
Blackmagic Design adds new ProRes formats to HyperDeck Studio La nueva versi n del software agrega compatibilidad con tres formatos Apple ProRes adicionales: ProRes 422, ProRes 422 (LT) y ProRes (Proxy). Estos formatos ofrecen al usuario la posibilidad de reducir el tama o de los archivos en forma significativa.
Ya se encuentra disponible la versi n 4.1 del programa HyperDeck de Blackmagic, mediante la cual se agrega compatibilidad con tres nuevos formatos Apple ProRes para el dispositivo de grabaci n y transmisi n HyperDeck Studio. La actualizaci n no tiene costo alguno y est disponible en el sitio web de Blackmagic Design.
Los usuarios del HyperDeck Studio ya pueden grabar y reproducir contenidos en formatos sin compresi n, ProRes 422 (HQ) y DNxHD. La nueva versi n del software agrega compatibilidad con tres formatos Apple ProRes adicionales: ProRes 422, ProRes 422 (LT) y ProRes (Proxy). Estos formatos ofrecen al usuario la posibilidad de reducir el tama o de los archivos en forma significativa y al mismo tiempo conservar la resoluci n de los fotogramas en un espacio de color 4:2:2 a 10 bits.
Gracias la nueva actualizaci n, el usuario podr grabar secuencias de mayor duraci n en archivos del mismo tama o y de esta forma usar dispositivos SSD econ micos para capturar v deos de alta calidad en todos los formatos SD y HD. Al usar el formato ProRes 422 (Proxy) es posible grabar m s de 24 horas de v deo en 1080HD con una sola unidad de 480 GB. El tipo de formato ProRes para la grabaci n puede seleccionarse mediante los men s en pantalla y se reproduce autom ticamente.
Los formatos ProRes 422 han sido dise ados espec ficamente para la edici n no lineal de secuencias m ltiples, minimizando la p rdida de informaci n y permitiendo una r pida exportaci n, por lo cual se han convertido en uno de los formatos preferidos en materia de posproducciones y transmisiones. Todos los archivos ProRes grabados con el HyperDeck Studio pueden abrirse directamente en Apple Final Cut Pro X para editarlos en forma inmediata.
Grant Petty, director ejecutivo de Blackmagic Design, reconoce que en un comienzo el HyperDeck Studio fue pensado como un dispositivo para montaje en bastidores que permit a grabar y reproducir formatos sin compresi n a 10 bits. Desde su lanzamiento, hemos ofrecido varias actualizaciones gratuitas del software con funciones incre bles tales como grabaci n y reproducci n en DNxHD y ProRes 422 (HQ), men s mejorados, un nuevo protocolo de Ethernet para controlar el dispositivo y grabaci n activada mediante el c digo de tiempo, y hemos fabricado el nuevo modelo HyperDeck Studio Pro con formatos en Ultra HD y tecnolog a 6G-SDI. Ahora, al haber agregado 3 formatos ProRes adicionales, el HyperDeck Studio es el remplazo ideal para dispositivos antiguos y la soluci n perfecta para transmisiones exigentes y producciones en directo .
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