When cinematographer Zach Kuperstein got the job to shoot writer-director Zach Cregger's horror feature Barbarian, one of the first things he did was reach out to Light Iron senior colorist Sam Daley. The two had previously worked together on a short and three independent features The Eyes of My Mother, The Vigil and Paper Spiders but their collaborations began during post, not during preproduction. For Barbarian, Kuperstein was able to shoot tests and then work with Daley from the start to create a shooting LUT that would match Cregger's vision for this mind-bending story of a girl (played by Georgina Campbell) who arrives at a house she's booked for the night only to discover a young man (Bill Skarsg rd) has also rented it.
To give Daley an idea of what he and Cregger wanted, Kuperstein assembled a short look book of photographic references that defined the movie's tone and mood. The book included stills from the features Prisoners, Gone Girl and Sicario for night interiors, It Comes at Night for flashlight scenes, and American Beauty and Pleasantville for a 1980s flashback sequence. Texturally we tried to keep it limited, the cinematographer explains. It wasn't too built-out or complicated. I find it best to keep the references really tight because otherwise it's hard to articulate exactly what it is about each image that is related to the color.
Barbarian is set in Detroit but was shot in Bulgaria, where infrastructure limitations made it difficult to reliably share footage from set with Daley in New York. So, Daley explains, Zach came up with a lo-fi way for us to exchange images and LUTs. He would shoot a test, and instead of sending me terabytes of files to look at, he would send me high-quality DPX still frames, which he could easily email or put up on WeTransfer or Dropbox.
Kuperstein was grateful for Daley's partnership throughout this testing phase. It was great to get Sam's eyes on the footage and his guidance on where we could or where we shouldn't push the camera, he says. We shot with the Sony Venice, which I hadn't used before, so I was like, Can I go to 5,000 ISO? Can I go to 10,000 ISO?' And Sam said, Don't go to 10,000 ISO, but go to 5,000 if you need it.' His guidance was super-helpful, and paired with the test footage, it made for a robust LUT that we could use to shoot everything.
The shooting LUT Daley provided was set for a color temperature of 4300 Kelvin, approximately halfway between tungsten and daylight, giving Kuperstein the ability to use the LUT in any type of lighting situation. It was just something to get in the ballpark while Zach was on location in Bulgaria and working really quickly, Daley says. When we circled back after the edit to do the final color, I came up with another series of looks, and it was ultimately Zach Cregger, the director, who decided which of the looks he preferred.
Kuperstein and Daley kept their lines of communication open throughout principal photography. I usually don't work with a DIT on set, or somebody live-grading, or somebody else judging exposure with me, the cinematographer says. Having Sam to bounce that off of throughout the production was really helpful. He helped me make sure the exposure was giving us a lot more depth in the shadows, which I'm glad we had.
Both on set and in the final grade, Kuperstein always strove to keep the lighting tethered to reality. My approach is very much about motivated lighting, he says. I try to find whatever sources are in the room or in the space that make sense for the scene. At times those could be sodium-vapor streetlights outside, tungsten or fluorescent lights inside, or a mix. From a lighting perspective, it's often about keeping something bright in the background so you can make the rest of the image dark you can get away with it being darker if there are highlights in the image. Then, in the grade, you're making sure you aren't losing those highlights and are bringing out that contrast wherever possible.
Similar to what Zach says about motivating light sources, that's what I always do, Daley says of his process. It's got to feel real so that somebody is going to watch and be engaged in the story. Then I flavor it with whatever's going on and create mood with contrast or a slight hue change to help tell the story through color and contrast choices.
For the color grade, Kuperstein and Daley worked together in person at Light Iron New York while Cregger split his time between Light Iron's New York and Los Angeles locations. Based on the locked picture in combination with Kuperstein and Cregger's notes, Daley began by offering a range of looks for the filmmakers' consideration. One option offered a grainy, bleach-bypass, cross-processed look; another was much more subdued and classical in style, with a Kodak film feel. The opportunity to see the opposing looks helped Kuperstein and Cregger make their choice. I'm glad we got to see the extreme look even if it wasn't the direction we went with, the cinematographer reflects. It was good to test the waters with that and see how Zach responded to it. He reminded us that we weren't trying to tip our hand too early and that we needed to play it more neutral. When we saw the Kodak look that Sam put on it, the colors just popped into life and the whole film felt fresh.
