The Film Academy presents its roadmap for the seventh art classrooms El sector educativo conf a en la instituci n como catalizador de este proyecto, que culminar con la presentaci n al Gobierno y las Comunidades Aut nomas de una estrategia acordada con todos los sectores.
Con vistas al documento base donde se planteen todas las medidas y pasos a seguir, que afectan a los sectores educativos y a los cinematogr ficos, la Academia de Cine ha desgranado el camino que est siguiendo para lograr que el s ptimo arte est presente en las escuelas. Una hoja de ruta que est contando con profesores, productores, guionistas, directores, el ICAA, entidades de derechos de autor y Filmotecas, entre otras otros implicados en la cuesti n cine y educaci n'.
En una rueda de prensa celebrada el pasado lunes, los coordinadores del proyecto, Mercedes Ruiz, maestra, psicopedagoga y coordinadora de la red social Cero en Conducta; y Fernando Lara, ex director de la Seminci y del ICAA; y la presidenta y el director general de la Academia, Yvonne Blake y Joan lvarez, respectivamente, destacaron el papel de la Academia como mediador con las instituciones.
Lo que ha hecho la Academia es ofrecerse como espacio donde pueden confluir los profesores transidos de amor por el cine y los cineastas, a los que ciertamente nos interesa que el cine est en las escuelas , defiende lvarez, que cree que llevando a las salas a los colegios vamos a formar a las pr ximas generaciones de espectadores para que lleguen a sentirse orgullosos del cine que se hace en Espa a .
Animada por la respuesta entusiasta y un nime , la instituci n ha cubierto una primera etapa para conseguir introducir la alfabetizaci n audiovisual en los programas educativos, un objetivo que le corresponde materializar al Ministerio de Educaci n, Cultura y Deporte y a las diferentes autonom as. La nombran en su Plan Cultura 2020, pero nosotros les decimos que esta es nuestra estrategia consensuada con el sector educativo y el cinematogr fico , explica lvarez.
Tras la reuni n del pasado 27 de junio con la comunidad docente, en julio ser el turno de directores, guionistas, entidades de derechos de autor, productores, exhibidores, televisiones p blicas y privadas, entre otros actores de la industria.
De la reuni n con los educadores salieron una serie de medidas que Lara desgran : Un comit permanente de representantes del sector educativo presente en todas las negociaciones; la necesidad de hacer un an lisis exhaustivo sobre la legislaci n relativa a la educaci n en cada una de las Comunidades Aut nomas para definir c mo se puede actuar; un listado de pel culas espa olas imprescindibles que los ni os y los j venes deber an ver antes de los 16 a os; la importancia de una formaci n del profesorado en las materias cinematogr ficas; y un acuerdo con la industria para determinar c mo se van a remunerar las pel culas que se utilizan en los centros educativos son las propuestas a llevar a cabo.
Hoy todo el mundo produce contenido con los m viles. No tenemos las claves y, sin embargo, lo estamos produciendo. Siempre se habla de la parte negativa, de lo que se pierde el tiempo y no de lo que se puede hacer , resalta Ruiz, que cree que esta iniciativa cambia las audiencias . Septiembre es la meta que se marca la psicopedagoga a la que le gustar a que a la vuelta al cole' ya se pudieran poner en pr ctica alguna de las iniciativas planteadas.
Las reuniones que se est n manteniendo con los sectores implicados siguen con la hoja de ruta de la instituci n, que centr en el tema del cine y educaci n un n mero especial de la revista, ACADEMIA' y organiz una jornada de debate en mayo, erigi ndose en el foro aglutinador de las diferentes inquietudes e iniciativas para integrar el s ptimo arte en las aulas.
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The Film Academy presents its roadmap for the seventh art classrooms El sector educativo conf a en la instituci n como catalizador de este proyecto, que culminar con la presentaci n al Gobierno y las Comunidades Aut nomas de una estrategia acordada con todos los sectores. 
