
The give-and-go between cinematographers Todd Banhazl and Mihai Malaimare Jr. on the HBO series Winning Time: The Rise of the Lakers Dynasty has been as impressive a display as Kareem and Magic running a pick and roll. Playing to the strengths of multiple formats, the two cinematographers helped transport viewers back in time to the genesis of the showtime Lakers of the 1980s. It took a concerted effort to craft the look of Winning Time, with the story on the screen matched by the tenacity and teamwork behind the camera.
The line between our footage and the archival footage is so blurry, it makes for an extremely period-accurate piece, says Malaimare. Describing his experience working with Banhazl, who served as the series' lead cinematographer, Malaimare continues, Todd created a visual bible based on the look of the pilot, and he and I had extensive meetings with writers Max Borenstein and Rodney Barnes to discuss each episode in detail. It was a very carefully planned visual style.
Banhazl shares, The idea behind the visual style of the show was to create a tapestry of American culture and pop culture in the 60s, 70s and 80s. The hope is that audiences will lose track of what we shot and what was actual archival footage. We wanted it to be grainy, greasy, shiny, vibrant, and have a handmade quality to the texture of the image and to the camerawork itself.
My main inspirations came from a mix of photographers, like Barron Claiborne, Bruce Davidson, William Eggleston, Alex Webb and Roy DeCarava, Banhazl continues. In movies, John Cassavetes, Spike Lee, Robert Altman and Wim Wenders were big for us.
Both cinematographers found inspiration in period photographic styles. I tend to use stills for references, Malaimare says, but I also got a lot of ideas from broadcast games of the era. Also, the opening of Any Given Sunday was a strong reference for capturing certain basketball games.
Banhazl adds, We also took cues from all the actual footage that exists of the Lakers in this time period, as well as the dominant advertising looks of the time to attempt to redefine images of the bought and sold American dream.
Embracing the early 1980s aesthetic, the cinematographers primarily shot on 35mm film and mixed in Super 16mm, Super 8mm, and even vintage video. We always knew the show wanted to be shot on film because it would be jumping between real archival footage from the period and our narrative footage, Banhazl explains. It felt like using the actual formats would be the most effective and most joyful way to play within those styles and aesthetics.
Asked about shooting the series on film, Malaimare offers, There is a certain approach that I love. You keep the camera rolling only when it's really necessary. There is a different level of respect that a film camera demands. The HD video tap of the [Panavision Millennium] XL2 cameras definitely made things easier.
Malaimare credits the decisions that Banhazl and director Adam McKay made with the pilot episode for setting the tone of the subsequent episodes. Adam and Todd established the look in the pilot, and it made total sense, Malaimare says. There were moments where it would've been easier for certain scenes to use a smaller digital camera, but I'm glad we resisted that temptation as much as possible.
Mihai is a brilliant artist and a dear friend, so collaboration was easy, expresses Banhazl. We spoke about the visual bible I had created after the pilot, and from there we started trading inspirations and visual references. Each episode demands its own visual flourishes as we jump through different moments in American cultural memory, and Mihai was the perfect collaborator who brought his own ideas and taste to the project while maintaining the overall rather nontraditional style.
Regarding the cinematographers' choice of optics, Malaimare notes, I'm such a Panavision guy. I love the variety of the lenses and the amazing support we get there. I'm usually attracted to old lenses, but we were doing so much to the film pushing one stop, adding even more grain and gate weave in post we realized the perfection and consistency of Primo lenses would help us. We did extensive camera tests, trying a variety of old and modern lenses, but we landed on Primo primes in the end.
We wanted the image to feel like our collective memory of all our favorite movies of the 70s and 80s mixed with a documentary edge, concludes Banhazl. I originally thought we were going to go with much older vintage glass, but by the time we had done everything photochemically and digitally to our film negative, the image was so degraded that the tried-and-true Primos ended up providing the perfect balance of clean, beautiful contrast mixed with the grainy, softer film look.
Images courtesy of the filmmakers and HBO.
Watch Todd Banhazl and Mihai Malaimare Jr. discuss their work on Winning Time here: In Conversation
Read our Season 2 coverage here: Winning Depth and Worthy Company
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
29/07/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({...
29/07/2026
Streaming Hits 48.6% of Total TV Usage in May
YouTube Leads in Media Distributo...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Industry veteran joins Amagi to drive growth in Europe's leading broadcast market and advance cloud-native broadcast, FAST, and AI-driven operations.
LONDO...
29/07/2026
Work is ongoing to specify how to run RIST over WebTransport. This will deliver secure, stable, broadcast quality video playback and origination to any platform...
