Sony Pixel Power calrec Sony

Limelight Networks' Andrew Gray and Steve Miller-Jones Discuss the On-Going Live Streaming Transformation

21/10/2019

IBC 2019 Reflections: Limelight Networks' Gray and MIller-Jones discuss the on-going live streaming transformation By Fergal Ringrose, Editorial Director, Europe

Tuesday, October 15, 2019 - 16:12

Print This Story

New features announced at IBC 2019 for Limelight Networks' Video Delivery Services include expansion of the company's global network to almost 50 Tbps of egress capacity and its edge-server capacity by more than 40% since January.

This increased capacity ensures that critical quality metrics - such as rebuffer rate, startup time, and bitrate viewed - are improved when Limelight's Content Delivery Network (CDN) is deployed for live and on-demand video delivery.

Live Push Ingest (LPI), a new service functionality available in Q4 for live streaming over HTTP, will allow customers to send their packaged HLS and DASH streams directly to the Limelight CDN for onwards delivery to the end user.

Limelight Networks EMEA marketing director Andrew Gray (right) and VP of product strategy Steve Miller-Jones

At IBC SVG Europe sat down with Limelight Networks' EMEA marketing director Andrew Gray and VP of product strategy Steve Miller-Jones to discuss show innovations and the evolution of the high-end online video streaming business.

Steve Miller-Jones: We've consolidated our position as a leader of high quality global video distribution. Looking at this year we've been heavily involved with the Cricket World Cup and we're strongly engaged with major events next year.

I think we've done a really good job of solidifying our position in high quality CDN video delivery. There's a white space there for us, which we are occupying.

We're now at over 100 locations, with growth from 30 to about 50 terabits per second capacity in the network. Still a single network: we've maintained our philosophy of a dense architecture and distribution into the right network locations, giving us this ability to drive quality through the video delivery workflow.

Time and time again, where we compete on quality metrics, we come out on top. We are architected and built for scale, and we've consolidated some of our security positions.

As we move forward to next year, in addition to being a high quality video provider, we're also looking at latency - not just from a video perspective but where it matters for the pipeline and workflow around video. So we're going to be launching some edge services, where, if you need to bring your watermarking with you, we encourage you to come and do it in the network as an application in our distributed compute platform.

We'll be talking about taking your workflows to the next step in broadcast distribution, bringing your components and deploying them alongside us in our Fog player in between the last mile and the cloud. We'll be launching a distributed computing application platform in that layer - probably before NAB. Alongside being a CDN at scale we're a compute platform at scale as well.

Broadcast workflows have gone to software processes, continued Miller-Jones. The digital transformation is that the broadcasters and sports producers are software people.

What we've found in the video workflow is that, at the point of packaging, usually the CDNs come and get the stuff. What people are saying to us now is that they want to own the last step.

So here at the show we're launching Limelight Live Push Ingest, which is an environment to push content for live broadcast streaming. It brings more robust redundancy to that service layer; puts the broadcaster firmly in control; and gives us a scaled environment to work with for distribution.

Some of the trends we're seeing at the show include content personalisation, remote production and even virtualised production. At Limelight Networks are you happy that the positioning you describe here is in line with the changes in the way large live sporting events are being produced?

Steve Miller-Jones: We're seeing personalisation and data layers in sport. In addition to just sending the picture, content owners are sending other information that allows them to innovate - and we're right there to support them.

So yes I think it's a sign of the maturity of that evolution, and a sign that the standards are good enough and the content producers are confident in their own capability to drive that kind of innovation.

It's an exciting time for sport. There are so many events, and so many rights available to make it more accessible with more direct to consumer platforms. There's a lot of excitement about how to make the content personalised and how to innovate around consumption.

Andrew Gray: The other piece for us is about geographic expansion. We're focusing on two or three main regions in EMEA at the moment, but also we're now diversifying more and getting stronger in areas like Italy for example.

We're penetrating further into the Scandinavian through our relationship with Media City Bergen, and on a more ad hoc basis in the Middle East as well. So not just UK, France and the German markets - but beyond that and wider as well.

Steve Miller-Jones: We've had some good conversations with the sports community here at IBC. Obviously, where the rights are held and who has the distribution rights largely drives our conversations.

But bringing the technology to life in live sports workflows makes sense, as the area of online video is going to drive the most growth. So it makes sense for us to be able to describe how this works into the workflows of the content owners, rights holders, producers and platforms. We are a key part of the distribution channel, he said.
LINK: https://www.svgeurope.org/blog/headlines/ibc-2019-reflections-limeligh...
See more stories from svg

North America Stories

18/07/2026

More Than Just a Game: FIFA World Cups Lance Brass Breaks Down Stadium Production & Entertainment

Topics include pre-match ceremonies, live performances, the tournament's fir...

18/07/2026

As the Final Approaches, FIFA and HBS Take Stock of a World Cup That Rewrote the Production Playbook

When FIFA and HBS set out to produce the 2026 FIFA World Cup, the numbers alone ...

