
Created by showrunner Abe Sylvia, the Apple TV+ comedic drama Palm Royale navigates the tale of one womans ambitious journey to make it amongst the upper crust, through extravagant settings that evoke the golden era of Life magazine. Cinematographer David Lanzenberg was behind the camera for the first two episodes, working with director Tate Taylor, and then passed the baton to fellow director of photography Todd McMullen, who shot the remaining eight episodes. With support from Panavision Woodland Hills, the cinematographers opted to pair Panaspeed large-format spherical primes with the Millennium DXL2 camera. Here, the collaborators highlight how the series' visual language was distinctly enhanced by the choices made by the art, wardrobe, and hair & make-up departments.
Panavision: Were there any particular visual references you looked at for inspiration?
David Lanzenberg: From the beginning, [executive producers and directors] Abe Sylvia and Tate Taylor had very specific references they wanted Todd and me to follow. The idea was really about following the tone and feeling and opulence of the amazing photography of Slim Aarons, which had a very Kodak Ektrachrome feel from the '60s and '70s, with vivid primary colors.
Todd McMullen: Slim was a World War II Army photographer who, after returning from the war, turned his lens towards attractive people, doing attractive things, in attractive places.' Slim was a master at composing frames that were inclusive, stylish, bold, and included the landscape and architecture of the changing time period.
How would you describe the look of Palm Royale?
McMullen: Visually, the show presents a retro style that is aspirational, inviting, and center-punches a bold new color palette that was blooming in the '60s. We dig into the patterns, the fabrics and the daring styles that were emerging. America was coming out of the black-and-white, monotone flavor of the '50s and starting to bleed color. And because the story is set in Palm Beach, Florida, it felt appropriate to keep our world warm and sunny and welcoming.
Lanzenberg: I remember in my first meeting with Tate Taylor, I said, Im really interested in telling the story with one camera. Every show is different, but for Palm Royale, to set that tone and look in the first two episodes, having only one camera really helped. There are some scenes by the pool where the positioning of where everything was placed in the background was very calculated with the operator. There was a certain symmetry. The attention to detail within the set dressing, within the staging, when we would go to a close-up, when we wouldnt everything was very important. It was great to be able to do that.
What brought you to Panavision for this project?
Lanzenberg: Todd was on another show when I started prep on the first two episodes of Palm Royale, but this show was a great opportunity to come back to Panavision and achieve something special. Panavision is a very familiar environment no matter where you are in the world, be it Canada, New York, L.A., Paris. There is very much a close-knit community.
McMullen: Panavision is the first collaboration call for me on any project. The reasons are lengthy, but the service, selection of tools, and the experience in crafting those tools is paramount and accessible. Also, the Panavision team is unwavering they will help you find your solutions without hesitation. And the number of locations they have around the world to access equipment is a sigh of relief.
What led to your choice of Panaspeed lenses and the Millennium DXL2 camera?
McMullen: As David said, I was on another show when Palm Royale started, so David and 1st AC Chad Rivetti had the fun of landing the right equipment for the look, and the Panaspeeds fit the bill. They were brilliant in their speed, look and imperfections' for framing the colorful world of the '60s. Also, the DXL2 is such a workhorse and has the large-format capabilities and a sensor that I feel is natural and smooth.
Lanzenberg: I'd appreciated working with that camera in the past because it has a certain print' quality that's achievable with its Monstro sensor. To me, it's reminiscent texture-wise of some of the films of the '70s that I grew up with and really appreciate. One of the things with shooting digitally sometimes is that youre losing that texture that you were able to manipulate with film. As a cinematographer, you still want to be able to have that input, and one of the things with the DXL2 is that it does allow you to have that. One shoe doesnt fit all, and different cameras will definitely give you different options, but this one added a print quality that I appreciate.
What optical characteristics did you see in the Panaspeeds that made them the right match for Palm Royale?
Lanzenberg: On a previous show, I had tested Panaspeeds and really liked them. Theres a certain gentleness within the image, and there's a three-dimensionality that I would normally get with anamorphic lenses. When the opportunity came to work on Palm Royale, we did quite a few tests with other lenses that Panavision provided, but those were always in the back of my mind. It was great to have them, and we used them with these anamorphic flare attachments that Dan Sasaki has come up with, so we were able to create this very subtle tone to the image that had slight aberrations to the background or the edges and how the focus would react in certain parts of the distance. With that combination, we had the best of all worlds.
How does this project differ from others in your career?
McMullen: Palm Royale was a wonderful project to pivot from the darker and moodier tones I'm normally associated with in storytelling. I felt it was certainly a comedy, but the story emotionally had an edge and layers of underlyin
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
12/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/09/2026
WUPPERTAL, Germany Sept. 11, 2026 From July 6 to Aug. 23, 2026, Paris hosted the Esports World Cup (EWC), a seven-week live production spanning eight stages...
12/09/2026
Riedel Communications today announced that Mediacom has purchased and deployed Easy5G , Riedel's Private 5G solution, for live broadcast coverage of La Vuel...
12/09/2026
AMP VISUAL TV is continuing the evolution of its production infrastructure with further investments in Riedel technology across its OB fleet and fixed productio...
12/09/2026
Riedel Communications today announced that Touring Video, a premier entertainment mobile production service company, continues to expand its production workflow...
