Fox Sports' Season-Long Tech-Innovation Journey Culminates in NFC Championship Game on Sunday

Fox Sports' Season-Long Tech-Innovation Journey Culminates in NFC Championship Game on Sunday Biggest production of the year features six trucks, 200+ crew, 50+ cameras By Jason Dachman, Editorial Director, U.S.

Friday, January 26, 2024 - 3:19 pm

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After producing more than 100 games over a grueling 20 weeks, the Fox Sports operations team ends this season's NFL effort this weekend with the NFC Championship Game. After hosting a divisional game at Levi's Stadium last weekend, Fox stayed put in Santa Clara, CA, while preparing for its biggest show of the year - with a half dozen mobile units, 200+ crew members, and more than 50 cameras.

We do more than 100 games a year and have seven crews on the road each week, says Ted Kenney, director, operations, field and technical, Fox Sports. It's a very long haul. Each week, we get on a call with all the producers and directors, and they let us know how things are working and what new technology they would like to try. It's our job to look into that technology and see how we can give them the best possible [tools] for the job. What we are putting out there this weekend is a culmination of all that hard work week in and week out.

Having delivered the most-watched Saturday NFL Playoff game on record with last weekend's Packers-49ers divisional matchup (averaging 37.5 million viewers), Fox expects plenty of eyeballs on its broadcast this Sunday and is shooting the works when it comes to production technology.

Fox Pulls Out All the Stops With 50-Plus Cameras As has been the case for the broadcaster's A and B games all season, Fox will produce Sunday's game in 1080p HDR (the broadcast will be upconverted to 4K HDR for distribution to participating carriers).

According to Kenney, the 50-camera complement in Santa Clara is on par with its recent NFC Championship production - with a few extra bells and whistles.

Fox Sports compound at Levi's Stadium houses six Game Creek Video trucks for the NFC Championship game.

Four native-4K cameras have been deployed, giving Fox the ability to frame and extract specified HD scenes at any size. A pair of Sony HDC-5500 goal-line robos will capture pristine images of key scoring plays, and two HDC-4800's will be positioned on the rooftop looking down the near sideline (right to left) and at the left high-end-zone slot. These two 4800's are outfitted with a Fujinon SK20x35-ESM 8K PL-mount box lens and Fujinon 20-1000mm 8K zoom lens, respectively.

This offers us more flexibility and range while maximizing the clarity of the image, says Kenney. Our field of view can be much larger in order to extract a clear precise image of the area we would like to extract. The game comes down to inches, and that's what we're able to see with these cameras and lenses.

After first rolling out 8K goalpost cameras (provided by COSM) for the Wild Card and Divisional Round games, Fox is deploying them in both end zones this weekend. This gives the production team a wide field of view to see the entire end zone and extract a specific area during a key play or replay (for example, to see whether a foot was in bounds or a catch was made on a scoring play).

PylonCams are also being provided by COSM for the both the goal line and back line of each end zone. Each PylonCam system contains two cameras: the Dreamchip Atom One Mini Air and the Dreamchip Atom One 4K Mini 7. The Mini Air provides a long throw and narrow field of view to get closer to the players within the line of scrimmage; the 4K Mini 7 provides a 185-degree field of view. Fox can use the wide field of view to pan, tilt, and zoom within the immersive high-resolution capture.

Obviously, the end zone is the most important area on the field, says Kenney. With the goalpost cameras, the PylonCams, and the goal-line robos on top of all our other cameras, we think we are covering that really well.

Fox's arsenal also comprises a whopping 14 high-frame-rate cameras, one wireless Steadicam and one Megalodon shallow-depth-of-field camera roving the field, and an army of robos and POV cameras (in the tunnels, locker rooms, coach cameras, up in the booth).

Fox will be using AR graphics on its Skycam wired aerial system as part of its ongoing push to bring viewers relevant statistics during the game.

On the audio side, A1 Jamie McCombs and his team will implement six parab mics to cover the field audio, and all cameras - including hallway cameras - will be miked. Fox has also deployed extra crowd microphones to capture fan excitement.

For Your Amusement: Fox Makes History With Drone at Nearby Theme Park In addition to the Skycam and a fixed-wing aerial, Fox has received clearance to fly a live drone during its coverage. In the past, a Santa Clara city ordinance prevented Fox from flying a drone during games, but, after several weeks of planning with the NFL, the 49ers, and the Santa Clara Police Department, during the Packers-49ers Divisional game last week, Fox became the first NFL broadcaster to fly a live drone at Levi's Stadium.

As part of the agreement with the city, the drone must stay at least a half mile from the stadium. With that in mind, Fox has opted to fly it over California's Great America Amusement Park, which is just down the street and closed for the season.

It worked out beautifully [last week], says Kenney. You have this theme-park shot with rollercoasters all lit up with different colors in the foreground, and then you move past that to reveal the stadium. I thought they were fabulous shots. We're excited to have [the drone] back this weekend. Plus, it came in handy last week because the cloud coverage was lower than 3,000 [ft.], so our normal aerial shot was grounded - meaning that drone was our only aerial view.

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LINK:	https://www.sportsvideo.org/2024/01/26/fox-sports-season-long-tech-inn...
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