18/07/2026

Netflix Viewing Hit Record 97 Billion Hours in First Half of 2026

Share Copy link Facebook X Linkedin Bluesky Email...

18/07/2026

YouTube's Creative Ecosystem Contributed $60 Billion to U.S. GDP

Share Copy link Facebook X Linkedin Bluesky Email...

17/07/2026

SVG GameDay, Ep. 24: Mercedes-Benz Stadiums Cole Gallagher - Supporting Shows in the ATL

In-venue and creative video staffers at the professional and collegiate level ha...

17/07/2026

Brooklyn Bowl Williamsburg Stagehands Vote to Join IATSE Local 4

Production workers at Brooklyn Bowl's Williamsburg location voted 15-1 to join IATSE Local 4. The bargaining unit covers 24 production workers at the venue,...

17/07/2026

DAZN and ADI Predictstreet Announce Exclusive Global Prediction Market Partnership

DAZN and ADI Predictstreet have announced an exclusive global strategic partners...

17/07/2026

Zixi and Comcast Technology Solutions Announce Integration for C-Band Satellite Replacement

Zixi and Comcast Technology Solutions (CTS) have announced a strategic integrati...

17/07/2026

Professional Fighters League Announces Multi-Year Partnership with ESPN in Brazil

Professional Fighters League (PFL) has announced a multi-year partnership with E...

17/07/2026

Spectrum Business Launches Spectrum TV Control Pro for Multi-Screen Venue Management

Spectrum Business has announced Spectrum TV Control Pro, a centralized app-based...

17/07/2026

Clark Wire and Cable Appoints Rick Fernandez as Latin American Representative

Clark Wire and Cable has announced that Rick Fernandez, Managing Director of Axxion Consulting, will serve as Independent Manufacturers Representative for Centr...

17/07/2026

TikTok, NBA, and WNBA Announce Multi-Year Global Content Partnership

TikTok, the NBA, and the WNBA have announced a multi-year global content partnership covering highlights distribution, creator access to marquee events, live-ga...

17/07/2026

MSG Entertainment Files Defamation Lawsuit Against Wired Over July 9 Article

Company alleges article contained false and misleading claims regarding customer data...

17/07/2026

Ratings Roundup: Argentina-England Semifinal Breaks Records for FOX; MLB All-Star Game Is Most Watched Since 2018

Ratings Roundup is a rundown of recent rating news and is derived from press rel...

17/07/2026

American Pachuco Gives a Legend of Stage and Screen His Due

(L-R) Edward James Olmos, Luis Valdez, Lou Diamond Phillips and Lupe Valdez attend American Pachuco: The Legend Of Luis Valdez Premiere during the 2026 Sundan...

17/07/2026

Spectrum Simplifies Control Of Multiple TVs At Bars, Restaurants

Share Copy link Facebook X Linkedin Bluesky Email...

17/07/2026

Foundry Releases SmartRoto for Nuke

Foundry Releases SmartRoto for Nuke Brie Clayton July 17, 2026 0 Comments Spline-based AI powered plugin accelerates time-consuming rotoscoping, helping...

17/07/2026

A Short Documentary About a Giant Pencil Edited with DaVinci Resolve Studio

A Short Documentary About a Giant Pencil Edited with DaVinci Resolve Studio Brie Clayton July 17, 2026 0 Comments SBIFF jury award winner finished fro...

17/07/2026

Wheatstone to Feature Virtual Mixing Platform at IBC 2026

Share Copy link Facebook X Linkedin Bluesky Email...

17/07/2026

Trump Threatens Networks Over Speech Coverage

Share Copy link Facebook X Linkedin Bluesky Email...

17/07/2026

Lightware Sustainability Report Details Product Efficienc...

Lightware has published its second voluntary Sustainability Report, showing how energy efficiency, product longevity and responsible material use are increasing...

17/07/2026

Foundry Unlocks Professional-Grade AI for VFX with Gripta...

Creative software developer Foundry today announced Griptape Enterprise, a new tier of the Griptape AI workflow orchestration platform, extended to meet the str...

17/07/2026

Foundry Releases SmartRoto for Nuke

Creative software developer Foundry today announced the availability of SmartRoto, a new AI-powered plugin upgrade for Nuke, NukeX, Nuke Studio, and Nuke Indie ...

17/07/2026

The Final Release of Blackmagic Fairlight Live is Now Available!

The Final Release of Blackmagic Fairlight Live is Now Available! Brie Clayton July 16, 2026 0 Comments Fairlight Live is a new audio mixer designed fo...

17/07/2026

Leveraging All of Entertainment's IP

Leveraging All of Entertainment's IP Andy Marken July 16, 2026 0 Comments Nobody ever wins the games. Period. There are survivors. There\s no win...

17/07/2026

NVIDIA Vera Rubin Maximizes Intelligence per Dollar for Post-Training Workloads - a Key Metric for Agentic AI

Think of a professional athlete. What separates elite performers is what happens...

