
Interview: Appear CTO Andy Rayner on R&D, security and future growth By Jo Ruddock
Wednesday, July 10, 2024 - 13:59
Print This Story
As Appear celebrates its 20th anniversary, CTO Andy Rayner speaks to Jo Ruddock about the company's R&D priorities, the importance of security and where future growth opportunities may lie.
What trends are you currently seeing when it comes to media processing and content delivery solutions?
Basically, what I call location agnostic or distributed production is really coming of age. That's where the people resources, the equipment resources, don't need to be co-located with where the acquisition event is happening. That's transformational from a workflow perspective for content creators, because it means they can make better use of their people, make better use of their equipment and of all their data facilities, so it's actually a genuine cost saving workflow and enables them to use their talent over more events.
But to do that you need a massive amount of connectivity infrastructure. So, as an example, when you're doing what in the US they call REMIs, where you're actually pulling back every individual video feed from an event, every individual microphone, that's creating more and more demand for connectivity infrastructure to facilitate that.
What we're finding the sweet spot with what we've done, which I think is quite fortuitous for Appear, is that we have an unbelievably high density, low power and small size footprint for that connectivity interfacing that we provide in our platform. And, as people want to do these massive numbers of backhaul, we're in a very sweet spot for that, which gives lots of cost savings, but also from an environmental perspective, it gives massive power and space savings as well.
I think the other trend that goes alongside that in live production, which is a real transformation in the last couple of years, is using public internet connectivity on live production. That's something that was unheard of, but the reality is that if you use the same bandwidth on a public internet connectivity, it'll possibly cost you 1/100th the cost of renting a private leased line. So, if you can actually do that, that's a massive cost transformation.
So some of the technology toolkit we've got within our platforms in new ARQ technology and ALT technology is instrumental in getting public internet to work to the performance level we need for live production. Public internet connectivity is getting better and better natively in its quality anyway, but that alongside the significant cost saving, and then the ARQ capabilities we have in the platform, that's a great story combined for enablement. And I think it does two things. Firstly, it means that people can produce an n-camera event for less cost. It's also an enabler for lower tier sports where a traditional broadcast would be economically unfeasible to actually run and we're now able to do a live multi camera production, something that was completely unviable previously.
We've seen a number of innovations from Appear in the last few years, not least the X Platform. What would you say are your R&D priorities going forward?
We're continuing to enhance the X Platform, so we're doing things like further increasing the density of the unit. We're also introducing new processing capabilities that are required for UHD HD workflows. We're also just starting on the journey of developing some complementary software tools to complement the X Platform. So the X Platform will continue to be our flagship product, but we're now developing a suite of software tools, which are actually going to complement that and allow us to increase our share of the production workflow.
On the density increase we've also just released a 100G interface, significantly upping the bandwidth and that provides even higher levels of aggregation.
What about sustainability is this something your customers are focused on and how can Appear help them on their sustainability journey?
I think there's a limit here on what content producers are being mandated to do, depending on where they are in the world. In Europe, including the UK to a large degree, there is quite a good level of what I will call obligation due to state legislation. I have to say that's not consistent across all parts of the globe. But more and more, we're finding that customers are ending up with contractual obligations on their providers, their suppliers, to be more compliant to sustainability agendas.
And I think the way we've architected our offering actually plays into that spectrum really well because we're focused on lowering power consumption and maximising density. We are right in a very sweet spot and with the product family to actually help our customers meet that need. The other thing is, especially for events based, I mentioned that we're starting to move towards some software infrastructure. While running production capability on compute is not the most power efficient way of doing it, the fact that for events you run on compute, you only spin it up for the period of time when the event's actually running, that's a massive saving and therefore a more sustainable approach.
You're involved with a number of standards bodies. How is that landscape looking when it comes to standardisation in live production?
I think in what I would the call traditional live production world, when we're talking about appliances and equipment on the ground, I think those standards, the 2110 suite and all of the peripheral standards around those, are maturing really well.
I think the place where standards are still needed significantly is in compute because that's relatively immature. There are no what I call proper ope
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
12/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/02/2026
TIME100 Health list features Scripps Research Professor Darrell Irvine Irvine is recognized for his work in empowering the immune system to fight disease, which...
11/02/2026
FYI: Phone Support Maintenance One thing we pride ourselves on here at Utah Scientific is our 24-hour support included with our signature 10-year hardware warra...
11/02/2026
Leading provider of video streaming solutions, Bitmovin, has appointed Ian Baglow as Co-CEO alongside existing CEO and Co-Founder Stefan Lederer. Under this str...
