
The Australian Screen Industry Group (ASIG), consisting of all the guilds, unions and associations that represent over 10,000 Australian filmmakers, are angered by the recent cut to Screen Australia by the Turnbull Government. We are particularly alarmed at the use of funds to supplement the tax offset for overseas productions. This is a worrying precedent and continues to provide the local and international screen community with uncertainty about the governments approach to the screen industry. The ASIG calls on the Turnbull Government to outline an effective and innovative policy for the screen industry rather than making policy on the run.
Australian Directors Guild (ADG) President Samantha Lang said If the Turnbull government is serious about its innovation agenda it should wholly support the key creative industries in this country referring to the use of money from the Screen Australia budget to top up the location offset for several international productions shooting in Australia. We must have a coherent and forward thinking arts policy rather than an ad hoc approach , she said.
The Australian Cinematographers Society strongly believes that Government of any persuasion, but in particular on this occasion the Turnbull Government, must remove it's head from the sand and support Screen Australia 110% and not ignore the great and future potential of the Australian Film and Television industry.
Recent international accolades for Mad Max: Fury Road and The Dressmaker, along with many others are surely proof enough that our home grown industry talent, on both sides of the camera, is worthy of Federal support.
Surely as a responsible Government you do not wish to lose home grown productions and talent, to an overseas film and television industry. Ron Johanson OAM ACS President of the Australian Cinematographers Society.
For the third time in 18 months there has been a funding cut to Screen Australia. This efficiency dividend comes after almost $4 million was cut over the forward estimates earlier this year, on top of $38 million the year before. In the five years to 2018-19 this will total more than $50 million in combined cuts across budgets. This hacking at the base of Screen Australia through isolated cuts is damaging to the industry, said Mr Matthew Deaner, CEO of Screen Producers Australia.
Disappointingly, the cut comes a week after the Prime Ministers launch of the Innovation and Science Agenda where the screen industry's contribution to innovation was recognised with a commitment to reviewing the Location Offset designed to attract major motion pictures to be produced in Australia and provide jobs in our creative industries'.
While recent successes at the Australian box office shows we can match it with Hollywood when it comes to bums on seats, the mega-dollar budgets, marketing campaigns and major stars Hollywood employs to infiltrate every corner of the globe always means the odds are heavily stacked against Australian writers, producers and directors to tell the kind of stories that are meaningful to us as a nation. The Turnbull government's decision to make tens of millions of dollars available to US franchises effectively, while cutting support for our own storytellers is budget balancing gone mad, said Jan Sardi, President. Australian Writers Guild.
Paul Murphy Director of the Media Entertainment and Arts Alliance was also shocked by the cuts.
Taking money out of Screen Australia will directly impact on domestic production. While we welcome any government support for foreign productions that create jobs for Australian-based performers and crew, it should not be at the expense of the local industry. Financial incentives for foreign productions need to be treated as part of a holistic approach rather than as one-offs which transfer funding from one area to another, with a review of the location offset critical to attract major motion pictures to be produced in Australia and provide jobs in our creative industries, he said
ASIG have been working over the past several months since the call from the Prime Minister for an innovation agenda on a comprehensive screen policy that looks to secure the future for the Australian screen industry. We call on the current Turnbull Government to honour their pledge to support innovation and invest in our most valuable resource - talented filmmakers.
The Australian Screen Industry Group consists of:
Australian Directors Guild (ADG), Australian Writers Guild (AWG), Australian Cinematographers Society (ACS), Australian Production Designers Guild (APDG), Australian Guild of Screen Composers (AGSC), Australian Screen Editors (ASE), Australian Screen Sound Guild (ASSG), Women in Film and Television (WIFT), Visual Effects Society (VES), Media Entertainment and Arts Alliance (MEAA) and Screen Producers Australia (SPA).
Media enquiries and interviews:
Tracey Mair, TM Publicity
Ph: 02 8333 9066 or 0419 221 493
Download the release.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Export FCP7 to XML Without Needing FCP7 Installed
Dave Rice July 24, 2026
0 Comments
I've created an open source tool that allows you to export FC...
25/07/2026
Documentary Sell Your House Edited with DaVinci Resolve Studio
Brie Clayton July 24, 2026
0 Comments
Filmmakers post feature documentary from opposite...
