
Based on Patricia Highsmith's bestselling Tom Ripley novels, Netflix's eight-episode limited series Ripley stars Andrew Scott as the eponymous antihero, a grifter scraping by in early 1960s New York. When Tom is hired by a wealthy man to travel to Italy and convince his vagabond son, Dickie (Johnny Flynn), to return home, he takes his first step into a complex life of deceit, fraud and murder.
The series was written and directed by Steven Zaillian, who partnered with cinematographer Robert Elswit, ASC for all eight episodes. Elswit's primary lenses for the production were Panavision VA primes, supplemented with select Primo 70 and Ultra Speed focal lengths as well as Primo 70 and prototype VA zooms. Here, in his own words, the cinematographer details the creative collaborations that brought Ripley to the screen.
I'd worked with Steve Zaillian a few years earlier on the pilot of his series The Night Of. I knew from that experience that Steve has very specific ideas about the lighting design and overall pictorial style of his shows. Very much like a cinematographer, Steve believes that the lighting of a movie, the way the spaces and characters are lit, is a way of making a direct connection to the emotions of an audience. When he told me that he wanted to shoot Ripley in black-and-white, I knew he had very different ideas about the nature of the character and story in his version of Highsmith's novel.
When I came on the show, both Steve and our production designer, David Gropman, had already spent months scouting and photographing locations throughout Italy, and theyd created a vast collection of black-and-white images not only of the locations but also the work of many Italian photojournalists that Steve felt were evocative of the era. The pictures became a great reference tool for thinking about shooting in monochrome.
In Steve's script, Toms actual talent initially seems to be simply that of a con man. A cold and calculating sociopath who's able to manipulate and exploit, to hide his emotions and play any role. But soon after Tom arrives in Europe and is exposed to the life and culture, language, food, architecture, and especially the music and art of Italian culture, it changes him in unexpected ways. It's Toms introduction to the work of the 17th-century Italian painter Caravaggio that makes a particularly strong emotional impact on him.
Caravaggio appears nowhere in the Highsmith novel. The inclusion of his art and then the painter as an actual character in Ripley is a pure Steve invention. Toms initial response to the painter's work is reinforced as he learns more about the painter's life. He begins to identify with him as he learns of the many parallel events in their two lives. As Tom travels through Italy to avoid the police, he seeks out Caravaggio's paintings wherever he is. His obsession and identification with the painter becomes one of the central themes in the second half of the story and it's Caravaggio's depiction of characters and spaces with a strong emphasis of contrasting light and dark that could also be seen as a metaphor for the narrative drama in Ripley.
The specific style of Caravaggio's painting, chiaroscuro, refers to the use of strong contrasts between light and dark that direct the eye and also strongly affect the overall composition of his paintings. This creates an underlying sense of drama and tension that we see in much of Caravaggio's work. It's this lighting style, emphasizing the contrast between light and dark, that is particularly well suited to black-and-white cinematography. We see examples of it in early cinema, especially in the great German expressionist films of the silent era. It's a lighting style that becomes associated with the American film noir movies of the '30s and '40s.
From the very beginning, Steve wanted this style of lighting, along with strong graphic compositions, to become the unique way we see the world in Ripley. With the sets, locations, costumes, weather, time of day and lighting, we tried to emphasize strong contrast between light and dark. For me, this meant the use of harder light sources throughout with the resulting stronger shadows and emphasis on texture that, in color, could seem theatrical and unrealistic, but in black-and-white becomes dramatic and somehow more truthful.
We had a 160-day schedule with an almost endless number of locations in various cities and lots of nights. Because of the large amount of VFX work and the 4K delivery requirement, we decided the best production camera for us was the Alexa LF. Steve was promised a black-and-white release, but there was no thought of using a camera without a color filter array. The advantage of using a camera without a filter array is that you pick up extra stop and supposedly there's finer gradations in the mid tones but also, no filter means a sharper image. The digital image is already too sharp, so that's the last thing I wanted.
The images were recoded as color files, but all the on-set monitors were black-and-white. I used a black-and-white LUT that I thought looked like a slightly more contrasty version of the old Kodak 5231. It's what I looked at and lit to in the DIT tent. We got two sets of dallies each day, one in color and the other in black-and-white; we never looked at the color files, and Steve edited the show with the black-and-white Avid files.
Not needing to deal with color allowed our wonderful DIT, Marco Coradin, to each day download a very accurate black-and-white version of what would be the final look of the show. I just made sure we were always exposing to hold the sky or whatever highlight detail I hoped to retain, but that wouldn't be visible in the dailies. We worked at ISO 800 for almost everything except the nights, which we shot at 160
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
29/07/2026
In this series, Grass Valley explores the seven paradoxes shaping the next era o...
29/07/2026
Thats a wrap on Season 1 of SVG Students to Watch! Across the country, these stu...
29/07/2026
The agreement will move Gotham Sports App subscribers to DAZN during the 2026-27...
29/07/2026
Longtime digital-media leader expands role overseeing conference branding, video...
