Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic's DaVinci Resolve for finishing and delivery
Contributor 3 hours ago
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic's DaVinci Resolve for finishing and delivery
target=_blank title=Share on LinkedIn class=share-linkedin> Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic's DaVinci Resolve for finishing and delivery
https://www.tvbeurope.com/features/crossing-over-with-the-finish-line title=Share via Email class=share-email>
The decision to drop Avid in favour of DaVinci Resolve was really a transitional thing rather than an overnight decision.
I've always been an advocate for using the best tool for a job and that's lead me to working on all different platforms, I won't bore you with the list but it's safe to say I've used everything from tape based linear editing to all the current editing and grading tools. I used to always have a preference based on the type of work but we have hit a point now where there isn't anything that can be done better in a different tool.
The main change we have made is that we no longer go back to the tool in which the project was cut for the final online and all of our delivery processes are now in DaVinci Resolve. We started with Resolve in 2011 and as the developers have added more and more it just kept getting so much better. At this point I just can't see any reason to use anything else. That won't stay that way I'm sure, this is a technology driven industry so it will come down to development and features, but as long as BlackmagicDesign keep going the way they are I can't see a reason to move.
I suppose the decision is a bit controversial because in the long form television world Avid is still strong. From our point of view as a picture finishing company it's normal for us to switch between different applications constantly. It's also normal to use different tools for different jobs but in offline or craft' editing Avid Media Composer is the staple and all the post facilities tend to still finish in Media Composer because their talent has been working that way for a long time and retraining can be complicated when you are dealing with such a high turnover of work.
It's also always been easy to stay in the app that a programme was cut in to avoid rebuilding all the captions and effects. But that's just not an issue anymore with Resolve. All the new captioning and subtitling tools along with the far better quality of the results make it crazy to continue to work in the old way.
We have also been using the EditShare Flow tools now that it has become available as a SaaS solution for automation. Clients are also using this for remote editing with us and we can take a file direct from Flow Story into Resolve for conform and finishing so there are some exciting possibilities there. We also use a lot of custom built tools mostly on AWS for various parts of our processes.
We are very excited about the AI in Davinci Resolve 16 because on every level it will help us work faster and more efficiently, even with simple things like finding the faces of people that may need blurring in a programme. I'd love to see that feature expanded on to find other objects and even automated blurring for faces or branding. Anything is possible!
Read Zeb's full article in the latest issue of TVBEurope.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
08/10/2026
Modern venues have come a long way since the tinny, echoing audio of the mid 20t...
08/10/2026
ESPN's first Super Bowl production will stream in English and Spanish on Disney+, while the ESPN App carries the full slate of game, ManningCast, studio, an...
08/10/2026
From high-school videoboards to War Eagle Productions, the Opelika native is learning how to lead shows and capture big moments
The future of live sports produ...
08/10/2026
The Television Academy and Prime Video have announced a six-year agreement making Prime Video the exclusive global home of the Emmy Awards beginning with the 20...
08/10/2026
Techex will exhibit at NAB Show New York 2026 (Booth 623, Javits Center, October...
08/10/2026
X Games has announced the appointment of Steve Rogers as Chief Operating Officer. Rogers previously served as COO of World Supercross and spent nearly a decade ...
08/10/2026
Fonn Group has appointed Trevor Spielmann as Sales Director for Germany, Austria, and Switzerland. Spielmann joins from EVS, where he held sales and business de...
08/10/2026
The flagship program will originate from major PG events with a four-camera production, live distribution across PGTV, social platforms
Perfect Game is bringin...
08/10/2026
Innovation rarely happens in a vacuum. More often, it happens at the point of collision: when worlds that have run on separate tracks begin to converge. That is...
08/10/2026
For decades, the production and broadcast services business has run on a familia...
08/10/2026
Uplynk, Zixi, BroadView Software, and Grass Valley have published The IP Converg...
08/10/2026
The NFL has announced the return of the Big Data Bowl, the league's analytics competition, now in its ninth year and again powered by AWS. Registration is o...
08/10/2026
Eutelsat has renewed its partnership with T l diffusion d'Alg rie (TDA), Algeria's national broadcasting network operator, for continued distribution of...
08/10/2026
Disney will livestream Super Bowl LXI on February 14, 2027, alongside the game's broadcast on ESPN and ABC. All Disney subscribers in the United States wi...
08/10/2026
RHStv and Red House Streaming have announced an expansion of their partnership w...
08/10/2026
Gray Media has announced a distribution agreement with TEGNA and DAZN to simulca...
08/10/2026
SVG readers can save 10% on registration and receive a complimentary Solutions H...
08/10/2026
PROTON Camera Innovations GmbH has been named a recipient of a 2026 Technology a...
08/10/2026
Industry leaders discuss real-world cloud workflows for live game production, pl...
08/10/2026
The next-gen audio technology joins Dolby Vision as part of Apple TV's immersive F1 experience...
08/10/2026
David France, Jesse Short Bull, Mato Wayuhi, N. Bird Runningwater, Jodi Archambau, Jhane Myers, Paul McGuire, Amber Morning Star Byars, Holly Macarro, Nick Tils...
08/10/2026
Dynamic panning plug-ins get an upgrade
Sound Particles have just announced major updates for two of their popular dynamic panning plug-ins. Energy Panner 2...
08/10/2026
New expandable instrument boasts full DMNO engine
UDO Audio have just announced the upcoming release of a new, expandable synth that packs the power of the ...
08/10/2026
Two new subwoofers added to monitoring line-up
ADAM Audio's monitoring range has just been expanded with two new DSP-equipped subwoofers, the Sub8 PRO a...
08/10/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
08/10/2026
Calrec gives broadcasters freedom of choice at NAB Show New York We're looking forward to meeting up with you all at NAB New York on 21st-22nd October.
Cal...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Globecast, a leading provider of broadcast, media and entertainment managed services, will showcase its next generation of media orchestration services at NAB S...
08/10/2026
Clear-Com played a critical role in the production communications infrastructure for Rock in Rio 2026, one of the world's largest and most recognized music...
08/10/2026
Sohonet Launches ClearView Rush: A Leap Forward in Studio Review, Built for Crea...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Ikegami announces a major expansion to its range of broadcast-quality live production cameras. Scheduled for introduction on Ikegami booth 708 at NAB New York, ...
08/10/2026
Calrec will be located at Booth 444.
Freedom to choose
The media landscape is evolving quickly, and the broadcasters best placed for what comes next will be...
08/10/2026
LiveU has announced that CRD Audiovisuel relied on LiveUs LU900Q intelligent production unit, with built-in native LiveU IQ (LIQ ) connectivity, to deliver live...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic's DaVinci Resolve for finishing and delivery 
