
HPA Tech Retreat: Can Next Gen TV Make Broadcasters vs. OTT a Fair Fight? Panelists examine the potential of the ATSC 3.0 standard for over-the-air television By Jason Dachman, Chief Editor
Wednesday, February 26, 2020 - 11:11 am
Print This Story | Subscribe
Story Highlights
The rise of ATSC 3.0, or Next Gen TV, took center stage on the annual Broadcasters Panel at the HPA Tech Retreat last week. With the promise to enable interactive features, higher-quality picture, better sound, and lower latency, the Next Gen TV standard promises to give over-the-air broadcasters a level playing field with the ever-growing number of OTT streaming services. However, without the government mandate that went along with the transition to digital broadcasting (DTV) in 2009 and with ATSC 3.0 TVs and mobile devices yet to proliferate on the market, Next Gen TV has yet to garner widespread momentum.
Matthew Goldman, Mediakind. Photo: Morningstar Productions
Chaired by Matthew Goldman, SVP, technology, Mediakind and featuring Dave Folsom, consultant, Pearl TV; Richard Friedel, EVP, engineering, operations and technology, Fox Television Stations; Del Parks, EVP/CTO, Sinclair Broadcast Group; and Skip Pizzi, VP, technology education and outreach, NAB, the panel provided an update on the ATSC 3.0/Next Gen TV transition and how the Phoenix Model Market beta program is serving as a test bed for the Next Gen TV ecosystem and examined the role the cloud will play and the business opportunities it could create.
What's the latest on the Next Gen TV transition, and how will it be completed without disrupting the current ATSC 1.0 audience?
Folsom: It's going to take a little bit of legerdemain. The ATSC signal that we have now is occupying the frequencies and channels that are given to us by the FCC. There is a little bit of extra bandwidth there, and, if we can essentially clear one channel at a time of those individual services and move them over and share them on other channels, there will not be any difference to the viewer. Everything will appear the way it did [to the viewer], but it will free up a channel, and that freed-up channel can then carry up to five services at a time in ATSC 3.0/Next Gen TV. [That is] because the new codecs that are available are four to five times more efficient than the current ones. We will be able to fit many services on a single channel. And that will provide the mechanism, on a rolling basis, to clear the space to have alternative services on the air without losing your ATSC 1.0 audience because we have to keep paying the bill as we transition.
Del Parks, Sinclair Broadcast Group. Photo: Morningstar Productions
Why should the industry care about Next Gen TV, and what opportunities will it create for the business?
Parks: Syndicated entertainment television isn't going anywhere. Most of the shows produced now are produced for a streaming service. The linear-TV business is migrating to live broadcasts. The future will be very local and very live [with] sports and news and the local programming. It's just not viable for Hollywood to produce syndicated programs like they used to [for broadcast television].
Pizzi: [Next Gen TV] is something that the internet isn't: OTT is anything but live and local. So broadcasters really are maintaining that service for consumers, who, we believe, will use [Next Gen TV] in addition to the mix of other media services [they have access to]. Now this live/local-focused service can coexist on a more even parity with those [OTT services] - in terms of both quality and interactivity. Next Gen TV gives broadcasters a level playing field to compete going forward.
Richard Friedel, Fox Television Stations. Photo: Morningstar Productions
Friedel: I think people in the [media industry] will care because there are going to be a lot more business opportunities, there's more capacity, we'll have better quality of pictures and sound. These are going to be the things that impact your businesses and impact the creative industry. I think it's a really exciting time for everybody in Hollywood.
Pizzi: Fox did the Super Bowl [in 4K HDR] this year, but it was available only on alternative [streaming] platforms or in special [4K HDR] channels on the MVPDs. We think that will be the last year that that is the case; a UHD version of the Super Bowl will be available to a lot of people in the U.S. and more every year we host thereafter over the air and on unfree TV based on Next Gen TV.
Parks: When you look at the traditional TV business and how our business is going to transform, over-the-air is just one distribution method we have. There's also OTT, and there's mobile. We've always believed that mobile is a really big business for us, especially for Next Gen TV, which we think is a mobile-first [platform]. This standard will allow you to receive pictures where you've never received them before. Even ATSC 1.0 was built around putting an antenna that rose 30 ft. above your house. Over-the-air is a big piece of it, but it's also about how we transform our industry to make our content available across all of the outlets where consumers want to look at our content.
Dave Folsom, Pearl TV. Richard Friedel, Fox Television Stations. Photo: Morningstar Productions
What is the Phoenix Model Market, and how is the program progressing thus far?
Folsom: At first, of course, was the issue of how do you make that happen? We decided at Pearl, which is made up of nine large station-owner groups, to create a model station in Phoenix as an example of how it could be physically done without adding spectrum. When we had the transition from analog to digital, the FCC kindly gave us extra spectrum to take advantage of and allow for the transition. Not so [in this case]. We had to figure out a way of mechanically doing that.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
21/05/2026
Recreating Doug Trumbull's Slitscan VFX - After Effects Mastery
Graham Quince May 21, 2026
0 Comments
In this After Effects tutorial, I'm divi...
21/05/2026
Cavalry: An Array of Fun Stuff
Simon Ubsdell May 21, 2026
0 Comments
Arrays are a really powerful feature of Cavalry and here we'll go over some o...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/05/2026
Bitmovin, a leading provider of video streaming solutions, has announced that streaming service provider, Watch Brasil, has replaced its legacy systems with Bit...
