
As head of international technology at ITV Studios, Rob O'Brien is always on the lookout for new technology that can allow the company to work more flexibly and develop new workflows.
Based in the UK but with operations in 12 other countries, ITV Studios is a television production and distribution company owned by the British broadcaster ITV plc. Best-known for its output for UK channels such as ITV and Channel 4, ITV Studios is also intensively involved with broadcast production and distribution in the US, Australia, Germany, The Netherlands, Italy, Israel, France, Spain and Scandinavia.
Overseeing the non-UK technical operations from London, head of international technology Rob O'Brien concisely summarises his main role as being to maintain, organise and innovate. I spend a lot of my time looking at innovation, managing technical teams, and heading up the shift towards a new landscape which inevitably involves a great deal of research around the cloud and computing innovation in general.
Whilst there might seem to be an air of inevitability about O'Brien landing such a role by his own admission he was the geek that teachers asked to help with their IT he insists that he originally studied computing because I was rubbish at everything else! But it's true that I knew from a young age that I was going to pursue a career in technology, and once I had completed my Bachelor of Computer Engineering I started out in the newspaper industry working on picture asset management.
Given his subsequent progression into broadcasting, it was a case of right place, right time' as developers of asset management technology were then beginning to target TV production. Recognising that this is where his aspirations resided, O'Brien had an initial stint at ITV working on ITV's early digital and tapeless initiatives, but also picking up invaluable knowledge of CDNs, transcoding and media distribution. He then spent a period at Sony Pictures, where he added an international dimension to his career by overseeing digital content production distribution for platforms around Europe.
All of this experience meant that he was very well-prepared for his second, and ongoing, stint at ITV Studios. Working as lead technologist in digital creation, O'Brien was tasked with making our use of data more structured and, latterly, working to better align the ITV businesses in the UK and internationally so that they could communicate and create more efficiently. Eventually that evolved into the new role of head of international technology.
Alignment between the different ITV Studios operations continues to be an overriding priority for O'Brien, who works closely with each territory's technology head to ensure that the corporate stacks are working well and that all of the systems we use i.e. for production, data and archiving are effectively organised, and where they differ between operations that they are fully aligned.
Innovation as a Competitive Edge
In terms of both content production and distribution, and the technologies that underpin them, few would argue with the assertion that we are in the midst of a period of profound change. But while this undoubtedly heralds some significant challenges, it also brings with it some exciting opportunities. Innovation is a big part of our world, confirms O'Brien. Everyone is looking at, and comparing us to, the new peers in our market, such as Netflix. That means there is a lot of emphasis on how we can use innovation in order to secure a competitive edge.
It's not surprising, then, that O'Brien keeps a close watch on emerging technology trends, such as the migration of media production to the cloud. Like many broadcast tech leaders, his enthusiasm for the cloud's potential is only marginally tempered by its economic implications. As well as being more reliable for example, in terms of the risk of system failures the cloud offers much greater capacity to change, adapt and scale our operations, he says. So, if we acquire another system, it's very easy to upscale. Plus, there are some fantastic cloud services we can utilise, such as those using AI to deliver translation and localisation services.
O'Brien is also in no doubt that going it alone' for example, in terms of creating a bespoke ITV data centre would be prohibitively expensive, not only in terms of technology, but also in salaries for staff with the necessary technical expertise to run those systems. Building their own data centre would also be problematic in terms of the broadcaster's low-carbon trajectory. Sustainability is a big thing for ITV, we have made a commitment to becoming Net Zero and are on track for that, so it's great that [leading cloud service providers like] AWS and Microsoft support our sustainability targets, he says. We also need to retain the ability to scale up in a way that is sustainable. We are a growing business that is often developing interests in new territories and having that availability of resources whenever we need them is critical.
But he is acutely aware of cloud challenges, especially when working at the kind of scale required by ITV Studios. Of course, there are negatives and cost is potentially one of those. I don't really like the word cloud, I prefer the word rent' because all you're doing, really, is renting someone else's servers. And, if you use too much, it's going to cost more than you expected.
Rapid Content Migration
Many of these strands have come together during the past year as O'Brien has sought a fresh approach to the management of ITV Studios' content archive. Once again, alignment is the watchword here as many of the leading formats are distributed or franchised internationally. If ITV Studios makes a show such
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
21/10/2026
Three investigative journalists have been chosen as the finalists for the 2026 Thomson Foundation Young Journalist Award. The successful candidates from Nigeria...
21/10/2026
The lifelong Terps fan is making the most of his dream school, producing and directing broadcasts while gaining professional reps across the Washington, DC, spo...
21/10/2026
University of Washington Intercollegiate Athletics has brought its new Sundodger...
21/10/2026
The Pac 12 has appointed its first ever Chief Commercial & Growth Officer, compl...
21/10/2026
The Wildcats' $875 million home blends an intimate 35,000-seat design with 3...
