On the Hardwood: How Kyle Campbell Balanced Productions for the NBA's New Orleans Pelicans, NFL's Saints Mercedes-Benz Superdome, Smoothie King Center access the same control room By Kristian Hernandez, Associate Editor
Wednesday, February 24, 2021 - 11:43 am
Print This Story | Subscribe
Story Highlights
The doldrums of 2020 may be in the past, but 2021 is still presenting challenges to in-venue production teams. Now out of the Orlando bubble, NBA organizations are hosting games in their home arenas and navigating the continuing difficulties of the pandemic. Like SVG's At the Ballpark and On the Gridiron series, On the Hardwood will take a look the hardships, creative ideas, and teamwork of NBA franchises.
Since the beginning of the NFL season in September, the city of New Orleans has been buzzing like it's a non-stop Mardi Gras. Three months later, when the NBA's Pelicans began their 2020-21 season, Kyle Campbell, director, game experience, New Orleans Saints and New Orleans Pelicans, became a very busy man. As Saints director, game day experience, he was tasked with balancing in-venue productions for two franchises simultaneously.
I didn't get much sleep and didn't get to see my wife as much as I would have liked to, he says. It has been a pretty crazy start to the Pelicans season.
MORE ON THE HARDWOOD INTERVIEWS:
After Assisting Fox Sports Sun, Miami Heat Retrofit Control Room for Games in AmericanAirlines Arena
Philadelphia 76ers Continue Treasured Traditions at Wells Fargo Center
Milwaukee Bucks Leverage NBA Bubble Experience for 2020-21 Slate at Fiserv Forum
Sacramento Kings Improve In-Venue, At-Home Experience With Intel True View at Golden 1 Center
Atlanta Hawks Honor Legacy of Martin Luther King Jr. in First of Season-Long Unity Nights'
Houston Rockets Work With League, RSNs To Produce Away Radio Broadcasts in Toyota Center
Golden State Warriors Connect Team, Chase Center to Fans at Home Through Dub Hub Experience
Despite Limited Fans, Cleveland Cavaliers Keep the Energy Up at Renovated Rocket Mortgage FieldHouse
Charlotte Hornets Redesign Mobile App To Bring Spectrum Center Content to the Home
Portland Trail Blazers Manage LED Displays at Moda Center To Educate, Entertain Fans on League Pass
Minnesota Timberwolves Feature On-Court Media Day With Drone Flyover at Target Center
Chicago Bulls Use Year-Old Videoboard, Mobile Predictive Gaming To Draw Up Production Plan
Denver Nuggets Repurpose RSN Broadcast With Some In-Venue Flavor
With Empty AT&T Center and Reduced Game-Day Staff, Spurs Add Digital Arena' to Mobile App
Two at a Time: Postseason Saints, Regular-Season Pelicans Take Over Downtown NOLA In other cities, two separate individuals would handle these roles for their respective organizations. In New Orleans, Campbell is tasked with handling two professional leagues that bump up against each other on the sports calendar. The COVID-19 pandemic added another layer of difficulty because the NBA wasn't sure when its season would begin.
The control room used by the New Orleans Saints and New Orleans Pelicans, here for the Pelicans-Celtics game on Feb. 21
In the NBA offseason, he says, we didn't know if we were going to start until after the new year or not. Luckily, leading up to that preseason game, we were on a three-game road trip with the Saints.
Campbell and his Pelicans crew had only a few days to develop a regular-season strategy. Sleepless nights and early mornings became normal, but it was only a prelude to what was to come over the next nine days: a Pelicans preseason game vs. the Milwaukee Bucks on Dec. 18, a Saints game in Week 15 vs. the Kansas City Chiefs on Dec. 20, a Friday-night Saints home game vs. the Minnesota Vikings on Christmas Day, and the Pelicans home opener vs. the San Antonio Spurs on Dec. 27. Over that span, the two franchises used the single control room that produces both shows.
During that week, he notes, we were mixing in tech rehearsals, putting together scripts; balancing internal communications with sponsorship, marketing, and sales; and booking talent. We also were getting ready for Saints playoffs on top of that.
With the success of the Saints throughout the year, the team was the No. 2 seed in the NFC and hosted the Wild Card Game at home vs. the Chicago Bears on Jan. 10. That night, the Pelicans were on the road in Dallas but didn't play because of COVID-19 protocols. After defeating the Bears, the Saints played host to the Tampa Bay Buccaneers in the Divisional Round on Jan. 17. Campbell was again able to fully keep his mind on football with the Pelicans playing the Sacramento Kings on the West Coast. The Saints' 10-point loss in the second round was heartbreaking but allowed Campbell to dive fully into his other responsibilities.
I'm extremely fortunate to have a job and expand our game experience in New Orleans quite a bit, he says. We have a high bar that we set for ourselves internally, so I'm able to bring in people to help fulfill [fan] expectations.
Games at The Blender: Smoothie King Center Videoboard Entertains In-Venue Fans As other teams gradually bring fans back into their venues, the Pelicans were one of a small group of organizations that allowed patrons in the seats at the beginning of the season. At first, the attendance limit was only 4% capacity, or 750 fans. Later, that number grew to 9%, or 1,400 fans, and now 16%, or 2,700 fans, are able to enter the turnstiles of Smoothie King Center. Although the nine-day stretch ending 2020 was a hectic time for the production crew, the hours spent devising a plan for Saints games during the regular season prior to fans' return paid off in a cohesive plan of attack for its NBA efforts.
