
Plug-ins have changed my life, and probably yours. Yet some hardware effects have no software equivalent-like boutique guitar effects, or tube-based equalizers. And there are even unique digital effects, too, like Roger Linn's AdrenaLinn.
I wanted to use these with Studio One's Pipeline XT plug-in and the Studio 192 interface, but never got the combo working properly. There were feedback problems, leakage into other channels, and various issues. After hours of trying different mixer settings, and searching the net, I couldn't find an answer.
Then it dawned on me: PreSonus support! They had the answer, so hopefully this tip will not only inspire people to take a look at Pipeline XT, but help those who haven't quite figured out how to use it in the PreSonus mixer ecosystem.
PREPPING THE STUDIO 192
Universal Control allows using Studio 192 (with a computer and enough I/O) as a digital mixer, but that's not necessarily what we want with Studio One. To optimize the Studio 192 for Pipeline XT:
Open Universal Control, and choose the Scenes screen (Fig. 1) Figure 1: How to reset Studio 192 to its default settings.
Click on Studio 192 Default.
Click on Recall. Now the Studio 192 has its default settings.
Go to Universal Control's System window, and choose Mixer Bypass (Fig. 2). Now, all the I/O is under Studio One's control.
Figure 2: Universal Control's mixer is now bypassed, so all the I/O is controlled from within Studio One instead of the mixer.
When you open a project, remember to go into Song Setup and restore anything that's not the default. For example, if the output usually goes to Headphones 1 for tracking instead of the Main out, make that assignment. Also consider saving this setup as the default.
PREPPING SONG SETUP FOR EXTERNAL HARDWARE
We'll use the AdrenaLinn as the example. It's a mono in/stereo out device, but you can choose a mono or stereo output to feed it (I chose stereo because AdrenaLinn isn't the only hardware device I use with Pipeline XT).
Assign outputs for the hardware. Go to Song Setup, Audio I/O Setup tab, choose Add Stereo, and then click on the desired outputs in the matrix (Fig. 3). I have patch cords connected semi-permanently to these output jacks so they're available for any hardware I want to use.
Figure 3: Interface outputs Line Out 5 and Line Out 6 are dedicated to external hardware devices.
Now assign the inputs that will receive the outputs from the hardware (Fig. 4). I use inputs 1 and 2 because they're on the front panel, so they're easy to access-I don't have to reach behind the rack.
Figure 4: Studio 192 inputs for Mic/Inst 1 and 2 accept the outputs from the external hardware.
Note that you can name these inputs and outputs you just added. Save this Song Setup by clicking on Make Default if you plan to interface Studio One with this same setup hardware in the future. Otherwise, you'll need to go through the assignment process again. If the setup is saved as a default, when you want to use a hardware effect, Studio One will know where to find it.
TIME FOR PIPELINE XT
This part's pretty easy. Insert Pipeline Stereo as if it was a regular plug-in. Pipeline XT compensates automatically for the latency that accumulates from sending audio through the outputs, through an effect, then back into Studio One's interface inputs. What's more, it's easy to assign the inputs and outputs in Pipeline XT, because you named them in Song Setup (Fig. 5). Pipeline XT will now divert the channel output to your hardware, and bring the hardware output back again into your channel.
Figure 5: Pipeline XT is ready to go-its in and out have been assigned to the AdrenaLinn I/O, and the signal path has been compensated for latency.
In my experience, Pipeline XT compensates for latency without having to anything further. However, you can click on the wrench and have Pipeline XT compensate automatically, or do so manually. You can also tune out delays by ear. For example, load a drum loop, and copy it to the track with Pipeline XT. Listen to both tracks together, and adjust the Pipeline Offset parameter until the two tracks sound synched. (Note that if you try automatic compensation, it's best to bypass the effect. With time-based effects, Pipeline XT won't know which is the real signal for which it should compensate.)
Once Pipeline XT has been configured for a particular piece of hardware, you can store the setting as a preset for later recall-just like any effects preset. For me, 90% of the time I'm using external hardware for guitar effects. They operate similarly to AdrenaLinn, so I can just recall that preset.
There are a few other considerations unique to using external hardware.
Most guitar effects are designed for low input levels. You'll need to bring Pipeline's Send control way down to avoid overloading the effect.
Similarly, you may need to raise the Pipeline's Return control to bring up the effect's low-level output.
You have to use real-time bounces when using external effects, because the audio is being processed in real time through the hardware.
We're spoiled by being able to use multiple instances of a single plug-in, but hardware doesn't work that way-one piece of hardware works with one track. That said, you can insert multiple instances of the same effect in different channels using Pipeline XT, but I don't recommend it because the channels sum together.
You can take a picture of the external hardware's front panel control settings, and include that image in a Pipeline plug-in preset. With AdrenaLinn that feature isn't really relevant. But for boutique effects with knobs, this is a very useful feature.
North America Stories
27/08/2026
Advertisers gain granular CTV targeting and turnkey reporting across eligible in...
27/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
27/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
27/08/2026
Profuz Digital makes a mark by launching a powerful upgrade to its Profuz LAPIS digital media management platform this IBC in Amsterdam at Stand 8.A88. The late...
27/08/2026
DHD.audio has chosen IBC 2026 as the launch venue for what it defines as one of the most radical advances in the companys 30 year history.
Every broadcast trad...
