Cinematographer Ricardo Diaz joined the HBO series Winning Time: The Rise of the Lakers Dynasty for Season 2's third episode, The Second Coming. Depicting the backstory of basketball legend Larry Bird (played by Sean Patrick Small), the episode marked the directorial debut of Todd Banhazl, ASC, who had served as cinematographer on the series' pilot episode and five subsequent episodes in Season 1 and was shooting four episodes across Season 2. Rick is such a supportive, talented filmmaker and a dear friend I knew I was taken care of, Banhazl shares. We had done the prep work together, and I trusted he had my back.
For his work on the episode, Diaz has now been nominated for an ASC Award in the Episode of a One-Hour Series category. Panavision recently connected with Diaz for his insights on the episode and his collaboration with Banhazl.
Panavision: How was your experience joining the Winning Time team?
Ricardo Diaz: Joining Winning Time was a dream come true. It felt like every cinematographer was talking about the groundbreaking style that [executive producer and pilot director] Adam McKay, Todd Banhazl, [production designer] Rich Toyon, [costume designer] Emma Potter and countless others created in Season 1. So when Todd reached out to me about lensing his Season 2 episode, I jumped at the opportunity. The entire team warmly welcomed me from the start, so I immediately felt like I was a part of the family. Todd has a way of doing that making you feel heard and as if you always belonged. He's a great listener. It's his superpower.
From that place of creative safety, I felt empowered to try things and experiment. In analyzing the script, we really saw Larry Bird's portion play out like a spaghetti western. Todd and I talked about how we wanted his backstory to have a small-town Americana feel but still be as bold as the rest of the show. So we took visual inspiration from aspects of Smallville in Superman: The Movie to play into the tall tale' of Bird. We also creatively mined the gunslinger-for-hire' aspect of Larry's recruitment by using Panavision's anamorphic 16mm glass to give us the scope of a Western and the nostalgia of Americana while still firmly planting us in the framework of Winning Time.
How did you familiarize yourself with the shows unique style?
Diaz: Todd and I have been friends since meeting at AFI, so while he was conceptualizing the look of the show, I was frequently checking in to see if he would spill the beans on his testing. The results, as you know, were exciting, bold, and singular. When I started prep for my episode, I was given the show's visual guides both of them, one created by Todd that gave detailed emotional and technical direction, and one created by camera operator and 8mm 2nd-unit cinematographer Justin Cameron detailing how and when the 8mm and Ikegami cameras were utilized. Finally, I had the man himself directing the ship at all times.
Todd was generous with his time, answering any and all of my questions about the show's visual language. He encouraged me to add my own voice to it when it came to conceptualizing Birds backstory, which led us to the creation of a new LUT for our episode. The Winning Time color palette is steeped in an Ektachrome look reminiscent of commercial photography in the '80s. So when designing Larry Birds early days, we looked to the '70s to find our color palette for the everyman.' That was Kodachrome. In combination with our 16mm anamorphic glass, we immersed Larry's past in this Kodachrome LUT that just oozed Americana. This helped ground the image while still giving it that outsized Western scope.
What was it like working with a director who's also a cinematographer?
Diaz: I've had the good fortune of collaborating with several directors whose roots were in cinematography. It's a total joy. The language and shorthand is there along with a zeal for visual storytelling. Todd's and my love of the craft and decade-long friendship is what drove our process. Most of our prep was spent speaking about how the pathos on the page could be translated into visual language. Then we went to the archives! We looked at work that inspired us and tried to understand how and why those scenes, shots and films were so effective. Often it came down to purpose.
Todd and I would also sometimes play out scenes in his dining room to get a feel for the characters. From their perspectives, we would try to imagine where the camera was in the room and why. They were wonderful meetings that reminded us why we do this: for the joy, immersion and magic of filmmaking.
Ricardo Diaz (right) with Todd Banhazl, ASC.
Explore all of our Winning Time coverage:
Championship Caliber
In Conversation: Winning Time
Winning Depth
All images courtesy of HBO.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
08/09/2026
Comcast Technology Solutions (CTS) has announced a multi-year agreement with A E...
08/09/2026
Spectra Logic today announced the availability of Media Insight, a new capabilit...
08/09/2026
Rogers Communications and Quebecor have announced a 12-year sublicensing agreement for French-language national NHL games beginning with the 2026-27 season. TVA...
08/09/2026
Skyline Communications and Bridge Technologies will demonstrate two integrations...
08/09/2026
Boland Communications will make the European debut of its 4K55HDR7SNB 55-inch super-narrow-bezel monitor at IBC2026 (Stand 12.C57, RAI Amsterdam, September 11-1...
08/09/2026
Ateme and Comcast Technology Solutions (CTS) have announced a collaboration comb...
08/09/2026
Haivision has joined the IBC Accelerator Media Innovation Programme as part of t...
08/09/2026
Blackmagic Design has announced price reductions on its PYXIS 6K and Cinema Camera 6K models, effective immediately through Blackmagic Design resellers worldwid...
08/09/2026
AI-Media will demonstrate its LEXI Suite at IBC2026 (Booth 5.C34, September 11-1...
08/09/2026
Bitmovin and Ad Insertion Platform (AIP) have announced the first live deploymen...
08/09/2026
Grass Valley will demonstrate story-centric media workflows at IBC2026 (Booth 9.A01, RAI Amsterdam, September 11-14), connecting newsroom production, content ma...
08/09/2026
M2A Media and Ateme have announced a partnership integrating Ateme's video processing solutions into M2A Media's MediaToAnywhere platform for live sport...
