NHL Heritage Classic 2023: Sportsnet Preps for Outdoor Battle of Alberta' With Spydercam, NHL-Powered Drone, Remotely Produced Studio Show

NHL Heritage Classic 2023: Sportsnet Preps for Outdoor Battle of Alberta' With Spydercam, NHL-Powered Drone, Remotely Produced Studio Show The production has come a long way since the first edition, in 2003 By Kristian Hern ndez, Senior Editor

Thursday, October 26, 2023 - 8:17 am

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Returning last year after a brief hiatus in 2020 and 2021, the NHL Heritage Classic will take to Commonwealth Stadium in Edmonton, AB, for an outdoor clash between longtime rivals the Edmonton Oilers and the Calgary Flames. For this tentpole event north of the border on Sunday, Oct. 29, at 7 p.m. ET, Canadian broadcaster Sportsnet will take the lead, with tech highlights including a four-point Spydercam system and a remote production of the onsite studio show from its two-year-old production facility in Toronto.

The number-one challenge is always the concern about weather, says Murray Corbett, director, NHL remote operations, Sportsnet. [Commonwealth Stadium] is a venue we're familiar with and have worked out of in the past. We also have a lot of local crew who work in Edmonton and have previous work producing football in this stadium.

Sportsnet's Toronto facility will remotely produce the onsite studio show for the NHL Heritage Classic.

Capturing On-Ice Action: Spydercam and Drone in the Air, Ankle Cams on the Ground Given the sheer size of the facility - Commonwealth Stadium can seat upwards of 55,000 fans - Sportsnet can deploy technologies that a typical NHL venue can't accommodate. For instance, the Spydercam will be able to fly over the ice without obstruction since there's no LED centerhung to get in the way. Without a roof or covering over the playing surface, the NHL's Entertainment division will fly a drone for live shots, sharing the feeds with Sportsnet. The approximately 24 cameras for live game coverage include seven hard cameras, five handhelds, three robos, and POVs installed in each team's penalty box. Closer to the ice, six Q-Ball robotic cameras will serve as Ankle Cams - positioned near the bottom of the boards, behind the glass, and through small holes for spectacular views of the players.

For pregame ceremonies and activations during intermission, an operator on skates will use an RF handheld to shoot on the ice. A shallow-depth-of-field camera will be used to capture cinematic shots of the game-day atmosphere. In addition, a jib camera will be deployed and shared with the onsite studio show. As for audio, a Dolby 5.1 configuration is designed to maximize the sound of hockey played in an outdoor setting, which is different from the typical setup for a game normally played in a confined space.

We're following the standard protocol that the NHL provides us for indoor games with the placement of microphones around the boards, blue lines, center line and behind each goal, says Corbett, but we're enhancing our coverage with some RF microphones in the nets and in and around the building. With a 50,000-seat outdoor stadium vs. a 20,000-seat indoor venue, there's a lot more interfacing going on with in-house audio because of the entertainment component. I would describe [this production] as having a bigger quantity of microphones.

From Edmonton to Toronto: Onsite Studio Show To Be Remotely Produced Sportsnet will have a crew of 50 onsite. A major portion will be local workers from the western side of the country, but a good chunk of the workforce will be staffers traveling from their home base in Toronto.

Some of our key personnel will travel like they do for most of our tentpole events, says Corbett. They all come with a lot of working experience; it's nice to know that the people you're working with have also been involved at an NHL All-Star Game, an NHL Draft, or an NHL Stanley Cup Final.

The onsite crew includes Director John Szapala, Producer Scott Carruthers, Technical Producers Myriam Dickner and John Cuccaro, Technical Director Caitlind Lusty, A1 Gabriel Scoppa, Video Engineer Gaby Almeida, and Lead Graphics Operator Kevin Schnurr. Housing the team and driving the production in Edmonton, Dome Productions Silver is parked in the broadcast compound. In Toronto, a 25-person team will handle a remote production of Hockey Night in Canada, which will provide pre/postgame and intermission analysis from the venue.

We're also moving our Saturday-night show to Edmonton, says Joel Darling, executive producer, NHL Special Events, Sportsnet. All of our studio coverage for every game that day will come from [Commonwealth Stadium] to help us build the excitement for Sunday. There will be two productions going on: one onsite covering the game and another being produced by our production crew back in Toronto.

Dome Productions Silver, along with a flypack in an office trailer, will be sending video feeds to Toronto for the final cut to be put together and distributed. The flypack is also being used to bring sources from games around the league to the talent at the desk on the field. Spearheaded by Technical Producer Alex Harwood and Broadcast Engineer Craig Moorman, the remote production is intended to replicate for the analysts the feel of an indoor show in Toronto.

They're normally in a green room at our studios, where all of the games are coming in, says Corbett. The extra layer of complexity is re-creating that environment for them so that they can host the show from Edmonton.

Looking Back to 2003: Crew Adapts to New Workflows, Production Techniques Twenty years ago, the Montreal Canadiens and Edmonton Oilers faced off in the NHL's first-ever outdoor game during the regular season on Nov. 22, 2003, at Commonwealth Stadium. With an attendance of 57,167, the game sits just outside the Top 10 as the 12th-most-attended outdoor hockey game in the league's 40 of

LINK:	https://www.sportsvideo.org/2023/10/26/nhl-heritage-classic-2023-sport...
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