Sony Pixel Power calrec Sony

The Palio di Siena: EMG Italy in the Saddle for Historical Horserace

18/07/2024

The Palio di Siena: EMG Italy in the saddle for historical horserace By Roberto Landini, Italian Correspondent

Monday, July 15, 2024 - 15:51

Print This Story

The Palio di Siena is much more than a simple horse race. It is a unique event and a celebration of Sienese identity and historical tradition, an occasion for the city's contrade, or districts, to display their pride and rivalry, and a way to honour the protectors of Siena, the Madonna of Provenzano and Mary of the Assumption.

The Palio is held twice a year, on 2 July (Palio of Provenzano) and 16 August (Palio of the Assumption), in the city's Piazza del Campo. It is one of the oldest and most famous events in the country, with a history dating back to the Middle Ages. Today, the race consists of three laps around the shell-shaped Piazza del Campo, with 10 contrade of Siena participating, each represented by a jockey and a horse with their own colours, emblem and motto. The event attracts almost 50,000 spectators to the city.

From medieval history to technological innovation

EMG Italy has been covering the live broadcast of the two races for the Consorzio per la Tutela del Palio di Siena, a consortium made up of the 17 contrade of the city that has the task of protecting everything that is part of the historical heritage of the Palio di Siena, for three years. The event is broadcast live on La7, Canale 3 and Siena TV, and streamed live on Gazzetta dello Sport, via website and app. During the days leading up to the race, Siena comes alive with presentation ceremonies, the setting up of the square, and various test runs with the horses.

Anna Pasculli, sales manager of EMG Italy, says: Given the layout of the city and the narrow streets of the historic centre around Piazza del Campo, we do not operate with a mobile unit on site but with a control room housed in flight cases, set up inside the foyer of the Teatro dei Rinnovati, with double access from Piazza del Campo. The general setup also includes two stand-up positions for the LA7 journalists who, on the edge of the track, traditionally called the career', comment on the final moments before the race begins.

The square was recently wired with fibre optics, making setup and dismantling much easier and more efficient. Given the new arrangement, EMG Italy today only needs to make the connections from the TOC, the operational centre of the broadcasts where signals are monitored and distributed, to the control room and from the fibre points to the cameras, then maximising the directorial and spectacular value of the entire event.

Pasculli continues: With ten cameras, we cover the entire track, including two in special positions: one mounted in the Sala del Mappamondo and a Jimmy Jib on the terrace of Palazzo Sansedoni, headquarters of the Fondazione Monte dei Paschi di Siena. The crew we deployed to enhance this great event made of tradition, technology, and emotion is composed of 20 people.

Sienese celebration and television excellence

The Municipality of Siena and the Consorzio per la Tutela del Palio collaborated to install fibre optics in Piazza del Campo to simplify any type of production. Following a non-invasive plan, the administration had already installed corrugated pipes for future use near the public lighting power points and the typical video positions for the Palio filming. This allowed, in a subsequent phase completed a few weeks before the 2 July edition, the project to be implemented.

The project involved the installation of 500m of micro cable with 48 single-mode optical fibres, 200m of micro cable with 24 single-mode optical fibres, six extraction and termination sockets with 12 optical fibres each, and the termination of the two cables in Piazza del Mercato. The new infrastructure has restored the aesthetic of the square, eliminating the unsightly cables that until last year were temporarily fixed to the terrace railings for a total length of about 6km. It also made the laying and removal procedures of these same cables obsolete, ensuring greater safety during the setup of any future event.

The Consorzio per la Tutela del Palio

Fulvio Bruni, CEO of the Consorzio per la Tutela del Palio di Siena, states: The idea of wiring Piazza del Campo had been conceived a long time ago to solve a problem that was raised every year, namely the laying of about 6km of visible cables that connected the control room to the camera positions following the races. Today, the passage through underground ducts has totally solved these problems and brilliantly respected historical, urban planning and aesthetic constraints, integrating useful technology in an important historical context and in complete safety. This has allowed EMG Italy, chosen for the third consecutive time as the TV producer of the Palio di Siena, to arrive on site this year with the equipment only four days before the event and to connect everything very quickly.

As a Consorzio, he continues, we can boast an excellent collaboration with the television production structure of EMG Italy. Thanks to their competence and knowledge of our sometimes-stringent needs, we manage to improve the overall result of the product every year. We are very satisfied not only as a Consorzio but also as citizens because the Sienese see the images of the city, as well as the Palio itself, enhanced to the best possible extent.
LINK: https://www.svgeurope.org/blog/headlines/the-palio-di-siena-emg-italy-...
See more stories from svg

More from Sports Video Group

21/04/2026

Live From NAB 2026: BitFires Colin Bonzey on Growing Spark Platform for Live Cloud-Based Productions

Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...

21/04/2026

Live From NAB 2026: AWSs Jason Dvorkin, Regina Rossi on Driving Innovation With Al-Based Workflows

The topic of artificial intelligence has a stranglehold on the sports-video-prod...

21/04/2026

Live From NAB 2026: T-Mobile for Business' Jason Schnellbacher on Enhancing 5G for Sports Fans, Broadcasters

5G is still a hot topic in live event production, and this workflow continues to...

21/04/2026

Live From NAB 2026: Appears Ed McGivern on Fox Sports Deal, New XM Platform, and VX Software Debut

At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...

21/04/2026

NAB 2026: Studio Network Solutions launches on-premise AI suite for media production workflows

Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...

21/04/2026

NAB 2026: Suite Studios integrates file-streaming technology into Frame.io Drive

Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...

21/04/2026

NAB 2026: Net Insight integrates InSync FrameFormer into Nimbra Edge for media processing

Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...

21/04/2026

NAB 2026: Fox Sports selects Appear X Platform for live production infrastructure

Fox Sports has selected Appear as a technology partner to support the next phase...

21/04/2026

NAB 2026: Diversified appoints Tyler Affolter as Chief Revenue Officer

Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...

21/04/2026

NAB 2026: Layercake integrates Bitmovin into Streamcake platform for end-to-end media orchestration

Layercake has formalised the integration of Bitmovin's video streaming infra...

21/04/2026

NAB 2026: International Judo Federation extends global content distribution partnership with SES

The International Judo Federation (IJF) has extended its distribution partnershi...

21/04/2026

NAB 2026: Glookast integrates Cinnafilm Tachyon plugin to enable GPU-accelerated video processing

Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...

21/04/2026

NAB 2026: Cadena Tres selects Eutelsat for television signal distribution in Mexico

Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...

21/04/2026

NAB 2026: Dolby and TV Azteca deploy Dolby Atmos for free-to-air broadcast

Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...

21/04/2026

Verizon and FOX Entertainment leverage 5G and AI for remote production of Extracted

FOX Entertainment partnered with Verizon to overcome significant production hurd...

21/04/2026

NAB 2026: Osprey Video to showcase expanded IP infrastructure and orchestration at NAB Show 2026

Osprey Video has announced its technology showcase for the NAB Show 2026, highli...

21/04/2026

NAB 2026: Riedel introduces IP-based production updates including multiviewer, commentary control and audio connectivity solutions

Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...

21/04/2026

SportsTechBuzz at NAB 2026, Day 3: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

21/04/2026

NAB 2026: Blackmagic Design Announces URSA Cine Immersive 100G and URSA Cine Live Encoder

Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...

21/04/2026

Live From NAB 2026: Clark Wire & Cables David McCarthy Showcases New Connectivity, Enclosure Solutions for Modern Broadcast Workflows at NAB Show 2026

Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...