Calrec Offers Free Training on Mixing Live Broadcasts in Dolby Atmos The goal is quick and easy creation of immersive mixes By Dan Daley, Audio Editor
Thursday, May 6, 2021 - 9:00 am
Print This Story | Subscribe
Story Highlights
Calrec has launched a free educational training module for mixing live broadcasts in Dolby Atmos using its Brio console. The modules explain how to create and monitor immersive mixes with a variety of inputs quickly and easily on the compact console.
The Dolby Atmos training module can be accessed at Calrec's Sound Institute website.
Mixing in Dolby Atmos enables the [user] to place an audio source freely within a three-dimensional environment - not only within a 5.1 or 7.1 bed but also overhead, said Henry Goodman, director, product development, Calrec, in announcing the launch. Many larger consoles have features which make this easy, but assistive features on smaller desks can also help reduce the workload when it comes to NGA mixing for live broadcasts.
Calrec noted the increased use of Atmos for sports. For example, NBC Sports has been using the technology to produce sports events since 2016, and all tier-one football matches in the UK - as well as cricket, basketball, boxing, tennis, and even darts - have been produced in Dolby Atmos by European broadcasters since 2017.
The company also offered comments by A1s who have mixed broadcast sports in Atmos in the U.S.
One of the things I love about Calrec and Dolby Atmos is how easy it is to set up, said ESPN Senior Audio Mixer Stevie Kaura Jr. With Calrec, you just follow the instructions, and, as long as your speakers are patched correctly, hey, presto! Dolby Atmos. I also love the creative freedom Dolby Atmos provides. You can take a moving graphic that has noise associated with it and go to town by flying the noise almost anywhere. Does stereo still exist after Dolby Atmos?
Josh Daniels, audio mixer for NBC and the NHRA, offered, Mixing in Dolby Atmos heightens the experience of live television production. I enjoy being on the cutting edge of technology, and, with Dolby Atmos, that's exactly where you're at. Mixing NHRA drag racing has been a great experience for me and being able to do that in Dolby Atmos has given me a better appreciation for what I do. I'm trying to bring people the punch that Nitro cars deliver on every pass. Being part of creating and developing technology that pushes us to the next step is an amazing feeling.
The free training is available at Calrec.com/calrec-sound-institute
More from Sports Video Group
01/07/2025
SVG New Sponsor Spotlight: Spyrosoft's Jonathan Witty on Futher Business Exp...
01/07/2025
The NIL Effect: How the Shifting Business of College Athletics Impacts On-Campus...
01/07/2025
Cherry on the cake: Inside the technical production of the Tour de France 2025 w...
01/07/2025
NESN's Josh Jun on Keeping Alternative Broadcasts Fresh for Boston Red Sox, ...
01/07/2025
TNT Sports Races Back Into NASCAR With Fresh Look, Familiar Edge Production approach emphasizes creative freedom, bold storytelling, casual-fan-friendly tone B...
27/06/2025
How smarter compression is creating a sustainable future By Michael Burns
Monday, June 23, 2025 - 14:13
Print This Story
Live sport is especially vulnerab...
27/06/2025
Behind the Mic: FOX Sports Ratchets Up UEFA Women's EURO 2025 With Top-Class...
27/06/2025
RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe
Friday, June 27, 2025 - 8:00 am
Print This Story | Subscribe
Story ...
27/06/2025
Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...
27/06/2025
Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...
27/06/2025
NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...
26/06/2025
10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...
26/06/2025
The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...
26/06/2025
Program Productions' Jess Kowatch on Training the Next and Current Gener...
25/06/2025
SVG College Summit 2025: Select Sessions Now Available to Watch on SVG PLAY Tackling the latest in college sports video: NIL, live production, virtual productio...
25/06/2025
ESPN Is Set To Bring AR Graphics to Wimbledon, Revamps Bunker and Studio 18 VO B...
