
ESPN To Make History With Its First All-Black-Staffed NBA Production The game is part of the broadcaster's ongoing Black History Always initiative By Mark J Burns, SVG Contributor
Wednesday, February 5, 2025 - 10:32 am
Print This Story | Subscribe
Story Highlights
ESPN is set to make history tonight when the Atlanta Hawks and the San Antonio Spurs take to the court at 7 p.m. ET: it will be the broadcaster's first NBA game produced by an all-Black crew. The broadcast, part of ESPN's ongoing content commitment dubbed Black History Always, will feature dozens of Black staffers both on-air and behind the scenes.
The Black History Always initiative plays a crucial role in emphasizing the significance of representation and inclusion across every part of our organization, says Justin McIntosh, remote operations producer, ESPN. Personally, it will be a meaningful experience to stand alongside a dedicated team of individuals who share similar backgrounds and have faced many of the same challenges. This event and initiative represent the cultural progress within our company and, ideally, will solidify these efforts for the long term.
Tonight's game will be a 1080p SDR REMCO (remote control) production, according to McIntosh, with a majority of the crew, both production and operations, onsite in Atlanta. Graphics will be integrated remotely, and two EVS operators at ESPN's Bristol, CT, facility will control replay servers in the onsite production trucks.
Those trucks will be Game Creek Video Nitro A and B units. NEP Broadcasting-owned Bexel is providing fiber and fiber transport, RF reporter kit, RF coaches' microphones, lighting, and additional gear.
According to McIntosh, the production has 15 total transmission paths - 11 J2K fiber and four IP-MPEG encoded paths - for primary transport to Bristol. Additionally, ESPN will use seven JPEG feeds and CMSI file transfer for EVS/replay archiving.
Among the cameras deployed will be eight manned Sony HDC-2500's in hard and handheld configurations, one Sony HDC-4300 handheld in 6X super-slo-mo at midcourt, Fletcher Above the Rim robotic cameras at each basket, and multiple Marshall POVs.
In Atlanta, an estimated 60 people will be onsite. Supporting the production efforts from offsite, McIntosh says, will be a contingent of EVS operators, graphics operators, producers, communication support, and other broadcast personnel in Bristol and other locations.
Heading the production crew will be lead producer Paul Ervin, producer Rodney Vaughn, and director Adam Bryant. The on-air team for the game will comprise play-by-play announcer Mark Jones, analyst Richard Jefferson, and sideline reporter Lisa Salters.
Prior to the primetime broadcast, host Malika Andrews will lead an all-Black group on NBA Today, starting at 3 p.m. ET, and NBA Countdown. at 6:30 p.m. Located at ESPN's Los Angeles production center, he will be joined by analysts Chiney Ogwumike, Udonis Haslem, and Kendrick Perkins on both shows.
Having the opportunity to celebrate Black History for a national audience will always be important, especially to people of color in this industry, McIntosh says. I hope this game serves as a reflection of the incredible talent and diversity that drives every sports broadcast behind the scenes. Across the industry, there are so many skilled individuals who dedicate themselves to this demanding yet fulfilling career. For me, this game is a tribute to that dedication and a celebration of the diversity that unites the world of sports broadcasting. I'm honored to play a part in bringing that vision to life at ESPN.
Additionally, ESPN's Black-led media platform, Andscape, will publish several pieces on key figures in the sports-media industry as part of the Black History Always initiative, including an essay on Jones's broadcasting career.
Meanwhile, through a commitment to developing future sports business and media leaders from the Black community, the broadcaster is partnering with Clark Atlanta University to provide students in its mass-media program an opportunity to get a glimpse behind the scenes.
Vaughn, who is playing an integral role in the partnership with the school, expanded the scope of the students' tour and fine-tuned details to ensure the experience would be as enriching as possible, McIntosh says. The experience will include a tour of the production's mobile units, introductions to technical-department leaders, and conversations with ESPN's production team. Students will also have an opportunity to meet on-air talent and NBA executives.
Opening the door to the future generation of broadcast-sports professionals holds tremendous significance and is a responsibility that our team here in Atlanta approaches with great care and dedication, says McIntosh. The idea to incorporate a Clark Atlanta University student tour into the show emerged naturally through conversation. As these discussions evolved, so too did the importance of the concept.
We hope this opportunity inspires those who might one day find themselves in our roles.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
24/07/2026
Referee hat cameras, player/coach mics, and virtual graphics will be deployed at the three-day event for the first time
The NFL FLAG Championships return to ES...
24/07/2026
Qvest, Ateme, and Scaleway have partnered to offer broadcasters, media organizat...
24/07/2026
LTN has completed satellite-to-IP migrations for more than 3,000 broadcaster, MVPD (Multi-Channel Video Programming Distributor), head-end, and content owner si...
