Sony Pixel Power calrec Sony

HPA Tech Retreat: Can Next Gen TV Make Broadcasters vs. OTT a Fair Fight?

26/02/2020

HPA Tech Retreat: Can Next Gen TV Make Broadcasters vs. OTT a Fair Fight? Panelists examine the potential of the ATSC 3.0 standard for over-the-air television By Jason Dachman, Chief Editor

Wednesday, February 26, 2020 - 11:11 am

Print This Story | Subscribe

Story Highlights

The rise of ATSC 3.0, or Next Gen TV, took center stage on the annual Broadcasters Panel at the HPA Tech Retreat last week. With the promise to enable interactive features, higher-quality picture, better sound, and lower latency, the Next Gen TV standard promises to give over-the-air broadcasters a level playing field with the ever-growing number of OTT streaming services. However, without the government mandate that went along with the transition to digital broadcasting (DTV) in 2009 and with ATSC 3.0 TVs and mobile devices yet to proliferate on the market, Next Gen TV has yet to garner widespread momentum.

Matthew Goldman, Mediakind. Photo: Morningstar Productions

Chaired by Matthew Goldman, SVP, technology, Mediakind and featuring Dave Folsom, consultant, Pearl TV; Richard Friedel, EVP, engineering, operations and technology, Fox Television Stations; Del Parks, EVP/CTO, Sinclair Broadcast Group; and Skip Pizzi, VP, technology education and outreach, NAB, the panel provided an update on the ATSC 3.0/Next Gen TV transition and how the Phoenix Model Market beta program is serving as a test bed for the Next Gen TV ecosystem and examined the role the cloud will play and the business opportunities it could create.

What's the latest on the Next Gen TV transition, and how will it be completed without disrupting the current ATSC 1.0 audience?

Folsom: It's going to take a little bit of legerdemain. The ATSC signal that we have now is occupying the frequencies and channels that are given to us by the FCC. There is a little bit of extra bandwidth there, and, if we can essentially clear one channel at a time of those individual services and move them over and share them on other channels, there will not be any difference to the viewer. Everything will appear the way it did [to the viewer], but it will free up a channel, and that freed-up channel can then carry up to five services at a time in ATSC 3.0/Next Gen TV. [That is] because the new codecs that are available are four to five times more efficient than the current ones. We will be able to fit many services on a single channel. And that will provide the mechanism, on a rolling basis, to clear the space to have alternative services on the air without losing your ATSC 1.0 audience because we have to keep paying the bill as we transition.

Del Parks, Sinclair Broadcast Group. Photo: Morningstar Productions

Why should the industry care about Next Gen TV, and what opportunities will it create for the business?

Parks: Syndicated entertainment television isn't going anywhere. Most of the shows produced now are produced for a streaming service. The linear-TV business is migrating to live broadcasts. The future will be very local and very live [with] sports and news and the local programming. It's just not viable for Hollywood to produce syndicated programs like they used to [for broadcast television].

Pizzi: [Next Gen TV] is something that the internet isn't: OTT is anything but live and local. So broadcasters really are maintaining that service for consumers, who, we believe, will use [Next Gen TV] in addition to the mix of other media services [they have access to]. Now this live/local-focused service can coexist on a more even parity with those [OTT services] - in terms of both quality and interactivity. Next Gen TV gives broadcasters a level playing field to compete going forward.

Richard Friedel, Fox Television Stations. Photo: Morningstar Productions

Friedel: I think people in the [media industry] will care because there are going to be a lot more business opportunities, there's more capacity, we'll have better quality of pictures and sound. These are going to be the things that impact your businesses and impact the creative industry. I think it's a really exciting time for everybody in Hollywood.

Pizzi: Fox did the Super Bowl [in 4K HDR] this year, but it was available only on alternative [streaming] platforms or in special [4K HDR] channels on the MVPDs. We think that will be the last year that that is the case; a UHD version of the Super Bowl will be available to a lot of people in the U.S. and more every year we host thereafter over the air and on unfree TV based on Next Gen TV.

Parks: When you look at the traditional TV business and how our business is going to transform, over-the-air is just one distribution method we have. There's also OTT, and there's mobile. We've always believed that mobile is a really big business for us, especially for Next Gen TV, which we think is a mobile-first [platform]. This standard will allow you to receive pictures where you've never received them before. Even ATSC 1.0 was built around putting an antenna that rose 30 ft. above your house. Over-the-air is a big piece of it, but it's also about how we transform our industry to make our content available across all of the outlets where consumers want to look at our content.

Dave Folsom, Pearl TV. Richard Friedel, Fox Television Stations. Photo: Morningstar Productions

What is the Phoenix Model Market, and how is the program progressing thus far?