12/09/2026
Atomos (7.B19) today announced new third-party accessories for Sumo PRO-19 and Shinobi 7 II, developed by SHAPE and SmallRig to give production teams more ways ...
12/09/2026
Deity Microphones Brings PR 2ii, TC-2, and D4RX to IBC2026
Brie Clayton September 11, 2026
0 Comments
The Deity PR-2ii arrives with production firmwar...
12/09/2026
Blackmagic Design Announces Special Pricing for Ultra HD Products
Brie Clayton September 11, 2026
0 Comments
Now customers can afford to upgrade to Ul...
12/09/2026
Grass Valley EDIUS Future Assurance Program launched at IBC2026
Brie Clayton September 11, 2026
0 Comments
New program gives EDIUS customers access to...
12/09/2026
Berklee Students Develop New Ideas for Live Entertainment and Travel in London This summer, a group of music business students collaborated with Heathrow, Bri...
11/09/2026
Calrec will introduce two new products at IBC2026 (Stand 8.C47, RAI Amsterdam, September 11-14): the Type RT broadcast production console and the Apex M6 Modula...
11/09/2026
Grass Valley has announced AVORA, a standalone all-in-one live production solution launching at IBC2026 (Booth 9.A01 and IBC Future Tech Zone, Stand 14.C49, Sep...
11/09/2026
CAMB.AI is introducing its Streaming SDK and Streaming Dashboard at IBC2026, wit...
11/09/2026
EVS has announced XT-S, a software-defined server platform that runs multiple live production applications on a common hardware foundation. The platform debuts ...
11/09/2026
EKT is demonstrating a new Linux-based ATSC 3.0 set-top box at IBC2026. The second-generation product moves away from Android to reduce memory costs, with Linux...
11/09/2026
The Sennheiser Group will exhibit at IBC2026 (Hall 8, Booth D50, September 11-14...
11/09/2026
ESPN's Monday Night Football will open its 2026-27 season with a new renditi...
11/09/2026
Dalet has announced an integration of NVIDIA's Synthetic Video Detector AI model into Dalet Flex, enabling media organizations to identify potentially AI-ge...
11/09/2026
The Media Coding Industry Forum (MC-IF) will demonstrate Versatile Video Coding (VVC) capabilities at IBC2026 (Hall 2, Stand 2.B13), as the codec moves toward c...
11/09/2026
Sony will exhibit at IBC2026 (Hall 13, September 11-14), demonstrating products across live production, news, cinema, and immersive and spatial content workflow...
11/09/2026
Wave Central, a Domo Broadcast Company, has been named a recipient of a 2026 Tec...
11/09/2026
Studio Network Solutions (SNS) is bringing a pair of workflow updates to IBC2026...
11/09/2026
iodyne will co-exhibit with Hedge at IBC2026 (Booth 7.A36, September 11-14) and appear across three additional partner booths, marking the first public demonstr...
11/09/2026
In-venue and creative video staffers at the professional and collegiate level ha...
11/09/2026
The network will phase in HDR crew by crew while expanding Next Gen Stats integration, SkyDry availability, and onsite studio shows...
11/09/2026
CAMB.AI is introducing its new Streaming SDK and Streaming Dashboard at IBC2026,...
11/09/2026
Massive host operation at Melbourne Cricket Ground featured 54 cameras, 25,000 ST 2110 flows, REMI studio production in Stamford, and global distribution to mor...
11/09/2026
Production Anywhere Remote Kit (PARK) & AR-fueled Stage B are two key pieces to ...
11/09/2026
By Ramona Flume and Lucy Spicer
There's a particular kind of magic that hap...
11/09/2026
By Jessica Herndon
The fall film season is kicking off, and Sundance Institute-...
11/09/2026
Spark series gains compact modelling stompbox
Positive Grid's Spark amps have become a popular part of the company's line-up, offering a convenient ...
11/09/2026
New flagship sequencing plug-in revealed
Rapid Flow have just launched a new 16-track sequencer plug-in which they say has been designed for total rhythmic...
11/09/2026
Rohde & Schwarz unveils the air-cooled R&S TM1 medium-power UHF transmitter at I...
11/09/2026
FIFA World Cup 2026 and Peacock's Love Island USA' Power NBCU-Versant ...
11/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/09/2026
Lightware has announced the launch of LARA (Lightware Advanced Room Automation) 2.0, a major upgrade to its built-in room automation platform, introducing impro...
11/09/2026
10 September 2026 - MusiMap, the B2B music intelligence company that is transforming how companies can harness the emotional power of music to reach consumers a...
11/09/2026
Matrox Video today announced an integration between Matrox ORIGIN and NVIDIA Holoscan for Media, enabling Matrox ORIGIN media services to be provisioned, config...
11/09/2026
Net Insight today announced that its cloud-native live media orchestration is now available through Oracle Cloud Marketplace, providing broadcasters, production...
11/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/09/2026
Version 1.8 will bring advanced routing control, new workflow tools, boosted control panel flexibility and ease of integration into IP networks...
11/09/2026
Ikegami announces four additions its UNICAM XE range of 4K-UHD cameras with the introduction of the UHK-X700VN, UHK-X750VN, UHK-X600VN and UHK-X650VN. Developed...