
Interview: Appear CTO Andy Rayner on R&D, security and future growth By Jo Ruddock
Wednesday, July 10, 2024 - 13:59
Print This Story
As Appear celebrates its 20th anniversary, CTO Andy Rayner speaks to Jo Ruddock about the company's R&D priorities, the importance of security and where future growth opportunities may lie.
What trends are you currently seeing when it comes to media processing and content delivery solutions?
Basically, what I call location agnostic or distributed production is really coming of age. That's where the people resources, the equipment resources, don't need to be co-located with where the acquisition event is happening. That's transformational from a workflow perspective for content creators, because it means they can make better use of their people, make better use of their equipment and of all their data facilities, so it's actually a genuine cost saving workflow and enables them to use their talent over more events.
But to do that you need a massive amount of connectivity infrastructure. So, as an example, when you're doing what in the US they call REMIs, where you're actually pulling back every individual video feed from an event, every individual microphone, that's creating more and more demand for connectivity infrastructure to facilitate that.
What we're finding the sweet spot with what we've done, which I think is quite fortuitous for Appear, is that we have an unbelievably high density, low power and small size footprint for that connectivity interfacing that we provide in our platform. And, as people want to do these massive numbers of backhaul, we're in a very sweet spot for that, which gives lots of cost savings, but also from an environmental perspective, it gives massive power and space savings as well.
I think the other trend that goes alongside that in live production, which is a real transformation in the last couple of years, is using public internet connectivity on live production. That's something that was unheard of, but the reality is that if you use the same bandwidth on a public internet connectivity, it'll possibly cost you 1/100th the cost of renting a private leased line. So, if you can actually do that, that's a massive cost transformation.
So some of the technology toolkit we've got within our platforms in new ARQ technology and ALT technology is instrumental in getting public internet to work to the performance level we need for live production. Public internet connectivity is getting better and better natively in its quality anyway, but that alongside the significant cost saving, and then the ARQ capabilities we have in the platform, that's a great story combined for enablement. And I think it does two things. Firstly, it means that people can produce an n-camera event for less cost. It's also an enabler for lower tier sports where a traditional broadcast would be economically unfeasible to actually run and we're now able to do a live multi camera production, something that was completely unviable previously.
We've seen a number of innovations from Appear in the last few years, not least the X Platform. What would you say are your R&D priorities going forward?
We're continuing to enhance the X Platform, so we're doing things like further increasing the density of the unit. We're also introducing new processing capabilities that are required for UHD HD workflows. We're also just starting on the journey of developing some complementary software tools to complement the X Platform. So the X Platform will continue to be our flagship product, but we're now developing a suite of software tools, which are actually going to complement that and allow us to increase our share of the production workflow.
On the density increase we've also just released a 100G interface, significantly upping the bandwidth and that provides even higher levels of aggregation.
What about sustainability is this something your customers are focused on and how can Appear help them on their sustainability journey?
I think there's a limit here on what content producers are being mandated to do, depending on where they are in the world. In Europe, including the UK to a large degree, there is quite a good level of what I will call obligation due to state legislation. I have to say that's not consistent across all parts of the globe. But more and more, we're finding that customers are ending up with contractual obligations on their providers, their suppliers, to be more compliant to sustainability agendas.
And I think the way we've architected our offering actually plays into that spectrum really well because we're focused on lowering power consumption and maximising density. We are right in a very sweet spot and with the product family to actually help our customers meet that need. The other thing is, especially for events based, I mentioned that we're starting to move towards some software infrastructure. While running production capability on compute is not the most power efficient way of doing it, the fact that for events you run on compute, you only spin it up for the period of time when the event's actually running, that's a massive saving and therefore a more sustainable approach.
You're involved with a number of standards bodies. How is that landscape looking when it comes to standardisation in live production?
I think in what I would the call traditional live production world, when we're talking about appliances and equipment on the ground, I think those standards, the 2110 suite and all of the peripheral standards around those, are maturing really well.
I think the place where standards are still needed significantly is in compute because that's relatively immature. There are no what I call proper ope
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
23/03/2026
Pro8mm, the Super 8 experts, provided cameras, Super 8 movie film, and scanning services for Bruno Mars' Risk It All music video. The debut single from Br...
23/03/2026
Matthews, introduces their first aluminum grid clamp collection, engineered for the rigging needs of film, television and live production. Combining light weigh...
