Cinematographer Tim Ives, ASC was looking forward to some downtime at home in New York City upon wrapping another season in Atlanta of the Netflix hit series Stranger Things. That is, until he heard the FX miniseries Fosse/Verdon would be going into production in his backyard. Fosse/Verdon chronicles the tumultuous and creatively brilliant relationship between legendary director-choreographer Bob Fosse and renowned dancer Gwen Verdon.
Kelli Barrett as Liza Minelli, Michelle Williams as Gwen Verdon, Sam Rockwell as Bob Fosse.
I grew up in Vermont and for my 10th birthday my mom brought me to New York for the first time to see Bob Fosse's Pippin, Ives recalls. I can still sing those songs because of that experience. Fosse is a big deal here in New York. I was very excited to find a way to pursue it.
Ives sent out some feelers for the series that stars Sam Rockwell and Michelle Williams and has as one of its executive producers Lin-Manuel Miranda of Broadways Hamilton fame. Producer-director Thomas Kail gave the cinematographer a call. Maybe it was kismet or something, but Tommy got my name and saw my work and called, says Ives. I was very excited to work with him and Lin.
With four weeks of prep, Ives began what he calls the fun part of the process picking the right camera and service for the job. His experience with Panavision G Series anamorphic lenses on a pilot for the Syfy show Deadly Class stuck in his mind. I just fell in love with the glass, remembers Ives. When I got this show, I wanted to go further. I was like a kid in a candy store when Panavision laid out all the glass options for me.
With assistance from Panavision New York Senior Marketing Rep Sal Giarratano, all the sampling and testing led Ives to the Primo 70 spherical primes on a Panavised version of Sonys Venice full-frame 6K digital cinema camera. The Primo 70s were further customized to meet Ives' desired aesthetic.
They have a softness and a flare to them that was really unique, Ives explains, and the Sony Venice game me the color separation that I was looking for to match with them. I felt like I was getting a really filmic look that I could manipulate in other ways as we went through the decades on this show.
The cinematographer took advantage of the tunable focus feature with the Primo 70 series. I wanted to have the highlights and flares bloom a little, he says. Dan Sasaki, SVP of Optical Engineering at Panavision Woodland Hills, customized the set of lenses to do just that.
These lenses, Ives continues, certainly have a feel that looks less electronic or digital when combined with the Venice than other combinations I tested at the time. We had to represent five decades, and these lenses worked well through all of them. I also changed the lighting up now and then. The 1950s into the early 60s had a more evenly lit look and less contrast on peoples faces. As we got into the late-1960s and 70s, I added more contrast to the lighting. The lenses handled that very well. Im kind of blown away by them, to tell you the truth.
Tim Ives and Thomas Kail.
If a bloom on a light wasnt quite enough to get the halo Ives sought, he added a light Black Pro-Mist filter to the lens. For some dance and rehearsal shots, he needed a 19-90 mm Primo Compact Zoom (PCZ). Panavision New York came through, not only finding one but also customizing it to match the primes.
The shows lighting also followed the trajectory of Fosse and Verdon's relationship. When times were good, Ives bathed them in soft, attractive light. During their heated arguments, the actors would dip in and out of sources. As the show progressed through time, Ives had to pay particular attention to the makeup. Debbie Zoller did wonderful makeup on the show, and one thing I definitely didnt want to do was hide something she wanted the audience to see, he says.
Although the camera is 6K-capable, Ives shot at 4K resolution. The detail at 4K is just about perfect for what I thought the show should look like, he notes. Fosse was a notorious chain smoker. Interiors would be smoky and we emphasized the atmosphere; its almost a character in the show. The smoke sometimes made the image a little dirty and we wanted that, but otherwise, its a clean look. We mastered the show in SDR and HDR, and I got it pretty much the way I wanted it to look like for both.
Looking back on the production, a standout shot for Ives occurred during the Damn Yankees Broadway show re-creation, where Verdon received a standing ovation after only the first half of the show a rarity. Ives explains, We did a oner' a Steadicam shot off the stage, up the stairs to her dressing room, then back down, onto the stage and 360 degrees around her, with light changes and color shifts throughout. Mark Schmidt is my A-camera/Steadicam operator and Adriana Brunetto-Lipman is our first AC on the show. I was very nervous for both because of the steep stairs, but it was no problem. Its one of my favorite shots, especially because of Michelle Williams' remarkable performance in it.
While looking back on his Panavision experience, Ives notes that this show really was a smooth shoot, and I didnt have a worry. Panavision gave me the ability to approach the project from a very creative place. I felt at ease and well supported. Everything worked wonderfully from a technical standpoint.
Unit photography by Craig Blankenhorn and Michael Parmelee, courtesy of FX.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
29/05/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
29/05/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
29/05/2026
The days are getting longer, the temperatures are rising, and playlists are filling up for the season. With summer around the corner, Spotify's global edito...
29/05/2026
New retro-inspired MPC announced
There are few devices that have gained the status held by Akai Pro's MPC range, and in recent years, the company have s...
29/05/2026
Save up to 30 on acclaimed titles
Following a successful launch at Superbooth 2026, Bjooks have revealed that they will be continuing the Kickstarter campa...
29/05/2026
Binaural monitoring application improved
Genelec have just released an update that brings some powerful new features to their HRTF-based binaural headphone ...
29/05/2026
6 June 2026 at SAE Institute, London, UK
IMSTA FESTA 2026 is almost upon us, with some of the biggest names in pro-audio set to descend upon SAE Institute i...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, died April 12, 2026, at his home in...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Comparing 5 AI Video Enhancers for Restoring Old Video Quality
Kate Luvis May 29, 2026
0 Comments
Digitizing VHS, MiniDV, and other legacy formats doe...
29/05/2026
Studio Hamburg Builds New Post Pipeline with DaVinci Resolve Studio
Brie Clayton May 29, 2026
0 Comments
Workflow replaces a patchwork of legacy tools...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
At the Intersection of Music and Dance, an Epic Collaboration Boston Conservatory musicians and dancers found creative parallels in their recent performance o...
29/05/2026
Back to All News
Latino Film Institute Fellows Screen Their Short Films at the Egyptian Theatre
The Inclusion Fellowship and Spark Animation Grant uplifts 15 ...
29/05/2026
GLOOKAST LAUNCHES CINNAFILM TACHYON PLUGIN FOR MEDIA PRODUCER AND MEDIA SERVICES
This release first appeared here.
Visit our Tachyon product page or contact...
29/05/2026
May 29 2026, 09:00 (PDT) Dolby and rednote Bring More Immersive Storytelling to...
29/05/2026
Something fundamental has shifted in how people consume media. Audiences aren't abandoning television or radio content; they're just expanding how, wher...
29/05/2026
Youtube exclusive special drops today
Watch now
UKTV today announces another e...
29/05/2026
Back to All News
The Official Trailer of Physical 100 Italy, on Netflix From Se...
Cinematographer Tim Ives, ASC was looking forward to some downtime at home in New York City upon wrapping another season in Atlanta of the Netflix hit series Stranger Things. That is, until he heard the FX miniseries Fosse/Verdon would be going into production in his backyard. Fosse/Verdon chronicles the tumultuous and creatively brilliant relationship between legendary director-choreographer Bob Fosse and renowned dancer Gwen Verdon.