With the film look they landed on in the final grade, Daley adds, We did deviate a little bit from what we had in the testing. But it wasn't a very assertive film look. It was more subtle.
The overall palette for the interior of the house tended toward the warmer range of the spectrum. I like to look at the color palette of the production design and see what I can lean into, shares Daley, who graded the project wi
Most recent headlines
11/12/2025
Dalet, a leading provider of cloud-native, end-to-end media workflow solutions, ...
01/12/2025
L3Harris and PentenAmio formalise their teaming agreement at MilCIS 2025, streng...
01/12/2025
Artemis II is NASA's first crewed flight test of the Space Launch System rocket and Orion spacecraft. The crew, from left: Commander Reid Wiseman, Pilot Vic...
01/12/2025
IRVINE, Calif. Wooden Camera has introduced its new Accessory Collection for the Canon EOS C50. The new lineup includes a low-profile, gimbal-ready cage, expand...
01/12/2025
WASHINGTON The Federal Communications Commission has released a tentative agenda for its Dec. 18 Open Commission Meeting that will include a vote on a report an...
01/12/2025
In most years, a graph of annual local TV ad spending is about as predictable as an electrocardiogram of a reasonably healthy patient in a doctor's office. ...
01/12/2025
Many industries have seen big-ticket hardware turn into software. Switchers, though, demand a combination of real-time performance and sheer bandwidth that has ...
01/12/2025
GENEVA Shanghai will host the next quadrennial Radiocommunication Assembly (RA-27) and World Radiocommunication Conference (WRC-27), Oct. 11-Nov. 12, 2027. This...
01/12/2025
NEW YORK Just in time for Giving Tuesday tomorrow (Dec. 2), the Broadcasters Foundation of America is seeking out donations to help television and radio industr...
01/12/2025
STOCKHOLM, Sweden Net Insight CEO Crister Fritzson has informed the company's board that he will retire from the video transport and media cloud technology ...
01/12/2025
01 Dec 2025
Kyivstar and Ukrainian Ministry of Digital Transformation Select Go...
01/12/2025
The prequel to the global hit Sky Original mob crime saga, Gomorrah' is a s...
01/12/2025
Featuring Florence Welch, Red Hot Chilli Peppers' Flea, designer Bella Freud...
01/12/2025
Back to All News
A Down to Earth, All Too Relatable Hero: Cashero' Teaser ...
01/12/2025
In the rush to deliver content to every screen, many broadcasters overlook one of the most crucial steps in the workflow: format and frame rate conversion. Get ...
01/12/2025
Fox Corporation Chief Financial Officer Steve Tomsic to Participate in Upcoming ...
01/12/2025
Arvato Systems' Virtual Private Cloud (VPC) Receives BSI C5 Certification (T...
01/12/2025
Summary This short video gives you an summary of the changes in under two minutes.
--...
01/12/2025
As the festive season approaches, RT Supporting the Arts is proud to showcase a...
01/12/2025
Researchers worldwide rely on open-source technologies as the foundation of their work. To equip the community with the latest advancements in digital and physi...
01/12/2025
Festive specials of Christmas in Kilmainham presented by Marty Whelan, High Road Low Road, Callan Kicks the Year and Keys to My Life
Ring in the New Year with ...
01/12/2025
Architect and television presenter Hugh Wallace, best known to RT audiences as a long-serving judge on Home of the Year, has died at the age of 68.
In a state...
28/11/2025
Nadia Fall attends the 2025 Sundance Film Festival premiere of Brides at the Egyptian Theatre on January 24, 2025, in Park City, Utah. (Photo by Donyale West/...
