2024 Emmy Nominees Supported by the Panavision Group

The Panavision group is proud to have supported many of the projects that have been recognized with a 2024 Emmy nomination, including:

Baby Reindeer

Outstanding Limited or Anthology Series

Cinematography by Krzysztof Trojnar & Annika Summerson

Gaffers: Alex Edyvean & Bernie Rostoski

Serviced by Panalux London

The Bear Season 2

Outstanding Cinematography For A Single-Camera Series (Half Hour), Forks, cinematography by Andrew Wehde

Outstanding Comedy Series

Serviced by Panavision Chicago

Bob Hearts Abishola Season 5

Outstanding Cinematography for a Multi-Camera Series, These Giants Are Flexible, cinematography by Patti Lee, ASC

Serviced by Panavision Woodland Hills

The Conners Season 6

Outstanding Cinematography for a Multi-Camera Series, Fire and Vice, cinematography by Donald A. Morgan, ASC

Serviced by Panavision Woodland Hills

The Crown Season 6

Outstanding Cinematography for a Series (One Hour), Ritz, cinematography by Sophia Olsson

Outstanding Cinematography for a Series (One Hour), Sleep, Dearie Sleep, cinematography by Adriano Goldman, ASC, BSC, ABC

Outstanding Drama Series

Gaffers: Andy Lowe & Chris Stones

Serviced by Panavision London & Panalux London

Frasier Season 1

Outstanding Cinematography for a Multi-Camera Series, Reindeer Games, cinematography by Gary Baum ASC

Serviced by Panavision Woodland Hills

The Gilded Age Season 2

Outstanding Drama Series

Cinematography by Manuel Billeter, SCS & Lula Carvalho, ASC, ABC

Serviced by Panavision New York

Griselda

Outstanding Cinematography for a Limited or Anthology Series or Movie, Middle Management, cinematography by Armando Salas, ASC

Serviced by Panavision Woodland Hills & Light Iron Los Angeles, final color by supervising colorist Ian Vertovec and senior colorist Ethan Schwartz

Hacks Season 3

Outstanding Cinematography for A Single-Camera Series (Half Hour), Just for Laughs, cinematography by Adam Bricker, ASC

Outstanding Comedy Series

Serviced by Panavision Hollywood

How I Met Your Father Season 2

Outstanding Cinematography for a Multi-Camera Series, Okay Fine, It's a Hurricane, cinematography by Gary Baum, ASC

Serviced by Panavision Woodland Hills

Lessons in Chemistry

Outstanding Cinematography for a Limited or Anthology Series or Movie, Little Miss Hastings, cinematography by Zachary Galler

Outstanding Picture Editing for a Comedy Series

Serviced by Light Iron Los Angeles, final color by supervising colorist Ian Vertovec

Night Court Season 2

Outstanding Cinematography for a Multi-Camera Series, A Night Court Before Christmas, cinematography by Wayne Kennan, ASC

Serviced by Panavision Woodland Hills

Palm Royale

Outstanding Comedy Series

Cinematography by David Lanzenberg and Todd McMullen

Serviced by Panavision Woodland Hills

Physical Season 3

Outstanding Cinematography for a Single-Camera Series (half hour), Like a Rocket, cinematography by Jimmy Lindsey, ASC

Serviced by Panavision Woodland Hills

Red, White & Royal Blue

Outstanding Television Movie

Cinematography by Stephen Goldblatt, ASC, BSC

Gaffer: Martin Cox

Serviced by Panavision London & Panalux London

Reservation Dogs Season 3

Outstanding Cinematography for a Single-Camera Series (half hour), Deer Lady, cinematography by Mark Schwartzbard

Outstanding Comedy Series

Outstanding Picture Editing for a Comedy Series

Serviced by Panavision Dallas & Light Iron Los Angeles, final color by supervising colorist Corinne Bogdanowicz

Ripley

Outstanding Cinematography for a Limited or Anthology Series or Movie, V Lucio, cinematography by Robert Elswit, ASC

Outstanding Limited or Anthology Series

Serviced by Panavision Woodland Hills

Scoop

Outstanding Television Movie, cinematography by Nanu Segal, BSC

Serviced by Panavision London

Slow Horses Season 3

Outstanding Drama Series

Cinematography by Danny Cohen, BSC & David Chizallet

Gaffer: Paul McGeachan

Serviced by Panavision London & Panalux Manchester

Sugar

Outstanding Cinematography for a single-Camera series (half hour), Starry Eyed, cinematography by Richard Rutkowski, ASC

Serviced by Panavision Woodland Hills

True Detective: Night Country

Outstanding Cinematography for a Limited or Anthology Series or Movie, Part 6, cinematography by Florian Hoffmeister, BSC

Outstanding Limited or Anthology Series

Serviced by Panavision London

Unfrosted

Outstanding Television Movie

Cinematography by Bill Pope

Serviced by Panavision Woodland Hill

The Upshaws Season 3

Outstanding Cinematography for a Multi-Camera Series (Half Hour), Forbidden Fruit, cinematography by Chuck Ozeas

Serviced by Panavision Woodland Hills

What We Do in the Shadows Season 5

Outstanding Comedy Series

Outstanding Picture Editing for a Comedy Series

Cinematography by DJ Stipsen, NZCS

Serviced by Light Iron Los Angeles, final color by senior colorist Ethan Schwartz

Winning Time Season 2

Outstanding Cinematography for a Series (One Hour), Beat L.A., cinematography by Todd Banhazl, ASC

Serviced by Panavision Woodland Hills

LINK:	https://www.panavision.com/highlights/highlights-detail/2024-emmy-nomi...
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