
Activision Blizzard's Overwatch League Efforts Dive Deeper Into the Cloud, Head to Hawaii for Project Aloha' Hybrid workflows are likely to be important after in-person events resume By Jason Dachman, Chief Editor
Friday, April 16, 2021 - 3:34 pm
Print This Story | Subscribe
Story Highlights
After an Overwatch League season unlike any before it, Activision Blizzard Esports' Broadcast Technology Group is looking to build on the cloud-based workflows deployed in 2020 to serve online gameplay this year. An early pioneer of cloud workflows, ABE took it to the next level last year when Overwatch League shifted to online tournaments because of the pandemic and will continue to embrace the cloud even after LAN events resume.
The virtual set is running inside OWL's cloud-based vMix workflow
One of the key points that we wanted to emphasize this year for our production crew was to build on what we accomplished last year and maintain the stability that we had at the end of last season, says Corey Smith, director, live operations, Broadcast Technology Group, ABE. At the same time, we're also trying to think differently about how we would return to a home-and-away [in-person] model. What kind of systems do we need to have both on ground and in the cloud in a hybrid mode? We want to set ourselves up for success by experimenting with different things that will allow us to be more creative next year and in the future.
Notable enhancements this year for Overwatch League coverage include a virtual set built in Unreal Engine, 4K-quality live streams on YouTube, always-on player POV cameras, Team Power Rankings with IBM Watson, and the upcoming Project Aloha, in which U.S./Europe teams will travel to Hawaii for selected Tokyo-based tournaments with teams from Asia.
Cloud Enables Fully Remote Workflow An Overwatch League at-home producer workstation
The ABE broadcast team's cloud-based workflow is built around vMix live-video-streaming software. Inside vMix, the production team - still working entirely from home - cuts the show, operates the virtual studio, and handles master control. ABE also continues to experiment with Grass Valley's GV AMPP (Agile Media Processing Platform) cloud-based SaaS production solution after initially using it for Overwatch last season.
We definitely have AMPP on our radar for the future, says senior technical manager Ryan Cole, We think it's a product that's going to be very impactful to the success of broadcast production moving forward. We've been doing a lot of really great stuff on the backend with [Grass Valley] and are trying to understand what the future will look like. You'll see some of those tests come to fruition later on in the year, but, for now, we're still doing the vMix-style workflow in the cloud so we can maintain the stability we developed last year.
An Overwatch League at-home engineering workstation
Despite being spread across the globe - from Korea to Europe to North America - ABE's cloud-based ecosystem allows all on-air talent and crew members to interact in near real time. This year, all casters and analysts have received new remote-production kits consisting of a Sony 7 III mirrorless camera, LED lighting kit, full green-screen setup, and enhanced audio. In addition, observer (in-game camera operators) clients have been shifted to the cloud to enable strong bandwidth and a higher-quality output.
An Overwatch League observer (in-game camera operator) at-home workstation
That allows us to do true 1080p, 20-Mbps contribution for the observer feeds, as opposed to having to deal with home-internet problems, says Smith. We're trying to smooth out a lot of the observer workflows by moving those machines to the cloud. It sets the table for the future when you start thinking about native 4K and HDR, and it gives us the ability to scale up.
It also increases the quality, he continues. It's not just the contribution from the user to the cloud. Now you're getting rid of that and putting it directly into the cloud. We're keeping it in a cloud ecosystem, and it goes outbound from that perspective. So we're not focused on that contribution to the cloud; we're focused on the distribution from the cloud to our viewers.
Virtual Set and Viz Trio in the Cloud OWL is bringing back the virtual set that debuted at Grand Finals, which will be utilized all season long.
OWL is bringing back the virtual set that debuted at Grand Finals and now will be deployed all season long. In this 3D environment, the cloud-based Viz Trio workflow allows the production team to flex their creative muscles in any way they please.
I don't think Viz has ever been better in relation to the cloud environment, says Cole. I've seen actual workflows where we have [graphics systems] on on-prem, and we've seen stuttering because of the power of the PC itself. But now we're running on [Nvidia] Tesla [GPUs] in the cloud. So it has been beneficial overall. It's amazing how much you can push technology once you extract the underlying hardware layers. We're 100% cloud [for graphics].