29/07/2026
By Bailey Pennick
One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent filmmaking. ...
29/07/2026
Organisation team up with TI:ME USA
Founded in 2019 with the aim of helping educators to embrace new music technology, Technology in Music Education (TiME U...
29/07/2026
Doubling & chorus processor gets an overhaul
Acon Digital have just launched the latest version of their free voice-doubling and chorus plug-in. Multiply 2 ...
29/07/2026
New Pultec-inspired pedal revealed
The latest addition to the Origin Effects line-up brings the legendary Pultec EQ into pedal format. Based on the EQP-1A, ...
29/07/2026
SBS Appoints Chief Commercial Officer and Director of Marketing and Audiences
29 July, 2026
Media releases
SBS is pleased to announce the appointment of Ni...
29/07/2026
Rohde & Schwarz showcases unified next-generation broadcasting ecosystem at SET ...
29/07/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({...
29/07/2026
Streaming Hits 48.6% of Total TV Usage in May
YouTube Leads in Media Distributo...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Industry veteran joins Amagi to drive growth in Europe's leading broadcast market and advance cloud-native broadcast, FAST, and AI-driven operations.
LONDO...
29/07/2026
Work is ongoing to specify how to run RIST over WebTransport. This will deliver secure, stable, broadcast quality video playback and origination to any platform...
29/07/2026
Offline Files Makes the Drive Shelf Searchable on Mac
Brie Clayton July 29, 2026
0 Comments
A local Mac app for finding files, photos, and footage acr...
29/07/2026
Blackmagic Design Announces New UltraStudio Mini 12G
Brie Clayton July 29, 2026
0 Comments
New extremely portable Thunderbolt 4 capture and playback ...
29/07/2026
Brightline Lighting, a premier manufacturer of energy-efficient lighting systems for broadcast, videoconferencing, government, education and corporate applicati...
29/07/2026
Applications open for IFFI/WAVES Film Bazaar in Goa - Producer Delegation 28 July 2026
Image credit: Four Years Later
Screen Australia has opened applications...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Foundry today announced that Academy Award-winning creative studio DNEG has implemented Hiero to support its editorial workflows. Part of the Nuke product famil...
29/07/2026
The Latest Addition to the Brand's StudioPro Ecosystem Combines Simple Deployment, Cloud Control and Professional Grade Wireless Reliability
QuickLink, a l...
29/07/2026
The Secret Master Adjustment Layer Hack in After Effects
Graham Quince July 28, 2026
0 Comments
Trish Meyer (who literally beta-tested the original Af...
29/07/2026
Post Completed with Blackmagic Cloud for Shane Kosugi's Feature Film SEEK
Brie Clayton July 28, 2026
0 Comments
Cannes Indie International Film Fe...
29/07/2026
Isabeau Miller Named Chair of Berklee Songwriting Department The Berklee alumna, who previously served on the Songwriting faculty, will begin her new role on ...
29/07/2026
Wednesday 29 July 2026
Hayu is coming to Sky, bringing fan-favourite franchises...
29/07/2026
RT launches Unsolved, a true crime podcast, presented by crime journalist Barry Cummins and presenter Katja Mia.
Unsolved is a weekly podcast exploring unsol...
28/07/2026
LiveU, the pioneer in IP-video transmission and cloud-based remote production, today detailed its historic performance records set during the 2026 FIFA World Cu...
28/07/2026
The NFL franchise rebuilt their off-site content operation for an era when teams...
28/07/2026
Longtime partners expand viewer choice, data-driven analysis, access, immersive ...
28/07/2026
There is a unique moment before every major production. The audience never sees it.
The cameras are ready. The talent is preparing. Directors review the final...
28/07/2026
The CW Network and ESPN have announced their highly anticipated streaming agreement to bring CW Sports' live events to the ESPN App will officially launch o...
28/07/2026
As more than tens of thousands of spectators filled Paris' Champ de Mars and...
28/07/2026
Appear's X Platform played a central role in Chile's first large-scale c...
28/07/2026
Responding to the broadcast industry's shift to embrace more flexible production platforms, Solid State Logic (SSL) is evolving its comprehensive System T p...
28/07/2026
Production leverages innovative camera technologies, AI, and data to capture the action in four-week inaugural competition
The first-ever professional dunking ...
28/07/2026
Prime Video to exclusively broadcast Wednesday night national NHL regular-season games in Canada...
28/07/2026
Every match will stream live on Paramount+ beginning in February,...
28/07/2026
Baxandall-inspired hardware EQ overhauled
TK Audio's Baxandall-inspired hardware EQ unit has just made a return, bringing the popular unit back into the...
28/07/2026
D700 system gains new live-focused rackmount surface
Asparion have just announced an expansion of their D700 control surface range, introducing a new model ...
28/07/2026
27 July 2026, Johannesburg - The National Film and Video Foundation (NFVF), an a...
28/07/2026
Ad Intel AI is Nielsen's first in a new generation of AI products built to t...