Sony Pixel Power calrec Sony

AT&T SportsNet Rocky Mountain Spins Up Multi-City Model for Vegas Golden Knights Away Games

07/05/2021

AT&T SportsNet Rocky Mountain Spins Up Multi-City Model for Vegas Golden Knights Away Games Facilities in Las Vegas, Denver, and Atlanta handle pre/postgame and intermission shows By Jason Dachman, Chief Editor

Friday, May 7, 2021 - 1:54 pm

Print This Story | Subscribe

Story Highlights

Every RSN across the country has had to adapt to a new normal as a result of the pandemic, with most forced into an enhanced world-feed model in lieu of a dedicated truck and crew onsite for away games. AT&T SportsNet Rocky Mountain, however, has come up with a whole new approach for Vegas Golden Knights productions. The Denver-based RSN is deploying four touch points to broadcast Golden Knights away games: its Downtown Denver production facility, the studio at the team's Vegas headquarters, the away-team venue, and AT&T Sports Networks Master Control in Atlanta.

The fans have no idea how difficult it is to get these games done because they look just as good as if [we were onsite], says AT&T SportsNet Rocky Mountain Chief Engineer Mytch Barnes. It's definitely a whole new animal, but the fact that the audience at home has no idea makes us very happy. When the engineers are doing their job, no one notices us.

Pre-COVID: Building a Multi-City Operation AT&T SportsNet Rocky Mountain has transformed a conference room into the announce booth for Colorado Rockies away games.

In the Golden Knights' 2017-18 inaugural season, all productions were done in Denver at the AT&T SportsNet Rocky Mountain studio. The following year, the Golden Knights and the RSN worked with system integrator Alpha Video to build a full studio, calling it Studio 31 (as the NHL's 31st team), at the team's City National Arena headquarters in Vegas. Talent for pregame/intermission/postgame shows were located at the Vegas studio, but the crew - producer/director, TD, replay, graphics - were located at the RSN's control room 762 miles away in Denver.

Then COVID came and changed the game for everybody, says Barnes. Our talent was no longer allowed to travel so we had to find a place for the in-game talent. But we had only one studio at City National Arena, so that complicated things. Less than a year into launching that studio, we basically had to redesign how everything was going to function.

COVID's Impact on the Vegas Facility At AT&T SportsNet Rocky Mountain's Denver facility, which produces both Vegas Golden Knights and Colorado Rockies games, a graphics suite is now the production-control room.

AT&T Sportsnet Rocky Mountain opted to put play-by-play announcer Dave Goucher and game analyst Shane Hnidy in the primary studio and move pre/postgame and intermission host Daren Millard and studio analysts Mike McKenna and Darren Eilot down the hall to the Mackenzie River Grill restaurant at City National Arena

AT&T SportsNet Rocky Mountain had 12 Haivision encode/decode channels running between Vegas and its Denver facility but was using only eight of them to populate the monitors in the Vegas studio. The four extra channels are now being used to send feeds from the Denver control room to the new makeshift studio at Mackenzie River Grill: the AD router that allows the producer in Denver to show any video feed to the talent in Vegas, a hardline for graphics, a program feed, a world clean feed from the away arena. Vegas sends three cameras to Denver: two from the pre/post/intermission show in the restaurant and one from the play-by-play and analyst in the studio.

We had to work closely with our [IT] network team and with the [Golden Knights' IT] network team to even make this all possible, says Barnes. The team's network folks are not necessarily broadcast folks, so they had to do a lot of learning along the way with us to be able to make sure that their switches were provisioned properly to allow all this traffic since we're pushing 300-400 Mbps per show with all the video that's going back and forth.

An edit bay at AT&T SportsNet Rocky Mountain's facility is now a replay room.

To connect the five talent and six crew members involved in the productions, the RSN uses a mix of Unity Intercom (for the restaurant studio) and RTS RVON (for the main studio) comms systems.

Comms was an interesting hurdle to overcome, notes Barnes. We were some early adopters of Unity, and we were already set up with Unity before any of this happened. We rely pretty heavily on Unity to get our intercoms around [City National Arena] because there is no connectivity from the studio to the restaurant.

For game production, the RSN's Mobile TV Group truck remains onsite, with the production crew socially distanced across the truck and three rooms near the truck dock.

COVID's Impact on the Denver Effort Another edit bay in Denver is now the scorebug-graphic workstation.

To serve the new COVID-era production model for both Golden Knights and Colorado Rockies games, AT&T SportsNet Rocky Mountain also had to drastically revamp its Downtown Denver production facility. The primary control room previously used for studio shows became the home of away-game productions (using the world feed provided by the home-team broadcaster), and Rockies pre/post-game talent remained in the studio. Meanwhile, what used to be a conference room became the away-game booth for Rockies announcers Drew Goodman, Jeff Huson, and Ryan Spilborghs.

