
IBC 2019 Reflections: Limelight Networks' Gray and MIller-Jones discuss the on-going live streaming transformation By Fergal Ringrose, Editorial Director, Europe
Tuesday, October 15, 2019 - 16:12
Print This Story
New features announced at IBC 2019 for Limelight Networks' Video Delivery Services include expansion of the company's global network to almost 50 Tbps of egress capacity and its edge-server capacity by more than 40% since January.
This increased capacity ensures that critical quality metrics - such as rebuffer rate, startup time, and bitrate viewed - are improved when Limelight's Content Delivery Network (CDN) is deployed for live and on-demand video delivery.
Live Push Ingest (LPI), a new service functionality available in Q4 for live streaming over HTTP, will allow customers to send their packaged HLS and DASH streams directly to the Limelight CDN for onwards delivery to the end user.
Limelight Networks EMEA marketing director Andrew Gray (right) and VP of product strategy Steve Miller-Jones
At IBC SVG Europe sat down with Limelight Networks' EMEA marketing director Andrew Gray and VP of product strategy Steve Miller-Jones to discuss show innovations and the evolution of the high-end online video streaming business.
Steve Miller-Jones: We've consolidated our position as a leader of high quality global video distribution. Looking at this year we've been heavily involved with the Cricket World Cup and we're strongly engaged with major events next year.
I think we've done a really good job of solidifying our position in high quality CDN video delivery. There's a white space there for us, which we are occupying.
We're now at over 100 locations, with growth from 30 to about 50 terabits per second capacity in the network. Still a single network: we've maintained our philosophy of a dense architecture and distribution into the right network locations, giving us this ability to drive quality through the video delivery workflow.
Time and time again, where we compete on quality metrics, we come out on top. We are architected and built for scale, and we've consolidated some of our security positions.
As we move forward to next year, in addition to being a high quality video provider, we're also looking at latency - not just from a video perspective but where it matters for the pipeline and workflow around video. So we're going to be launching some edge services, where, if you need to bring your watermarking with you, we encourage you to come and do it in the network as an application in our distributed compute platform.
We'll be talking about taking your workflows to the next step in broadcast distribution, bringing your components and deploying them alongside us in our Fog player in between the last mile and the cloud. We'll be launching a distributed computing application platform in that layer - probably before NAB. Alongside being a CDN at scale we're a compute platform at scale as well.
Broadcast workflows have gone to software processes, continued Miller-Jones. The digital transformation is that the broadcasters and sports producers are software people.
What we've found in the video workflow is that, at the point of packaging, usually the CDNs come and get the stuff. What people are saying to us now is that they want to own the last step.
So here at the show we're launching Limelight Live Push Ingest, which is an environment to push content for live broadcast streaming. It brings more robust redundancy to that service layer; puts the broadcaster firmly in control; and gives us a scaled environment to work with for distribution.
Some of the trends we're seeing at the show include content personalisation, remote production and even virtualised production. At Limelight Networks are you happy that the positioning you describe here is in line with the changes in the way large live sporting events are being produced?
Steve Miller-Jones: We're seeing personalisation and data layers in sport. In addition to just sending the picture, content owners are sending other information that allows them to innovate - and we're right there to support them.
So yes I think it's a sign of the maturity of that evolution, and a sign that the standards are good enough and the content producers are confident in their own capability to drive that kind of innovation.
It's an exciting time for sport. There are so many events, and so many rights available to make it more accessible with more direct to consumer platforms. There's a lot of excitement about how to make the content personalised and how to innovate around consumption.
Andrew Gray: The other piece for us is about geographic expansion. We're focusing on two or three main regions in EMEA at the moment, but also we're now diversifying more and getting stronger in areas like Italy for example.
We're penetrating further into the Scandinavian through our relationship with Media City Bergen, and on a more ad hoc basis in the Middle East as well. So not just UK, France and the German markets - but beyond that and wider as well.
Steve Miller-Jones: We've had some good conversations with the sports community here at IBC. Obviously, where the rights are held and who has the distribution rights largely drives our conversations.
But bringing the technology to life in live sports workflows makes sense, as the area of online video is going to drive the most growth. So it makes sense for us to be able to describe how this works into the workflows of the content owners, rights holders, producers and platforms. We are a key part of the distribution channel, he said.
North America Stories
24/03/2026
At the 2026 NAB Show in Las Vegas, Utah Scientific will spotlight its expanding portfolio of hybrid SDI/IP routing, conversion, control, and signal management s...
24/03/2026
Fresh off its global reveal at ISE 2026 in Barcelona, the new V410 live 4K encoder/decoder from Miri Technologies Inc. will make its North American debut at the...
24/03/2026
Cinegy GmbH, premier provider of software-defined television technology, will show how its solutions answer the real challenges facing content creators and broa...