25/07/2026
Time to Act: Bringing a New Opera to Life Boston Conservatory at Berklee vocal arts students played a vital role in shaping the opera's creative developme...
25/07/2026
Beyond the Score For Dean of Music Kevin Haden, the boundless possibilities of classical music begin with process.
July 24, 2026
By
Kevin Haden
Michelle ...
25/07/2026
Reading the Room As music director of two major orchestras, conductor Jonathon Heyward aims to make the concert hall a space for everyone.
July 24, 2026
By
...
24/07/2026
Referee hat cameras, player/coach mics, and virtual graphics will be deployed at the three-day event for the first time
The NFL FLAG Championships return to ES...
24/07/2026
Qvest, Ateme, and Scaleway have partnered to offer broadcasters, media organizat...
24/07/2026
LTN has completed satellite-to-IP migrations for more than 3,000 broadcaster, MVPD (Multi-Channel Video Programming Distributor), head-end, and content owner si...
24/07/2026
Chyron has released Virtual Placement 8.1, an update to its live sports virtual graphics platform. The release adds workflow and graphics changes across chroma ...
24/07/2026
Riedel's RefCam Live was used for the first time at an international soccer match during a friendly between the German men's national team and Ghana in ...
24/07/2026
USSI Global said it is prepared to help broadcasters, satellite network operators, and media organizations manage the next phase of C-band spectrum clearing, fo...
24/07/2026
FuboTV and The Athletic have launched The Athletic Video Hub on Fubo, bringing The Athletic's sports video content to connected TV (CTV) for the first time....
24/07/2026
Tagboard and Momento have partnered to bring Momento's fan reaction photos to venue videoboards in real time following big plays. The Seattle Mariners will ...
24/07/2026
Stephen Arnold Music (SAM) created an anthem called The World Is Here for Fox ...
24/07/2026
Caz TV has acquired Brazilian broadcast rights to the entire WTA Tour driven by Mercedes-Benz, covering all WTA 250, WTA 500, and WTA 1000 tournaments. The agre...
24/07/2026
SiriusXM and WWE have launched WWE Radio on SiriusXM channel 156, beginning Monday, July 27. The channel will carry live audio of WWE Premium Live Events, audio...
24/07/2026
Harvard Athletics produces more than 325 live NCAA Division 1 sports events and 500 edited videos per year. To manage video capture, streaming, recording, and s...
24/07/2026
Chyron's PRIME 5 graphics platform supported live graphics workflows for NBCUniversal Telemundo's FIFA World Cup 2026 coverage across Telemundo, Univers...
24/07/2026
Wearable tech returns to the coverage, and a brand-new mobile unit is rolled out for the 2026 edition
The 21-stage Tour de France is nearing its conclusion. Th...
24/07/2026
More than 20 cameras, extensive player and coach audio, and a REMCO production model will power coverage of the league's showcase
For an event designed to ...
24/07/2026
New broadcast tool uses live timing, telemetry, and predictive analysis to decode real-time team decision-making for fans at home...
24/07/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/07/2026
First string library captured at Studio Richter Mahr
The latest sample library to be created at Max Richter's Studio Richter Mahr facility captures the ...
24/07/2026
Official emulation of Blackbird Studios reverb chamber
In their latest collaboration with Blackbird Studios, KIT Plugins have captured the sound of the Stud...
24/07/2026
Sohonet's partners at BIND Studio have published a great case study on the V...
24/07/2026
Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...
24/07/2026
Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...
24/07/2026
iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...
24/07/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates
LYNDONVILLE, N.Y. July 23,...
24/07/2026
At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...
24/07/2026
Sonnet Technologies at IBC2026
Brie Clayton July 23, 2026
0 Comments
Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter
At this year's IBC Sho...
24/07/2026
Musora Enhances Online Music Lessons with Blackmagic Design
Brie Clayton July 23, 2026
0 Comments
Director of Production Josh Holliday details workflo...
24/07/2026
Interview with Production 360. Original article published here
The theme of thi...
24/07/2026
Article courtesy of postPerspective
Read the article
While Toy Story 5 maintai...
24/07/2026
Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...
23/07/2026
Staines-upon-Thames, UK, 23rd, JULY, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisem...