
The EBUs Ievgen Kostiukevych talks to TVBEurope about its upcoming proof of concept aiming to push the boundaries of remote production in the cloud
By Jenny Priestley
Published: January 20, 2021
The EBU's Ievgen Kostiukevych talks to TVBEurope about its upcoming proof of concept aiming to push the boundaries of remote production in the cloud
target=_blank title=Share on LinkedIn class=share-linkedin> The EBU's Ievgen Kostiukevych talks to TVBEurope about its upcoming proof of concept aiming to push the boundaries of remote production in the cloud
https://www.tvbeurope.com/live-production/exclusive-ebu-to-test-cloud-based-live-remote-production title=Share via Email class=share-email>
The European Broadcasting Union is joining forces with a number of its members, technology vendors, and Eurovision Services on a project to test live remote production in the cloud.
The goal of the proof of concept is to push the boundaries and provide learnings to EBU members about what is currently possible in the cloud, and what challenges the broadcast industry is likely to face. It will take place during a biathlon event with Finnish broadcaster YLE and Italy's national broadcaster RAI producing the event fully in the cloud and just one engineer on site.
The biathlon event will be the first of a two-part proof of concept, with the first part ensuring the basic level of connectivity works. The second part will elaborate more on the editorial approach, as the EBU's Ievgen Kostiukevych tells TVBEurope: With the second phase, we'll be looking at extra enrichment of the content, what sort of quality we can achieve, what sort of additional content we can produce, can we implement some innovative camera technologies for example.
The PoC will not make it to air as the EBU and its collaborators do not want to jeopardise the main event broadcast. We expect that this will be the way to produce live sports in the future, but at the moment we are taking a cautious approach, explains Kostiukevych. It's also the reason we're testing in two phases, if something happens during phase one we can quickly change things for phase two.
We're aiming for the second phase to take place within six weeks of the first. Ideally we would like to continue working with the biathlon events and see how we can extend the editorial approach. But it depends on the availability of the events, especially with the lockdowns going on across Europe at the moment.
What impact does Kostiukevych think the PoC will have on cloud production going forward? Cloud is inevitable for everything and for everyone. It's a matter of time, he states. Cloud is here to stay and companies like Google, Azure and AWS are not going anywhere anytime soon. So, one way or another every single broadcaster will see themselves operating in the cloud.
While the first part of the PoC is taking place this week, and results won't be available for a while, it may come up as a topic of discussion during the EBU's Production Technology Seminar, an annual conference being held online 26-28th January this year. It will include a cloud super session with AWS, Azure, Google and Nvidia all taking part. It'll give us the opportunity to ask about the state of the industry and what sort of unified approach we can take, explains Kostiukevych. Some of the biggest questions we hear from our members are around a multi-cloud approach, so what happens if they invest in one cloud vendor and this vendor makes an unexpected change? How can they be agile in their business models to lift and shift and deploy immediately somewhere else?
Another key session during the PTS will be on standards for cloud production, hosted by SMPTE's Bruce Devlin, a subject that Kostiukevych says is important to EBU members: The one word that has come out of our discussions is standards. What can and should be standardised? What sort of standardised approach can we take? Can we speed up the creation of a unified media platform or unified media layer that can serve us for broadcasting applications?
Broadcasting, and especially sports broadcast, is different from a Netflix-type VoD use-case, it's live and we're talking about strict SLAs, very tight latencies, very accurate synchronisation, and that still needs to be answered by a lot of cloud based solutions. So we can ask Bruce Devlin for his view on the standardisation of cloud solutions for live production.
The EBU's Production Technology Seminar is open to anyone, and free to EBU members. More details are available here.
SubscribeFor more stories like this, and to keep up to date with all our market leading news, features and analysis, sign up to our newsletter here.
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
13/04/2026
ToolsOnAir Composition Builder 2026 Boilerplate
More Details: The Composition Builder 2026 application for macOS enables TV stations and Live Event broadcast...
13/04/2026
ToolsOnAr just:live pro 2026 Boilerplate
More Details: just:live pro 2026 is a Multi-Channel Live Production Playout solution for video and static or real-ti...
13/04/2026
ToolsOnAr just:play pro 2026 Boilerplate
More Details: just:play pro 2026 is a Multi-Channel automated 24/7 Master Control playout solution with SD, HD and U...
13/04/2026
ToolsOnAr live:cut 2026 Boilerplate
More Details: live:cut is an option to just:in mac pro 2025 and enables multicamera production workflows for up to 16 cam...
13/04/2026
ToolsOnAir Just In Mac Lite NDI 2026 Boilerplate
More Details: The Just In Mac Lite NDI application is a streamlined media capture solution designed specific...
13/04/2026
ToolsOnAir Just In Mac Lite 2026 Boilerplate
More Details: The Just In Mac Lite application is a streamlined media capture solution designed specifically for...
13/04/2026
ToolsOnAir just:in mac pro 2026 Boilerplate
More Details: just:in mac pro is a macOS-based client-server multichannel capture solution to record SDI, HDMI, N...