27/08/2026
Direct connectivity between planning, production and graphics for creativity and streamlined workflows...
27/08/2026
New Photoshop innovations bring you more choice and control at every stage of yo...
27/08/2026
First Two Seasons of Vertical Series Vultures Shot on Blackmagic Design Cameras
Brie Clayton August 27, 2026
0 Comments
Director and DoP of Vultures ...
27/08/2026
For years, the media and entertainment industry has hesitated to use AI-voiced dubbing due to concern for audience experience. New data from 3Play Media, a glob...
27/08/2026
Starfish Technologies has announced the forthcoming V9 release of its Advantage AD workstation, adding support for voice synthesis services and giving Audio Des...
27/08/2026
Lightware's UBEX is a powerful AV-over-IP product well suited for rental and staging workflows where systems must be fast to deploy, easy to repurpose, and ...
27/08/2026
Lightware has expanded the scalability of its 10G TPN AV-over-IP platform with the introduction of the new TPN-MMU-X100 Matrix Management Unit, enabling systems...
27/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
27/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
27/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
27/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
27/08/2026
PlayBox Neo Stand 7.C29 IBC2026 - 11 14 September
Well-established global specialists in media playout, automation, and streaming solutions, PlayBox Neo ...
27/08/2026
Rise Academy, the broadcast and media skills charity dedicated to delivering practical media technology learning experiences, careers resources and work experie...
27/08/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, will showcase the latest evolution of its ...
27/08/2026
NVIDIA's Gamescom announcements are revealing what's next for GeForce NOW, with new ways to play, more supported devices and platforms, and even more bi...
26/08/2026
Roku Sports Channel will stream eight matches free beginning Aug. 30 as league shifts Sunday-night games away from Victory+...
26/08/2026
Evertz and Mobile TV Group detail how on-premises infrastructure and cloud resou...
26/08/2026
The Sennheiser Group will demonstrate its broadcast audio portfolio at IBC2026 (Hall 8, Booth D50), covering wireless microphone workflows, studio monitoring, a...
26/08/2026
Appear and Transmisiones Televisivas TVTEL Limitada have announced the deploymen...
26/08/2026
Leader Electronics has announced that Danish broadcast rental company Minitech has purchased a Leader LPX500 hybrid IP/SDI waveform monitor and LT4670 sync puls...
26/08/2026
Encompass will demonstrate its Altitude media services at IBC2026 (IAMT Hub, Diamond Lounge, Hall 3, RAI Amsterdam, September 11-14).
Key products on show incl...
26/08/2026
Daktronics has partnered with Massillon Washington High School in Ohio to install a new LED video display and implement the Daktronics Camino show control platf...
26/08/2026
Clear-Com has appointed Dubai-based Venuetech LLC as its main partner for the Middle East. Venuetech distributes professional audiovisual solutions across the r...
26/08/2026
NBC Sports NOW, NBC Sports' free 24/7 streaming channel, will launch a new weekday lineup beginning Monday, August 31, including two new shows.
Not So Fast...
26/08/2026
Calrec will demonstrate updates to its ImPulseV DSP software and Argo ecosystem at IBC2026 (Stand 8.C47), including previews aligned with the EBU's Dynamic ...
26/08/2026
Imagine Communications will demonstrate AI applications across its ad tech and video infrastructure portfolios at IBC2026 (Stand 1.B73, RAI Amsterdam, September...
26/08/2026
Dalet will demonstrate updates to Dalet Flex, Dalet Pyramid, and Dalia, its agentic AI platform, at IBC2026 (Hall 7, Stand 7.A43). The company will also partici...
26/08/2026
Team-owned platform will stream every locally carried Predators game beginning t...
26/08/2026
The 12-day tournament receives the broadcaster's full onsite-studio presence...
26/08/2026
Ad Supported Viewing Represents 71.5% of TV in Q2
Streaming Captures Over 48% o...
26/08/2026
Charity sector ad spend reached $278 million as 44% of Australians donated to ch...
26/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/08/2026
MediaKind today announced that CNBC UK has selected Beam to modernize its contribution and distribution infrastructure, bringing greater flexibility, resilience...
26/08/2026
Telestream, a global leader in media workflow technologies, today announced the next evolution of Telestream UP, expanding the cloud-native platform introduced ...
26/08/2026
SMPTE, the home for media professionals, technologists and engineers, today announced its 2026 Honorees, recognizing individuals and organizations whose contrib...
26/08/2026
New solution bridges connected TV (CTV) and ecommerce to make shoppable performance advertising easier to scale for streaming platforms and broadcasters
Broadp...
26/08/2026
LA JOLLA, CA-Recent advances in robotics, automation and artificial intelligence...
26/08/2026
How WeFX Made From's' Monsters Feel Uncomfortably Real
Brie Clayton August 26, 2026
0 Comments
From eight-foot dolls and feathered birds to R...
26/08/2026
Eleanor Roosevelt High School Elevates Student Rallies with Blackmagic Design
Brie Clayton August 26, 2026
0 Comments
Student led production team uses...
26/08/2026
K-Frame and Maverik X innovations extend familiar production control into AMPP, alongside new replay, audio, commentary and communications capabilities.
At IBC...
26/08/2026
New products continue to enable any signal, anywhere for creators...
26/08/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced a new integrated newsroom experience with Agence France-Presse (A...