23/03/2026
RT is sad today to learn of the death of legendary RT Sport broadcaster Michael Lyster, who died this morning aged 71 years.
Kevin Bakhurst, Director-General...
23/03/2026
RT Documentary On One has scooped its first ever dedicated music award. At the 2026 Icelandic Music Awards, composer lfur Eldj rn won Release of the Year in t...
23/03/2026
Inside Sport, Liveline, Morning Ireland and 2FM DRIVE will all be in Prague to bring fans to the heart of the action
Every Moment, Every Generation
RT | FIFA...
22/03/2026
Free updates now available
VSL have just released some free updates that add some existing features to a selection of libraries in their expansive Synchron ...
21/03/2026
Presented to War Child UK's HELP(2) project
The MPG (Music Producers Guild) have announced the launch of the MPG Impact Award, a brand-new honour that w...
21/03/2026
Microtuning support for Arabic, Persian & Turkish scales
The latest release from Best Service brings together a selection of string, wind and percussion ins...
21/03/2026
New campaign from NAATI and SBS CulturalConnect highlights how we all deserve t...
21/03/2026
Statement regarding Rhoda Roberts AO
21 March, 2026
Media releases
SBS is deeply saddened by the passing of Widjabul Wieybal woman from the Bundjalung Na...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Cine Gear Connect NY, presented by Universal Production Services, is filling in the slate for a full day of panels, peers, learning the latest, and mixing it up...
21/03/2026
Studio Technologies Debuts New StudioComm System at NAB 2026
Brie Clayton March 20, 2026
0 Comments
StudioComm Model 794 Central Controller and Model ...
21/03/2026
Restoration Christian Fellowship Captures Worship Music Videos with PYXIS 12K
Brie Clayton March 20, 2026
0 Comments
PYXIS' open gate provides cre...
20/03/2026
Net Insight will introduce a JPEG XS solution for full IP environments at NAB Sh...
20/03/2026
LTN has expanded its technology partnership with Harmonic ahead of the FCC's...
20/03/2026
Solid State Logic will preview SSL Live V6.2 at NAB Show, booth C6907. The softw...
20/03/2026
FUJIFILM North America Corporation's Optical Devices Division has announced ...
20/03/2026
FUJIFILM North America Corporation's Optical Devices Division has announced ...
20/03/2026
TrueVisions NOW, a streaming platform in Thailand and part of the TrueVisions Group, has selected Bitmovin's Observability product for real-time video analy...
20/03/2026
Marquee Sports Network has announced distribution agreements with Hulu + Live TV and Prime Video ahead of the 2026 MLB season.
Marquee Sports Network is now av...
20/03/2026
FOR-A will exhibit software-defined and AI-driven solutions at NAB Show 2026, bo...
20/03/2026
TNA Wrestling and Eurosport India have entered into a multi-year exclusive progr...
20/03/2026
When Athletes Unlimited brought its professional women's basketball season t...
20/03/2026
In this craft interview, Rick Bernier reflects on a career that has taken him to...
20/03/2026
Lawo will announce a new product ahead of NAB Show 2026 in Las Vegas, where it w...
20/03/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
20/03/2026
Major League Baseball (MLB) has named Polymarket as its Official Prediction Mark...
20/03/2026
With AI now the industry-wide priority, Big Tech companies are uniquely position...
20/03/2026
In-venue and creative video staffers at the professional and collegiate level ha...
20/03/2026
Abundant player mics and RF and other ground-level cameras will be used to captu...
20/03/2026
Regional sites also will receive big boost in production resources, including on...
20/03/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
20/03/2026
In 2021, we launched EQUAL, a program designed to address an industry reality that persists: Women artists, songwriters, and producers too often face fewer oppo...
20/03/2026
BTS' long-awaited fifth studio album, ARIRANG, is finally here. To celebrate...
20/03/2026
A new era for Kenia Os has arrived, and Spotify marked the moment by putting fan...
20/03/2026
Una nueva era para Kenia Os ha llegado, y Spotify marc el momento poniendo a lo...
20/03/2026
Combines sampling & physical modelling
Sound Magic have announced the launch of a comprehensive virtual drum instrument that's been designed to cater to...
20/03/2026
How much difference should mastering make?
In our latest Mix Rescue feature, SOS Editor in Chief Sam Inglis revisits a project from back in 2019, carrying o...
20/03/2026
Feast for cycling fans as SBS extends road cycling broadcasts to include all Gra...