ALEXA Studio shoots BAYONET BAYONET was inspired by the political/paranoia films of the 1970s. Written and directed by Gregory Horoupian, this short thriller about a political hit in a quiet Manhattan loft was produced in New York City this past spring. It was one of the first productions to shoot with the ALEXA Studio, taking advantage of the true anamorphic capability. BAYONET premiered at the Montreal World Film Festival in August and recently at the Warsaw Film Festival. Here, Horoupian tells us about his cinematic influences and the experience of shooting this intense short film.
Even with sunlight glaring off a 15 laptop screen in a crowded Midtown caf , the cinematography of THE PARALLAX VIEW didn't flinch. It was the first week of preproduction on BAYONET in early March, and while I waited for my collaborator to arrive, I was drinking coffee and watching scenes from my favorite Alan Pakula film.
The first movies I remember seeing on prime-time TV were thrillers of the 70s: SCORPIO, THE CONVERSATION, THREE DAYS OF THE CONDOR, and Pakula's work with Gordon Willis. The hero's struggle to reveal a conspiracy in each of these is compelling, but I'd always been interested in the inverse - a film about how effectively the truth can be buried.
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ALEXA Studio shoots BAYONET BAYONET was inspired by the political/paranoia films of the 1970s. Written and directed by Gregory Horoupian, this short thriller about a political hit in a quiet Manhattan loft was produced in New York City this past spring. It was one of the first productions to shoot with the ALEXA Studio, taking advantage of the true anamorphic capability. BAYONET premiered at the Montreal World Film Festival in August and recently at the Warsaw Film Festival. Here, Horoupian tells us about his cinematic influences and the experience of shooting this intense short film.
