Sony Pixel Power calrec Sony

It's About Time: Sennheiser Spectera Offers Step Change in Digital Wireless Technology

16/10/2024

It's about time: Sennheiser Spectera offers step change in digital wireless technology By Kevin Emmott

Monday, September 23, 2024 - 10:42

Print This Story

(L-R): Sennheiser's Vice President Sales EMEA Christophe Van Den Berghe, Category Market Manager Theresa Vondran and CEO Andreas Sennheiser at the Spectera launch event

It's been almost 70 years since Fritz Sennheiser invented the world's first ever wireless microphone in 1957, and wireless audio technology has worked pretty much the same way ever since. So, when Sennheiser unveiled a spectacular new way of managing wireless signals at a glitzy launch event at De Hallen Studio's in Amsterdam during IBC2024, you would be forgiven for thinking it's about time.

And you'd be right, in more ways than one.

Sennheiser says Spectera is the world's first wideband, bidirectional, digital wireless ecosystem and it is literally all about time. Not just the 11 years Sennheiser has been developing the idea of managing wireless signals with broadband technology, or the six years it has spent lobbying the FCC, or the 18 months of dedicated development since the company first announced its Wireless Multi-Channel Audio System (WMAS) technology in March 2023.

Time is Spectera's defining feature because it is central to its technology.

Introduced on stage by CEO Andreas Sennheiser, Spectera represents a step change in digital wireless technology. Using Sennheiser's WMAS technology, Spectera does a whole bunch of stuff. It reduces wireless system complexity, it increases capability, it simplifies setup, and it does all this with way less equipment. It delivers full remote control and monitoring (including permanent spectrum sensing); it is highly resistant to RF fading; and its compact bidirectional bodypacks deal with digital IEM/IFB and mic/line signals as well as control data simultaneously, and in the same wideband RF channel.

Oh, and its base station can handle up to 64 wireless audio links (32 in/32 out) in just 1U of space.

Challenges

It's a lot, so it's no surprise that Andreas Sennheiser admits that it was a challenging development.

There's not a single challenge there but a multitude of challenges that you have to overcome in order to create a system that's really compelling, he says. Whether that's working with the authorities on regulations for the use of the RF broadband spectrum, the development of a brand-new transmission scheme, or the software integration. There are so many moving parts that we had to totally rethink.

It's the first time in 65 years that we're not just transmitting on one carrier, and therefore it's right to say that this is a new era in wireless transmission, but from the beginning we had a system in mind that didn't operate like a transmitter and receiver; we envisioned a system that would make it simpler for the customer to do their job now and be able to evolve in the future to cater for future needs.

A different approach

At the centre of everything is Sennheiser's WMAS, a development which began in 2013 and took many years working alongside the authorities to get adopted. For decades, narrow-band microphones have always stipulated a maximum RF transmission bandwidth of 200kHz, but in 2017 Sennheiser's work with the European Telecommunications Standards Institute (ETSI) resulted in getting WMAS included in EN 300 422-1.

A year later the European Conference of Postal and Telecommunications Administrations (CEPT) removed bandwidth limits from its own recommendations for wireless microphones, and Sennheiser filed a Petition for Rulemaking with the FCC to request a modification in their bandwidth specifications for wireless microphones. This led to the FCC permitting operation of WMAS in the US earlier this year.

Spectera was launched just a few months later.

It's the first time in 65 years that we're not just transmitting on one carrier, and therefore it's right to say that this is a new era in wireless transmission

Instead of using those individual 200kHz narrowband RF carrier frequencies, WMAS uses a single wideband RF channel for the bidirectional transmission of audio and control data; in fact, it uses a TV channel of 6 or 8MHz.

The system coordinates itself by organising every single audio link within this channel, whether it's a mic or an IEM, and every signal is assigned a specific time slot for transmitting its audio information. This makes it possible to have multiple IEMs and mics in the same TV channel instead of two channels separated by a guard band, which makes setup easier by massively simplifying frequency coordination, not to mention the reduction in the amount of kit required to do it, especially for larger productions.