29/07/2026
Offline Files Makes the Drive Shelf Searchable on Mac
Brie Clayton July 29, 2026
0 Comments
A local Mac app for finding files, photos, and footage acr...
29/07/2026
Blackmagic Design Announces New UltraStudio Mini 12G
Brie Clayton July 29, 2026
0 Comments
New extremely portable Thunderbolt 4 capture and playback ...
29/07/2026
Brightline Lighting, a premier manufacturer of energy-efficient lighting systems for broadcast, videoconferencing, government, education and corporate applicati...
29/07/2026
Applications open for IFFI/WAVES Film Bazaar in Goa - Producer Delegation 28 July 2026
Image credit: Four Years Later
Screen Australia has opened applications...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/07/2026
Foundry today announced that Academy Award-winning creative studio DNEG has implemented Hiero to support its editorial workflows. Part of the Nuke product famil...
29/07/2026
The Latest Addition to the Brand's StudioPro Ecosystem Combines Simple Deployment, Cloud Control and Professional Grade Wireless Reliability
QuickLink, a l...
29/07/2026
The Secret Master Adjustment Layer Hack in After Effects
Graham Quince July 28, 2026
0 Comments
Trish Meyer (who literally beta-tested the original Af...
29/07/2026
Post Completed with Blackmagic Cloud for Shane Kosugi's Feature Film SEEK
Brie Clayton July 28, 2026
0 Comments
Cannes Indie International Film Fe...
29/07/2026
Isabeau Miller Named Chair of Berklee Songwriting Department The Berklee alumna, who previously served on the Songwriting faculty, will begin her new role on ...
29/07/2026
RT launches Unsolved, a true crime podcast, presented by crime journalist Barry Cummins and presenter Katja Mia.
Unsolved is a weekly podcast exploring unsol...
28/07/2026
LiveU, the pioneer in IP-video transmission and cloud-based remote production, today detailed its historic performance records set during the 2026 FIFA World Cu...
28/07/2026
The NFL franchise rebuilt their off-site content operation for an era when teams...
28/07/2026
Longtime partners expand viewer choice, data-driven analysis, access, immersive ...
28/07/2026
There is a unique moment before every major production. The audience never sees it.
The cameras are ready. The talent is preparing. Directors review the final...
28/07/2026
The CW Network and ESPN have announced their highly anticipated streaming agreement to bring CW Sports' live events to the ESPN App will officially launch o...
28/07/2026
As more than tens of thousands of spectators filled Paris' Champ de Mars and...
28/07/2026
Appear's X Platform played a central role in Chile's first large-scale c...
28/07/2026
Responding to the broadcast industry's shift to embrace more flexible production platforms, Solid State Logic (SSL) is evolving its comprehensive System T p...
28/07/2026
Production leverages innovative camera technologies, AI, and data to capture the action in four-week inaugural competition
The first-ever professional dunking ...
28/07/2026
Prime Video to exclusively broadcast Wednesday night national NHL regular-season games in Canada...
28/07/2026
Every match will stream live on Paramount+ beginning in February,...
28/07/2026
Baxandall-inspired hardware EQ overhauled
TK Audio's Baxandall-inspired hardware EQ unit has just made a return, bringing the popular unit back into the...
28/07/2026
D700 system gains new live-focused rackmount surface
Asparion have just announced an expansion of their D700 control surface range, introducing a new model ...
28/07/2026
27 July 2026, Johannesburg - The National Film and Video Foundation (NFVF), an a...
28/07/2026
Ad Intel AI is Nielsen's first in a new generation of AI products built to t...
28/07/2026
Contribution to Europe's technological autonomy in the key industry telecommunications
aconnic AG (ISIN: DE000A0LBKW6), Munich, starts commercial shipments...
28/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/07/2026
Encompass Digital Media has been selected by Channel 4, one of the UK's public service broadcasters, to deliver managed linear playout services as part of a...
28/07/2026
Cinegy GmbH, the premier provider of software-defined television technology, has confirmed a new partnership with leading Korean systems integrator and distribu...
28/07/2026
Limecraft today announces version 2026.5 of its AI-powered production platform. Limecraft 2026.5 https://(www.limecraft.com/limecraft-2026-5-multicam-quad-view-...
28/07/2026
X Platform technology enabled a premium UHD viewing experience through a hybrid ground-to-cloud architecture developed with Chilevisi n, ClaroVTR and Pixop
App...
28/07/2026
LiveU, the pioneer in IP-video transmission and cloud-based remote production, today announced it has set historic performance records during the 2026 World Foo...
28/07/2026
dhd.audio announces that its latest generation firmware, Version 10.4, is now available to DHD customers. Version 10.4 introduces expanded configuration capabil...
28/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...