
STREAMING MEDIA, March 9, 2017,
Though DASH usage went up by more than 50% over 2015, HLS is still the dominant ABR format
By Jan Ozer
Encoding.com's Global Media Format Report has become an annual barometer for the streaming industry since its inception in 2015, particularly regarding the adoption and usage of codecs and streaming formats. The 2017 report, which covers Encoding.com's production in 2016, provided some very interesting insights. I'll share only a few, so as not to steal the report's thunder, which you can download yourself without registration.
For perspective, the report incorporates data from more than 3,000 clients that uploaded 5.9 petabytes of source video files to Encoding.com's 14 global processing centers, up from 1.45 petabytes in 2015. The peak processing load achieved by Encoding.com was 21,700 simultaneous cores, the equivalent of 684 32-core instances. Interestingly, the average number of target outputs for each source file dropped from 12 to 10, which Encoding.com attributes to content publishers mapping HLS output to a broader set of devices.
One of the most significant findings in the report was the decline of HEVC as an output format, from 6% to 3% (Figure 1). Not surprisingly, Encoding.com attributed this in part to licensing issues surrounding HEVC, stating, we believe HEVC codec license uncertainty and a lack of mobile device compatibility is significantly inhibiting the market from further exploration of this codec and has actually made it retreat. We've covered the mess that HEVC licensors have made in launching HEVC many times, and this is objective proof that it's actually hindered deployment.
Figure 1. VP9 has a strong debut at 11%, HEVC declines from 6% to 3%.
Encoding.com added support for VP9 in 2016, so there are no prior year numbers, but 11% seems like a great start. Here's what the report says: Adding support for the VP9 codec in 2016 was followed by very strong adoption and market interest in VP9 as an alternative to H.264, especially for high-volume customers who benefit from the nearly half the data rate at the same quality when compared with H.264. This confirms the data rate savings touted by Google, though Encoding.com also reports some market hesitation due to the significantly longer encoding times seen with Google's libvpx encoding engine.
HLS is Still the OneIn terms of ABR formats, the report labels HLS as the industry standard, stating, HLS remains the most prominent standard, primarily due to its broad device compatibility (iOS, Android), Browsers, and OTT players (Apple TV, Roku, Fire TV, Chromecast) and is especially popular with video publishers who require sophisticated DRM or dynamic ad insertion integrations. Also supporting the standard is Apple's continued improvement of the protocol. HLS v5 was announced in September 2016 and most notably included support for Fragmented MP4.
DASH support grew from 10% in 2015 to 21% in 2016, though the MPEG LA royalty on DASH wasn't announced until November 2016, so any impact this has on DASH adoption remains to be seen. With an annual royalty cap of $30 million/year, you can expect all potential users to investigate alternatives and to continue to use HLS as long as possible.
Figure 2. HLS continues to dominate, though DASH usage up by more than 50%.
The final observation I'll glean from the report relates to resolution, as you can see in Table 1. Here, 4K made little inroads, increasing from 8%-10%. 720p encodings dropped the most significantly, from 38% to 23%, with 1080p picking up most of the slack, as well as 480p, which rose from 6%-12%, presumably for mobile. Overall, if you've been thinking that 720p was sufficient as your maximum resolution, now may be the time to reconsider.
Table 1. Resolutions from 2015 and 2016.
Other topics of interest include DRM and closed caption format usage, the surge of usage of Dolby audio, cloud storage usage patterns, and which techniques are most commonly used for transit to and from the cloud. Basically, if you're looking for a reality check on any of your encoding decisions or cloud-based workflows, you'll find the report a highly useful tool.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
02/05/2025
WASHINGTON The National Association of Broadcasters has filed a wide-ranging rebuttal to proposals by the pay TV industry that the Federal Communications Commis...
02/05/2025
WASHINGTON As part of an ongoing push to strengthen local reporting, the Corporation for Public Broadcasting (CPB) has awarded a $649,703 grant to the Appalachi...
02/05/2025
With more than 60 members, the Wireless Microphone Spectrum Alliance said it is actively advocating for its RF spectrum through meetings and filings in the Fede...
02/05/2025
WASHINGTON The union representing broadcast technicians is pushing back against a major effort by the National Association of Broadcasters and station owners to...
02/05/2025
MENLO PARK, Calif. Streaming channel provider Future Today has launched its Future Today Marketplace, a new connected TV (CTV) advertising platform that offers ...
02/05/2025
LOS ANGELES The Africa Channel (TAC) said it has launched TAC Labs, a newly created technology unit to provide low-cost AI-powered solutions to help publishers ...