11/02/2026
Paramount and the CBS Television Network will partner to air UFC 326: HOLLOWAY vs. OLIVEIRA 2 live on Saturday, March 7, from T-Mobile Arena in Las Vegas, mar...
11/02/2026
Beginning February 10, fans can buy MLB.TV on ESPN, a new milestone in one of sports media's longest-standing partnerships. ESPN becomes the new streaming h...
11/02/2026
Fubo Sports Network is available to Hulu's Live TV subscribers in the core $89.99 a month subscription plan, which also includes full access to the entire H...
11/02/2026
Following a competitive public tender process, Rai (Radiotelevisione Italiana), the national public broadcasting company of Italy, has awarded Imagine Communica...
11/02/2026
Major League Baseball is making in-market streaming subscriptions for 20 Clubs available today for fans. Subscriptions for the following Clubs are available vi...
11/02/2026
Building on successful demonstrations during the Paris Olympics 2024, Italian public service broadcaster Rai and the European Broadcasting Union (EBU) are condu...
11/02/2026
Following Sunday's Super Bowl LX, ESPN and Disney unveiled We're Going,...
11/02/2026
Delayed streams are a growing source of frustration for sports fans. During the 2026 Super Bowl, some streams lagged up to 62 seconds behind the action on the f...
11/02/2026
NASCAR and FloSports announces an expanded slate of racing events that will bring FloRacing coverage live throughout the 2026 season to the NASCAR Channel, furt...
11/02/2026
Manifold technologies GmbH announces the appointment of Nick Tucker as Sales Manager for Europe, reinforcing the company's continued growth across broadcast...
11/02/2026
Genies, the AI avatar technology company powering the next era of interactive digital identity, entered into a landmark collaboration with MLB Players, Inc., th...
11/02/2026
The International Cricket Council (ICC) and Google have joined forces for an AI-...
11/02/2026
Dolby's CEO Kevin Yeaman and Giles Baker, SVP of Dolby Cloud Solutions, shared how the brand's latest innovations - Dolby Vision, Dolby Atmos, and Dolby...
11/02/2026
Ilitch Sports + Entertainment has entered a first of its kind partnership with Major League Baseball, which will provide broadcast support to both the Detroit T...
11/02/2026
For major U.S. events like Super Bowl 2026, FIFA World Cup, America 250, and the...
11/02/2026
Broadcasts of the NHL's Detroit Red Wings will also be produced by the leagu...
11/02/2026
Video moves fast can your DAM keep up?
Join Blue Lucy in LA for the West Coast's leading Digital Asset Management event as we explore, celebrate, and acc...
11/02/2026
NEW YORK - February 10, 2026 - An estimated 124.9 million viewers watched Super Bowl LX on Sunday, February 8, according to Nielsen's Big Data Panel measu...
11/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/02/2026
Clear-Com provided an advanced, IP-based communications infrastructure for TEDNext 2025, supporting production, media, and editorial teams with a highly flexib...
11/02/2026
Astera introduces QuikBeam, the newest addition to its acclaimed Quik family of focusing LED Fresnels. This ultra-compact spotlight combines the equivalent powe...
11/02/2026
Following a competitive public tender process, Rai (Radiotelevisione Italiana), the national public broadcasting company of Italy, has awarded Imagine Communica...
11/02/2026
With Convertible Mount for NL Bowens & Aputure A Mounts See it at BSC Expo Stand #133 LCA
DoPchoice continues to refine light shaping tools for professional LE...
11/02/2026
World Premiere at BSC Expo, Booth #319 Oberkochen/Germany, 10 February 2026
ZEISS introduces the new Aatma, set of nine high-end full frame T1.5 cinema primes ...
11/02/2026
As Re-recording Mixer and Head of Sound at The Farm, one of UK's leading post-production facilities, Nick Fry has built his career on making stories sound a...
11/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/02/2026
Graduate Spotlight: Gabrielle Rodriguez The educator, who grew up in the Philippines, shares how shes bringing what she learned at Berklee back home.
Februar...
11/02/2026
Wednesday 11 February 2026
Sky brings together Netflix, Disney , HBO Max and Ha...
11/02/2026
Back to All News
Netflix Confirms Production of Love O'Clock' From the...
11/02/2026
Back to All News
Investing in Belgian Stories: A Commitment to Culture and Choice
From left to right: Undercover, Ang le, Rough Diamonds, Into the Night, John...
11/02/2026
At the end of January, ICG headed off to the Portuguese capital, Lisbon, for our annual conference.
An early flight gave us plenty of time to start exploring s...
11/02/2026
ABS Strengthens Ku-Band Capacity and Expands Regional Reach Through Strategic Pa...