
HPA Tech Retreat: Can Next Gen TV Make Broadcasters vs. OTT a Fair Fight? Panelists examine the potential of the ATSC 3.0 standard for over-the-air television By Jason Dachman, Chief Editor
Wednesday, February 26, 2020 - 11:11 am
Print This Story | Subscribe
Story Highlights
The rise of ATSC 3.0, or Next Gen TV, took center stage on the annual Broadcasters Panel at the HPA Tech Retreat last week. With the promise to enable interactive features, higher-quality picture, better sound, and lower latency, the Next Gen TV standard promises to give over-the-air broadcasters a level playing field with the ever-growing number of OTT streaming services. However, without the government mandate that went along with the transition to digital broadcasting (DTV) in 2009 and with ATSC 3.0 TVs and mobile devices yet to proliferate on the market, Next Gen TV has yet to garner widespread momentum.
Matthew Goldman, Mediakind. Photo: Morningstar Productions
Chaired by Matthew Goldman, SVP, technology, Mediakind and featuring Dave Folsom, consultant, Pearl TV; Richard Friedel, EVP, engineering, operations and technology, Fox Television Stations; Del Parks, EVP/CTO, Sinclair Broadcast Group; and Skip Pizzi, VP, technology education and outreach, NAB, the panel provided an update on the ATSC 3.0/Next Gen TV transition and how the Phoenix Model Market beta program is serving as a test bed for the Next Gen TV ecosystem and examined the role the cloud will play and the business opportunities it could create.
What's the latest on the Next Gen TV transition, and how will it be completed without disrupting the current ATSC 1.0 audience?
Folsom: It's going to take a little bit of legerdemain. The ATSC signal that we have now is occupying the frequencies and channels that are given to us by the FCC. There is a little bit of extra bandwidth there, and, if we can essentially clear one channel at a time of those individual services and move them over and share them on other channels, there will not be any difference to the viewer. Everything will appear the way it did [to the viewer], but it will free up a channel, and that freed-up channel can then carry up to five services at a time in ATSC 3.0/Next Gen TV. [That is] because the new codecs that are available are four to five times more efficient than the current ones. We will be able to fit many services on a single channel. And that will provide the mechanism, on a rolling basis, to clear the space to have alternative services on the air without losing your ATSC 1.0 audience because we have to keep paying the bill as we transition.
Del Parks, Sinclair Broadcast Group. Photo: Morningstar Productions
Why should the industry care about Next Gen TV, and what opportunities will it create for the business?
Parks: Syndicated entertainment television isn't going anywhere. Most of the shows produced now are produced for a streaming service. The linear-TV business is migrating to live broadcasts. The future will be very local and very live [with] sports and news and the local programming. It's just not viable for Hollywood to produce syndicated programs like they used to [for broadcast television].
Pizzi: [Next Gen TV] is something that the internet isn't: OTT is anything but live and local. So broadcasters really are maintaining that service for consumers, who, we believe, will use [Next Gen TV] in addition to the mix of other media services [they have access to]. Now this live/local-focused service can coexist on a more even parity with those [OTT services] - in terms of both quality and interactivity. Next Gen TV gives broadcasters a level playing field to compete going forward.
Richard Friedel, Fox Television Stations. Photo: Morningstar Productions
Friedel: I think people in the [media industry] will care because there are going to be a lot more business opportunities, there's more capacity, we'll have better quality of pictures and sound. These are going to be the things that impact your businesses and impact the creative industry. I think it's a really exciting time for everybody in Hollywood.
Pizzi: Fox did the Super Bowl [in 4K HDR] this year, but it was available only on alternative [streaming] platforms or in special [4K HDR] channels on the MVPDs. We think that will be the last year that that is the case; a UHD version of the Super Bowl will be available to a lot of people in the U.S. and more every year we host thereafter over the air and on unfree TV based on Next Gen TV.
Parks: When you look at the traditional TV business and how our business is going to transform, over-the-air is just one distribution method we have. There's also OTT, and there's mobile. We've always believed that mobile is a really big business for us, especially for Next Gen TV, which we think is a mobile-first [platform]. This standard will allow you to receive pictures where you've never received them before. Even ATSC 1.0 was built around putting an antenna that rose 30 ft. above your house. Over-the-air is a big piece of it, but it's also about how we transform our industry to make our content available across all of the outlets where consumers want to look at our content.
Dave Folsom, Pearl TV. Richard Friedel, Fox Television Stations. Photo: Morningstar Productions
What is the Phoenix Model Market, and how is the program progressing thus far?
Folsom: At first, of course, was the issue of how do you make that happen? We decided at Pearl, which is made up of nine large station-owner groups, to create a model station in Phoenix as an example of how it could be physically done without adding spectrum. When we had the transition from analog to digital, the FCC kindly gave us extra spectrum to take advantage of and allow for the transition. Not so [in this case]. We had to figure out a way of mechanically doing that.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Creative software developer Foundry today announced Nuke Stage now supports macOS, making the end-to-end virtual production and in-camera visual effects (ICVFX)...
