
As head of international technology at ITV Studios, Rob O'Brien is always on the lookout for new technology that can allow the company to work more flexibly and develop new workflows.
Based in the UK but with operations in 12 other countries, ITV Studios is a television production and distribution company owned by the British broadcaster ITV plc. Best-known for its output for UK channels such as ITV and Channel 4, ITV Studios is also intensively involved with broadcast production and distribution in the US, Australia, Germany, The Netherlands, Italy, Israel, France, Spain and Scandinavia.
Overseeing the non-UK technical operations from London, head of international technology Rob O'Brien concisely summarises his main role as being to maintain, organise and innovate. I spend a lot of my time looking at innovation, managing technical teams, and heading up the shift towards a new landscape which inevitably involves a great deal of research around the cloud and computing innovation in general.
Whilst there might seem to be an air of inevitability about O'Brien landing such a role by his own admission he was the geek that teachers asked to help with their IT he insists that he originally studied computing because I was rubbish at everything else! But it's true that I knew from a young age that I was going to pursue a career in technology, and once I had completed my Bachelor of Computer Engineering I started out in the newspaper industry working on picture asset management.
Given his subsequent progression into broadcasting, it was a case of right place, right time' as developers of asset management technology were then beginning to target TV production. Recognising that this is where his aspirations resided, O'Brien had an initial stint at ITV working on ITV's early digital and tapeless initiatives, but also picking up invaluable knowledge of CDNs, transcoding and media distribution. He then spent a period at Sony Pictures, where he added an international dimension to his career by overseeing digital content production distribution for platforms around Europe.
All of this experience meant that he was very well-prepared for his second, and ongoing, stint at ITV Studios. Working as lead technologist in digital creation, O'Brien was tasked with making our use of data more structured and, latterly, working to better align the ITV businesses in the UK and internationally so that they could communicate and create more efficiently. Eventually that evolved into the new role of head of international technology.
Alignment between the different ITV Studios operations continues to be an overriding priority for O'Brien, who works closely with each territory's technology head to ensure that the corporate stacks are working well and that all of the systems we use i.e. for production, data and archiving are effectively organised, and where they differ between operations that they are fully aligned.
Innovation as a Competitive Edge
In terms of both content production and distribution, and the technologies that underpin them, few would argue with the assertion that we are in the midst of a period of profound change. But while this undoubtedly heralds some significant challenges, it also brings with it some exciting opportunities. Innovation is a big part of our world, confirms O'Brien. Everyone is looking at, and comparing us to, the new peers in our market, such as Netflix. That means there is a lot of emphasis on how we can use innovation in order to secure a competitive edge.
It's not surprising, then, that O'Brien keeps a close watch on emerging technology trends, such as the migration of media production to the cloud. Like many broadcast tech leaders, his enthusiasm for the cloud's potential is only marginally tempered by its economic implications. As well as being more reliable for example, in terms of the risk of system failures the cloud offers much greater capacity to change, adapt and scale our operations, he says. So, if we acquire another system, it's very easy to upscale. Plus, there are some fantastic cloud services we can utilise, such as those using AI to deliver translation and localisation services.
O'Brien is also in no doubt that going it alone' for example, in terms of creating a bespoke ITV data centre would be prohibitively expensive, not only in terms of technology, but also in salaries for staff with the necessary technical expertise to run those systems. Building their own data centre would also be problematic in terms of the broadcaster's low-carbon trajectory. Sustainability is a big thing for ITV, we have made a commitment to becoming Net Zero and are on track for that, so it's great that [leading cloud service providers like] AWS and Microsoft support our sustainability targets, he says. We also need to retain the ability to scale up in a way that is sustainable. We are a growing business that is often developing interests in new territories and having that availability of resources whenever we need them is critical.
But he is acutely aware of cloud challenges, especially when working at the kind of scale required by ITV Studios. Of course, there are negatives and cost is potentially one of those. I don't really like the word cloud, I prefer the word rent' because all you're doing, really, is renting someone else's servers. And, if you use too much, it's going to cost more than you expected.
Rapid Content Migration
Many of these strands have come together during the past year as O'Brien has sought a fresh approach to the management of ITV Studios' content archive. Once again, alignment is the watchword here as many of the leading formats are distributed or franchised internationally. If ITV Studios makes a show such
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
28/10/2026
SDI Failsafe IP Routing: Inside the UTAH-400 Series 2 Router A pure-IP routing core has no inherent fallback. When the ST 2110 network degrades, when the PTP gr...
28/10/2026
MLB Network is nearly all-day media day coverage across MLB Now, MLB Central, ML...
28/10/2026
Voyage Audio and Shure microphones are in the forefront of the sector's transition to digital
Microphones may have come late to the digital table, but they...
28/10/2026
Having long resisted the transition, broadcast audio's most fundamental element is finally entering the digital era
About 25 years ago, a microphone manufa...
28/10/2026
The Wireless Microphone Spectrum Alliance (WMSA), formed in 2025 to raise awareness with government entities about wireless microphone operations, has held meet...
28/10/2026
Telos Aliiance was at the recently held IBC in Amsterdam once again representing its brands which include Axia Audio, Omnia Audio, Telos Systems, 25-Seven Syste...
