
SVG Returns to In-Person Events With Industry-Unifying Esports Production Forum in L.A. How the pandemic has changed industry operations was a primary focus By Jason Dachman, Chief Editor
Thursday, November 18, 2021 - 1:34 pm
Print This Story | Subscribe
Story Highlights
On Tuesday, the Sports Video Group held its first in-person event in 616 days. The Esports Production Summit at the Sheraton Universal In Los Angeles drew more than 200 attendees and reunited the esports-production community in a face-to-face gathering for the first time in two years.
The full day of panels, keynotes, and case studies delved deep into the next-gen workflows deployed by today's top esports tournament producers, publishers, and platforms. The event, which required proof of vaccination and masks in the main ballroom, was spearheaded by the SVG Esports Production Advisory Committee and co-chaired by a pair of industry stalwarts: EA Group Head of Content and Programming Joseph Lynch and ESL Gaming Senior Global Manager, Procurement/Executive Producer, Special Events, Simon Eicher.
Two years ago when we were in this room together, if you had told us we were going to have to do what we did the last 18 months, we would have said you were nuts, said Lynch during his welcoming remarks. But, when the whole world stopped, we dug in and the whole [broadcasting] industry looked to the people in this room to figure out how we were going to do production. The people in this room figured it out because that's what we do. That's what esports is. Esports is about figuring things out and getting the job done.
EA's Joe Lynch, who chaired the event, kicked off the SVG Esports Production Summit with his opening comments.
I've been working in this business a long time, he continued. In 25 years in entertainment, sports, and news, never have I seen competitors get together to solve a problem as a group. It was really impressive. It's what this community is all about. It's what esports is all about. I am very excited to be here and excited to be here with you all.
Over the past year and a half, the esports-production industry has undergone a historic transformation as a result of the pandemic. Although esports organizations were largely ahead of the curve when it came to cloud- and remote-production technologies, the pandemic fast-tracked the technological roadmaps and brought the technologies to the forefront. Tuesday's event showcased these trailblazing efforts and provided a preview of what's ahead for the industry.
The SVG Esports Production Summit kicked off with an inside look at Riot Games' historic 2021 League of Legends World Championship production, which recently concluded in Iceland. Riot Games Director, Esports Creative, Carrie Dunn and Executive Producer, Global LoL Esports and Wild Rift Esports Events, Nick Troop explained how their respective teams pulled off the monumental live broadcast in the face of unprecedented challenges, including a last-minute move from China to Iceland.
EA's Joe Lynch, who chaired the event, kicked off the SVG Esports Production Summit with his opening comments.
Next up was a state-of-the-industry report on the latest live-production tech and workflows by esports broadcast leaders: EA's Lynch; Matt Arden, head of content and media, NBA 2K League; Matt Donovan, broadcast engineering and technology manager, Riot Games; Andrew Lane, director, broadcast and production, FACEIT; David Light, broadcast engineer, solutions, Activision Blizzard Esports.
Eicher then remotely provided a behind-the-scenes look at ESL Gaming's EMEA production hub in Katowice, Poland, one of the largest and most sophisticated esports-production facilities in Europe.
The Return of LAN Events & Live Venues panel offered a look at how the live-production industry is confronting a new normal, blending the remote workflows deployed during the pandemic with traditional onsite production methods. On the panel were TJ Canty Jr., director, events and operations, NBA 2K League; Andrew Lane, director, broadcast and production, FACEIT; Amber Luther, planner, senior associate, Populous; Heather Rosenfeldt, VP, business operations, ESL Gaming America; and Ryan Thompson, co-founder/chief production officer, Esports Engine.
The SVG Esports Production Summit offered technology exhibits displaying cutting-edge gear for esports events.
After an outdoor lunch, the most integral piece of the esports storytelling ecosystem took the stage: the observer team. Virtual in-game camera operators, observers are responsible for constructing a coherent narrative out of the ballistic, expansive action taking place within the game. Moderated by Do Not Peek Entertainment co-founder/Managing Director Jason Baker and featuring Royce Dickerson, executive producer, EA, the panel comprised Phil Englert, business development manager, esports, Ross Video; Heather sapphiRe Garozzo, CS:GO/VALORANT observer/VP, talent, Dignitas; James Grieve, Battle Royale observer/director; and Xavier LaTorre, lead observer, Call of Duty League, Blizzard Entertainment.
Riot Games' Carrie Dunn (far right) and Nick Troop (center), here with SVG Chief Editor Jason Dachman, provided an inside look at the 2021 League of Legends World Championships during their Opening Keynote.
The on-stage program closed with a panel examining the future of cloud and remote productions and asking the question What Technologies Will Stick From the COVID Era?. Moderated by The Switch VP, Gaming, Charles Conroy, the panel comprised Michael Bergeron, senior category owner, production systems and advanced technology, Panasonic; Ryan Cole, senior director, broadcast technology, Cosm (formerly with Activision Blizzard Esports); Robert Erickson, strategic account manager, sports and venues, Grass Valley; Brian Gr
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
10/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/04/2026
Frequency, the engine behind the worlds leading streaming television channels, today launched its AI platform for Frequency Studio, powering the entire channel ...