29/10/2026
Jameis Winston and Willie Colon are among current and former players hosting pro...
29/10/2026
After arriving in Fayetteville with dreams of calling games, the Arkansas native found her passion in the control room, building a promising future in replay an...
29/10/2026
The National Hockey League is taking on a larger role in local game production w...
29/10/2026
Media Links has appointed Mikhail Zavalin Market Development Technical Specialis...
29/10/2026
Gravity Media delivered the live broadcast and media infrastructure for the 2026...
29/10/2026
Rise AV has announced the 23 women selected for the second year of its Elevate program, a six-week management and leadership development course. The cohort incl...
29/10/2026
The F d ration Internationale de l'Automobile (FIA) and Amazon Web Services (AWS) have announced a global partnership under which AWS becomes the Official A...
29/10/2026
Advanced Systems Group (ASG) has appointed Bob Daniel Storage and Workflow Solutions Architect within its Enterprise Storage team. Daniel has more than 30 years...
29/10/2026
FloSports and the Pac-12 Conference have entered a media partnership that will b...
29/10/2026
TSN will launch Film Never Lies Grey Cup Playoffs Watchalong, an altcast hosted by TSN football analyst Luke Willson, for two CFL Grey Cup Playoffs games. Wills...
29/10/2026
For decades, broadcasters have designed production around one rule: build for th...
29/10/2026
Live event production company FOH Productions has built a portable camera switch...
29/10/2026
Gravity Media is marking its 25th year facilitating the host broadcast for the M...
29/10/2026
In-venue and creative video staffers at the professional and collegiate level ha...
29/10/2026
LA28 has named film producer Kathleen Kennedy Head of Ceremonies and Content for the LA28 Olympic and Paralympic Games. Kennedy, an eight-time Academy Award nom...
29/10/2026
In-house local telecasts have added new camera angles, graphics package, and dee...
29/10/2026
In this SVG New Sponsor Spotlight, Jake Blount, EVP, Sales, ICAT Logistics, disc...
29/10/2026
Mastering plug-in treated to ground-up rebuild
With a few plug-in releases now under their belt, Musik Hack have revisited their debut offering and kitted i...
29/10/2026
New modular full-range monitoring system arrives
Following a few weeks of teasers, HEDD Audio have just revealed the latest addition to their high-end monit...
29/10/2026
SGL Carbon LLC ( SGL Carbon ) has received an additional order for the supply of nuclear graphite from X-energy Reactor Company, LLC ( X-energy ) in accordance ...
29/10/2026
Rohde & Schwarz introduces MXO AI Connect for AI-assisted oscilloscope workflows Rohde & Schwarz connects AI assistants to its MXO oscilloscopes through MXO A...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
When LinkedIn set out to upgrade meeting spaces across nine APAC cities, the goal was clear: employees needed to walk into rooms in Bangalore, Beijing, Hong Kon...
29/10/2026
Lightware has expanded its LARA (Lightware Advanced Room Automation) Wizard platform with a new Elgato Stream Deck integration, allowing supported Stream Deck d...
29/10/2026
Boston Conservatory Center Stage Presents Opera Masterpiece La Boh me The Conservatory's production of the timeless opera will conclude the fall Center St...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
NewMedia Creative Technology Studio combined a large LED character, directional voice capture and remotely hosted AI processing for AI HOST, its interactive ins...
29/10/2026
The Royal Television Society Technology Centre (RTS) presented its 2026 Special Recognition Award to Newsmax, Newsmax Ukraine, Broadcast Solutions and nxteditio...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/10/2026
amaran, pioneer of lighting tools for creators, today announced the amaran Cam, its first webcam designed to go beyond simply capturing an image to help creator...
29/10/2026
The Sky Original returns to screens on November 26Thursday 29 October 2026
Ella Purnell is back in the killer new trailer for Sweetpea Season 2Turn on cookies ...
29/10/2026
In our increasingly climate conscious world, many cities are embracing nature, with more tree cover and open spaces such as parks, and restored wetlands, ponds,...
29/10/2026
Red Seat Ventures Announces Exclusive Partnership with Homecoming Golf Partnership Includes Homecoming Golf's New Drink Cart Scramble Series Featuring Hig...
29/10/2026
Oct. 29, 2026 - US-based Alliance for Audited Media (AAM) and the UK's ABC,...
29/10/2026
This Halloween week, GFN Thursday is delivering a fresh batch of gaming treats.
Something wicked this blade comes. S-GAME's Phantom Blade Zero launches on ...
28/10/2026
SDI Failsafe IP Routing: Inside the UTAH-400 Series 2 Router A pure-IP routing core has no inherent fallback. When the ST 2110 network degrades, when the PTP gr...
28/10/2026
MLB Network is nearly all-day media day coverage across MLB Now, MLB Central, ML...
28/10/2026
Voyage Audio and Shure microphones are in the forefront of the sector's transition to digital
Microphones may have come late to the digital table, but they...