2024 Sports Broadcasting Hall of Fame: Steve Gorsuch, Tech Master and Mentor

2024 Sports Broadcasting Hall of Fame: Steve Gorsuch, Tech Master and Mentor By Ken Kerschbaumer, Editorial Director

Thursday, December 5, 2024 - 11:26 am

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Steve Gorsuch, who spent decades at CBS Sports in a variety of roles and 15 years as head of broadcasting for the US Open tennis tournament, built his career on learning new skills and constantly challenging himself.

After all, he began his career as a camera operator and captured such epic shots as Secretariat's 31-length victory at the Belmont Stakes in 1973 and The Catch in 1982, when San Francisco 49er quarterback Joe Montana scrambled and threw a pass to tight end Dwight Clark, who snagged the pass in the end zone and leapt into football lore. Almost everyone else might have said, Being a cameraman is who I am and stopped there. But Gorsuch did not.

Instead, in a career spanning more than 40 years, Gorsuch, who died in March at the age of 74, redefined both tennis and golf operations, oversaw the transition from SD to HD, dabbled in 3D, and was known for having a great understanding not only of how technology works but of people as well.

Steve was instrumental to our success across a variety of sports and was the cornerstone to our golf operations on CBS Sports, says Patty Power, EVP, operations and engineering, CBS Sports. His contributions are immeasurable, and his impact will live on for years to come. Steve was a friend to all and mentor to so many across our industry.

CBS Sports President/CEO David Berson describes Gorsuch as a true legend in the business. Many of the people leading innovation at companies and leagues throughout our industry learned from Steve. Mentoring new and aspiring people in our business was a priority of Steve's and a genuine hallmark of his lasting impact.

Starting Out In the summer between his junior and senior years at American University in Washington, DC, Gorsuch was walking down a hallway in Monmouth Park Racetrack and saw a sign that said TV Control Room. At the time, he was studying TV production at school.

I walked in, Gorsuch once recalled, and the head guy in the control room said, What do you do?' And I said, I'd like to do camera.' He said, OK, great, you start on Monday.' That was basically the interview.

Gorsuch operated camera at Monmouth Park for the rest of that summer. Although his interests tended more toward sports video and photography, he secured an internship with NBC News in Washington, DC, during his senior year. After graduating, he continued to do racetrack camerawork for two more years, adding Aqueduct, Saratoga, Belmont, Yonkers, Roosevelt, Liberty Bell, Atlantic City Racecourse, and Freehold to his r sum .

While working at Belmont and Saratoga, Gorsuch became acquainted with the CBS Sports team covering the races. Two years after graduating from college, he went to work for the company packaging CBS Sports Spectacular, Marvin Sugarman Productions. In 1975, while covering a race at Yonkers, he heard that CBS Sports was hiring. Once again, Gorsuch decided to walk into the place where he wanted to work and see what would happen.

I heard that the next day was the last day they were hiring, he said, so I went down to CBS, walked in the door, went up to be interviewed, and they hired me on the spot. Luckily, a lot of the production people were CBS Sports people I had worked with on CBS Sports Spectacular, so they already knew me [even though] I wasn't a CBS Sports guy.

It didn't take long for Gorsuch to become a CBS Sports guy. From 1975 to '82, he served as a camera operator, covering various events including the U.S. Open and the Super Bowl. Gorsuch's last year in this capacity coincided with John Madden's first as a Super Bowl commentator - Super Bowl XVI at the Pontiac Silver Dome - for which Madden stressed the need for camera assignments when televising football.

[Madden] took the whole camera crew and said, Listen, guys. We're going to do assignments,' remembered Gorsuch. Instead of having each camera operator follow a wide receiver in motion, who may do nothing, Madden encouraged the entire crew to recognize the plays and to break away in the middle to focus on the action.

Somewhere during the first quarter, I think, everybody on the camera crew realized this really works, said Gorsuch. We [would get] a million angles without having a million tape machines.

Former CBS Sports Co-ordinating Producer Lance Barrow says he first worked with Gorsuch while Barrow was a spotter for Pat Summerall. At the time, Gorsuch handled the camera in the booth, but it was on the golf events where their relationship blossomed.

In golf, Barrow notes, you're dealing every week with different organizations, different groups, and different people running the tournament. Steve made everybody feel comfortable and made everybody feel like they were as important as anyone in the room. And he had experience at so many positions and knew what it was like to be in different kinds of positions. I think that's what made him so good, along with being a great person.

In 1982, Gorsuch retired his camera in favor of a new career as a technical director. After spending two years with WCBS New York and a year with CBS Evening News, he returned to CBS Sports as a sports technical director. Soon, he was named CBS Sports' first hyphenate, a position created by CBS fusing the technical director and manager roles.

No one has affected technical operations and engineering for the two sports of golf and tennis like Steve Gorsuch, says Sports Broadcasting Hall of Famer Ken Aagaard, former EVP, operations and production services, CBS Sports, who worked closely with Gorsuch at CBS Sports and the US Open. His legacy in how these sports are covered is e

LINK:	https://www.sportsvideo.org/2024/12/05/sports-broadcasting-hall-of-fam...
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