Always-On Player POVs Add New Perspective Always-on Player POV camera setups will allow fans to see more live shots of all the players competing
Also new this year, always-on player POV-camera setups will allow fans to see more live shots of all the players competing. When matches are observing an individual player in first-person, the broadcast will also show their player-camera feed live as well.
When we do in-person events, we can elevate the player by routing their player-camera feed to the scenic so the audience can see and feel their emotion, says David Light, broadcast engineer, solutions, ABE. But, with the pandemic spreading players all around the world, acquiring 150+ l
Most recent headlines
06/10/2025
France T l visions, France's leading broadcaster, has received the 2025 EBU ...
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
03/07/2025
For our Vario-Jib, as well as for a repertoire of weights, we now have carts that make transport easier...
03/07/2025
One of our latest innovations: Slider Drive Unit!
Our Vario Slider not only comes with improvements and new features, but also with its own drive unit!
Our i...
03/07/2025
The 360 EVO lives up to its name: 360-degree rotation not only on the pan axis, but also on the roll axis, enables filmmakers to take their creative visions eve...
03/07/2025
What a buzzing few days at BSCExpo in London!
We were thrilled to connect with so many talented professionals from the world of cinematography.
A huge thank ...
03/07/2025
ADOLESCENCE - Shot with Panther Tower"The whole rig had to be detachable mid-episode
Netflix limited drama series Adolescence has been gaining attentio...
03/07/2025
To achieve a true level of decisive overmatch, communication systems must be as ...
03/07/2025
The Broadcasters Foundation of America has named Ray Hopkins, president of U.S. distribution at Paramount Global, to its board of directors....
03/07/2025
SIOUX FALLS, S.D. In his first major policy speech, Federal Communications Commissions Chair Brendan Carr outlined his Build America Agenda for the agency'...
03/07/2025
As the industry is making a major push to transition to NextGen TV broadcasting and develop new businesses that will fund the next generation of broadcasting, T...
03/07/2025
Despite enabling its subscribers to watch films and TV shows in the highest possible resolution, Netflix has revealed it is taking things old school with the in...
03/07/2025
WASHINGTON In response to news that Paramount Global has agreed to pay $16 million to settle a lawsuit by President Donald Trump, Democrats and other administra...
03/07/2025
WUPPERTAL, Germany Riedel Communications today launched RefSuite for professional sports workflows....
03/07/2025
WEITERSTADT, Germany LYNX Technik, a provider of modular signal processing solutions, has announced that founder and longtime CEO Winfried Deckelmann is steppin...
03/07/2025
WASHINGTON Representatives from six trade groups representing tech, pay TV, broadband, LPTV and other sectors recently met with Federal Communications Commissio...
03/07/2025
PLYMOUTH, Wis. Dan Whealy has acquired Heartland Video Systems and will be its new owner and president, the systems integrator said....
03/07/2025
Acclaimed filmmaker, educator, and industry veteran Jay Holben has released his most ambitious work to date: The Director's Guide to Everything a sweeping...
03/07/2025
For Los Angeles-based photographer Scout Pruski, documenting the annual Dyke Day LA is a way to honor and give back to the city's legacy queer community and...
03/07/2025
Modular, Travel-Ready Solution Matthews Studio Equipment launches the new Chimera V-Flat Panel Frame Kit, the lightweight and modular, ultra-durable alternativ...
03/07/2025
Dalet, a leading technology and service provider for media-rich organizations, today announced the release of Dalet Flex 2025.6 LTS (long-term support), introdu...
03/07/2025
Lightware's LARA Wizard makes it quicker and easier than ever to set up audio-visual (AV) room automation and control configurations, ensuring anyone, from ...
03/07/2025
Alfalite, the only European manufacturer of LED screens, has obtained both the NCAGE Code (NATO Commercial and Government Entity) and TAA (Trade Agreements Act)...
03/07/2025
nxtedition is implementing a new solution for WIN Network, based in its headquarters in Wollongong, New South Wales, Australia. The nxtedition integrated platfo...