21/10/2026
M-Tron Select & Axxess free until 1 December 2026
Soft synth gurus GForce Software have just announced that they are relaunching with updated branding, a fr...
21/10/2026
A simplified approach to multiband compression
DDMF's latest plug-in has been designed to simplify the process of applying multiband compression, and in...
21/10/2026
Full-size keys, more controls and XYZ touch matrix.
Arturia have announced the release of MiniFreak 49, a larger version of their six-voice hybrid synthesiz...
21/10/2026
SBS appoints Kathryn Fink as Chief Content Officer in new executive structure
21 October, 2026
Media releases
SBS has announced a new executive structure a...
21/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/10/2026
Clear-Com is debuting the Mentrix panel at NAB Show New York (Booth 739) today. Combining physical controls with a touchscreen interface, Mentrix is designed ...
21/10/2026
Amagi, the media industry cloud company, today announced a strategic partnership with Sistemas de Video Comunicaci n S.A. (SVC) to expand access to its cloud-ba...
21/10/2026
Lipsie Launches LipsieSync, a Human-First AI Dubbing Workflow for Multilingual V...
21/10/2026
Mayday Parade Music Video Shot with Blackmagic PYXIS 12K
Brie Clayton October 20, 2026
0 Comments
Multi scale sensor allows DP to capture 12K, 8K and ...
21/10/2026
USS Defiant Pulse Phasers in After Effects - No Plugins!
Graham Quince October 20, 2026
0 Comments
I love the USS Defiant from Star Trek: Deep Space N...
21/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/10/2026
Stacey Dooley Sleeps Over returns for a seventh series in 2027, with Stacey Dooley MBE getting exclusive access to the homes and lives of Kerry Katona, Lauryn G...
21/10/2026
Expansion builds on broadcasters successful FAST launch and grows portfolio to 12 channels
New channels dedicated to iconic brands including Top Gear, EastEnde...
21/10/2026
Comscore Launches New Monthly Report Highlighting Ad Exposure Figures Across Tel...
21/10/2026
Since 2012, Saorsat has provided coverage in areas where Saorview reception may be challenged. Services from RT , TG4 and Oireachtas TV are currently available ...
21/10/2026
NVIDIA builds tools to enable safe agents across the stack. The NVIDIA OpenShell...
21/10/2026
NVIDIA cuDSS, launched today in general availability, is an NVIDIA CUDA-X librar...
21/10/2026
To increase productivity, accelerate innovation and create new opportunities for...
21/10/2026
Demand from AI-natives is pulling the European AI cloud ecosystem forward faster...
21/10/2026
General availability of the instances is coming next month, with planned expansi...
21/10/2026
At GTC Berlin, NVIDIA is showcasing its full lineup of local AI hardware. RTX Spark, which launched last week, powers personal agents on Windows PCs; DGX Spark ...
20/10/2026
Sony's Beyond Sports technology will power real-time animation of the game, ...
20/10/2026
The NBA is putting on a full-court press when it comes to digital offerings this year, and that includes some great new features on the NBA App as well as a new...
20/10/2026
Testing what works is an important part of developing successful fan engagement....
20/10/2026
One fan in The Nordecke will wear the device via headset on Wednesday night
Spo...
20/10/2026
Regular-season game coverage will continue to be a mix of REMI and onsite produc...
20/10/2026
Grass Valley has added Bridge Technologies to the company's Media eXchange Layer (MXL) initiative, demonstrating how this has supported the containerization...
20/10/2026
Gravity Media has rapidly deployed complete IP-based broadcast infrastructure fo...
20/10/2026
Ateme has announced a strategic partnership with Viamedia, the ad tech company b...
20/10/2026
As concerts and other live performances reach audiences through global streaming...
20/10/2026
Media Links' Xscend platform and MDP3020 IP media gateways supported live broadcast contribution for the All-Asia Games, that recently took place in Japan.
...
20/10/2026
For Major League Soccer creative teams, 2027 is going to be unlike any year they...
20/10/2026
The National Hockey League (NHL) has given a first look at its planned transform...
20/10/2026
FloSports and the National Lacrosse League (NLL) have entered into a multiyear m...
20/10/2026
The Advanced Media Workflow Association (AMWA) has received a 2026 Technology & ...
20/10/2026
Pearl TV has made significant progress in its industry-wide initiative to make NEXTGEN TV converter boxes more affordable and accessible to consumers, marking a...
20/10/2026
The 37th edition of SPORTEL Awards took place on Monday, Oct. 19 at the Grimaldi Forum Monaco, under the High Patronage of H.S.H. Prince Albert II of Monaco. Ch...
20/10/2026
Amagi has announced a strategic partnership with Sistemas de Video Comunicaci n ...
20/10/2026
The home of cycling coverage is secure as Eurosport and TNT Sports today extend ...
20/10/2026
By Ramona Flume
One of the most exciting things about the Sundance Film Festiva...
20/10/2026
Veteran Entertainment and Brand Executive to Lead Global Communications Strategy...