In addition, as every audio link uses the full width of the RF channel when it is its turn to do so, it greatly reduces RF fading as well.

Four areas of development

The system is made up of four main components.

Spectera's Base Station squeezes 32 inputs and 32 outputs in a 1U footprint, and it can accommodate up to two RF wideband channels. It is frequency-agnostic, and activation of the respective local licence automatically loads the authorised frequency ranges. It is also extremely robust with two PSUs, primary and secondary Dante connections, two slots for optional redundant MADI connections, and four antenna ports. These ports not only allow for redundancy, but also for extended, synchronised antenna zone coverage or higher system capacity by using additional frequency ranges.

The system's bodypacks are just as hardworking, handling mic/line and IEM/IFB requirements at the same time; this means less equipment for the talent to carry, and less equipment for the sound crew to store, pack, test and fit. They feature a 3-pin connector for a lavalie
LINK: https://www.svgeurope.org/blog/headlines/its-about-time-sennheiser-spe...
See more stories from svg

More from Sports Video Group

12/11/2026

The Software-Defined Shift: A Discussion on the Technologies Reshaping Live Sports Production

Industry leaders examine how Dynamic Media Facility, Media eXchange Layer, and c...

12/11/2026

SVG Students to Watch: Addison Carnow, University of North Carolina

The junior Tar Heel is embracing the technical and creative challenges of live production while emerging as a leader and mentor in the control room...

12/11/2026

Gracenote Survey: 78% of Viewers 18-24 Want a Single Program Guide Across Streaming Services

Gracenote, Nielsen's content intelligence business, has released its fifth a...

12/11/2026

RTL Deutschland and NHL Expand Partnership, Bringing NHL Monday Night Hockey to Free-to-Air TV in Germany

RTL Deutschland will bring the NHL to free-to-air TV in Germany starting Nov. 30...

12/11/2026

Clear-Com Supports Global Student Broadcast On Air 2026 With Station-IC, Eclipse HX and FreeSpeak Cell

Clear-Com supported On Air 2026, a 24-hour student-led broadcast connecting 45 u...

12/11/2026

uniqFEED Opens Remote Operations Center in Madrid for LaLiga Virtual Advertising

uniqFEED has opened a Remote Operations Center (ROC) in Madrid, Spain. It is already operational, delivering virtual advertising for LaLiga matches. The ROC is ...

12/11/2026

Disney, ESPN and NBA Present Third Dunk the Halls Animated Christmas Day Game

Disney, ESPN and the NBA will present Dunk the Halls, the third real-time animated NBA game using Sony's Beyond Sports data visualization technology, on Chr...

12/11/2026

Van Wagner Launches RELAY Digital Platform for College Athletics Websites and Apps

Van Wagner has launched Van Wagner RELAY, a digital platform for official athlet...

12/11/2026

Vizrt Acquires Chyron in Major Consolidation of Broadcast Graphics Market

Deal brings together two of the industry's most established graphics brands and significantly expands Vizrt's footprint in U.S. sports and regional broa...

12/11/2026

Euro TV Upgrades OB Van with Lawo mc36 MkII and VSM

Euro TV Production GmbH of Austria has upgraded its outside broadcast vehicle with Lawo technology. The mc 36 Classic console in service since 2019 was replaced...

12/11/2026

Tagboard Launches Spark Resize Beta to Convert Graphics to New Aspect Ratios

Tagboard has launched Spark Resize, an AI-assisted tool now in beta that takes an existing graphic and produces a new version for a different aspect ratio or sc...

12/11/2026

At Second-Annual SVG LIVE! Event, Live Production's Biggest Names Go Inside the Tentpole Playbook

Ben Winston, Glenn Weiss, and FIFA's Jenni-Lee Van Gelder headlined a day fo...