21/05/2026
OWC Launches Dads and Grads Promotion with Exclusive Savings
Brie Clayton May 21, 2026
0 Comments
The gifts they'll actually use - save on cutting...
21/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/05/2026
For cinematographer Ashley Barron ACS ( Rivals , Dangerous Liaisons , Disney's Doctor Who ), setting the look of Netflix's How to Get to Heaven from ...
21/05/2026
Jean-Fran ois Hensgens, AFC, SBC, (Tueurs, Six Days in Spring, Le Fil) brings his signature visual approach to Cannes 2026 premiering biopic L'Affaire Marie...
21/05/2026
2026 delegation for Partner with Australia (UK) initiative announced 21 May 2026
Screen Australia and Ausfilm have today announced the delegation for the 2026 ...
21/05/2026
Beeble launches Canvas, a node-based AI compositor for VFX and Virtual Productio...
21/05/2026
Shelly Johnson Elected President of American Society of Cinematographers
Brie Clayton May 20, 2026
0 Comments
The American Society of Cinematographers...
21/05/2026
ARRI expands Management Board to accelerate next phase of growth and innovation
Brie Clayton May 20, 2026
0 Comments
ARRI expands its Management Board...
21/05/2026
Dublin DJ RKM333 wins 2FM competition and a coveted slot at this year's Forbidden Fruit Festival
2FM's search for the next big Irish DJ concluded this ...
21/05/2026
The mission begins now.
GeForce NOW is dialing up the action with a blockbuster...
20/05/2026
True to the Music City theme, the Tennessee Titans plan to make live music a prominent fixture on game days at the new venue
Reflecting the continuing converge...
20/05/2026
The long-term goal is innovation for the next generation of hockey rinks at both the professional and the community level
The National Hockey League (NHL) toda...
20/05/2026
End-users and vendors alike work toward cost-effective yet high-quality solution...
20/05/2026
The National Football League has announced that Nashville will host Super Bowl LXIV in 2030 at the new Nissan Stadium. The announcement was made at the NFL Spri...
20/05/2026
The NFL has announced that the 2028 NFL Draft presented by Bud Light will take place in Minnesota, uniting fans from around the world to celebrate one of the mo...
20/05/2026
As professional AV workflows continue to evolve, expectations around audio, video, networking, and control are rising rapidly. At InfoComm 2026 in Las Vegas, La...
20/05/2026
Haivision will showcase its latest innovations at InfoComm 2026, taking place fr...
20/05/2026
For the seventh year, Spotify is returning to CMA Fest with Spotify House, the festival's premiere destination for fans. We're taking over downtown Nash...
20/05/2026
Amp-simulation software expanded
Acustica Audio's latest release greatly expands on their amp-simulation platform, turning it into a complete amplifica...
20/05/2026
MainStage integration, Analog Lab improvements & more
Arturia have just announced the release of an update that brings an assortment of new features to thei...
20/05/2026
At the Annual General Meeting held on May 20, 2026, the shareholders of SGL Carb...
20/05/2026
From Gulkula to the nation: Yothu Yindi Foundation and NITV deepen national acce...
20/05/2026
SBS appoints David Fernandez as National Manager, Digital & TV Sales
20 May, 2026
Media releases
SBS has appointed David Fernandez as National Manager, Dig...
20/05/2026
Rohde & Schwarz and INFOZAHYST: A strategic alliance set to redefine modern defe...
20/05/2026
A Rotating Detonation Engine being hot fire tested at Purdue University's Zu...
20/05/2026
A U.S. Army VAMPIRE system, assigned to Bravo Battery, 1st Battalion, 51st Air Defense Artillery Regiment, 7th Infantry Division/Multi-Domain Command - Pacific ...
20/05/2026
Cable Captures Only Monthly Increase Among Viewing Categories in March, Earns it...
20/05/2026
April brought a symbolic decrease in the overall time spent in front of television screens. On average, Poles watched video content for 3 hours and 51 minutes a...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
The Royal Television Society Technology Centre today announces the launch of the RTS Technology Awards 2026, celebrating excellence, innovation and achievement ...
20/05/2026
In the heart of London's financial district, the new purpose-built Troubadour Canary Wharf Theatre invites audiences to experience Suzanne Collins' inte...
20/05/2026
LiveU, the leader in live IP-video solutions, today announced that production powerhouse BCC Live successfully deployed the new LU900Q intelligent production un...
20/05/2026
Nella Mente di Narciso Docuseries Uses Blackmagic Design Workflow
Brie Clayton May 19, 2026
0 Comments
PYXIS 6K full frame camera and DaVinci Resolve ...
20/05/2026
Beeble launches Canvas, a node-based AI compositor for VFX and Virtual Productio...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
First Nations Factual Co-production Development Fund launched to elevate Indigen...
20/05/2026
TLC Announces All-Star Comedy Line-Up for Mock the Week: Summer Specials' o...
20/05/2026
Back to All News
One Hundred Years of Solitude Concludes This August, With Part...
20/05/2026
Back to All News
Beloved NHK Dramas to Stream on Netflix Worldwide Starting June 22
Entertainment
20 May 2026
GlobalJapan
Link copied to clipboard
Netflix...
20/05/2026
May 20 2026, 06:00 (PDT) Dolby Recognized as 2025 Supplier of the Year and Over...