Rhinestone Blue, first production which employs new Premista Fujinon lenses

Rhinestone Blue, first production which employs new Premista Fujinon lenses The film by cinematographer Tobias Schliessler and directed by his daughter, Aisha, is all a sample of the impressive optical quality of the new Premista in Fujinon in different light conditions.

Coincidiendo con la celebraci n en los Paramount Studios en Hollywood de una nueva edici n de Cine Gear Expo se estrenar Rhinestone Blue, a short film by director of photography Tobias Schliessler. The six-minute film, directed by his daughter, Aisha SchliesslerIt is the first that uses the new objectives Premista of Fujinon.

The short occurred over three days, with outlets designed to test the zoom lens Premista 28-100 mm, using the Venice camera large format of Sony.

The response of these new lenses in light very different situations, showing all the settings of high and low contrastrar potential and a wide viewing can be seen throughout the film.

Ahorro de tiempo y costes The Premista 28-100 mm is a standard zoom lens that covers focal lengths of 28 - 100mm. Since this range is normally covered by six different primary objectives, this objective can ahorrar mucho tiempo en el setespecially when the camera is on a crane or helicopter and access is difficult.

A new 13-blade iris allows a pleasant effect bokeh, and a wide dynamic range of light can be can be captured through a dedicated optical design that suppress the sparkles, unwanted effects and aberrations.

La serie Premista consigue una impresionante calidad ptica from the Center to the corner in all distances focus with a lightweight (rounds just 4 kilos).

Fujinon will launch the Premista 28-100 mm T2.9 will be available this summer, followed by the launch of the 80 T2.9-3.5 - 250mm by the end of 2019. Together, the goals will cover the most common focal lengths of 28 mm to 250 mm. The 28 - 100mm T2.9 presents a constant throughout the zoom range speed, while lens 80-250 mm have a speed of 80 - 200mm, constant T2.9 before increasing gradually to less than a stop to T3.5 between 201 - 250 mm. Both of these objectives cover a picture of 46.3 mm, sufficient for all current digital large format film cameras.

LINK:	https://www.panoramaaudiovisual.com/en/2019/05/30/rhinestone-blue-prim...
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