12/11/2026

AWS, NFL Launch Next Gen Trends, Opening In-Season Tracking Data to Fans

Free interactive platform visualizes team tendencies, formations, and schemes, updated weekly...

12/11/2026

Sports Broadcasting Hall of Famer Charlie Jablonski: A True Broadcasting Power Broker

Sports Broadcasting Hall of Famer Charlie Jablonski's broadcasting career is...

11/11/2026

Charlotte Hornets Become One of NBAs First Teams With WiFi 7 at Spectrum Center

Hornets Sports & Entertainment (HSE) and Spectrum have installed WiFi 7 as part of Spectrum's Managed WiFi solution within Charlotte's recently renovate...

11/11/2026

The Minor League Resolution Crisis: Bridging the Gap Between Living Room 4K and In-Venue Reality

As 4K displays normalize in living rooms and economy flights, aging minor league...

11/11/2026

Northwestern University Taps Grass Valley for Control Room Tech at Ryan Field

Northwestern University has deployed Grass Valley production switching and camera technology at its new Ryan Field stadium in Evanston, Illinois. The installati...

11/11/2026

Central Christian Church Links Remote Production Teams With Clear-Com's Gen-IC Virtual Intercom

Central Christian Church has transformed communication across its live productio...

11/11/2026

Capital One Arena Receives New Tech Enhancements to Upgrade the Fan Experience

Monumental Sports & Entertainment developed the new Cisco Command Center for all of the building's technology Prior to the start of the busy October schedu...

11/11/2026

OutKick Debuts New Studio for The Craig Carton Show in New York as Nashville Powers Distributed Production Operation

The new Manhattan set is the latest addition to a network of studios, home setup...

11/11/2026

MLB Network Turns Up the Production for Fourth-Annual MLB Awards in Las Vegas

With a remodeled set, an expanded camera package, and a Steve Aoki performance, MLB Network's production team raises the bar again at The Chelsea...

10/11/2026

ENCO Provides Live Captioning and Voice Translation at NAB Show New York

ENCO provided live stage captioning, multilingual translation and new audio pass-through services at NAB Show New York, held Oct. 21-22 at the Javits Center, an...

10/11/2026

Vizrt Demonstrates Story-Aware Graphics With Story Object Model Open Standard

Vizrt has built a proof-of-concept integration with the Story Object Model (SOM), shown at IBC 2026 in Amsterdam as part of the Smart Stories Accelerator projec...

10/11/2026

Gravity Media Delivers Live Vertical Feed for Meta Connect 2026

Gravity Media's Creative and Managed Services team produced a dedicated live 9:16 vertical broadcast workflow for Meta Connect 2026. Meta asked for more tha...

10/11/2026

Blue Stream Fiber Taps Ateme for OTT Delivery Modernization

Blue Stream Fiber has standardized its OTT streaming services on Ateme's end-to-end video platform for its high value linear channels, providing more effici...

10/11/2026

Haivision Releases Survey for the 2027 Broadcast Transformation Report

Haivision has opened the survey for its 2027 Broadcast Transformation Report, inviting broadcast, media, and production professionals worldwide to share their p...

10/11/2026

League of Live Stream Theater Leverages LiveU to Deliver Rent: The 30th Anniversary Concert to 70,000 Streaming Ticket Buyers Worldwide

The League of Live Stream Theater (LOLST), the nonprofit organization partnering...

10/11/2026

USA Sports To Broadcast All Three Inaugural Races of The Horse Racing League in Spring 2027

USA Sports and The Horse Racing League (HRL) has announced a partnership to air ...

10/11/2026

Matrox Video Launches The Sync, a New Customer-Led Video Podcast

Matrox Video has launched The Sync, a new video podcast series bringing together Matrox Video experts, customers, and partners to explore the technical and busi...

10/11/2026

The CW Network, Professional Bull Riders Sign Multi-Year Extension to Broadcast PBR Team Series Events

The CW Network and Professional Bull Riders (PBR) have announced a new multi-yea...