Folsom: At first, of course, was the issue of how do you make that happen? We decided at Pearl, which is made up of nine large station-owner groups, to create a model station in Phoenix as an example of how it could be physically done without adding spectrum. When we had the transition from analog to digital, the FCC kindly gave us extra spectrum to take advantage of and allow for the transition. Not so [in this case]. We had to figure out a way of mechanically doing that.
LINK: https://www.sportsvideo.org/2020/02/26/hpa-tech-retreat-can-next-gen-t...
See more stories from svg

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

09/10/2026

Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026

September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026 New Sports Intelligence helps providers better unders...

07/10/2026

Dalet Flex LTS Delivers Smarter Media Operations from Ingest to Distribution

Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...

01/10/2026

Mediaproxy Brings AI Monitoring, Web-Based Multiviewing to NAB Show New York

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

Disguise brings the software behind the worlds biggest st...

For more than two decades, Disguise has powered some of the most ambitious live events and experiences in the world from Bad Bunny and Coachella to the Burj K...

01/10/2026

New California Law Offers Tax Credits For Hiring Local Journalists

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

State Broadcasters Want the FCC to Ease Into Software-Based EAS

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

Multiscreen TV Ad Campaigns Double Incremental Return On Ad Spend, Says Comcast

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

Scripps Calls Dish's Removal of WTVQ a Clear Violation' of Recent Agreement

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

Slovenian Broadcaster Taps Synamedia for Local Ads on Its International Channels

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

Viz Libero Teams brings 3D analysis to Richmond AFL coach...

The Australian football team can turn match footage into tactical insights to improve performance and maximize fan engagement Vizrt, the AI platform for visual...

01/10/2026

Mesh Broadcast Services Fits Big-Truck Audio Power into C...

When Mesh Broadcast Services set out to fit the pro audio capability of a large TV truck into a small audio room for high-profile sports events, Calrecs Argo M ...

01/10/2026

Emergent Appoints Tom Shelburne as Head of Business Devel...

Emergent, the browser-native broadcast graphics platform, today announced the appointment of Tom Shelburne as Head of Business Development, North America, effec...

01/10/2026

Mediaproxy brings AI driven monitoring and browser based...

Melbourne, Australia 1 October 2026: Mediaproxy, the global standard for software-based IP compliance monitoring and multiviewing solutions, will showcase maj...

01/10/2026

Clear-Com Arcadia Central Station Brings Professional Pr...

Clear-Com is supporting the education and development of future audiovisual industry professionals in Poland through the deployment of its Arcadia Central Sta...

01/10/2026

Telefonica equips new TSAmediaHUB monitoring room with Al...

Telef nica Servicios Audiovisuales (TSA), the audiovisual services arm of global telecommunications group Telef nica, has supplied and commissioned an LED wall ...

01/10/2026

FCC Unleashes Spectrum Abundance for New Uses

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

Poll: Alabamans Favor PBS Support, but Many Question Its Political Leanings

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

California Governor Signs Community NEWS Act

Share Copy link Facebook X Linkedin Bluesky Email...

01/10/2026

Green Hippo Estuary Series MC1 and MC2 Media Controllers...

Eleven minutes between headliners. The sponsor loop needs to be on screen now, and the only operator on hand is the one running lights. With the Green Hippo Est...

01/10/2026

DigiBox announces partnership with FOR-A for UK and Europ...

DigiBox has announced a new partnership with FOR-A to represent the innovative MixBoard product range in the UK market, further expanding its portfolio of broa...

01/10/2026

Screen Australia-funded documentaries bring Australian experiences and new perspectives to the screen

Screen Australia-funded documentaries bring Australian experiences and new persp...

01/10/2026

Mavis Camera 8.2 adds iPhone 18 Pro support with variable aperture control

Mavis Camera 8.2 adds iPhone 18 Pro support with variable aperture control Brie Clayton September 30, 2026 0 Comments Latest release also introduces P...

01/10/2026

Ghosts of the Gold Rush Shot with PYXIS 6K

Ghosts of the Gold Rush Shot with PYXIS 6K Brie Clayton September 30, 2026 0 Comments Blackmagic Design cameras expertly capture documentary while del...

01/10/2026

RE:Vision Effects - RSMB V7 is here!

RE:Vision Effects - RSMB V7 is here! Lori Freitag September 30, 2026 0 Comments ReelSmart Motion Blur 7 is here, the RSMB V7 cycle is open. ReelSmart ...

01/10/2026

VideoGen raises $3.3M seed as its AI video platform passes 5 million users

VideoGen raises $3.3M seed as its AI video platform passes 5 million users Brie Clayton September 30, 2026 0 Comments VideoGen co-founders Anton Koeni...

01/10/2026

Fullsteam Brewery Opens Its Durham Forever Home at American Tobacco Campus

New taproom, restaurant, lounge and theater in the historic Power Plant add to ATC's growing social hub Fullsteam Brewery and CBC Real Estate celebrate th...

