
As head of international technology at ITV Studios, Rob O'Brien is always on the lookout for new technology that can allow the company to work more flexibly and develop new workflows.
Based in the UK but with operations in 12 other countries, ITV Studios is a television production and distribution company owned by the British broadcaster ITV plc. Best-known for its output for UK channels such as ITV and Channel 4, ITV Studios is also intensively involved with broadcast production and distribution in the US, Australia, Germany, The Netherlands, Italy, Israel, France, Spain and Scandinavia.
Overseeing the non-UK technical operations from London, head of international technology Rob O'Brien concisely summarises his main role as being to maintain, organise and innovate. I spend a lot of my time looking at innovation, managing technical teams, and heading up the shift towards a new landscape which inevitably involves a great deal of research around the cloud and computing innovation in general.
Whilst there might seem to be an air of inevitability about O'Brien landing such a role by his own admission he was the geek that teachers asked to help with their IT he insists that he originally studied computing because I was rubbish at everything else! But it's true that I knew from a young age that I was going to pursue a career in technology, and once I had completed my Bachelor of Computer Engineering I started out in the newspaper industry working on picture asset management.
Given his subsequent progression into broadcasting, it was a case of right place, right time' as developers of asset management technology were then beginning to target TV production. Recognising that this is where his aspirations resided, O'Brien had an initial stint at ITV working on ITV's early digital and tapeless initiatives, but also picking up invaluable knowledge of CDNs, transcoding and media distribution. He then spent a period at Sony Pictures, where he added an international dimension to his career by overseeing digital content production distribution for platforms around Europe.
All of this experience meant that he was very well-prepared for his second, and ongoing, stint at ITV Studios. Working as lead technologist in digital creation, O'Brien was tasked with making our use of data more structured and, latterly, working to better align the ITV businesses in the UK and internationally so that they could communicate and create more efficiently. Eventually that evolved into the new role of head of international technology.
Alignment between the different ITV Studios operations continues to be an overriding priority for O'Brien, who works closely with each territory's technology head to ensure that the corporate stacks are working well and that all of the systems we use i.e. for production, data and archiving are effectively organised, and where they differ between operations that they are fully aligned.
Innovation as a Competitive Edge
In terms of both content production and distribution, and the technologies that underpin them, few would argue with the assertion that we are in the midst of a period of profound change. But while this undoubtedly heralds some significant challenges, it also brings with it some exciting opportunities. Innovation is a big part of our world, confirms O'Brien. Everyone is looking at, and comparing us to, the new peers in our market, such as Netflix. That means there is a lot of emphasis on how we can use innovation in order to secure a competitive edge.
It's not surprising, then, that O'Brien keeps a close watch on emerging technology trends, such as the migration of media production to the cloud. Like many broadcast tech leaders, his enthusiasm for the cloud's potential is only marginally tempered by its economic implications. As well as being more reliable for example, in terms of the risk of system failures the cloud offers much greater capacity to change, adapt and scale our operations, he says. So, if we acquire another system, it's very easy to upscale. Plus, there are some fantastic cloud services we can utilise, such as those using AI to deliver translation and localisation services.
O'Brien is also in no doubt that going it alone' for example, in terms of creating a bespoke ITV data centre would be prohibitively expensive, not only in terms of technology, but also in salaries for staff with the necessary technical expertise to run those systems. Building their own data centre would also be problematic in terms of the broadcaster's low-carbon trajectory. Sustainability is a big thing for ITV, we have made a commitment to becoming Net Zero and are on track for that, so it's great that [leading cloud service providers like] AWS and Microsoft support our sustainability targets, he says. We also need to retain the ability to scale up in a way that is sustainable. We are a growing business that is often developing interests in new territories and having that availability of resources whenever we need them is critical.
But he is acutely aware of cloud challenges, especially when working at the kind of scale required by ITV Studios. Of course, there are negatives and cost is potentially one of those. I don't really like the word cloud, I prefer the word rent' because all you're doing, really, is renting someone else's servers. And, if you use too much, it's going to cost more than you expected.
Rapid Content Migration
Many of these strands have come together during the past year as O'Brien has sought a fresh approach to the management of ITV Studios' content archive. Once again, alignment is the watchword here as many of the leading formats are distributed or franchised internationally. If ITV Studios makes a show such
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
01/06/2026
Designed to solve a common problem in broadcasting, the automated workflow detects, identifies, removes, and documents copyrighted music
AudioShake has introdu...
01/06/2026
The sports-analytics company combines its data with proprietary AI to help leagu...
01/06/2026
Category line-up & sponsors announced
Photo: Paul Clarke
The Production Music Awards (PMA) have announced that submissions are now officially open ahead of...
01/06/2026
New hybrid sample/synthesis instrument revealed
Excite Audio have just released the latest instalment in their Evolve series, which has been developed in co...
01/06/2026
Latest TONEX expansion captures three rare vintage amps
The newest addition to IK Multimedia's ever-growing TONEX line-up introduces a set of three incr...
01/06/2026
Musically intelligent soft synth gets upgraded
Scaler Music will be probably be best known to many for their music theory tools, but their product range al...
01/06/2026
SBS confirms its broadcast sponsors for FIFA World Cup 2026
1 June, 2026
Media releases
SBS has secured Hyundai, Hisense, Macca's, Rexona, bet365, Com...
01/06/2026
Rohde & Schwarz Satellite Industry Days 2026 guided by the motto From Earth to ...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Marshall Electronics is showcasing a comprehensive lineup of next-generation POV cameras, purpose-built to power today's connected AV environments, at InfoC...
01/06/2026
Adobe Announces Concept to Vector
Deepa Subramaniam June 1, 2026
0 Comments
One of the biggest frustrations we hear from designers is how difficult it...
01/06/2026
Vampire Feature Night Patrol Graded with DaVinci Resolve Studio
Brie Clayton June 1, 2026
0 Comments
Colorist shapes dark, gritty tone for horror thri...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Mardi 2 juin 14h00
FilmLight (ARRI), 10 rue Ren Boulanger, 75010 Paris
Rejoignez-nous pour d couvrir comment FLAPI (l'API FilmLight) peut transformer e...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
31/05/2026
Olivia P rez-Collellmir to Premiere Original Work at Gaud Centennial in Barcelona The Berklee graduate and faculty member will debut her choral symphony with...
31/05/2026
Back to All News
Netflix Wins 15 Awards at the Canadian Screen Awards - See Pho...
31/05/2026
Taiwan is home to more than 500 NVIDIA ecosystem partners. More than 1 million N...
31/05/2026
As factories move from isolated automation to plant-wide intelligence, manufacturers need AI systems that can connect live machine signals, quality systems, wor...
31/05/2026
The NVIDIA AI Cloud ecosystem is accelerating the global buildout of AI factory infrastructure. Partners are expanding capacity to meet growing demand from ente...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...