28/11/2025
It's easy to ignore those little red update available badges. But when it ...
28/11/2025
WASHINGTON Federal Communications Commission has released a tentative agenda for the December Open Commission Meeting scheduled for Thursday, December 18, 2025 ...
28/11/2025
The Professional Fighters League is looking to super-serve fans of mixed martial...
28/11/2025
Fubo has released in beta on select Roku devices a new feature that lets users display up to four simultaneous streams at once....
28/11/2025
The WNBA playoffs and Week 4 of the NFL regular season highlight the list of live sports events airing on television this weekend....
28/11/2025
The 32nd class of honorees to the B+C Hall of Fame took to the stage at New York's Ziegfeld Ballroom on September 26 for a gala induction event. Click below...
28/11/2025
We hold in our hands the very last Next Text for Next TV, the weekly back-and-fo...
28/11/2025
DirecTV said it made a deal with EchoStar to buy EchoStar's video businesses, including satellite-TV provider Dish TV and virtual MVPD Sling TV, for $1 plus...
28/11/2025
The Broadcasting+Cable Hall of Fame, the premier industry event paying tribute to the influencers, innovators and shining lights of broadcast, cable and streami...
28/11/2025
Friday 28 November 2025
Sky Sports x Slawn drop limited-edition football jersey...
28/11/2025
Rohde & Schwarz shows resilience in a challenging environment, revenue exceeds t...
28/11/2025
Unwrapped: The Toy Show Appeal - airing this Sunday on RT One and RT Player- s...
27/11/2025
LONDON Vizrt has added several AI-driven advanced features offering improved speed, intelligence and accuracy in the newest version of its media asset managemen...
27/11/2025
Prime Video has launched AI-powered video season recaps in a beta version for select English-language Prime Original series in the U.S., a move Amazon is callin...
27/11/2025
Back to All News
Netflix's Raat Akeli Hai: The Bansal Murders Marks a Grand...
27/11/2025
27 Nov 2025
GSMA brings M360 Eurasia 2026 to Samarkand in partnership with VEON...
27/11/2025
Tahar Rahim and Izuka Hoyle star in the gripping six-part Sky Original from Acad...
27/11/2025
Thursday 27 November 2025
Sky Arts Reveals the Nation's Greatest Basslines - and Queen Reign Supreme
The UK's most iconic basslines have been revealed...
27/11/2025
Back to All News
Stranger Things 5': Prepare for One Last Adventure With O...
27/11/2025
The media industry has a paradox at its core. It's an industry built on light, color and imagination, yet behind the scenes, it's powered by one of the ...
27/11/2025
Rating reflects rating progress across areas including policies, diversity & inclusion, health & safety and Net Zero leadership
Winchester, UK, 27 November 202...
27/11/2025
What are the industry standards for Retail Media? Kathryn explains that certification is based on the IAB Europe Retail Media Measurement Standards and the IAB ...
27/11/2025
World champion boxer and Irish sporting icon Katie Taylor will be in studio this...
27/11/2025
Roblox, one of the world's most popular online gaming platforms for primary ...
27/11/2025
Black Friday is leveling up. Get ready to score one of the biggest deals of the season - 50% off the first three months of a new GeForce NOW Ultimate membership...
26/11/2025
SVG Sit-Down: Prime Video EP Mike Muriano Previews Massive Black Friday Slate Fe...
When cinematographer Zach Kuperstein got the job to shoot writer-director Zach Cregger's horror feature Barbarian, one of the first things he did was reach out to Light Iron senior colorist Sam Daley. The two had previously worked together on a short and three independent features The Eyes of My Mother, The Vigil and Paper Spiders but their collaborations began during post, not during preproduction. For Barbarian, Kuperstein was able to shoot tests and then work with Daley from the start to create a shooting LUT that would match Cregger's vision for this mind-bending story of a girl (played by Georgina Campbell) who arrives at a house she's booked for the night only to discover a young man (Bill Skarsg rd) has also rented it.