24/07/2026
Chyron has released Virtual Placement 8.1, an update to its live sports virtual graphics platform. The release adds workflow and graphics changes across chroma ...
24/07/2026
Riedel's RefCam Live was used for the first time at an international soccer match during a friendly between the German men's national team and Ghana in ...
24/07/2026
USSI Global said it is prepared to help broadcasters, satellite network operators, and media organizations manage the next phase of C-band spectrum clearing, fo...
24/07/2026
FuboTV and The Athletic have launched The Athletic Video Hub on Fubo, bringing The Athletic's sports video content to connected TV (CTV) for the first time....
24/07/2026
Tagboard and Momento have partnered to bring Momento's fan reaction photos to venue videoboards in real time following big plays. The Seattle Mariners will ...
24/07/2026
Stephen Arnold Music (SAM) created an anthem called The World Is Here for Fox ...
24/07/2026
Caz TV has acquired Brazilian broadcast rights to the entire WTA Tour driven by Mercedes-Benz, covering all WTA 250, WTA 500, and WTA 1000 tournaments. The agre...
24/07/2026
SiriusXM and WWE have launched WWE Radio on SiriusXM channel 156, beginning Monday, July 27. The channel will carry live audio of WWE Premium Live Events, audio...
24/07/2026
Harvard Athletics produces more than 325 live NCAA Division 1 sports events and 500 edited videos per year. To manage video capture, streaming, recording, and s...
24/07/2026
Chyron's PRIME 5 graphics platform supported live graphics workflows for NBCUniversal Telemundo's FIFA World Cup 2026 coverage across Telemundo, Univers...
24/07/2026
Wearable tech returns to the coverage, and a brand-new mobile unit is rolled out for the 2026 edition
The 21-stage Tour de France is nearing its conclusion. Th...
24/07/2026
More than 20 cameras, extensive player and coach audio, and a REMCO production model will power coverage of the league's showcase
For an event designed to ...
24/07/2026
New broadcast tool uses live timing, telemetry, and predictive analysis to decode real-time team decision-making for fans at home...
24/07/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/07/2026
First string library captured at Studio Richter Mahr
The latest sample library to be created at Max Richter's Studio Richter Mahr facility captures the ...
24/07/2026
Official emulation of Blackbird Studios reverb chamber
In their latest collaboration with Blackbird Studios, KIT Plugins have captured the sound of the Stud...
24/07/2026
Sohonet's partners at BIND Studio have published a great case study on the V...
24/07/2026
Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...
24/07/2026
Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...
24/07/2026
iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...
24/07/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates
LYNDONVILLE, N.Y. July 23,...
24/07/2026
At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...
24/07/2026
Sonnet Technologies at IBC2026
Brie Clayton July 23, 2026
0 Comments
Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter
At this year's IBC Sho...
24/07/2026
Musora Enhances Online Music Lessons with Blackmagic Design
Brie Clayton July 23, 2026
0 Comments
Director of Production Josh Holliday details workflo...
24/07/2026
Interview with Production 360. Original article published here
The theme of thi...
24/07/2026
Article courtesy of postPerspective
Read the article
While Toy Story 5 maintai...
24/07/2026
Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...
23/07/2026
Staines-upon-Thames, UK, 23rd, JULY, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisem...
23/07/2026
This Spring 2026 graduate from Honolulu found a home at SoonerVision as a live-production star and is ready to enter the industry as a replay op on Prime Video&...
23/07/2026
As the AUSL postseason begins tonight, listening in to players during games enhances fan engagement for the young organization
Ballplayers chatting with announ...
23/07/2026
Snap Inc. and the Esports Foundation have announced Snap's activations at the Esports World Cup 2026 in Paris, running July 6 through August 23. For the fir...
23/07/2026
Sony has announced the FX5, a full-frame Cinema Line camera built around a newly developed fully stacked Exmor RS CMOS image sensor and BIONZ XR2 image processi...
23/07/2026
TNDV (a division of Live Media Group) provided technical production support for the Pickleball Slam 4 live broadcast from Seminole Hard Rock Live in Hollywood, ...
23/07/2026
LTN has announced it has completed satellite-to-IP migrations for more than 3,00...
23/07/2026
Daktronics has announced the winners of the 2026 DakClassroom Student Showcase, a national competition recognizing student work in media production, storytellin...
23/07/2026
The French Tennis Federation (FFT) and beIN Media Group have announced a five-ye...
23/07/2026
Clear-Com provided the communications infrastructure for the Fryderyk Awards Gal...
23/07/2026
The 2026 FIFA World Cup is, on paper, an unparalleled financial success. Total t...