02/05/2025
SAN JOSE, Calif. Roku said it will acquire Frndly TV, a virtual multichannel video programming distributor (vMVPD) geared toward family friendly content that of...
02/05/2025
Riedel Communications, a global leader in real-time video, audio, data, and communications networks, is pleased to announce the opening of a new office in Hong ...
02/05/2025
Since 2012, VES Award-winning studio PFX has delivered visual effects for projects from Napoleon to Stranger Things, but a thriller set inside a car is a fi...
02/05/2025
TAG Video Systems will unveil its latest innovations at MPTS 2025 in Booth A31-32, alongside technology partner Techex. TAG's Realtime Media Platform will b...
02/05/2025
Glensound, a leader in high-quality audio systems, is bringing the latest additions to its portfolio of intercom, commentary and eSports audio solutions to MPTS...
02/05/2025
OpenDrives, Inc., a leading provider of software-defined data storage and data services solutions, is proud to announce that its Atlas software-defined storage ...
02/05/2025
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase its innovative broadcast solutions at BroadcastA...
02/05/2025
LucidLink, the storage collaboration platform for enterprise creative teams, will return to the Media Production & Technology Show (MPTS) on May 14 15, 2025, at...
02/05/2025
Pebble will be showcasing its proven playout solutions at CABSAT 2025 (Dubai World Trade Centre, 13-15 May). With 25 years of expertise in the broadcast industr...
02/05/2025
Encompass Digital Media is leading transformation of the BBC World Service's global distribution from satellite to IP-based delivery. The initiative, which ...
02/05/2025
Larry Jordan Meets With Sonnet at NAB 2025
Brie Clayton May 1, 2025
0 Comments
Greg LaPorte, VP of Sales & Marketing at Sonnet Technologies talks to L...
02/05/2025
Four Boston Conservatory Alumni Nominated for Tony Awards Fifteen alumni from Boston Conservatory at Berklee and Berklee College of Music contributed to nomin...
01/05/2025
As Tanzania approaches a pivotal election year marked by both promise and concern over the impact of artificial intelligence (AI) on media, more than 300 journa...
01/05/2025
Paul Reubens appears in Pee-wee as Himself, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance Institute | photo by Michael Ochs A...
01/05/2025
After four years of lectures, study sessions, exams, and parties, college senior...
01/05/2025
72.4% of overall TV viewing in Q1 2025 is of content that includes advertising
...
01/05/2025
NEW YORK LiveNow From Fox, Fox Television Stations' national news streaming service, has released viewing data showing the first quarter was the best quarte...
01/05/2025
The global installed base of Smart TVs and Connected TV (CTV) devices will reach 4.2 billion units by 2030, growing at a CAGR of 9.6% from 2.65 billion in 2025,...
01/05/2025
Samsung TV Plus has announced that it is expanding its existing lineup of more than 50 sports channels with five new free, ad-supported streaming television (FA...
01/05/2025
MELBOURNE, Fla. Carlo DiMarco has joined USSI Global as vice president of strategic marketing and growth, with responsibility for strategic business development...
01/05/2025
WASHINGTON The NAB has filed a wide-ranging rebuttal to proposals by the pay TV industry that the FCC delete and/or significantly change rules governing retrans...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
Munster and Connacht Football Finals onThe Sunday Game Live
Final two days of t...
01/05/2025
Telling the story: Extensive technical set-up delivers comprehensive Special Oly...
01/05/2025
Just Around the Bend: Olympic Broadcasting Services Readies for the Milano-Corti...
01/05/2025
Wireless Microphone Spectrum Alliance Gets Going With Lobbying To Ensure RF Acce...
01/05/2025
Voice actor and producer Mark Yoshimoto Nemcoff shares his first impressions of the DPA 2017 Shotgun Microphone, from real-world auditions to side-by-side compa...
01/05/2025
With my previous console, Freeman recalls, I always had to run a Waves server for EQ and compression, but when I switched to DiGiCo, I found it was such an op...
01/05/2025
Stream all episodes ofLook Who's Hangry from April 29
An RT Player Original in partnership with Heinz...
01/05/2025
Here is your host, Patrick Kielty!
T naiste, Minister for Foreign Affairs and T...
01/05/2025
Exclusive interviews and un-seen footage feature in new two-part series...
01/05/2025
May brings more than just rainbows and sunshine - it's also time for fresh adventures and epic battles. This GFN Thursday spotlights 20 can't-miss games...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...