
IBC 2019 Reflections: Limelight Networks' Gray and MIller-Jones discuss the on-going live streaming transformation By Fergal Ringrose, Editorial Director, Europe
Tuesday, October 15, 2019 - 16:12
Print This Story
New features announced at IBC 2019 for Limelight Networks' Video Delivery Services include expansion of the company's global network to almost 50 Tbps of egress capacity and its edge-server capacity by more than 40% since January.
This increased capacity ensures that critical quality metrics - such as rebuffer rate, startup time, and bitrate viewed - are improved when Limelight's Content Delivery Network (CDN) is deployed for live and on-demand video delivery.
Live Push Ingest (LPI), a new service functionality available in Q4 for live streaming over HTTP, will allow customers to send their packaged HLS and DASH streams directly to the Limelight CDN for onwards delivery to the end user.
Limelight Networks EMEA marketing director Andrew Gray (right) and VP of product strategy Steve Miller-Jones
At IBC SVG Europe sat down with Limelight Networks' EMEA marketing director Andrew Gray and VP of product strategy Steve Miller-Jones to discuss show innovations and the evolution of the high-end online video streaming business.
Steve Miller-Jones: We've consolidated our position as a leader of high quality global video distribution. Looking at this year we've been heavily involved with the Cricket World Cup and we're strongly engaged with major events next year.
I think we've done a really good job of solidifying our position in high quality CDN video delivery. There's a white space there for us, which we are occupying.
We're now at over 100 locations, with growth from 30 to about 50 terabits per second capacity in the network. Still a single network: we've maintained our philosophy of a dense architecture and distribution into the right network locations, giving us this ability to drive quality through the video delivery workflow.
Time and time again, where we compete on quality metrics, we come out on top. We are architected and built for scale, and we've consolidated some of our security positions.
As we move forward to next year, in addition to being a high quality video provider, we're also looking at latency - not just from a video perspective but where it matters for the pipeline and workflow around video. So we're going to be launching some edge services, where, if you need to bring your watermarking with you, we encourage you to come and do it in the network as an application in our distributed compute platform.
We'll be talking about taking your workflows to the next step in broadcast distribution, bringing your components and deploying them alongside us in our Fog player in between the last mile and the cloud. We'll be launching a distributed computing application platform in that layer - probably before NAB. Alongside being a CDN at scale we're a compute platform at scale as well.
Broadcast workflows have gone to software processes, continued Miller-Jones. The digital transformation is that the broadcasters and sports producers are software people.
What we've found in the video workflow is that, at the point of packaging, usually the CDNs come and get the stuff. What people are saying to us now is that they want to own the last step.
So here at the show we're launching Limelight Live Push Ingest, which is an environment to push content for live broadcast streaming. It brings more robust redundancy to that service layer; puts the broadcaster firmly in control; and gives us a scaled environment to work with for distribution.
Some of the trends we're seeing at the show include content personalisation, remote production and even virtualised production. At Limelight Networks are you happy that the positioning you describe here is in line with the changes in the way large live sporting events are being produced?
Steve Miller-Jones: We're seeing personalisation and data layers in sport. In addition to just sending the picture, content owners are sending other information that allows them to innovate - and we're right there to support them.
So yes I think it's a sign of the maturity of that evolution, and a sign that the standards are good enough and the content producers are confident in their own capability to drive that kind of innovation.
It's an exciting time for sport. There are so many events, and so many rights available to make it more accessible with more direct to consumer platforms. There's a lot of excitement about how to make the content personalised and how to innovate around consumption.
Andrew Gray: The other piece for us is about geographic expansion. We're focusing on two or three main regions in EMEA at the moment, but also we're now diversifying more and getting stronger in areas like Italy for example.
We're penetrating further into the Scandinavian through our relationship with Media City Bergen, and on a more ad hoc basis in the Middle East as well. So not just UK, France and the German markets - but beyond that and wider as well.
Steve Miller-Jones: We've had some good conversations with the sports community here at IBC. Obviously, where the rights are held and who has the distribution rights largely drives our conversations.
But bringing the technology to life in live sports workflows makes sense, as the area of online video is going to drive the most growth. So it makes sense for us to be able to describe how this works into the workflows of the content owners, rights holders, producers and platforms. We are a key part of the distribution channel, he said.
North America Stories
15/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/08/2026
Add rounded corners to mask in After Effects
Graham Quince August 14, 2026
0 Comments
Ever wished you could smoothly round the corners of a Mask Path ...
15/08/2026
Director Go Riju's Rhapsody Rhapsody Shot on Blackmagic PYXIS 6K
Brie Clayton August 14, 2026
0 Comments
Anamorphic cinematography and color gradi...
14/08/2026
AT&T returns as a sponsor of the DirtFish Women in Motorsport (WiM) Summit, which marks its fifth year Aug. 21-22 in Snoqualmie, WA. This year's event will ...
14/08/2026
A six-camera flypack production will anchor Sunday's game while Perfect Game...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Leading Brazilian Broadcaster Will Use Triveni Digital's TV 3.0 Broadcast Chain and Service Quality Assurance Solutions to Support Next-Generation Televisio...