13/04/2026
Intuitive EQ plug-in gets an upgrade
Following its official launch back in February 2026, Musik Hack's intuitive EQ plug-in has been treated to its firs...
13/04/2026
Flagship soft synth collection expanded
The latest version of UVI's flagship vintage-inspired soft synth collection has just arrived, expanding the suit...
13/04/2026
Free version of innovative string library arrives
Released in October 2025, Lux Orchestral Strings was said to be Sonuscore's most ambitious library to ...
13/04/2026
The Girls' Research Camp is part of the Technology - Future in Bavaria edu...
13/04/2026
Rohde & Schwarz transforms submarine communications for real time underwater dom...
13/04/2026
Rohde & Schwarz enables Pulsar signal simulation to support next-generation navi...
13/04/2026
Monday 13 April 2026
Global environmental action NGO WRAP brings recycling to l...
13/04/2026
J nger Audio has joined the EBU ADM Implementers Group (ADM-IG) as a founding me...
13/04/2026
FOX Latin America Announces The Launch Of The FOX Channel In Central America And...
13/04/2026
No amps, no safety net The biggest challenge was the music itself. Everything in the film is acoustic and unamplified. The theme itself is kind of hard to expl...
13/04/2026
RT Radio 1 has today launched a significant step in its ongoing strategic evolution. Following the launch of its brand-new schedule late last year, RT Radio 1...
13/04/2026
The Late Late Show Opening Act, the search for Ireland's newest country musi...
13/04/2026
RT has today announced the appointment of Annemarie Britz to the position of Chief Financial Officer, RT following a public competition.
Annemarie Britz is c...
12/04/2026
Headphone system designed for immersive monitoring
With the demand for immersive audio showing no signs of slowing down, lots of companies are turning their...
11/04/2026
Engineer collective welcome Freddy Knop
Infrasonic, an award-winning collective of audio engineers operating out of Nashville and Los Angeles with credits r...
10/04/2026
After launching the Spotify Podcast Awards in Mexico last year, we brought the fan-voted celebration to Paris this week for its first edition in France. Hosted ...
10/04/2026
Powered and unpowered live PA ranges upgraded
Yamaha have just refreshed four of their hugely popular PA speaker ranges, delivering significant improvements...
10/04/2026
Underlying plug-in & VI technology now available to others
UJAM's latest announcement sees the company open up' Gorilla Engine, the development pla...
10/04/2026
What can I watch on UKTV and stream on U this week?
This week on UKTV and the free streaming service U, viewers can watch a range of new and returning programm...
10/04/2026
Five-part Sky Original drama airs nightly on Sky Mix and Sky Atlantic from 20 Ap...
09/04/2026
Staines-upon-Thames, UK, 09, April, 2026 - Yospace, the trusted leader in Dynam...
09/04/2026
just:play pro 2026 and just:live pro 2026 Sneak Preview News for NAB 2026
More Details:At NAB 2026, ToolsOnAir will showcase just:play pro 2026 and just:live p...
09/04/2026
just:in mac pro 2026 - The Next Level of Professional Recording on macOS at NAB ...
09/04/2026
Spotify has always been about putting listeners in the driver's seat. Today, people don't just want more ways to spend their time; they want that time t...
09/04/2026
Our Chief Public Affairs Officer Dustee Jenkins shares how we're building a more positive experience for families on Spotify.
As Spotify's Chief Public...
09/04/2026
Festival season is upon us. From sun-soaked weekends out west to iconic stages in Chicago and New York, fans are getting ready to see their favorite artists liv...
09/04/2026
O Spotify sempre teve como foco colocar os ouvintes no controle. Hoje, as pessoas n o querem apenas mais formas de passar o tempo - elas querem que esse tempo s...
09/04/2026
Read the original note in English here.
Nossa Chief Public Affairs Officer, Dustee Jenkins, compartilha como estamos construindo uma experi ncia mais positiva ...
09/04/2026
New synth focuses on sci-fi scoring
Following their formation and debut releases in December 2025, Smokestack Sounds - the brainchild of composer and produc...
09/04/2026
Latest version set for May 2026 launch
Reason Studios have revealed that the latest version of their DAW software will be launching in May 2026. Currently a...
09/04/2026
New EQ aimed at mix-bus & mastering duties
Shy Audio's first two releases focused on the past, delivering recreations of the budget mixers that were com...
09/04/2026
Based on John Galsworthy's novels known collectively as The Forsyte Saga a...
09/04/2026
The Forsytes has been renewed for a third season before the period drama has even premiered on PBS Masterpiece.
The adaptation of John Galsworthy's novel, ...
09/04/2026
IThe BBC has commissioned new drama The Witch Farm, starring Gabrielle Creevy (T...
09/04/2026
The next big thing To help broadcasters fully embrace dynamic hybrid workflows, Calrec will make a major announcement that unlocks even more freedom for broadca...
09/04/2026
Thursday 9 April 2026
Kick It Out and Sky extend ongoing partnership
Sky Sports and Kick It Out have extended their partnership for another year, as both orga...
09/04/2026
Thursday 9 April 2026
Justice turns deadly at sea as Jason Statham stars in new...