Canon EOS C00 Camera Captures Action Film, Blunt Force

When an action movie script on a tight budget included such challenges as close-ups of mixed martial arts fighting, a high-speed car chase shot from a low-flying helicopter, and low-light location scenes, director of photography, David E. West, knew the solution was to capture it all using a Canon Cinema EOS C300 digital cinema camera, a Canon EOS 5D Mark II Digital SLR camera, and EF-Series lenses from Canon U.S.A., Inc..

Having used the EOS C300 camera on a previous assignment, West was enthusiastic about its portability and low-light advantages. He also owned an EOS 5D Mark II camera, and was a fan of Canon lenses both for photography and for shooting reality TV. West decided from the outset that the ambitious visuals needed for Blunt Force, a new film from director Daniel Zirilli, would make this an all-Canon project. Shot on location in Mississippi, the movie tells the story of an ex-soldier imprisoned and forced to be part of an Internet cage-fighting club.

There are a lot of reasons why I chose the Canon Cinema EOS C300 camera, West recalled. One is its lightweight design. We had to shoot a lot of close-up stunt fighting that required me to be just inches away from the performers. These shots could only be done hand-held, and the EOS C300 camera is so completely well designed in terms of portability that it enabled me to maneuver it into positions where heavier cameras just couldn't go. Guys were being vaulted into the air and I was on the ground shooting them flying over me. Hand-held shooting also helps boost the energy level of fight scenes because it enables you to get in close and add your energy to the performers, so things become even more intense. The compact size of the EOS C300 camera and its detachable LCD monitor also enabled me to keep my eye on what was going on around me in the middle of these tricky fighting situations.

The Canon Cinema EOS C300 camera's body weighs just over 3 lbs. and can accommodate a wide range of shooting setups. It can be held by its removable, rotating side handgrip, its detachable top handle, or a wide variety of third-party support devices and accessories. Equipped with a Canon Super 35mm CMOS sensor, innovative Canon DIGIC DV III Image Processor, and a 50 Mbps 4:2:2 MPEG-2 codec for full 1920 x 1080 HD, the EOS C300 cinema camera delivers a selectable ISO range up to 20,000 for outstanding low-light performance. This proved crucial for Blunt Force's fight scenes, which took place in dark, grim prison interiors.

We didn't have a huge budget, and we were shooting on-location so I needed a camera we could really rely on, West explained. The EOS C300 camera doesn't require monster lights drawing lots of power. Its ability to go up to ISO 20,000 is just amazing. The image holds up in those ranges, and it gets you to the point of being able to light more naturally. But even when you've lit your set the way you want to, actors can still step into dark areas. With this camera you can immediately adjust for that and continue capturing the action. You always want to see the actor's eyes and faces and not be in the dark. The ability to see into dark situations with the EOS C300 camera was extremely helpful.

West added that the ability to instantly play back footage recorded on the EOS C300 camera's digital CF cards was another benefit to the production, as it enabled the director and stunt performers to review complex fight sequences and determine whether reshoots were needed before moving on to the next scene. We also ran an external monitor for the director to look at, he noted. The LCD that comes with the EOS C300 camera got the most use during shooting. It has amazing picture quality.

Four inches wide, this removable 1.23 megapixel LCD monitor/control panel rotates 135 left/right or 270 down, and can be mounted directly on the camera body or on its removable handle unit. In addition to its use for live monitoring, the LCD can also display a waveform monitor, vectorscope, and other displays for adjusting picture quality. That was really helpful, West added, especially on a run-and- gun shoot such as this one, to be able to quickly glance at those and evaluate where you are. My career has included the worlds of both broadcast video production and filmmaking. It's nice to be able to use video' features such as a waveform monitor and a vectorscope for motion-picture production. I love being able to use the power of both worlds to be as creative and efficient as I want to be.

Digital HD SLR Advantage

While a Canon EOS C300 camera served as his A camera, West also made ample use of a Canon EOS 5D Mark II Digital HD SLR camera for B-roll and even for taking production stills. The Canon 5D Mark II camera features a full-frame 21.1-Megapixel CMOS image sensor for outstanding sensitivity and low-light performance. I had the EOS 5D Mark II camera on a shoulder strap at all times and I used it whenever I could during this action movie, West explained. I love photography, and magic moments can happen at any time, but you can't capture them unless you have your camera ready. Using the EOS 5D Mark II camera, I was able to get secondary shots in just a matter of moments. Sometimes when the EOS C300 camera was on a tripod I'd grab the EOS 5D Mark II camera and use it to film dramatic wide shots. For the chase scenes, I got beautiful wide shots with the EOS 5D Mark II camera and then shot the close-ups on the EOS C300 camera. I would even rip off stills during rehearsals. I created a whole poster of photography with the EOS 5D Mark II camera, which we could never have done without this additional camera.

West added that production was further expedited because both his EOS C300 and EOS 5D Mark II cameras used EF-mount lenses, which enabled quick lens changes when necessary. With the

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