14/08/2026
Beam Dynamics will make its IBC debut this September, marking a major step in the company's growth. Beam helps broadcast, live production and professional A...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
amaran, pioneer of lighting tools for creators, today announced the amaran Mic, a 99 wireless desktop microphone that brings the brand into audio for creators ...
14/08/2026
Creative COW Roundtable: Introduction to the New After Effects Assistant - AEAI
Brie Clayton August 13, 2026
0 Comments
On August 23, 2026 at 9am PDT/...
14/08/2026
Life on Waves Posted with DaVinci Resolve Studio
Brie Clayton August 13, 2026
0 Comments
Collaborative editing and color grading workflow supported by...
14/08/2026
Why Bulletproof Video Project Archiving Is Non-Negotiable
John Carboni August 13, 2026
0 Comments
In video production, the work is far from over when ...
14/08/2026
Stacked with Boston Conservatory Talent, Shakespeare on the Common Celebrates It...
14/08/2026
Indonesia is taking charge of its AI future.
This week, the Ministry of Communi...
13/08/2026
LaLiga has renewed broadcast agreements with ESPN and DSports covering Spanish-l...
13/08/2026
Three days of skateboarding competitions, live music, and other programming will...
13/08/2026
Matrox Video will showcase its portfolio of IP and software-defined technologies at IBC2026 (Booth 7.B15, RAI Amsterdam, September 11-14).
The portfolio includ...
13/08/2026
SMPTE will present expert-led sessions, professional workshops, and networking events at IBC2026. The organization will be located in the IBC2026 Owner Pavilion...
13/08/2026
Clear-Com will exhibit at IBC2026 (Stand 10.D29, September 11-14, Amsterdam), showcasing FreeSpeak Cell, Avalon IP Station, updates to Arcadia Central Station, ...
13/08/2026
Advanced Systems Group (ASG) has appointed Eran Binyamin Zeitoun as Senior Techn...
13/08/2026
Miami HEAT, Florida Panthers, Orlando Magic, University of Miami join leading vendors for a day of gameday-production talk in South Florida
The 2026 SVG Venues...
13/08/2026
NBC Sports is producing the Twins-Phillies game alongside the streamer, which is...
13/08/2026
Oracle Cloud Infrastructure (OCI) will exhibit at IBC2026 (Hall 5, Booth 5.A21, September 11-14, Amsterdam), demonstrating cloud-based workflows across low-late...
13/08/2026
Dalet will participate in the IBC2026 Accelerator Media Innovation Programme, co...
13/08/2026
Cox Media Group (CMG) has announced multi-year local broadcast rights agreements...
13/08/2026
J nger Audio will join Fraunhofer IIS and industry partners to showcase a cloud-based, DTV+-compliant workflow at SET Expo 2026 in S o Paulo, August 17-20. DTV+...
13/08/2026
IBC has announced that Olympic Broadcasting Services (OBS) will receive the Inte...
13/08/2026
NESN has partnered with WSBK-TV38 to broadcast Boston Red Sox games on August 17 and 18 over the air, extending the reach of the 24th annual WEEI/NESN Jimmy Fun...
13/08/2026
LiveU and Panasonic LUMIX have announced the Live Anywhere workflow, demonstrated at NAB 2026 and InfoComm 2026 in collaboration with Social180Group. The work...
13/08/2026
Chyron will demonstrate its sports analysis, graphics, remote production, virtual production, and venue control solutions at IBC2026 (Booth 7.A23). This year...
13/08/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
13/08/2026
Season tips off Oct. 20 and runs through April 11; Christmas Day, NBA Cup, All-S...
13/08/2026
New Agreement Aims to Leverage Gracenote Infrastructure to Create More Relevant ...
13/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/08/2026
IBC today announced that its most prestigious honour, the International Honour for Excellence (IHFE), will be presented to Olympic Broadcasting Services (OBS), ...
13/08/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced its participation in the IBC2026 Accelerator Media Innovation Pro...
13/08/2026
dzjinius, the all-in-one production management platform for the media and entertainment industry, will showcase its new application, dzjinius on-set , at IBC20...
13/08/2026
Broadcasting Center Europe (BCE), a leading European provider of media services, system integration and product development, will demonstrate an end-to-end sove...
13/08/2026
Clear-Com is returning to IBC 2026, taking place September 11-14 in Amsterdam, Netherlands. At Stand 10.D29, Clear-Com will spotlight the award-winning FreeSpe...
13/08/2026
Test & measurement innovator, Leader Electronics of Europe, will showcase its comprehensive portfolio of Leader, PHABRIX and LeaderPhabrix test and measurement ...
13/08/2026
KRK Brings Advanced Wireless Control to Professional Monitoring With New V Serie...
13/08/2026
Anthony Noack Captures Artist's Journey in Estonia with Blackmagic Design
Brie Clayton August 12, 2026
0 Comments
Solo filmmaker documents concept...
13/08/2026
ARRI Image Science makes its mobile debut in the HONOR Robot Phone
Brie Clayton August 12, 2026
0 Comments
Hero image displays the HONOR Robot Phone, ...