BRIT Award winner and chart-topping singer-songwriter George Ezra has been back on the road in support of his second studio album Staying at Tamara's. To handle the mix at both FOH and monitor positions, Monitor Engineer Ollie Weeks' company, Stylus Productions, supplied a DiGiCo control package comprising an SD12 at FOH and an SD10 in monitor world.
After a couple of years working with number one selling Ezra, the move from academy-size venues to arenas was inevitable, as was the move to an intuitive, DiGiCo set up.
We won the contract based partly on having the right gear, but also due to our ability as a young company to dedicate a lot of resources to serving the project and design a very bespoke, high-quality touring package, recalls Weeks. In our early discussions, Mike and I came to the mutual decision to share a DiGiCo SD-Rack with gain control at my end. It worked really well, but as the show has expanded, we've added an extra SD-Rack and two SD-Nano Racks.
As a long-standing DiGiCo user, choosing the SD10 for monitor duties was an easy decision for Weeks. I like having the aux masters in the centre with channel faders either side and I love the flexibility of the SD10 surface, he says. I use the custom layers on the desk extensively; I mix with my left hand over George's FX and my right hand over his vocal and crowd mics, which I'm constantly riding throughout the show.
Ollie and were sharing the SD Rack via Optocore at 48k, adds FOH Engineer Mike Timm. Sharing a stage box has been a blessing when working on flip-flop stages. Everything exits the SD12 - from four matrixes via AES to a Lake LM44 for system EQ tweaks.
Timm mixes the show in groups. I have 12 groups pretty much permanently assigned to the right-hand fader bank on the SD12. I rarely move this bank away from these groups once the show is underway.
With four banks of faders, all with associated FX returns, Timm is able to tweak any inputs as required. I love the way the two screens and associated encoders on the SD12 make not moving my hand off the money' channels so easy, he said.
The show runs to timecode which is converted to MIDI timecode and fed to a PC running a basic version of Steinberg Cubase. This then triggers various Macros on the SD12 via MIDI. I have Macros that change the thresholds of gates on the snare and tom channels, revealed Timm. For example, on one song in particular, the drummer plays fairly quiet on the snare in the verses but smashes the cymbals in the choruses. Cubase is programmed in this song to control the Macros via MIDI.
I find this much better than using snapshots as I can independently tweak without having to update each one. Timecode is also sent via MIDI to the SD12 to recall snapshots at the beginning of each song. This gives me the freedom to concentrate on listening to and mixing the music. I really like the workflow of the SD12. I think it helps me to enjoy mixing the show every day.
Weeks added: I use the Macros on my SD10 in a variety of ways. One example is for the routing and unmuting of multiple talk mics to different sources. During rehearsals or soundcheck, we can all talk to each other, but when it's show time, none of the musicians are distracted by technical chatter, individual technicians can talk to their respective departments as required.
Every arena show is recorded to a MacBook Pro via a Waves DMI card into Waves Trackslive for virtual soundcheck and reference. Timm said: I use a Ferrofish A16 Ultra Mk2 to convert MADI from the console to ADAT. This allows me to interface digitally with UAD Apollo Quads at really low latency, and also to provide analogue I/O for any analogue outboard I use.
Ezras vocal chain is analogue from the stage to FOH. A Focusrite ISA220 is used as preamp and EQ which is then fed into a Lindell Audio 500 Series Vintage Compressor and into a BSS DPR-901 for some dynamic EQ and into the insert return point of the vocal group. I can then apply more EQ as needed and even more compression via the SD12's onboard EQ and dynamics, Timm noted.
The FOH Engineer also uses a Waves H-Delay for vocal delays and utilises a Lexicon PCM-91 connected to his DiGiCo console via AES for Ezras vocal reverbs.
DiGiCo will also be deployed into Stylus Productions' future touring projects. Weeks said: With George, I need a high-channel count, which the SD10 affords, but I'm also very excited about the new Quantum software on the SD7 - being able to send individual treatments to different auxs from the same channel is an amazing new function.