08/09/2026
Ikegami will exhibit at IBC2026 (Stand 12.A31, RAI Amsterdam, September 11-14), including a Day 1 introduction of new cameras in the UNICAM XE series. Additiona...
08/09/2026
Broadcast industry analysts will be gathering plenty of insights at the 2026 IBC Show this weekend in Amsterdam, but Caretta Research has offered up some though...
08/09/2026
SENSHI and DAZN have announced a global broadcast partnership that will bring SENSHI's live events free to viewers in more than 200 markets. The partnership...
08/09/2026
New architecture built with Evertz will bring 4K HDR to Monday Night Football, N...
08/09/2026
Built for rap producers, by rap producers
Sauceware Audio, the independent plug-in company founded by Grammy-nominated producer Jacob (Travis Scott, 21 Sava...
08/09/2026
Classic Sound Techniques design revived
Warm Audio's latest release delivers a meticulous recreation of the preamp circuitry employed by the Sound Techn...
08/09/2026
Latest soft synth inspired by the Memorymoog
XILS Lab have just launched a software instrument that draws its inspiration from Moog's iconic Memorymoog,...
08/09/2026
The Airport Chaplain takes off as SBS's biggest launch of 2026
8 September, 2026
Media releases
1.67 million viewers on National Total TV to date
Best...
08/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/09/2026
Mo-Sys, the world-leading developer of virtual production, camera robotics and image tracking technology, has completed a business restructuring, which has incl...
08/09/2026
New York, September 8, 2026 The TSAmediaHUB audiovisual contribution and distribution infrastructure developed by Telef nica's Audiovisual Services area re...
08/09/2026
Expanded Riyadh operation brings Asharq and Thmanyah services together on a resilient on-premises Pebble platform.
Pebble, the leading automation, content mana...
08/09/2026
Techex, a pioneering leader in live video workflows, will showcase its broadest software feature set to date at IBC 2026 (Stand 2.B45), extending its lead in so...
08/09/2026
Visitors to Grass Valley's booth at IBC2026 will be introduced to new Framelight X capabilities that connect content acquisition, management, editing and pu...
08/09/2026
BCNEXXT will showcase the latest evolution of Vipe at IBC2026 (Stand 2.B09), introducing a series of innovations designed to deliver higher-quality audience exp...
08/09/2026
Bitmovin, a provider of video streaming solutions, has partnered with Ad Insertion Platform (AIP), a leading innovator in advanced ad insertion technologies, to...
08/09/2026
Brainstorm, a leading manufacturer of real-time graphics and augmented and virtual production, is announcing a major package of enhancements to its Suite 7 soft...
08/09/2026
Big Blue Marble is supporting TDF, French infrastructure and network operator, broadcasting Digital Terrestrial Television (DTT) and radio services, as a techno...
08/09/2026
Agents work inside a single production environment, from incoming wire copy to a live studio show...
08/09/2026
Building on their strategic partnership, Ceeblue and Layercake make the unthinkable possible: scalable sub-second streaming over standard DRM, SSAI, and CDN wor...
08/09/2026
Brainstorm, a leading manufacturer of real-time graphics, augmented and virtual production, is completing the environment for fast-paced broadcast production wi...
08/09/2026
A SaaS portfolio built to work together, helping operators grow audiences, monetise smarter and run leaner, on their own terms
At IBC 2026 (stand 1.B49) Synam...
08/09/2026
Accedo, global provider of video streaming software and services, has been selected by PlayOn Sports, a national leader in high school sports technology, to exp...
08/09/2026
LiveU, the leader in live IP-video solutions, is enabling The Associated Press to take global newsgathering to the next stage with intelligent connectivity and ...
08/09/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, today announced the latest evolution of it...
08/09/2026
Compact, power-efficient X Platform performance brings broadcast-grade reliability and ultra-low latency to space-constrained remote production (REMI) workflows...
08/09/2026
Zixi, the leader in live video delivery and workflow orchestration, and Kiloview, a leading provider of professional IP video encoding and decoding solutions, t...
08/09/2026
Collaboration gives content owners scalable CDN capacity and broadcasters enhanced flexibility, including for C-band transition planning
Quortex today announce...
08/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/09/2026
Telos Alliance and Pluxbox Announce Dynamic Media Facility Integration Partnersh...
08/09/2026
J nger Audio Showcases Industry-First S-ADM Cloud Workflow at IBC 2026
Search
Dolby, MainConcept, Techex and J nger Audio will showcase the industry's ...
08/09/2026
Tuesday 8 September 2026
Sky Go gets a major upgrade for Sky Glass and Sky Stream customers
Today, Sky launches a new version of the Sky Go app for Sky Glass ...
08/09/2026
Documentary thriller simulating a Russian attack on UK soil will culminate in a live final episode reuniting the playersTuesday 8 September 2026
Trailer releas...
08/09/2026
Tuesday 8 September 2026
Jamie Demetriou and Amelia Dimoldenberg to host next t...
08/09/2026
Wuppertal September 8, 2026
Riedel Introduces New OnAir Headset PlatformRiedel Communications today announced the launch of its new OnAir headset platform, a...
Cinematographer Ricardo Diaz joined the HBO series Winning Time: The Rise of the Lakers Dynasty for Season 2's third episode, The Second Coming. Depicting the backstory of basketball legend Larry Bird (played by Sean Patrick Small), the episode marked the directorial debut of Todd Banhazl, ASC, who had served as cinematographer on the series' pilot episode and five subsequent episodes in Season 1 and was shooting four episodes across Season 2. Rick is such a supportive, talented filmmaker and a dear friend I knew I was taken care of, Banhazl shares. We had done the prep work together, and I trusted he had my back. 
