventional take on today's teen experience, replete with musical numbers. When cinematographer Shachar ...
30/04/2026
Jacksonville State University, known as Jax State and a proud NCAA Division I member of Conference USA, has transformed its athletic broadcasts with a comprehen...
30/04/2026
Transforming viewer and content data into real-time intelligence to deliver relevant streaming experiences at scale
ThinkAnalytics, the global leader in AI-pow...
29/04/2026
Clear-Com has appointed Brian Grahn as Market Outreach Manager of the Americas and Ben Turnwell as Business Development Manager for EMEA live, expanding their ...
29/04/2026
nxtedition is bringing its range of consolidated production tools to MPTS 2026, with new developments spanning transcription, editing, graphics and AI-assisted ...
29/04/2026
Quortex Switch to boost the streaming experience for Telxius customers, reaching millions of viewers worldwide
Synamedia and Telxius, the leading global connec...
29/04/2026
freispace, the leading ERP-as-a-Service platform for media and entertainment production, and Projective, a leading provider of post-production collaboration tec...
29/04/2026
DHD reports strong interest in its broadcast audio product range, exhibited at the April 19th-22nd NAB Show in Las Vegas. The event attracted a claimed 58,000 a...
28/04/2026
TAG Video Systems, the leading IP-native Realtime Media Platform, today announced that Lens, its visual service health interface for broadcast operations, recei...
28/04/2026
Open AV-over-IP Standard Recognized in IT Networking/Infrastructure and Security Category
The Alliance for IP Media Solutions (AIMS) today announced that the ...
28/04/2026
Rise, the award-winning advocacy group for gender diversity in the broadcast and media technology sector, is pleased to announce a new global training programme...
28/04/2026
Clear-Com has appointed Brian Grahn as Market Outreach Manager of the Americas and Ben Turnwell as Business Development Manager for EMEA live, expanding their ...
28/04/2026
LiveU is inviting MPTS visitors to step into the companys new Q Era on Stand D32, at The Grand Hall, Olympia, London (May 13-14). The company will showcase its ...
28/04/2026
IBC today announces the launch of the IBC2026 Innovation Awards, with nominations now open for projects, programmes and initiatives that exemplify breakthrough ...
27/04/2026
Custom Consoles announces the completion of a large Module-R desk and MediaWall monitor display mount for an expanded master control room at Gravity Medias West...
24/04/2026
Recognition for incredible advances in broadcast and enterprise control...
24/04/2026
Media-aware agentic AI wins big for real-world efficiencies and time to value
Dalet, a leading technology and service provider for media-rich organizations, to...
24/04/2026
Mediagenix wins for its Scheduling Optimization capabilities that help broadcasters and FAST operators move beyond traditional scheduling automation toward cont...
24/04/2026
Setplex today announced that it has taken home the NAB Show Project of the Year Award in the Distribution category for its innovative deployment with UVOtv. Dur...
24/04/2026
Media and post-production teams are invited to experience next-level resource planning, project management, and connected media workflows at Stand K59 in The Gr...