The series Evil, from creators Robert and Michelle King, has already been picked up for a second season. The show stars Katja Herbers as Kristen Bouchard, a forensic psychologist who joins a priest-in-training (played by Mike Colter) as they investigate the Churchs backlog of unexplained mysteries. As the episodes unfold, the two must come to grips with a logical or supernatural explanation to the supposed miracles, demonic possessions, and hauntings that have been reported.
The Kings turned to cinematographer Fred Murphy, ASC who they collaborated with on The Good Wife, Braindead and The Good Fight, to help bring Evil to the screen. Murphy alternates shooting Evil episodes with Tim Guinness. The team chose Panavision to support the series from preproduction through post.
We chose to shoot with the DXL2 camera because it has a terrific range from light to dark, says Murphy, a five-time Emmy nominee. It seems to reach into the darkness, and it seems to have more color. The other cameras I tested were much more contrasty and required more light to produce the same image. With the DXL2, it's more like film you don't have to put lights everywhere, and everything seems to fall off slowly and gradually.
On the shoot, Murphy pairs the DXL2 at 5K resolution with T2 Leica Summicron lenses. The sensor size is Super 35, and the aspect ratio is 16:9. The camera's specs include 16-bit Light Iron color and one of the quietest signal-to-noise ratios in the market.
Murphy says that the primary visual inspiration is The Night of the Hunter, the 1955 classic directed by Charles Laughton and shot by Stanley Cortez, ASC in expressionistic and spare black and white.
There's a moment in The Night of the Hunter when Robert Mitchum is about to stab Shelley Winters, says Murphy. It's a strange kind of wide shot in which the lighting and the set design combine to give an abstract, church-like appearance. The roof comes to a point, and he has a streak of light playing on him. But all around them, there's darkness. In a way, our whole visual approach is rooted in that scene.
Of course, that film is black and white, but on Evil, we try to use extremely intense color on occasion, says Murphy. There's a great deal of contrast between warm and cold, and the camera's ability to see subtle color differences helps make that work.
A simple night exterior establishing shot of the main character's home shows the camera's range. The location is a modest brick duplex in Astoria. There's very little light there, Murphy explains. I'm shooting at a stop of 2, at 1600 ASA. I had one large blue-ish light illuminating pretty much everything, and some lights coming from underneath to brighten the adjacent trestle. There's a small light on the house, and eventually, some headlights from cars pulling in. You'd be shocked at how little light I'm using. But with the DXL2, you can read all the way, deep into the background, underneath the trestle, and into the trees, which are silhouetted against the night sky ambience. Normally, in a night scene like that, the sky would just go black. There'd be nothing there. I'm just amazed at what the camera can capture.
Murphy and Guinness work with colorist Steve Bodner at Light Iron's facility in New York.
Steve is very good he's on my wavelength, says Murphy, who previously worked with Bodner on The Good Fight. It's so much easier when you find someone who likes what you like and has the same desires about the way it looks. I had Steve design the LUT for Evil, which is a very helpful and important part of it. It's a slightly adapted (KODAK 35mm) 5218 simulation, but it's more than that. I only use one LUT, and I correct the lighting, the camera, or both to suit the shot.
From the first time I sat with Fred and Tim for testing The Good Fight to now working with them on Evil I just felt like we all were on the same page, says Bodner. They both are so talented, and they are also open to collaboration, which is exciting because they allow me to try different ideas. I'm really grateful that they allow me to add my own personal touches because it is what makes my job fun and rewarding. I think Evil has a unique look that really stands out from other network programs.
Murphy notes his relationship with Panavision goes back to the 1970s, when he was a young cameraman making no-budget movies. Today, Panavision still has his back. If I need anything, they get it, he espouses. They've made gizmos for me, like the giant iris I used on Murder in the First and a special lens for Mothman Prophecies where only the center was in focus. And Light Iron, since it's part of Panavision, really understands this camera. The dailies look great. The people at Panavision and Light Iron make a key contribution to the look of these shows.
Most recent headlines
06/10/2025
France T l visions, France's leading broadcaster, has received the 2025 EBU ...
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
07/08/2025
July 8 2025, 22:30 (PDT) Tata Motors & Dolby Bring Dolby Atmos to Harrier.ev, R...
11/07/2025
PARK CITY, UTAH, July 11, 2025 - The nonprofit Sundance Institute announced today the 11 producers chosen for its annual Producers Labs, returning to Ucross Fou...
11/07/2025
If you've ever wondered what might be playing in Clark Kent's headphones...
11/07/2025
L3Harris Technologies President of Intelligence, Surveillance and Reconnaissance Jason Lambert and General Manager of L3Harris Waco facility Sean Ling held a ce...
11/07/2025
ARLINGTON, Va. WETA, the flagship public media station in the national capital area, has launched WETA+, a new streaming service tailored for the local Washingt...
11/07/2025
The Federal Communications Commission has emerged as one of the central players in the broadcast TV landscape in 2025, with its deregulatory policies sparking h...
11/07/2025
Calrec will introduce usability, customization and system enhancements across its entire range of Argo consoles during IBC2025, Sept. 12-15, at the RAI Amsterda...
11/07/2025
LONDON Encompass Digital Media said it will support live and on-demand viewing of the 2025 FIFA Club World Cup across multiple global regions for sports enterta...
11/07/2025
Two-thirds of broadcast engineers reaped the benefits of a pay raise within the last year....
11/07/2025
CARY, N.C. SmallHD has launched the Quantum 27, a new 26.5-inch Quantum-Dot OLED monitor designed to deliver postproduction image quality in a compact, set-frie...
11/07/2025
The Federal Communications Commission's Enforcement Bureau and Tegna have entered into a consent decree that will settle an investigation into the accidenta...