24/03/2026
Canberra-based radio and online broadcast network ArtSound FM (https://artsound.fm/) has invested in DHD audio mixing consoles for two new studios at its headqu...
24/03/2026
IBC today announced the nine projects selected for its 2026 Accelerator Media Innovation Programme, bringing together organisations from across broadcast, strea...
24/03/2026
Mediaproxy, the global standard for software-based IP compliance monitoring and multiviewing solutions, will showcase the next generation of its industry-leadin...
24/03/2026
Underscoring its global reputation as one of Canada's most renowned colleges for television production, the C gep de Jonqui re public college in Qu bec has ...
24/03/2026
Leading video software provider Synamedia today announced the launch of the industry's first edge watermarking solution that enables faster disruption of pi...
24/03/2026
Experience Commerce, a leading full-service digital marketing agency and part of the Cheil SWA Group, has secured the annual social media mandate for Fiat Payme...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Intinor introduces enhanced SRT monitoring, HDR transport and NDI Advanced suppo...
24/03/2026
Miri V410 Live 4K Encoder/Decoder to Make North American Debut at 2026 NAB Show
Brie Clayton March 23, 2026
0 Comments
Powerful new solution for strea...
24/03/2026
Artificial intelligence has rapidly emerged as one of the most critical workload...
23/03/2026
The Professional Fighters League (PFL) has renewed its multi-year partnership wi...
23/03/2026
The Snow League has named Google Cloud as its Official Cloud and AI Partner. The...
23/03/2026
Chyron has appointed Eric Wolff as Director of Venues Sales, North America. Wolff previously served as Director of Broadcast Operations & Media Production for T...
23/03/2026
Chicago Sports Network (CHSN) and Weigel Broadcasting's WCIU (The U, ch. 26.1) will simulcast 10 Chicago White Sox games during the 2026 season, the compani...
23/03/2026
Cosm has appointed Jon Werbeck as Vice President, Head of Sponsorships. He will report to Corey Breton, Head of Venues, and will focus on corporate sponsorship ...
23/03/2026
CP Communications has announced a partnership with Mark Roberts Motion Control (...
23/03/2026
NAB Show 2026, taking place April 18-22 (exhibits April 19-22) at the Las Vegas ...
23/03/2026
Bay FC and free streaming platform Victory have announced a partnership through...
23/03/2026
Gemini AI models will surface hidden context around pitches, matchups, rare stat...
23/03/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
23/03/2026
Growing from broadcast engineer to strategic planner, this Ithaca College grad h...
23/03/2026
16 Science-Focused Nonfiction Projects Selected for Funding
LOS ANGELES, CA, March 23, 2026 - The nonprofit Sundance Institute and Sandbox Films announced toda...
23/03/2026
An auxiliary target has been affixed to the Interim Cryogenic Propulsion Stage f...
23/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/03/2026
Pro8mm, the Super 8 experts, provided cameras, Super 8 movie film, and scanning services for Bruno Mars' Risk It All music video. The debut single from Br...
23/03/2026
Matthews, introduces their first aluminum grid clamp collection, engineered for the rigging needs of film, television and live production. Combining light weigh...
23/03/2026
Back to All News
Too Hot to Handle: Italy Reignites for a Second Season With th...
23/03/2026
Autonomous agents mark a new inflection point in AI. Systems are no longer limited to generating responses or reasoning through tasks. They can take action: Age...
22/03/2026
Back to All News
Live-Action Sins of Kujo' Premieres April 2: Main Trailer and Key Art Debut
Entertainment
22 March 2026
GlobalJapan
Link copied to cl...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Cine Gear Connect NY, presented by Universal Production Services, is filling in the slate for a full day of panels, peers, learning the latest, and mixing it up...
21/03/2026
Studio Technologies Debuts New StudioComm System at NAB 2026
Brie Clayton March 20, 2026
0 Comments
StudioComm Model 794 Central Controller and Model ...
21/03/2026
Restoration Christian Fellowship Captures Worship Music Videos with PYXIS 12K
Brie Clayton March 20, 2026
0 Comments
PYXIS' open gate provides cre...
20/03/2026
Net Insight will introduce a JPEG XS solution for full IP environments at NAB Sh...
20/03/2026
LTN has expanded its technology partnership with Harmonic ahead of the FCC's...
20/03/2026
Solid State Logic will preview SSL Live V6.2 at NAB Show, booth C6907. The softw...
20/03/2026
FUJIFILM North America Corporation's Optical Devices Division has announced ...
20/03/2026
FUJIFILM North America Corporation's Optical Devices Division has announced ...
20/03/2026
TrueVisions NOW, a streaming platform in Thailand and part of the TrueVisions Group, has selected Bitmovin's Observability product for real-time video analy...