10/11/2026

2026 Sports Broadcasting Hall of Fame: Christopher Chip' Adams, Master of NBC Olympics Venue Operations

There is a certain irony that Chip Adams was turned down when he first looked in...

10/11/2026

Pliant Technologies Ships New CrewCom Flex

Pliant Technologies' CrewCom Flex product line is now shipping in the United States. As a frameless matrix intercom system and complete matrix IP-based inte...

09/11/2026

Reinvigorated AES Show Nashville Debuts in Music City

In a new home, the show had its traditional focus on music production, but broadcast themes received significant emphasis The Audio Engineering Society (AES) c...

09/11/2026

Sportel Panel Recap: How AI Is Impacting Everything Private Equity to Broadcasters, Streamers, Federations

Content creation and rights, YouTube archive, production workflows, investment, ...

09/11/2026

Building the REMI Hub of Today (and Tomorrow): Broadcasters and Vendors Share Their Strategies

Industry leaders from Prime Video, NASCAR, FOX Sports, and more discuss the tech...

09/11/2026

SMT Provides Broadcast Graphics and Shot Data for Inaugural WTGL Season

SMT (SportsMEDIA Technology) is delivering on-air graphics and shot data for the Women's Team Golf League (WTGL), which made its debut Sunday, Nov. 8, at So...

09/11/2026

BKB Names Michael Ridout Managing Director, UK

BKB Bare Knuckle Boxing has appointed Michael Ridout Managing Director, UK. He will lead BKB's operations in the United Kingdom and take on wider operationa...

09/11/2026

SMPTE Media Technology Summit 2026 Set for Nov. 16-19 in Pasadena

SMPTE's Media Technology Summit (MTS2026) takes place Nov. 16-19 at the Pasadena Convention Center. The schedule: Media Tech Business Forum (Monday, Nov. 1...

09/11/2026

AES Show Nashville 2026 Draws Nearly 3,000 Registrations

The Audio Engineering Society (AES) held AES Show Nashville 2026 Oct. 30-Nov. 1 at the Gaylord Opryland Resort & Convention Center. AES reports nearly 3,000 reg...

09/11/2026

Devoncroft Partners To Present Enterprise Video Survey Findings at Silicon Valley Video Summit

Analyst Josh Stinehour will share results Jan. 26 in Mountain View, Calif. Devo...

09/11/2026

Behind The Mic: Tirico Misses SNF Due to Health Issue; Wilbon Takes Leave of Absence From PTI

Behind The Mic provides a roundup of recent news regarding on-air talent, includ...

09/11/2026

Cleveland Cavaliers Boost In-Venue Energy With The Famous Group's Virtual Camera Tech

Permanent mixed-reality activation debuted against the Brooklyn Nets at Rocket A...

09/11/2026

The College Football Playoff Will Expand to 24 Teams in 2027; ESPN Secures Rights to 12 Additional Games

The new agreement brings the Playoff to 23 games, including 16 on-campus matchup...

09/11/2026

SMT Supports All Three NASCAR National Series Championship Broadcasts at Homestead-Miami Speedway

SMT provided production technology and graphics support for all three NASCAR nat...

06/11/2026

Gravity Medias JockeyCam at Center of Melbourne Cup Carnival Busy Week of Horse Racing

It's been a big week in Australia horse racing as the Victoria Racing Club (...

06/11/2026

PBR Expands Production of Teams Championship With Third Mobile Unit, More Cameras

Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...

06/11/2026

University of Alabama Installs Daktronics Displays at Coleman Coliseum

The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...

06/11/2026

NEP Adds IP-Based Flypack Production Kits in the U.S.

NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...

06/11/2026

Telestream Appoints Joseph Hopkins Chief Revenue Officer

Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...

06/11/2026

SVG GameDay, Ep. 38: Texas Rangers Chris DeRuyscher - Livin the Life at Globe Life Field

In-venue and creative video staffers at the professional and collegiate level ha...