11/07/2025
WASHINGTON Following news in early July that Paramount had settled President Donald Trump's lawsuit, Sens. Edward J. Markey (D-Mass.) and Ben Ray Luj n (D-N...
11/07/2025
Model/Actriz Performs Lead Single Cinderella on The Late Show with Stephen Colbe...
11/07/2025
Behind the Mic: Amazon Prime Preps for First Season of NBA Action; MSG Networks ...
11/07/2025
SVG New Sponsor Spotlight: Suite Studios' Craig Hering on Adapting to Client...
11/07/2025
2025 SVG Content Management Forum Breaks Down AI's Impact, Continued Transit...
11/07/2025
A Journey HOME: University of Nebraska's HuskerVision Goes IP Leaders from the HuskerVision and Lawo share their IP learnings By SVG Staff
Friday, July 1...
11/07/2025
CMSI, Remote Picture Labs, Ace ESPN's Cloud-Based Editing Efforts for Wimble...
11/07/2025
Netflix Enters the Live-Boxing-Production Ring for Round 2 With Historic Taylor-...
11/07/2025
Back to All News
Too Hot to Handle: Italy Is Coming on July 18 Only on Netflix
Entertainment
11 July 2025
GlobalItaly
Link copied to clipboard
July 11, 20...
11/07/2025
Back to All News
Netflix Will Release Death Inc. Seasons 1, 2 and 3
Entertainment
11 July 2025
GlobalSpain
Link copied to clipboard
Season 1
Season 2
Se...
11/07/2025
AI and Multimedia Authenticity Standards Collaboration launches two papers to guide the future of AI integration, today at the AI for Good Global Summit
The...
11/07/2025
Ceramics - the humble mix of earth, fire and artistry - have been part of a global conversation for millennia.
From Tang Dynasty trade routes to Renaissance pa...
10/07/2025
The current holder of the prestigious Thomson Foundation Young Journalist of the Year Award has been forced to stop reporting over fears for her safety in Afgha...
10/07/2025
Spotify is turning up the volume on Australian music with a multipronged initiative designed to highlight the dominance of Australian artists on the global stag...
10/07/2025
This is not a drill: Oasis is back on the road-marking its first live performanc...
10/07/2025
The music industry depends on fresh ideas, bold voices, and emerging talent. Yet across the U.K., too many young musicians lack the space to develop their craft...
10/07/2025
NEW YORK - July 10, 2025 - Nielsen, the global leader in audience measurement, data and analytics, today announced that it appointed Richard Pacheco as head of ...
10/07/2025
Local newscasts don't exist in a vacuum. News directors and station management constantly evaluate what's working, what isn't and perhaps most impor...
10/07/2025
Lawo has announced that Stuttgart Media University (Hochschule der Medien, HdM) has comprehensively modernized its central recording studio after selecting an I...
10/07/2025
The Society of Motion Picture and Television Engineers (SMPTE) has opened early-bird registration for the Media Technology Summit, which will take place in a ne...
10/07/2025
NASHVILLE, Tenn. TNDV Television has launched Aspiration 35, a new version of its 40-foot Aspiration truck reimagined for cinematic multicamera productions....
10/07/2025
BURBANK, Calif. Key Code Education, a provider of instructor-led postproduction training, is growing its curriculum with new programs for beginner and intermedi...
10/07/2025
HACKENSACK, N.J. Actus Digital will demonstrate how broadcasters can transform compliance monitoring from a necessary expense into a strategic revenue driver at...
10/07/2025
The Federal Register has published a summary of the Federal Communications Commission's Public Notice seeking comments on its ownership rules that lists a d...
10/07/2025
Back to All News
Netflix Presents the Official Trailer for SuperestarPlay Video
Play Video
Entertainment
10 July 2025
GlobalSpain
Link copied to clipboard...
10/07/2025
In the race to understand our planet's changing climate, speed and accuracy are everything. But today's most widely used climate simulators often strugg...
10/07/2025
As one of the world's largest emerging markets, Indonesia is making strides toward its Golden 2045 Vision - an initiative tapping digital technologies and...
10/07/2025
10 Jul 2025
VEON and Cohen Circle Secure Investor Commitments for Kyivstar Listing Kyiv, New York, Dubai, and Philadelphia - July 10, 2025 - VEON Ltd. (Nasdaq:...
10/07/2025
5G for all? What the DFL's use of Easy5G and RefCam could mean for events in...
10/07/2025
Save the Date: PGA TOUR Studios Welcomes SVG Remote Production Summit on Oct 14-...
10/07/2025
Cloud on the Road: How Remote-Production-Service Providers Are Adapting to a New...
10/07/2025
Seattle Kraken's Ryan Schaber on the NHL Team Taking Live Game Productions I...
10/07/2025
FOX Sports Reboots Small Control Room in Los Angeles as Hub for Vertical-First P...
10/07/2025
SVG Sit-Down: MSE's Zach Leonsis, ViewLift's Rick Allen Go Deep on Joint...
10/07/2025
Thursday 10 July 2025
The Very Small Creatures
Jaime's Treetop Tales
Emerald
BooSnoo! Christmas Mashup
Pip & Posy's Spooktacular Party
The Very Sm...
10/07/2025
Thursday 10 July 2025
Brand new rewards are coming to Sky customers, with free ...
The series Evil, from creators Robert and Michelle King, has already been picked up for a second season. The show stars Katja Herbers as Kristen Bouchard, a forensic psychologist who joins a priest-in-training (played by Mike Colter) as they investigate the Churchs backlog of unexplained mysteries. As the episodes unfold, the two must come to grips with a logical or supernatural explanation to the supposed miracles, demonic possessions, and hauntings that have been reported.
