
Bu uel restored in Spanish Film Library Tras su paso por Cannes, el Cine Dor de Filmoteca Espa ola proyectar tres obras maestras restauradas del director aragon s.
Filmoteca Espa ola, como m ximo representante de la conservaci n y restauraci n del patrimonio cinematogr fico espa ol, acoge este mes tres pel culas de Luis Bu uel recientemente restauradas. Tres hitos en su carrera, La edad de oro (1930), Los olvidados (1950) y Nazar n (1958), que han pasado por la ltima edici n de Cannes Classics, la secci n del festival internacional dedicada a mostrar algunas de las restauraciones m s importantes del mundo cinematogr fico.
Las proyecciones de estas tres joyas, reunidas bajo el nombre de Bu uel restaurado, dar n comienzo el 8 de junio con un pase de Nazar n que ser presentado por Josetxo Cerd n, director de Filmoteca Espa ola, y H ctor Orozco, comisario de la exposici n Nazar n. Manuel lvarez Bravo y Luis Bu uel, que forma parte de PhotoEspa a 2019 y se podr ver en la Casa de M xico del 1 de junio al 1 de septiembre.
La restauraci n de estos tres t tulos ha sido posible gracias al esfuerzo de m ltiples organizaciones comprometidas con la preservaci n del legado cinematogr fico: The Film Foundation, Fundaci n Televisa, Cineteca Nacional de M xico, Filmoteca de la UNAM, Cin math que Fran aise, Centre Pompidou, Path y Maison de Champagne Piper-Heidsieck.
El impacto de La edad de oro permanece indeleble casi 90 a os despu s de su tumultuoso estreno en Par s. Tan tumultuoso, de hecho, que la pel cula fue prohibida en Francia y en Estados Unidos, una prohibici n que se mantuvo hasta principios de los a os 80. Hoy en d a, la primera pel cula surrealista es tambi n una de las m s importantes de la Historia del Cine, apareciendo una y otra vez en las listas de las mejores pel culas, y es influencia reconocida de directores como Aki Kaurism ki, Jonathan Glazer y Guy Maddin.
Igual de fundamentales son Los olvidados and Nazar n, dos de los m s importantes t tulos de la fecunda producci n mexicana de Bu uel. La primera, fusi n nica de neorrealismo y surrealismo, gener una fuerte pol mica durante su estreno en M xico, con voces que llegaron a pedir incluso la expulsi n del cineasta del pa s por la crudeza con que hab a retratado la miseria de los j venes protagonistas. Las cr ticas, sin embargo, murieron cuando Bu uel consigui con la pel cula el premio a mejor director en el Festival de Cannes. Galardonada tambi n en el festival franc s, Nazar n es considerada por muchos la mejor pel cula del cine mexicano. Esta adaptaci n de una novela de Benito Perez Gald s supone un excelente ejemplo de la profundidad e intensidad con que Bu uel, ateo confeso, abord la religi n.
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