Cinematographer Tim Ives, ASC was looking forward to some downtime at home in New York City upon wrapping another season in Atlanta of the Netflix hit series Stranger Things. That is, until he heard the FX miniseries Fosse/Verdon would be going into production in his backyard. Fosse/Verdon chronicles the tumultuous and creatively brilliant relationship between legendary director-choreographer Bob Fosse and renowned dancer Gwen Verdon.
Kelli Barrett as Liza Minelli, Michelle Williams as Gwen Verdon, Sam Rockwell as Bob Fosse.
I grew up in Vermont and for my 10th birthday my mom brought me to New York for the first time to see Bob Fosse's Pippin, Ives recalls. I can still sing those songs because of that experience. Fosse is a big deal here in New York. I was very excited to find a way to pursue it.
Ives sent out some feelers for the series that stars Sam Rockwell and Michelle Williams and has as one of its executive producers Lin-Manuel Miranda of Broadways Hamilton fame. Producer-director Thomas Kail gave the cinematographer a call. Maybe it was kismet or something, but Tommy got my name and saw my work and called, says Ives. I was very excited to work with him and Lin.
With four weeks of prep, Ives began what he calls the fun part of the process picking the right camera and service for the job. His experience with Panavision G Series anamorphic lenses on a pilot for the Syfy show Deadly Class stuck in his mind. I just fell in love with the glass, remembers Ives. When I got this show, I wanted to go further. I was like a kid in a candy store when Panavision laid out all the glass options for me.
With assistance from Panavision New York Senior Marketing Rep Sal Giarratano, all the sampling and testing led Ives to the Primo 70 spherical primes on a Panavised version of Sonys Venice full-frame 6K digital cinema camera. The Primo 70s were further customized to meet Ives' desired aesthetic.
They have a softness and a flare to them that was really unique, Ives explains, and the Sony Venice game me the color separation that I was looking for to match with them. I felt like I was getting a really filmic look that I could manipulate in other ways as we went through the decades on this show.
The cinematographer took advantage of the tunable focus feature with the Primo 70 series. I wanted to have the highlights and flares bloom a little, he says. Dan Sasaki, SVP of Optical Engineering at Panavision Woodland Hills, customized the set of lenses to do just that.
These lenses, Ives continues, certainly have a feel that looks less electronic or digital when combined with the Venice than other combinations I tested at the time. We had to represent five decades, and these lenses worked well through all of them. I also changed the lighting up now and then. The 1950s into the early 60s had a more evenly lit look and less contrast on peoples faces. As we got into the late-1960s and 70s, I added more contrast to the lighting. The lenses handled that very well. Im kind of blown away by them, to tell you the truth.
Tim Ives and Thomas Kail.
If a bloom on a light wasnt quite enough to get the halo Ives sought, he added a light Black Pro-Mist filter to the lens. For some dance and rehearsal shots, he needed a 19-90 mm Primo Compact Zoom (PCZ). Panavision New York came through, not only finding one but also customizing it to match the primes.
The shows lighting also followed the trajectory of Fosse and Verdon's relationship. When times were good, Ives bathed them in soft, attractive light. During their heated arguments, the actors would dip in and out of sources. As the show progressed through time, Ives had to pay particular attention to the makeup. Debbie Zoller did wonderful makeup on the show, and one thing I definitely didnt want to do was hide something she wanted the audience to see, he says.
Although the camera is 6K-capable, Ives shot at 4K resolution. The detail at 4K is just about perfect for what I thought the show should look like, he notes. Fosse was a notorious chain smoker. Interiors would be smoky and we emphasized the atmosphere; its almost a character in the show. The smoke sometimes made the image a little dirty and we wanted that, but otherwise, its a clean look. We mastered the show in SDR and HDR, and I got it pretty much the way I wanted it to look like for both.
Looking back on the production, a standout shot for Ives occurred during the Damn Yankees Broadway show re-creation, where Verdon received a standing ovation after only the first half of the show a rarity. Ives explains, We did a oner' a Steadicam shot off the stage, up the stairs to her dressing room, then back down, onto the stage and 360 degrees around her, with light changes and color shifts throughout. Mark Schmidt is my A-camera/Steadicam operator and Adriana Brunetto-Lipman is our first AC on the show. I was very nervous for both because of the steep stairs, but it was no problem. Its one of my favorite shots, especially because of Michelle Williams' remarkable performance in it.
While looking back on his Panavision experience, Ives notes that this show really was a smooth shoot, and I didnt have a worry. Panavision gave me the ability to approach the project from a very creative place. I felt at ease and well supported. Everything worked wonderfully from a technical standpoint.
Unit photography by Craig Blankenhorn and Michael Parmelee, courtesy of FX.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
28/01/2026
Top L-R: The Liars, Jazz Infernal, Living with a Visionary
Second Row L-R: Paper Trail, The Baddest Speechwriter of All, Crisis Actor
Third Row: The Boys and ...
28/01/2026
Music discovery should feel intuitive and personal. That's why we're continuing to give you more control, so you can ask for what you want, shape what y...
28/01/2026
Today, Charlie Hellman, Spotify's Head of Music, shared the following note on the Spotify for Artists blog that the company paid out more than $11 billion t...