01/10/2026

Berklee and APM Music Launch Global Catalog Bringing Student-Created Music to Film, TV, and Beyond

Berklee and APM Music Launch Global Catalog Bringing Student-Created Music to Fi...

01/10/2026

The Boys are Back! The 2 Johnnies Late Night Lock In returns for Season 4

Season 4 of the multi-award-winning hit entertainment series The 2 Johnnies Late Night Lock In is back, serving up another round of unpredictable laughs, unforg...

01/10/2026

RT lyric fm's award-winning The Lyric Feature returns for new autumn series

New season begins Sunday, 4 October at 6pm on RT lyric fm and RT Listen RT lyric fm's arts and culture documentary series The Lyric Feature returns on S...

01/10/2026

RT Supporting the Arts is supporting 32 cultural events nationwide this October

RT is proud to continue its commitment to supporting and celebrating the arts across Ireland this October, highlighting a vibrant programme of theatre, music, ...

01/10/2026

Productive, Durable, Fungible: How NVIDIA AI Factories Maximize Return on Investment

AI factories are built by the megawatt, even by the gigawatt. Each megawatt fact...

01/10/2026

Fall Into 25 New Games on GeForce NOW This October

Spooky season is streaming in. Alongside falling leaves, pumpkin spice and everything nice, 25 new games are joining GeForce NOW throughout October, including s...

30/09/2026

SVG Students To Watch: Jacquelynn Dupree, Clark Atlanta University

Drawn to the many moving pieces of a live broadcast, this Los Angeles native is building a path in production management and technical operations...

30/09/2026

NHL on TNT Opens New Season in 1080p HDR With Stanley Cup Final on the Horizon

TNT Sports goes big for its season opener in Philadelphia, and REMI workflows at Techwood will again anchor much of regular-season production...

30/09/2026

Katlyn Alexander Named CEO of Qvest North America

Qvest has appointed Katlyn Alexander as CEO of Qvest in North America, effective August 16, 2026. Alexander, who previously served as COO of Qvest US, succeeds ...

30/09/2026

AAPB Wraps 2026 Season with Record Viewership and Expanded Broadcast Footprint

The American Association of Professional Baseball (AAPB) has wrapped its 2026 season, with leaguewide attendance surpassing 1.4 million for the fifth consecutiv...

30/09/2026

Veritone Partners with ATP Media to License Tennis Archive in North America

Veritone has announced a multi-year content licensing agreement with ATP Media, the broadcast production and distribution arm of the ATP Tour, making ATP's ...

30/09/2026

Netflix To Stream WWE Exclusively in Japan Beginning October 1

Netflix has announced it will become the exclusive home for WWE programming in Japan beginning October 1, 2026. The lineup includes Raw, SmackDown, NXT, Premium...

30/09/2026

SES and Sky Extend Satellite Capacity Agreement for UK and Ireland

SES and Sky have announced a new multi-year agreement for direct-to-home satellite services across the United Kingdom and Republic of Ireland, running into the ...

30/09/2026

Big Blue Marble Adds Live Multiview Channels to Cloud Video Kit via AWS Elemental Dynamic Multiview

Big Blue Marble has announced the addition of live multiview channels to its Clo...

30/09/2026

NHRA Announces Multi-Year Media Rights Deals With FOX Sports, The CW, and FloSports

The NHRA has announced multi-year media rights agreements with FOX Sports, The C...

30/09/2026

FOX 5 Atlanta to Broadcast Nashville Predators Games in 2026-27 Season

FOX 5 Atlanta (WAGA-TV) will carry Nashville Predators games during the 2026-27 season as part of Scripps Sports' regional broadcast network for the team. G...

30/09/2026

SVG Sit-Down: Brahma AIs Patrio Cummins on the Possibilities of AI (and the Misconceptions)

AI was a big buzz on the IBC show floor but there weren't a ton of companies...

30/09/2026

PGA TOUR Names Ryan Holcomb Senior Vice President and Head of Original Content

The PGA TOUR has announced the appointment ofRyan Holcomb as Senior Vice President and Head of Original Content, according to The Hollywood Reporter. Holcomb wi...

30/09/2026

ESPN Drops the Puck on Enhanced Audio for the New NHL Season

The sound will be more immersive, with improved design and more mikes on the ice and the players The National Hockey League's season opener on Tuesday nigh...

30/09/2026

TNT Sports' Chris Brown, Lee Mabry on Beginning 2026-27 NHL Season With an Onsite Effort in Philly

TNT Sports is dropping the puck on the 2026-27 NHL season in a big way in Philad...

30/09/2026

International Swimming League Names Gravity Media as Production Partner

The International Swimming League ( ISL ) today announced the appointment of Gravity Media, global leader in live production and content and media services and ...

30/09/2026

Give Me the Backstory: Get to Know Amir Bar-Lev, the Director of The Last First: Winter K2

By Ramona Flume One of the most exciting things about the Sundance Film Festiva...