24/06/2025
2025 NBA Draft: ABC/ESPN Prepares for Two-Day Draft at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By M...
24/06/2025
Cloud Broadcast Tech Update: Google Cloud's Jane Day on the Impact of AI on ...
24/06/2025
Cloud Broadcast Tech Update: AWS's Dana LaGattuta on Data-Driven Innovation ...
24/06/2025
Lions live: Dublin opener sees Sky Sports take remote route By Fergal Ringrose ...
24/06/2025
Pumas maul Lions as S4C and TG4 deliver first-ever joint host in Dublin By Ferg...
24/06/2025
ABC/ESPN Prepares for 2025 NBA Draft, the First at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By Mark ...
23/06/2025
Adventures in Live Cloud Production: Stories From the Trenches with MLB, NHL, NB...
23/06/2025
Finding the edge: How Badger & Combes produces live-streamed coverage of county ...
23/06/2025
Masters of Madness: New football format shakes up the rules of sportainment By Adrian Pennington
Monday, June 16, 2025 - 11:38
Print This Story
The ball i...
23/06/2025
New State-of-the-Art Mountain Media Center Launches in Former Starz Encore Build...
23/06/2025
ESPN Says Goodbye to Seaport Studios, Hello to New State-of-the-Art Production F...
20/06/2025
Feeling Unlimited, Part 1: Athletes Unlimited Softball League Deploys Remote Pro...
20/06/2025
A True Test? Cricket's Growth on the Global Stage and the Role Broadcast Can...
20/06/2025
Sky Sports goes large for the British & Irish Lions Tour with AR graphics, UHD a...
20/06/2025
ESPN's Men's College World Series Finals Coverage Combines Innovation, L...
19/06/2025
SVG Rewind: PGA Tour Introduces Drone AR Smart Tracing, Reflects on Winning Geor...
18/06/2025
Technology focus: Fan expectations drive advances in the in-stadium experience By Jo Ruddock
Tuesday, June 3, 2025 - 08:36
Print This Story
For years, att...
18/06/2025
Making connections: How stadiums are meeting the ever-growing demand for data an...
18/06/2025
SVG Venues & Teams Summit Keynote: RWS Global Powers the Stadium Environment at ...
18/06/2025
SVG Rewind: Behind the Scenes of Producing Tottenham Hotspur's Europa League...
17/06/2025
SVG New Sponsor Spotlight: Mercury Intermedia's Tom Richardson, Mike Ligon o...
17/06/2025
Total Sports Performance from Relo Metrics, VideoAmp, Offers Next-Level Media, B...
17/06/2025
From Stage to Stream: Producing Live Esports Events in 2025 Leaders from ESL FACEIT Group, Riot Games, and more break down the latest trends By Jason Dachman, ...
17/06/2025
Inside FIFA 2025 Club World Cup Operations With FIFA's Oscar Sanchez, HBS...
17/06/2025
Production ambitions: Over Exposed on making the National League Promotion Final...
17/06/2025
DAZN Brings Global Ambition to U.S. Soil With Production of 2025 FIFA Club World...
17/06/2025
Diversified's Christine Williamson on How UT's New State-of-the-Art Prod...
16/06/2025
Grass Valley 4K Cameras Head to Greece for View Master Events' New Productio...
16/06/2025
Behind The Broadcast Booth, Ep. 3: Golf. My Future. My Game. Founder and CEO Cra...
16/06/2025
The REMI Revolution Is Here: How Remote Production Technology in Esports Pioneer...
16/06/2025
From Super Bowl to Indy 500, New Orleans Artist Frenchy' Captures Energy of...
16/06/2025
NFL Films Enhances Post Studio With Dolby Atmos Audio Forty-three channels of audio enable the facility to migrate to immersive By Dan Daley, Audio Editor
Mo...
16/06/2025
SVG New Sponsor Spotlight: Storj's David Colantuoni on Expanding Cloud-Based...
Calrec Offers Free Training on Mixing Live Broadcasts in Dolby Atmos The goal is quick and easy creation of immersive mixes By Dan Daley, Audio Editor 