28/01/2026
The National Film and Video Foundation (NFVF), in partnership with the Oudtshoorn Municipality, invites aspiring and emerging filmmakers to apply for the Sediba...
28/01/2026
As demand for more complex live sports coverage grows, Balkan broadcast specialist MVP has upgraded its flagship HD1 progressive OB truck with the installation ...
28/01/2026
Airlines, cruise and tour operators double down on ad spend as Australians' prioritise travel
Sydney January 28, 2026 - New Nielsen Ad Intel data shows a...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Marshall Electronics launches the CV420-27X, its next-generation ultra-high-definition (UHD) IP camera, at ISE 2026 (Stand 4N900). Engineered for modern IP-base...
28/01/2026
Grass Valley has announced that Television Mobiles Ltd. (TVM), one of Europe's leading independent outside broadcast providers, has carried out a major refu...
28/01/2026
AI, graphics and virtual software power new production capabilities
FOR-A is bringing remarkable new technologies to FOMEX, the Future of Media Exhibition (ex...
28/01/2026
Continuing a longstanding collaboration, Riedel Communications and Nordic media technology company Media Tailor have once again joined forces to deliver a state...
28/01/2026
Pebble has appointed Paul Nagle-Smith as vice president for customer fulfilment, strengthening its senior leadership focus on customer delivery and operational ...
28/01/2026
Cloud playout solutions provider, Veset has announced that leading Mexican broadcaster, TV Azteca is using Veset Nimbus on AWS as a disaster recovery (DR) playo...
28/01/2026
Ensuring it can keep pace with a rapidly evolving live sports market, Balkan broadcast facility provider MVP Most Valuable Production has upgraded its flags...
28/01/2026
Akamai Technologies, Inc. (NASDAQ: AKAM), the cloud solutions provider that powers and protects life online, and Yospace, the leader in dynamic ad insertion tec...
28/01/2026
The renowned Reykjavik City Theatre (RCT) recently underwent a major intercom system upgrade using Clear-Com solutions. This milestone project utilizes Clear-C...
28/01/2026
Luxembourg, January 26, 2026 - SES S.A. ( SES or the Company ), a leading space solutions company, acknowledges the credit rating action announced by Fitch to...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/01/2026
28 01 2026 - Media release Screen Australia refreshes Market & Audience approach...
28/01/2026
Boston Conservatory Orchestra Premieres a New Piano Concerto by Peter and Leonar...
28/01/2026
28 Jan 2026
VEON Notes Kyivstar Group Publication of Selected Full Year 2025 Fi...
28/01/2026
Rohde & Schwarz to host 2026 edition of its online event Demystifying EMC Rohde & Schwarz invites the global EMC community to join a crucial discussion on pre...
28/01/2026
Back to All News
The Wait Is Over: Teaser Trailer Drops for Jo Nesbo's Dete...
28/01/2026
Back to All News
Netflix Announces a Fictional Miniseries Inspired by the Marta del Castillo Case
Entertainment
28 January 2026
GlobalSpain
Link copied to ...
28/01/2026
Back to All News
Netflix Announces Santiago Mitres New Film Starring Ver nica L...
28/01/2026
Back to All News
Netflix Unveils the Teaser Trailer for Berlin and the Lady wit...
28/01/2026
Stadtwerke Wolfhagen Modernize Customer Management with AEP.energysuite from Arv...
27/01/2026
Click for Japanese version
Tokyo, Japan - January 27, 2026 - Akamai Technolo...
27/01/2026
L-R: Jonathan Cuchacovich, Sonia Kennebeck, Alan Fischer, Daeil Kim, Andrew Sta...
27/01/2026
Today, Spotify is proud to support our partner Backline, an industry-leading men...
27/01/2026
With nearly 29 million monthly listeners and clear momentum on Spotify, Net n Ve...
27/01/2026
January 14, 2026
We are proud to share that 25 Ontario, First Gulf's commercial project located just two minutes from our head office, has been recognized ...
27/01/2026
January 22, 2026
First Gulf is excited to share that a full-building lease has been secured at 625 Bronte Rd in Oakville, part of Bronte Station Business Park,...
27/01/2026
January 23, 2026
First Gulf continues to demonstrate its commitment to high-performance, sustainable real estate with 351 King Street East achieving BOMA BEST ...
27/01/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
27/01/2026
Nielsen will continue to drive growth and provide local audience measurement
in...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Share Share by:
Copy link
Facebook
X
Linkedin
Pinterest
Bluesky
Email...
27/01/2026
Amagi Media Labs Limited, the only cloud-native SaaS provider offering end-to-end solutions across live production, content preparation, distribution, and monet...
27/01/2026
Miri Technologies Inc. today unveiled its V410 live 4K video encoder/decoder for streaming, IP-based production workflows and AV-over-IP distribution. Designed ...
27/01/2026
The Paul E. Tsongas Center at UMass Lowell in Massachusetts has chosen Ikegami cameras for incorporation into its broadcast-quality television production facili...
Cinematographer Tim Ives, ASC was looking forward to some downtime at home in New York City upon wrapping another season in Atlanta of the Netflix hit series Stranger Things. That is, until he heard the FX miniseries Fosse/Verdon would be going into production in his backyard. Fosse/Verdon chronicles the tumultuous and creatively brilliant relationship between legendary director-choreographer Bob Fosse and renowned dancer Gwen Verdon.
