
MovieLabs CEO Rich Berger talks to TVBEurope about the 2030 Showcase programme, which encourages companies to submit real-life case studies illustrating some of the pillars of the MovieLabs 2030 Vision
By Jenny Priestley
Published: June 29, 2023 Updated: June 30, 2023
MovieLabs' CEO Rich Berger talks to TVBEurope about the 2030 Showcase programme, which encourages companies to submit real-life case studies illustrating some of the pillars of the MovieLabs 2030 Vision
target=_blank title=Share on LinkedIn class=share-linkedin>
Technology research company MovieLabs has launched this year's 2030 Showcase Programme, which recognises organisations in the M&E industry that are using emerging cloud and production technologies to advance the industry.
The aim of the programme is to show how companies are helping to realise the MovieLabs 2030 Vision and its goals of enhanced efficiency and interoperability within the entertainment industry.
The submission window is open until 14th July, and MovieLabs will announce the selected 2030 Showcase Case Studies at IBC 2023.
TVBEurope spoke to MovieLabs CEO Rich Berger about the programme and what it means for the media tech industry.
What is the aim of the programme? The goal of our 2030 Showcase Programme is to highlight how organisations have not only embraced and aligned with the MovieLabs 2030 Vision, but have also begun to implement its principles in real-world workflows with partners and customers across the global media creation industry. We've been impressed with how the Vision has resonated widely within the industry and how it has inspired strategic roadmap decisions across organisations beyond the major Hollywood studios who helped articulate and launch the Vision at IBC 2019. We have launched this Showcase Programme to celebrate and showcase progress, as well as to inform and inspire others to begin their own journey to the MovieLabs 2030 Vision.
How can companies get involved and what do you need from them? It's really quite simple to submit to the Showcase programme. All the details are on our website https://movielabs.com/showcase-submissions/ but essentially, the initial submission should be a short 10 - 15 minute video that tells us about your organisation, the case study you are presenting, the problem it solves, how that works technically and importantly, which principles of the 2030 Vision it demonstrates. We are not looking for a slick, high quality video. It's the implementation story that counts. And we are not looking for a product demo or company pitch. It's all about how your organisation is implementing the vision for stakeholders, partners and customers in real-world product/service implementations or workflows. If that sounds like what your organisation has done, head to our website and read a great summary of how to study for the test and then submit your case study for consideration.
What kind of case studies are you looking for? Can it be on any topic? Surprise us! Last year's submissions did. They showed us that organisations across the entire media creation supply chain have been more than thinking about the Vision. They've been hard at work putting these 2030 Vision principles into practice across pre-production, production, post production, editorial, visual effects, sound, and delivery/distribution workflows in television, film and broadcast. While our initial focus for the Vision was on the production of scripted film and television, what is apparent, and what did surprise us, was the amount of work being done across global players (large and small) in areas of our industry that before our Showcase programme, we did not have much insight or visibility into. The novel application of the Vision was the real story last year and we are looking forward to hearing from any organisation on any topic that meets our criteria.
You've chosen three areas to focus on this year why those three in particular? We've suggested these three areas for case studies because they align with the active work MovieLabs is doing in 2023, they are - the Common Security Architecture for Production (CSAP) and the journey to Zero Trust, implementations of our Ontology for Media Creation and Asset/Data Interchange that demonstrates interoperability quite deliberately. These are areas where there are gaps to fill and frankly, some hard technical, workflow and change management challenges to solve. Showcase submissions don't need to cover one of those three areas but consider them extra credit'! We have been continually impressed as we learn about companies tackling and solving issues that drive the Vision forward. We are hoping that there are organisations that are beginning to focus on these specific challenges as filling some of these gaps accelerates the potential benefits across the entire industry.
You had a lot of submissions in 2022, which ones really stood out, and why? Can we say that we love all of our children and all submissions, which made selection difficult? Of course, the ones we published especially stood out. And as you look at the ones we did select, what you'll find is that these case studies came from across the world and across the industry in places and workflows that expanded our own notion of how the vision is resonating. We were impressed at the sheer number of submissions last year and are getting ready to evaluate this year's submissions in time to announce them at IBC 2023.
Who will be judging the submissions? There is really not a judging process per se as this is not an award, a certification, endorsement or MovieLabs 2030 Vision compliance programme. What we will be doing is evaluating submissions based on how they meet our criteria and help the industry better understand the implementation of our MovieLabs Principles. This pr
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
You've seen the headlines, now it's time to go Behind the Story
RT News has today (Wednesday) launched a brand-new news podcast, Behind the Story, h...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...