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ARRI menyoroti iklan dan video musik: DP Kanam Onoyama

28/09/2022

Baik iklan maupun video musik merupakan bidang dengan tingkat estetika yang tinggi. ARRI Prancis menggali lebih dalam menuju jenis produksi ini dan terlebih dahulu menyoroti sinematografer Kanam Onoyama, seorang warga negara Jepang yang telah tinggal di Prancis selama lima belas tahun. Dia datang untuk belajar sinema di ESRA International Film School, Paris setelah menyelesaikan gelar sarjananya dalam bidang sastra Prancis di Universitas Tokyo. Meskipun awalnya dihadapkan dengan kesulitan sebagai seorang asisten, namun Onoyama mampu menjadikan dirinya sebagai sinematografer dalam iklan dan video musik, dan menjadi sangat populer di Prancis dan luar negeri. Akan tetapi, ambisinya tetap di bidang fiksi. Pada tahun 2019, dia mengerjakan fotografi Abou Leila , sebuah film cerita oleh Amin Sidi-Boum di ne, yang dipilih di La semaine de la Critique di Cannes, dan direkam dengan ALEXA Mini. Baru-baru ini, dia mengerjakan beberapa episode Top Boy musim kedua, sebuah serial cult di Britania Raya, yang diluncurkan kembali oleh Netflix; sebuah proyek yang direkam dengan ALEXA Mini LF dan lensa DNA dari ARRI Rental. Saat ini, Onoyama disibukkan dengan berbagai proyek fiksi internasional, sambil tetap mengejar karier yang solid di bidang periklanan. Periklanan adalah bisnis yang sangat fleksibel, yang selalu mencari bakat baru, jelas sinematografer tersebut. Periklanan adalah bidang pertama yang menerima saya dan memberikan kesempatan kepada saya. Hal ini jauh lebih sulit dengan sinema Prancis. Itulah juga alasannya mengapa saya membentuk asosiasi Div +, yang berupaya membuka bidang tersebut untuk lebih banyak keragaman, untuk menemukan bakat baru dari minoritas dengan sistem mentoring.

Saksikan New Girl dari Nike: Iklan yang diproduksi untuk pasar Asia

Dalam periklanan, Onoyama telah mengerjakan serangkaian proyek besar dengan berbagai merek seperti Pepsi, Uber, Dior, Mercedes-Benz, dan yang terbaru, Nike dengan kampanye mereka New Girl , yang disutradarai oleh Caroline Koning (Bwgtbld). Nike ingin membuat film feminis untuk pasar Asia, jelas direktur fotografi tersebut. Seorang pekerja kreatif Spanyol yang bekerja di Jepang menyukai pekerjaan saya, jadi dia teringat dengan saya. Ini adalah iklan yang ingin saya perlakukan sebagai karya fiksi. Saya menggunakan ALEXA Mini LF dengan Zeiss Supreme Prime, karena saya menginginkan gambar yang modern dan tajam, dengan kontras dan detail yang bagus. Saya sangat suka bekerja dengan ALEXA, terutama karena sangat bisa diandalkan dalam hal warna. Apa pun rencana visual saya, saya mendapatkan apa yang saya inginkan. Selama dua hingga tiga tahun terakhir, saya telah mengembangkan LUT yang saya modifikasi untuk setiap film. Saat saya mengerjakan berbagai proyek, yang tersebar di banyak negara, LUT ini memungkinkan saya untuk menyampaikan niat saya kepada para direktur dan tim pascaproduksi, dan tidak ada kejutan apa pun pada akhirnya. Gambar sudah berwarna, memiliki kontras dan saturasi, seperti yang saya inginkan.

Saksikan visualisasi Kanam Onoyama dalam lagu mega hit Stormzy, Vossi Bop

Pada tahun 2017, Onoyama bergabung dengan seorang agen di Britania Raya, sejak saat itu, dia telah mengerjakan syuting proyek dengan beberapa sutradara terbaik. Proyek-proyek tersebut termasuk beberapa video musik berkualitas tinggi: Vossi Bop dari Stormzy, Break my Heart dari Dua Lipa atau Yummy dari Justin Bieber. Saya mengerjakan banyak iklan, tetapi video musik lebih bebas secara visual, terutama di Inggris, kata Onoyama. Dalam video Vossi Bop' dari Stormzy (Caviar), sutradara Henry Scholfield dan saya mengambil banyak risiko. Saya bekerja menggunakan ALEXA Mini dan merekam segalanya dalam sudut lebar dengan 14 mm Cooke S4/i. Video ini telah mengubah kehidupan saya. Karya ini mendapatkan banyak perhatian, membuat saya mendapatkan banyak penawaran, dan seolah-olah memulai tren ini dengan kamera sudut lebar, dengan karakter yang sangat dekat dalam latar depan, dengan transisi.

Saksikan Break My Heart dari Dua Lipa, video musik blockbuster dengan 500 juta view di YouTube

Sekarang, saya lebih sering bekerja menggunakan ALEXA Mini LF, kata Onoyama. Salah satu alasannya adalah ukuran sensornya. Sulit untuk dijelaskan, tetapi saya memiliki kesan bahwa karakternya lebih tersampaikan, lebih nyata. Gambarnya ada, sedikit seperti saat saya mengambil gambar dengan Hasselblad format medium. Saya juga sangat menyukai jendela bidik Mini LF. Dengan jendela bidik ini, saya bisa memeriksa hasil pengambilan gambar saya kapan saja, tanpa perlu memasang monitor eksternal. Saya lebih suka agar kamera saya tetap ringan sebagaimana memungkinkan, sehingga tetap lincah, dan intuitif.

Karya Kanam Onoyama lebih lanjut bisa ditemukan di situs web atau akun media sosial miliknya:

https://kanameonoyama.com/

https://www.instagram.com/dive.plus.fr/

Gambar pembuka: Maxime Congi

Produk Terkait ALEXA Mini LF Large format, small camera

ALEXA Mini More than just a camera

DNA Personalize your lenses.
LINK: https://www.arri.com/news-id/arri-spotlights-commercials-dp-kanam%C3%A...
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