Following a successful arena run in the UK, the tour ventured to Australia in early-2019, where both engineers continued to specify DiGiCo consoles for what Timm described as a polished pop show . Achieving this sound by adapting the rig for the next leg of the campaign was very straightforward.
Timm happily concluded: When we initially had the budget to move from using in-house venue consoles in the UK, it was suggested that I try out DiGiCo by our Production Manager. Touring worldwide, I've haven't looked back since!
Press Contacts:
Maria Fiorellino at DiGiCo
Tel: +44 1372 845600
Email: maria@digiconsoles.com
Web: www.digico.biz
Sarah James at Gasoline Media
Tel: +44 1483 223333
Email: sarahj@gasolinemedia.com
I love the way the two screens and associated encoders on the SD12 make not moving my hand off the money' channels so easy
FOH Engineer, Mike Timm
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
21/04/2026
Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...
21/04/2026
The topic of artificial intelligence has a stranglehold on the sports-video-prod...
21/04/2026
5G is still a hot topic in live event production, and this workflow continues to...
21/04/2026
At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...
21/04/2026
Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...
21/04/2026
Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...
21/04/2026
Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...
21/04/2026
Fox Sports has selected Appear as a technology partner to support the next phase...
21/04/2026
Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...
21/04/2026
Layercake has formalised the integration of Bitmovin's video streaming infra...
21/04/2026
The International Judo Federation (IJF) has extended its distribution partnershi...
21/04/2026
Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...
21/04/2026
Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...
21/04/2026
Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...
21/04/2026
FOX Entertainment partnered with Verizon to overcome significant production hurd...
21/04/2026
Osprey Video has announced its technology showcase for the NAB Show 2026, highli...
21/04/2026
Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...
21/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
21/04/2026
Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...
21/04/2026
Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...
21/04/2026
Rashad Frett attends the 2025 Sundance Film Festival premiere of Ricky at Eccles Theatre on January 24, 2025, in Park City, UT. (Photo by George Pimentel/Shut...
21/04/2026
Five years ago, Spotify arrived in Pakistan, opening a new chapter in the country's music scene. Since then, local listeners have explored across genres, ge...
21/04/2026
Since its launch in 2020, RADAR has been our program for spotlighting emerging artists around the world. This year marks the sixth edition of RADAR Spain, our o...
21/04/2026
Offers compact wireless solution for pedalboards
Taiwanese audio brand Cloudvocal have announced the availability of a new pedalboard-friendly wireless syst...
21/04/2026
Latest hybrid sampling/synthesis instrument arrives
Arturia's Augmented series offerings rely on a mixture of sampling and synthesis, allowing users to ...
21/04/2026
Rohde & Schwarz to host Power Electronics Online Conference From Design to Vali...
21/04/2026
MAS and Lockheed Martin partner to establish an F-35 depot in Canada, enabling in-country sustainment and creating high-skilled aerospace jobs....
21/04/2026
Advertising strategies shift as competition grows for a large, active and qualit...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Layercake Deepens Bitmovin Integration to Power End-to-End Media Orchestration w...
21/04/2026
Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse...
21/04/2026
On-Premise AI Suite from Studio Network Solutions Debuts at NAB Show 2026
Melanie Ciotti April 21, 2026
0 Comments
Unlimited processing, no cloud depe...
21/04/2026
London, 21 April 2026 IBC today announced the appointment of Tim Banham as its first Chief Commercial Officer (CCO), a newly created role that reflects the or...
21/04/2026
Motion Design Tools - April 2026
Roland Kahlenberg April 21, 2026
0 Comments
Within 2 days, Maxon and Canva announced pro-level motion design apps - A...
21/04/2026
Chaos and Zero Density to Showcase Real-Time Ray Tracing for Virtual Studios and...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
BRIT Award winner and chart-topping singer-songwriter George Ezra has been back on the road in support of his second studio album Staying at Tamara's. To handle the mix at both FOH and monitor positions, Monitor Engineer Ollie Weeks' company, Stylus Productions, supplied a DiGiCo control package comprising an SD12 at FOH and an SD10 in monitor world.
