The Panavision group is proud to have supported many of the projects that have been recognized with a 2024 Emmy nomination, including:
Baby Reindeer
Outstanding Limited or Anthology Series
Cinematography by Krzysztof Trojnar & Annika Summerson
Gaffers: Alex Edyvean & Bernie Rostoski
Serviced by Panalux London
The Bear Season 2
Outstanding Cinematography For A Single-Camera Series (Half Hour), Forks, cinematography by Andrew Wehde
Outstanding Comedy Series
Serviced by Panavision Chicago
Bob Hearts Abishola Season 5
Outstanding Cinematography for a Multi-Camera Series, These Giants Are Flexible, cinematography by Patti Lee, ASC
Serviced by Panavision Woodland Hills
The Conners Season 6
Outstanding Cinematography for a Multi-Camera Series, Fire and Vice, cinematography by Donald A. Morgan, ASC
Serviced by Panavision Woodland Hills
The Crown Season 6
Outstanding Cinematography for a Series (One Hour), Ritz, cinematography by Sophia Olsson
Outstanding Cinematography for a Series (One Hour), Sleep, Dearie Sleep, cinematography by Adriano Goldman, ASC, BSC, ABC
Outstanding Drama Series
Gaffers: Andy Lowe & Chris Stones
Serviced by Panavision London & Panalux London
Frasier Season 1
Outstanding Cinematography for a Multi-Camera Series, Reindeer Games, cinematography by Gary Baum ASC
Serviced by Panavision Woodland Hills
The Gilded Age Season 2
Outstanding Drama Series
Cinematography by Manuel Billeter, SCS & Lula Carvalho, ASC, ABC
Serviced by Panavision New York
Griselda
Outstanding Cinematography for a Limited or Anthology Series or Movie, Middle Management, cinematography by Armando Salas, ASC
Serviced by Panavision Woodland Hills & Light Iron Los Angeles, final color by supervising colorist Ian Vertovec and senior colorist Ethan Schwartz
Hacks Season 3
Outstanding Cinematography for A Single-Camera Series (Half Hour), Just for Laughs, cinematography by Adam Bricker, ASC
Outstanding Comedy Series
Serviced by Panavision Hollywood
How I Met Your Father Season 2
Outstanding Cinematography for a Multi-Camera Series, Okay Fine, It's a Hurricane, cinematography by Gary Baum, ASC
Serviced by Panavision Woodland Hills
Lessons in Chemistry
Outstanding Cinematography for a Limited or Anthology Series or Movie, Little Miss Hastings, cinematography by Zachary Galler
Outstanding Picture Editing for a Comedy Series
Serviced by Light Iron Los Angeles, final color by supervising colorist Ian Vertovec
Night Court Season 2
Outstanding Cinematography for a Multi-Camera Series, A Night Court Before Christmas, cinematography by Wayne Kennan, ASC
Serviced by Panavision Woodland Hills
Palm Royale
Outstanding Comedy Series
Cinematography by David Lanzenberg and Todd McMullen
Serviced by Panavision Woodland Hills
Physical Season 3
Outstanding Cinematography for a Single-Camera Series (half hour), Like a Rocket, cinematography by Jimmy Lindsey, ASC
Serviced by Panavision Woodland Hills
Red, White & Royal Blue
Outstanding Television Movie
Cinematography by Stephen Goldblatt, ASC, BSC
Gaffer: Martin Cox
Serviced by Panavision London & Panalux London
Reservation Dogs Season 3
Outstanding Cinematography for a Single-Camera Series (half hour), Deer Lady, cinematography by Mark Schwartzbard
Outstanding Comedy Series
Outstanding Picture Editing for a Comedy Series
Serviced by Panavision Dallas & Light Iron Los Angeles, final color by supervising colorist Corinne Bogdanowicz
Ripley
Outstanding Cinematography for a Limited or Anthology Series or Movie, V Lucio, cinematography by Robert Elswit, ASC
Outstanding Limited or Anthology Series
Serviced by Panavision Woodland Hills
Scoop
Outstanding Television Movie, cinematography by Nanu Segal, BSC
Serviced by Panavision London
Slow Horses Season 3
Outstanding Drama Series
Cinematography by Danny Cohen, BSC & David Chizallet
Gaffer: Paul McGeachan
Serviced by Panavision London & Panalux Manchester
Sugar
Outstanding Cinematography for a single-Camera series (half hour), Starry Eyed, cinematography by Richard Rutkowski, ASC
Serviced by Panavision Woodland Hills
True Detective: Night Country
Outstanding Cinematography for a Limited or Anthology Series or Movie, Part 6, cinematography by Florian Hoffmeister, BSC
Outstanding Limited or Anthology Series
Serviced by Panavision London
Unfrosted
Outstanding Television Movie
Cinematography by Bill Pope
Serviced by Panavision Woodland Hill
The Upshaws Season 3
Outstanding Cinematography for a Multi-Camera Series (Half Hour), Forbidden Fruit, cinematography by Chuck Ozeas
Serviced by Panavision Woodland Hills
What We Do in the Shadows Season 5
Outstanding Comedy Series
Outstanding Picture Editing for a Comedy Series
Cinematography by DJ Stipsen, NZCS
Serviced by Light Iron Los Angeles, final color by senior colorist Ethan Schwartz
Winning Time Season 2
Outstanding Cinematography for a Series (One Hour), Beat L.A., cinematography by Todd Banhazl, ASC
Serviced by Panavision Woodland Hills
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