The office space previously occupied by creative services (all non-essential personnel outside the live production are still working remotely) was transformed into a makeshift control room for the Golden Knights and Rockies studio shows. The provisional control room houses the producer, director, camera shading, and A2 for audio and houses eight large monitors, six comms station, and all necessary router panels.

AT&T SportsNet Rocky Mountain's makeshift control ro
LINK: https://www.sportsvideo.org/2021/05/07/att-sportsnet-rocky-mountain-sp...
See more stories from svg

More from Sports Video Group

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...

19/04/2026

NAB 2026: Cobalt Digital introduces blueCORE standalone processors for SDI and ST 2110 workflows

Cobalt Digital (Booth N1340) will introduce the blueCORE family of standalone si...

19/04/2026

NAB 2026: Chyron and Asport to demonstrate AI-driven end-to-end sports production and distribution workflows

Chyron and Asport (Booth N2441) will demonstrate an integrated sports video work...

19/04/2026

NAB 2026: MediaKind outlines growth of Multiview deployments as Charter rollout expands in North America

MediaKind (Booth W1743) provided an update on its Multiview deployments at NAB S...

19/04/2026

NAB 2026: Calrec and Grass Valley announce partnership to integrate ImPulseV with AMPP platform

Calrec (Booth C6907) and Grass Valley (Booth C2408) announced a long-term broadc...

19/04/2026

NAB 2026: Oracle and partners to demo MoQ-based streaming ecosystem

Oracle is bringing a multi-partner demonstration of Media over QUIC (MoQ)-based live streaming to NAB Show 2026, showcasing how independent systems from multipl...

19/04/2026

NAB 2026: Encompass Digital Media and Oracle Cloud Infrastructure expand partnership for cloud-native broadcast operations

Encompass Digital Media announced an expanded partnership with Oracle Cloud Infr...

19/04/2026

SportsTechBuzz at NAB 2026, Day 1: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

19/04/2026

NAB 2026: Blackmagic Design Announces ATEM 4 M/E Constellation IP Switchers

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

18/04/2026

NAB 2026: MultiDyne begins shipping C16-AM-12G audio monitor for SDI and IP workflows

MultiDyne Video & Fiber Optic Systems has begun shipping the C16-AM-12G audio mo...

18/04/2026

NAB 2026: FOR-A America announces AI updates for IMPULSE platform and release of MixBoard and HVS-Q12 switchers

FOR-A America is set to detail AI functionality for its software-defined IMPULSE...

18/04/2026

NAB 2026: Cobalt Digital and SineSix Media integrate audio description technology for broadcast workflows

Cobalt Digital and SineSix Media have announced a partnership to integrate the v...

18/04/2026

NAB 2026: ATSC focuses on 3.0 broadcast standard implementation at NAB Show 2026

The ATSC, the broadcast standards association, is highlighting the status of the ATSC 3.0 internet protocol-based broadcast standard at the 2026 NAB Show. The e...

18/04/2026

NAB 2026: Bolin Technology introduces Range PTZR camera, R9-L420N PTZ, and KBD Plus controller

Bolin Technology has introduced a new range of hardware for live production envi...

18/04/2026

NAB 2026: KMH Integration showcases AV Casting workflow approach and new technology at NAB 2026

KMH Integration is participating in the 2026 NAB Show, focusing on its AV Casti...

18/04/2026

NAB 2026: Appear appoints Mike Burk as vice president of business development

Appear has appointed Mike Burk as vice president of business development for North America. Burk brings over two decades of experience in the broadcast and live...

18/04/2026

NAB 2026: Skyline Communications demonstrates DataMiner platform and AI capabilities at NAB Show

Skyline Communications is showcasing its DataMiner platform and the new DataMine...

18/04/2026

NAB 2026: Telos Alliance unveils new broadcast audio hardware and software at NAB Show

Telos Alliance is exhibiting its portfolio of broadcast audio products at the 20...

18/04/2026

NAB 2026: TAG Video Systems adds real-time monitoring to AWS Elemental MediaConnect Router

TAG Video Systems has announced an integration with the AWS Elemental MediaConne...

18/04/2026

NAB 2026: Blackmagic Design Announces DaVinci Resolve 21

Blackmagic Design has announced DaVinci Resolve 21, with a public beta available now for download. The update will be demonstrated at NAB Show 2026 (Booth N2502...

18/04/2026

NAB 2026: Calrec and Grass Valley Announce Audio Technology Partnership

Calrec (Booth C6907) and Grass Valley (Booth C2408) have announced a long-term broadcast audio technology partnership at NAB Show 2026, integrating Calrec's...