Control-room positions are separated by plexiglass.
Our experience with the Saints
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
17/05/2026
Delta Goodrem's Eurovision Eclipse marks end of a stellar run
17 May, 2026
Media releases
Bulgaria wins Eurovision 2026
Relive every spellbinding mome...
16/05/2026
Helps to deliver a clean, balanced midrange
Developed alongside Newfangled Audio, the latest plug-in in Eventide's software collection has been designed...
16/05/2026
Brings onboard stem rendering to RANE System One
Engine DJ have just released Engine DJ 5.0, a free update for their Engine DJ OS embedded hardware and Engi...
16/05/2026
Boris FX Continuum Pairs AI Precision and Advanced Creative Controls
Jessie Electa Petrov May 16, 2026
0 Comments
The 2026.5 release adds automatic de...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Seattle Sounders FC and Seattle Reign FC, in partnership with RAVE Foundation an...
15/05/2026
Dan Brumm has served as sound designer on Bluey, the Australian children's t...
15/05/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are accepting applications for the 6th annual Mark Brunner Professional Audio Schola...
15/05/2026
Netflix has announced an expanded NFL schedule for 2026 and beyond under a four-year partnership extension with the NFL through the 2029-30 season. Each season,...
15/05/2026
Ateme is supporting TVRI (Televisi Republik Indonesia) with a contribution and d...
15/05/2026
Concacaf has announced the launch of a new website and mobile app built on Deltatre's FORGE platform. Concacaf.com and the mobile app, available on iOS and ...
15/05/2026
Eutelsat has announced the launch of QBC Business Economic Channel by Qatar Media Corporation, broadcasting in 4K/UHD via Eutelsat's 7/8 West video neighbo...
15/05/2026
Major League Soccer has announced four original content series timed to the 2026...
15/05/2026
The Alliance for IP Media Solutions (AIMS) has announced it will exhibit and present at InfoComm 2026, taking place June 13-19 at the Las Vegas Convention Cente...
15/05/2026
InfoComm 2026 will take place June 13-19 (exhibits June 17-19) at the Las Vegas Convention Center. The show will include sessions and exhibits covering broadcas...
15/05/2026
Tracy McGrady's Ones Basketball League (OBL) and FuboTV Inc. have announced ...
15/05/2026
Disguise has partnered with Creative Technology (CT) to deliver visual playback ...
15/05/2026
Sony Electronics has announced two new products for professional imaging: the Alpha 7R VI full-frame mirrorless camera and the FE 100-400mm F4.5 GM OSS super-te...
15/05/2026
In-venue and creative video staffers at the professional and collegiate level ha...
15/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
15/05/2026
For sports organizations, the most valuable assets are often the most sensitive:...
15/05/2026
The NFL's broadcast partners released their 2026 regular season schedules ye...
15/05/2026
When MMA icons Ronda Rousey and Gina Carano meet inside the Hexagon at Intuit Do...
15/05/2026
Daniel Roher attends the Tuner Premiere during the 2026 Sundance Film Festival at Eccles Theatre on January 22, 2026 in Park City, Utah. (Photo by Neilson Bar...
15/05/2026
Last night, the Spotify Podcast Awards in Mexico returned to the country's capital. Now in its second year, the evening honors creators whose voices are hel...
15/05/2026
Rebranded show announced
Ahead of their 2026 return, Music Expo have announced that they have now officially changed their name to the MONO Music Conference...
15/05/2026
Fuzz pedal joins UK companys line-up
UK-based pedal makers Buzzing Bugs Audio Devices have recently unveiled their latest creation, the Bolster. Said to pay...
15/05/2026
Joint Statement: News Bargaining Incentive
28 April, 2026
Media releases
The vibrancy of Australian democracy relies on the robust and open exchange of new...
15/05/2026
Call it Deltavision, Australia's through to the Grand Final of this year'...
15/05/2026
Join Calrec at MPTS 2026 | May 13-14 | Stand A40 | Olympia, London We're looking forward to meeting up with customers and partners at this year's Media ...
15/05/2026
86% of media planners would move more linear TV budget to CTV if they had show-level targeting and reporting - and 65% would also shift dollars from programmati...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Clear-Com will showcase new communications solutions and major platform updates at InfoComm 2026 (Booth N7005), June 17-19, in the North and Central Halls of t...
15/05/2026
Following an outstanding inaugural year in 2025, Rise AV is proud to announce the return of its flagship leadership initiative, Elevate. The programme continues...
15/05/2026
Berklee Announces Lineup for Inaugural AI Music Summit The three-day event puts musicians at the center of the future of music creation, ethics, and the indus...
15/05/2026
Lightware returns to InfoComm 2026 with a focused showcase of scalable USB-C connectivity, next-generation AV-over-IP solutions, and technologies that help over...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Delivering a live, arena-scale production of a massively popular band is no small feat. Between expansive in-arena LED walls and a global live stream fed to onl...
On the Hardwood: How Kyle Campbell Balanced Productions for the NBA's New Orleans Pelicans, NFL's Saints Mercedes-Benz Superdome, Smoothie King Center access the same control room By Kristian Hernandez, Associate Editor 