28/10/2026
SPORTEL Monaco 2026 wrapped up three days of high-level business, international ...
28/10/2026
By Ramona Flume
One of the most exciting things about the Sundance Film Festiva...
28/10/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
28/10/2026
Co-Presented by Letterboxd
BOULDER, Colorado, October 21, 2026 - The nonprofit Sundance Institute announced today the Legacy program for the 2027 Sundance Film...
28/10/2026
Two full-range, flat-response amps revealed
Moog's latest announcement may come as a bit of a surprise to many, as rather than introducing a new synth, ...
28/10/2026
Annual event returns for 12th year in Bristol, UK
Returning for its 12th year, the annual Audio Developer Conference is set to take place between 9-11 Novem...
28/10/2026
Automation updates, Dim Solo mode, multiple Marker Tracks, MIDI 2.0 support & much more
The latest version of Fender's DAW software has just arrived, de...
28/10/2026
Combines tuning & harmony generation
Klevgrand's latest release offers a simplified take on Altitude, the pitch-correction and harmony-generation plug-i...
28/10/2026
Digital Originals backs the next wave of Australian screen talent
28 October, 2026
Media releases
SBS, National Indigenous Television (NITV) and Screen Aus...
28/10/2026
Behind every jinx is a story: Comedian Ting Lim takes a light-hearted look at su...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Sift Clips Now Searches Frame.io Footage
Brie Clayton October 28, 2026
0 Comments
Frame.io search has now been added to Sift Clips. This new feature l...
28/10/2026
Choco Film Adopts DaVinci Resolve Studio and Blackmagic Cloud for Its Editing Wo...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Rise AV has announced the 23 women selected for its 2026 Elevate programme, bringing together professionals from 20 organisations across the UK, Ireland, German...
28/10/2026
MTV Oy, Finland's largest commercial broadcaster, has long been recognized for its ability to deliver fast, reliable and engaging content across news, curre...
28/10/2026
LA JOLLA, CA-The shifty hepatitis C virus (HCV) has a knack for outmaneuvering t...
28/10/2026
Digital Originals backs the next wave of Australian screen talent 28 October 2026
2026 Digital Originals cohort. Photo credit: Teniola Komolafe.
SBS, National...
28/10/2026
COW Jobs: Managing Video Editor - Remote
Brie Clayton October 27, 2026
0 Comments
Managing Video Editor
October 27, 2026COW Jobs: Production......
28/10/2026
COW Jobs: Production Manager
Brie Clayton October 27, 2026
0 Comments
Production Manager
October 27, 2026COW Jobs: Managing Video Editor -......
28/10/2026
Wednesday 28 October 2026
Claire Goodlass joins Sky as Commissioning Editor, Documentaries
Sky has appointed Claire Goodlass as Commissioning Editor, Document...
28/10/2026
Proximic by Comscore Expands Integration Across Magnites CTV Ecosystem First real-time contextual integration across Magnite SpringServe connects audience int...
28/10/2026
NVIDIA RTX Spark powers thin and light laptops built for everything that developers, creators and gamers do.
RTX Spark laptops are now available from ASUS, Del...
28/10/2026
RT is developing its next Statement of Strategy and wants to hear the views of people across Ireland the audience we serve. RT New Direction remains RT '...
27/10/2026
Satellite, bonded cellular, and IP- and cloud-based solutions. Those are three o...
27/10/2026
Eutelsat has renewed its partnership with Qatar Media Corporation (QMC), Qatar...
27/10/2026
PROTON Camera Innovations GmbH will show the PROTON FLEXY at SATIS 2026 (Booth A13-B12), after the camera won a Best in Market award in the ProAV category at IB...
27/10/2026
ATSC, the Broadcast Standards Association, has reported results from a laboratory validation and live demonstration in Brazil of interference cancellation and s...
27/10/2026
The PGA Tour announced Monday that Brian Gordon has joined PGA Tour Studios as executive producer and head of live content. He began with the Tour on Oct. 26 an...
27/10/2026
The NBA has announced agreements to establish a framework for NBA-related predic...
27/10/2026
Apple Music, the NFL and Roc Nation have announced that JAY-Z will perform at the Apple Music Super Bowl LXI Halftime Show at SoFi Stadium in Los Angeles on Sun...
27/10/2026
DIRECTV and DAZN have signed a multi-year distribution agreement for local telec...
27/10/2026
The NHL has announced NHL Monday Night Hockey, a new initiative that will bring 11 live NHL games to fans across Europe in local primetime windows on Monday nig...
27/10/2026
Telef nica Servicios Audiovisuales (TSA) has deployed Grass Valley AMPP for Movi...
27/10/2026
SES and CANAL have extended their partnership through 2040 with a multi-year agreement covering satellite capacity across Europe, Africa and the Caribbean.
Un...
27/10/2026
Gravity Media deployed a flypack production system and RF cameras for Red Bull R...
27/10/2026
Appear has announced that NSC TV, a TV Globo affiliate in Brazil, has selected t...
27/10/2026
MLB's Ryan Zander discusses the league's work to integrate the ABS Chall...
27/10/2026
Pictured: Filmmaker Vero Kompalic (Photo by Gia Rigoli)
By Vero Kompalic
This is the last picture I ever took in Venezuela.
I had seen the girl in the row ah...