16/07/2026

SVG Students To Watch: Kaden Sherman, Albany State University

This recent graduate and Georgia native has turned an early fascination with live production into a growing passion for camera work In the live-sports-video in...

16/07/2026

TNDV Marks First Year of Aspiration 35 Cinematic Production Truck

TNDV is marking the first anniversary of Aspiration 35, a mobile production truck built around ARRI Alexa 35 Live camera systems. Over its first year, the truck...

16/07/2026

ATSC Releases First Major Revision to A/85 Audio Loudness Recommended Practice Since 2013

ATSC has completed a major revision to its A/85 Recommended Practice: Techniques...

16/07/2026

FloSports Named Exclusive Global Media Partner for 2026 CrossFit Games

FloSports has announced an exclusive global media partnership with CrossFit for the 2026 CrossFit Games, presented by Air National Guard, beginning July 21 in S...

16/07/2026

Sennheiser Releases Spectera Firmware 1.4 and Command Button

Sennheiser has released firmware version 1.4 for its Spectera wireless system and announced the Spectera Command Button (Cat. No. 701014). The update adds comma...

16/07/2026

ESPN and Southwestern Athletic Conference Announce Multi-Year Media Rights Agreement Through 2030-31

ESPN and the Southwestern Athletic Conference (SWAC) have announced a multi-year...

16/07/2026

Audio-Technica Releases 20 Series Control Application for Elgato Stream Deck

Audio-Technica has announced the 20 Series Control Application, a Stream Deck plug-in for compatible Audio-Technica USB microphones. The application is compatib...

16/07/2026

SSL Live L550 Plus Consoles Power Audio Production for The Voice France Season 15

The fifteenth season of The Voice - La plus belle voix on TF1 used four Solid St...

16/07/2026

Gray Media and Atlanta Hawks Announce Georgia-Wide Broadcast Partnership for 2026-27 NBA Season

Gray Media and the Atlanta Hawks have announced a broadcast partnership that wil...

16/07/2026

SVG Sit-Down: Quarterback Showrunner Joe Zucco on Cinematography, Building Trust, Carrying On the NFL Films Legacy

Season 3 of Netflix's docuseries, which dropped this week, follows Jayden Da...

16/07/2026

Texas Rangers Switch Direct-to-Consumer Streaming Partner to BZZR

The Texas Rangers and Rangers Sports Network presented by Progressive (RSN) have announced BZZR as the new direct-to-consumer distributor for Rangers game broad...

16/07/2026

FIFA World Cup 2026: BBC Sport on Moving Across the Pond to Bring the Atmosphere of the Final Matches to Fans

With England's FIFA World Cup 2026 team getting ready to fly home after losi...

16/07/2026

With 36 Unilateral Cameras, NBC Sports Shapes 154th Open Championship Coverage for U.S. Viewers

In a return to Royal Birkdale, the team enjoys partnering with ETP and Gravity M...

16/07/2026

Altitude Sports & Entertainment's Tim De Lay on New SkyCam Digital Feed, Upgraded Studio Space

Along with a new studio at Ball Arena, the Colorado-based RSN is working with XR...

16/07/2026

FIFA World Cup 2026: Inside ORF's Austria-Based Production to Bring All the Emotions of the Tournament to Fans

Austria was back at the World Cup for the first time in 28 years, and the team d...

16/07/2026

Inside Gravity Media's Effort To Power the 154th Open Championship Production

With 42 RF cameras and high-power radio mics deployed, the spectrum environment ...

16/07/2026

The Gauge: Poland | June 2026

June brought stabilization to the television market. Poles spent an average of 3 hours and 36 minutes a day in front of their TV screens exactly the same as i...

16/07/2026

New studio monitoring leads Glensound's 60th year line-up...

Glensound returns to IBC with a major new addition to its intelligent loudspeaker range, the Greater Divine Supernal studio monitor, alongside recent developmen...

16/07/2026

Complete spectrum of innovation from British exhibitors a...

33 leading exhibitors are taking part in the GREAT Britain and Northern Ireland Pavilions and linked locations across IBC2026 (Amsterdam RAI, 11 14 September)...

16/07/2026

Hitomi Broadcast to showcase HDR colour verification and...

Hitomi Broadcast will introduce Spectra, a new HDR colour verification solution measured in picture, not using VPID, at IBC2026 (Hall 10, Stand A40). Expanding ...

16/07/2026

SMPTE Kicks Off 110th Anniversary Campaign

Share Copy link Facebook X Linkedin Bluesky Email...

16/07/2026

Cox Media Group Taps Waymark for AI Ad Creation Tools

Share Copy link Facebook X Linkedin Bluesky Email...

16/07/2026

Parks: Cable Broadband Sub Losses Slow Down

Share Copy link Facebook X Linkedin Bluesky Email...

16/07/2026

CatchLight, Sony Launch Initiative to Help Local Newsrooms

Share Copy link Facebook X Linkedin Bluesky Email...