09/04/2026
Staines-upon-Thames, UK, 09, April, 2026 - Yospace, the trusted leader in Dynam...
09/04/2026
just:play pro 2026 and just:live pro 2026 Sneak Preview News for NAB 2026
More Details:At NAB 2026, ToolsOnAir will showcase just:play pro 2026 and just:live p...
09/04/2026
just:in mac pro 2026 - The Next Level of Professional Recording on macOS at NAB ...
09/04/2026
Zixi will demonstrate IP-based live video workflow solutions at NAB Show 2026 (Booth W2057).
The industry is moving quickly toward IP-based distribution as br...
09/04/2026
Global women's elite sports revenues are expected to reach at least $3 billi...
09/04/2026
Monitor engineer Gavin Tempany mixed Kylie Minogue s Tension Tour on a Solid Sta...
09/04/2026
KOKUSAI DENKI Electric America will exhibit at NAB Show 2026 (Booth C5507), debu...
09/04/2026
With the 2025-26 NBA regular season concluded and the playoffs beginning next we...
09/04/2026
Telestream and Mimir have announced an integration connecting Telestream's V...
09/04/2026
Bitmovin has expanded its Live Encoding and Observability solutions to provide r...
09/04/2026
The Nashville Predators and Scripps Sports have announced a multi-year media rights agreement covering local preseason, regular season, and first-round playoff ...
09/04/2026
Advanced Systems Group, LLC has announced a partnership with Beam Dynamics to offer the Beam Asset and License Intelligence Platform to its clients. The platfor...
09/04/2026
Lawo has unveiled Edge One, a combined video and audio stagebox for broadcast and Pro AV workflows. The device will be on display at NAB Show (Booth C2108, Apri...
09/04/2026
The Society of Motion Picture and Television Engineers (SMPTE) will host the SMPTE ST 2110 IP Media Roadshow on Tuesday, April 21, 2026, at the Las Vegas Conven...
09/04/2026
The Atlanta Braves have completed upgrades to video displays in and around Truist Park ahead of the 2026 MLB season. The upgrades include the Delta Out-of-Town ...
09/04/2026
The University of Southern California has contracted Daktronics (NASDAQ: DAKT) of Brookings, South Dakota, to manufacture and install 22 LED displays across fou...
09/04/2026
Backlight, the media technology company behind Iconik and Wildmoka, will showcase its Creative Operations Platform at NAB Show 2026 (Booth N2829, April 19-22). ...
09/04/2026
MotoAmerica and V10 Entertainment have announced a partnership to broadcast MotoAmerica Superbike racing on VICE TV for the 2026 season. Coverage begins live on...
09/04/2026
Proton Camera Innovations has announced the appointment of Tod Musgrave as US Sa...
09/04/2026
Designed specifically for live sports broadcasting, new platform features IP-nat...
09/04/2026
Blending 1990s DNA, modern motion theory, and a distinctly colorful brand identi...
09/04/2026
Technical capability is essential, but long-term success often depends on how we...
09/04/2026
15 feature films, including fiction and documentaries, along with six short film...
09/04/2026
Spotify has always been about putting listeners in the driver's seat. Today, people don't just want more ways to spend their time; they want that time t...
09/04/2026
Our Chief Public Affairs Officer Dustee Jenkins shares how we're building a more positive experience for families on Spotify.
As Spotify's Chief Public...
09/04/2026
Festival season is upon us. From sun-soaked weekends out west to iconic stages in Chicago and New York, fans are getting ready to see their favorite artists liv...
09/04/2026
O Spotify sempre teve como foco colocar os ouvintes no controle. Hoje, as pessoas n o querem apenas mais formas de passar o tempo - elas querem que esse tempo s...
09/04/2026
Read the original note in English here.
Nossa Chief Public Affairs Officer, Dustee Jenkins, compartilha como estamos construindo uma experi ncia mais positiva ...
09/04/2026
New synth focuses on sci-fi scoring
Following their formation and debut releases in December 2025, Smokestack Sounds - the brainchild of composer and produc...
09/04/2026
Latest version set for May 2026 launch
Reason Studios have revealed that the latest version of their DAW software will be launching in May 2026. Currently a...
09/04/2026
New EQ aimed at mix-bus & mastering duties
Shy Audio's first two releases focused on the past, delivering recreations of the budget mixers that were com...
09/04/2026
Based on John Galsworthy's novels known collectively as The Forsyte Saga a...
09/04/2026
The Forsytes has been renewed for a third season before the period drama has even premiered on PBS Masterpiece.
The adaptation of John Galsworthy's novel, ...
09/04/2026
IThe BBC has commissioned new drama The Witch Farm, starring Gabrielle Creevy (T...
09/04/2026
The next big thing To help broadcasters fully embrace dynamic hybrid workflows, Calrec will make a major announcement that unlocks even more freedom for broadca...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Purpose Built Monitoring From Live Production to Master Control to OTT, Across On Prem and Cloud Environments
At the 2026 NAB Show (April 19-22, Las Vegas Con...