
How can broadcasters solve the archive footage storage conundrum? posted: 22/05/2019
by Tim Jobling, CTO, Imagen
Archives prior to the Digital Age
In live production, archive footage plays a hugely important role - allowing broadcasters and media production companies to build previous events and interviews into new programming to create a more compelling viewing experience. For instance, in the build-up to The US Open, broadcasters will often use historic content from previous golf tournaments to add to the excitement, create a narrative and, sometimes, to ensure the programme is long enough to fill the time allocated to it. However, when trying to access archive footage, broadcasters can be faced with significant challenges as it is often saved in different places across disparate systems.
The ability to share and store content
Most broadcasters tend to have facilities in a number of locations and, as a result, storing and sharing content amongst themselves and with other organisations, along with multiple users, causes a major headache. Often, a number of databases or file sharing platforms are in use and content can't be found easily. This content may then be impossible to recreate, or if it can be, it's at a large cost to the business. Similarly, with employees for an organisation often spread out across the globe, there are ineffective systems in place to store and share content and once a person leaves the business, they take their knowledge of where content is located with them.
Also, with so much new content being created on a daily basis, the amount of archive material held by broadcasters is only increasing. While they may be able to overcome the issue of storing that footage, finding it again can present a whole new series of problems. For instance, how is it organised, what format is it in and how can they find specific video clips at any given time? With such a vast library, pinpointing a certain piece that contains a particular goal from the 1998 World Cup can become a mammoth task. So, how can broadcasters overcome these challenges and calm the headache the storage of archive footage presents?
Solving the dilemma
As the creation of new content builds, this has meant the amount of older material created by broadcasters and media companies has also increased. As a result, the size and scale of the problem they are dealing with in terms of the management and storage of content will grow only in tandem. To alleviate this, these organisations must look to implement a more robust cloud-based solution which will ensure their digital assets are not only protected but also reusable for the future. While this will require a small initial investment of time and money to implement, it is a low-risk, high-reward option which will allow broadcasters to safely store, search and share content internally.
Among the benefits offered by a video management platform is the opportunity to monetise content. In recent years, we have seen nearly every major broadcaster use the wealth of programmes or footage they have stored online to create VOD services. While smaller broadcasters won't have a back catalogue on the same scale as national or international broadcasters such as the BBC, which is thought to have an archive consisting of about 1 million hours, moving to a single, digitised catalogue of content can open up new revenue streams in the form of their own VOD platforms. This will allow smaller broadcasters or production companies to showcase their historic content and tap into the trend of consumers re-watching old' content, the popularity of which has been demonstrated by Netflix and the revelation that Friends is among the most-watched programmes on the platform.
Furthermore, adopting a single digital solution may give broadcasters the push they need to digitise archive footage which may currently only exist on film or video and which is therefore easily lost, damaged or destroyed. This is something most of us can relate to in our personal lives, with many of us likely to have old photo albums from our childhood or video tapes containing camcorder footage stored in shoeboxes or at the back of a cupboard. However, with so much sentimental value often attached to this content, most of us are willing to pay for a cloud solution that will allow us to digitise and store all this content in one place, giving us assurance of its long-term security. This idea also applies to broadcasters but on a much bigger scale and for them, the risk of footage getting lost or damaged could create major problems. While it won't have the same sentimentality, it will have a large monetary value and may be impossible to recreate.
In recent years, the broadcast space has become increasingly competitive and this shows no signs of slowing down as new streaming services are launched and broadcasters vie for the rights to sports events, film and TV series. As a result, there is even more reason to address the challenge of storing existing content, as those who fail to do so will only see the problem worsen with the effects most keenly felt on the quality of their output. Conversely, broadcasters that act and implement a new solution will benefit hugely from a more efficient system that grants peace of mind and ease of use, as well as the potential to create new revenue streams.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
19/04/2026
Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...
19/04/2026
Grass Valley is finding the right balance between its hardware heritage with an ...
19/04/2026
Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...
19/04/2026
Program Productions, the live sports production industry's leading crewer, i...
19/04/2026
At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...
19/04/2026
At its 2026 NAB Show keynote event, Ross Video came out swinging with one of its...
19/04/2026
Evertz (Booth N817) is set to present new services within its evertz.io platform...
19/04/2026
Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...
19/04/2026
Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...
19/04/2026
Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...
19/04/2026
Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...
19/04/2026
Cobalt Digital (Booth N1340) will introduce the blueCORE family of standalone si...
19/04/2026
Chyron and Asport (Booth N2441) will demonstrate an integrated sports video work...
19/04/2026
MediaKind (Booth W1743) provided an update on its Multiview deployments at NAB S...
19/04/2026
Calrec (Booth C6907) and Grass Valley (Booth C2408) announced a long-term broadc...
19/04/2026
Oracle is bringing a multi-partner demonstration of Media over QUIC (MoQ)-based live streaming to NAB Show 2026, showcasing how independent systems from multipl...
19/04/2026
Encompass Digital Media announced an expanded partnership with Oracle Cloud Infr...
19/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
19/04/2026
Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...
19/04/2026
Now available in VST3, AU and AAX formats
Waves have recently released an update that extends their vocal-alignment plug-in's capabilities to all DAWs -...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Amagi, the agentic industry cloud platform for unified broadcast, streaming, and monetization, today announced that AccuWeather , the most trusted source of wea...
19/04/2026
Calrec (Booth:C6907) and Grass Valley (Booth: C2408) are today announcing a long-term broadcast audio technology partnership at NAB Show 2026. The companies are...
19/04/2026
Ikegami announces a further expansion to its range of on-camera viewfinders. Scheduled for introduction on Ikegamis Central Hall booth C3819 at the April 19th -...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/04/2026
Wuppertal April 19, 2026
Riedel's SimplyLive Solution Powers Centralized V...
19/04/2026
Wuppertal April 19, 2026
Bridge Digital and Riedel Build Campus Wide ST 2110 N...
19/04/2026
Wuppertal April 19, 2026
Riedel Showcases Next Advances in IP-Based Production at NAB 2026MediorNet HorizoN ST 2110 MultiViewer App, SmartPanel Commentary Con...
19/04/2026
Harmonic's Cloud-Native VOS Media Software Lowers Costs by Unifying Media Playout to Delivery on a Single Platform SAN JOSE, Calif. - April 19, 2026 - Harmo...
18/04/2026
MultiDyne Video & Fiber Optic Systems has begun shipping the C16-AM-12G audio mo...
18/04/2026
FOR-A America is set to detail AI functionality for its software-defined IMPULSE...
18/04/2026
Cobalt Digital and SineSix Media have announced a partnership to integrate the v...
18/04/2026
The ATSC, the broadcast standards association, is highlighting the status of the ATSC 3.0 internet protocol-based broadcast standard at the 2026 NAB Show. The e...
18/04/2026
Bolin Technology has introduced a new range of hardware for live production envi...
18/04/2026
KMH Integration is participating in the 2026 NAB Show, focusing on its AV Casti...
18/04/2026
Appear has appointed Mike Burk as vice president of business development for North America. Burk brings over two decades of experience in the broadcast and live...
18/04/2026
Skyline Communications is showcasing its DataMiner platform and the new DataMine...