03/07/2025
ORS Group and Insys Video Technologies today announce the launch of a new joint brand identity: Big Blue Marble. The move reflects the evolution of a long-stand...
03/07/2025
Evergent, a global leader in customer lifecycle management and monetization solutions for subscription-based businesses, today announced the successful results ...
03/07/2025
LYNX Technik, provider of modular signal processing solutions today announces an executive leadership transition, effective July 1, 2025. Markus Motzko has been...
03/07/2025
Chaos Releases V-Ray for Blender
Brie Clayton July 2, 2025
0 Comments
Production-Proven Renderer V-Ray Arrives Natively in Blender for the First Time;...
03/07/2025
Calvin University Adds Blackmagic Replay to Broadcasts and Streams
Brie Clayton July 2, 2025
0 Comments
Replay workflow joins 14 Blackmagic Design cam...
03/07/2025
Berklee's Gospel Performance Program Welcomes Jonathan Nelson as the Herb Al...
03/07/2025
In today's fragmented media landscape, advertisers expect more than just reach - they want seamless cross-platform campaigns that deliver measurable results...
03/07/2025
** MEDIA ALERT ** Shonen Jump Store Hosting Los Angeles Pop-up During Anime Exp...
03/07/2025
Thursday 3 July 2025
David Harewood and Matthew Broome in Mozart: Genius for Hi...
03/07/2025
The Sky WNT Fund supports Womens National Team players with a 30,000 bursaryThursday 3 July 2025
Sky Ireland has announced the four recipients of the 2025 Sky...
03/07/2025
The forecast this month is showing a 100% chance of epic gaming. Catch the scorching lineup of 20 titles coming to the cloud, which gamers can play whether indo...
02/07/2025
Hege Wik and Odin appear in FOLKTALES by Heidi Ewing and Rachel Grady, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance Institut...
02/07/2025
(Stephen Lovekin/Shutterstock for Sundance Film Festival)
By Patty Consolazio
This one's for any person who's ever felt put down, left out, marginaliz...
02/07/2025
Calrec expands ecosystem at NAB 2025 giving broadcasters access to dynamic workflows and ultimate flexibility Helping broadcasters meet the shifting needs of me...
02/07/2025
NEW YORK Paramount Global has agreed to pay $16 million to settle a lawsuit by President Donald Trump, ending a long-running legal saga that could clear the way...
02/07/2025
WASHINGTON The Federal Communications Commission has approved the transfer of licenses for five TV stations from Sinclair to Rincon Broadcasting, which announce...
02/07/2025
As the media industry faces an uncertain business climate and rapidly changing consumer habits, TV Tech's most popular stories from the first six months of ...
02/07/2025
PORTSMOUTH, N.H. New data shows that U.S. homes now own an average of two smart TVs, with Samsung and LG dominating the market but Roku and FireTV continue to g...
02/07/2025
LOS ANGELES Funds managed by Oaktree Capital Management have acquired FilmRise, an independent digital streaming content distributor, and merged it with Shout! ...
02/07/2025
WASHINGTON The Advanced Television Systems Committee named Luiz Fausto vice president of standards development, succeeding ATSC vice president Jerry Whitaker, w...
02/07/2025
Boston Conservatory and the Sphinx Organization Join Forces to Make Classical Ed...
02/07/2025
NEW AMSTERDAM CREATOR DAVID SCHULNER JOINS CREATIVE TEAM OF NEW FOX DRAMA SERIE...
02/07/2025
02 Jul 2025
VEON Raises USD 200 Million in Private Bond Placement Dubai, July 1, 2025: VEON Ltd. (Nasdaq: VEON), a global digital operator ( VEON ), announces ...
02/07/2025
Brand new factual series follows mechanic and self-taught engineer Dom Chinea as he makes the move of his life to the far west of Cornwall
UKTV today announces...
02/07/2025
Progressive realism: Aurora on taking up the broadcast reins for World RX alongs...
02/07/2025
Great speed: New host broadcaster Aurora on getting the World RX 2025 season pro...