Steve Yedlin, ASC, lenses Glass Onion: A Knives Out Story with ZEISS Supreme Primes
Brie Clayton February 2, 2023
0 Comments
Long-time collaborators, cinematographer Steve Yedlin, ASC, and director Rian Johnson, have been pushing each other creatively since their late teens. Yedlin would go on to lens all of Johnson's feature films, notably Looper and Star Wars: Episode VIII The Last Jedi. Their latest film, Glass Onion, is the follow-up to the 2019 blockbuster Knives Out. Featuring the return of Benoit Blanc (Daniel Craig), the fun, fast-paced whodunnit follows the sleuth to a fictional Greek Island, where Blanc peels back the layers of intrigue surrounding narcissistic tech billionaire Miles Bron (Edward Norton).
By now Yedlin and Johnson have their own creative shorthand. In prep, we don't spend much time talking about references because we already know we agree on tastes, Yedlin shares. We use the prep time to really dive in and design the shots and scenes that we are doing. To help plan moves and select focal lengths, they were outfitted with two director's finders equipped with Cinema Zooms.
Yedlin pairs Directors Finder with Compact Zooms
The team chose ARRI ALEXA Mini LF with ZEISS Supreme Primes and Cinema Zooms for the clean technical procession they needed. Glass Onion marked Yedlin's first experience with these optics. For me, it's not the lens itself making a visual statement, it's a tool for me to make my own visual style. I love the ZEISS lenses, but not because they imbue the movie with a specific character that another lens wouldn't have, he explains. Their technical performance allows us to be creative in other ways. They free me to do whatever we want because they sort of have everything that I wish a lens would have. Now we can be much more daring.
Shooting through Glass on Glass Onion
He points to lighting. The Supreme's flares are very contained. When you overload the lens with light, you still get the flare, but it's confined to a local area around it, while other lenses would literally obliterate the image. Now we can do things like have an upstage light that's in the shot actually lighting the scene, instead of using an upstage light that's in shot that's supposed to be lighting it, while another one, out of shot is really lighting it.
Dynamic movement and controlled, deliberate cinematography shape the film. The idea is always to tell the story in the best visual way possible, not distracting from it with show-offy camera movement, he explains. We love designed dolly moves as opposed to rambling with handheld or Steadicam, where you don't know what's going to happen. Like in the climactic atrium scene: Blanc dramatically reveals what he's deduced, as the camera dollies through the set's precariously positioned glass sculptures, adding to the visual intrigue.
Related COW News
February 6, 2023Digital Domain's Wakanda Forever VFX reel: Behind the Final Battle and 4 New MCU HeroesDigital Domain was tasked with most of the major effects for the
February 6, 2023Camp Lucky Welcomes Producer Alex BronnerCamp Lucky gives a warm welcome to producer Alex Bronner, a longtime friend
Although Yedlin and Johnson favor the dolly, other key shots necessitated dramatic changes in height. Yedlin's trusted crew was meticulous about how they integrated a crane into their approach. We had an absolutely fantastic dolly grip, Jax, who was able to do things that made it feel like a solid, confident dolly, even though the crane actually has a lot of loose axes, he continues. We love intentional, crafted, and exuberant camera movement that's also meant to cut. The idea of how everything will edit together is always completely integral.
Yedlin uses Supreme Prim on Glass Onion
The team made use of the ZEISS eXtended Data technology from viewing the monitor readout on set through post-production. With a keen grasp of technology, Yedlin credits the hard work of the folks at FotoKem who wrote custom code to set up our unique pipeline.
Yedlin likes to have post add custom levels of lens distortion/curvature to his films. Because there is only minor inherent distortion in ZEISS Supreme Primes and Cinema Zooms, adding idealized curvature to the final edit becomes relatively straightforward. FotoKem used the lens metadata to accelerate this process. We don't need to have a human pouring through camera reports to figure it all out. For visual effects, it's better because the ZEISS lens isn't funky and crazy. We can author exactly how much curvature we want you get a clean image, and then you can add funkiness rather than being cornered into it, he concludes.
Yedlin at ZEISS Demo Center
Once again Yedlin and Johnson's compelling cinematography and visual storytelling are a success. Today Glass Onion hits a 93 on the Rotten Tomatoes scale and tops the chart on Netflix's 10 most-watched films.
###
Enjoying the news? Sign up for the Creative COW Newsletter! Sign up for the Creative COW newsletter and get weekly updates on industry news, forum highlights, jobs, inspirational tutorials, tips, burning questions, and more! Receive bulletins from the largest, longest-running community dedicated to supporting professionals working in film, video, and audio.
Enter your email address, a first and last name, and let us know what you'd like to see more of in the message!
-- Sign up: * indicates required
Email Address *
Name
--
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Liberty University on why broadcast technology isn't just a technical invest...
08/05/2026
COW Jobs: UGC, On-Camera Video Content
Brie Clayton May 7, 2026
0 Comments
UGC, On-Camera Video Content
April 17, 2026Documentary Editor - US,......
07/05/2026
Journalists reporting on Sudan are working in one of the most complex and fast-m...
07/05/2026
Multi-year partnership positions Victory+ as a free home for Dallas Cowboys orig...
07/05/2026
From sideline reporting to directing and producing, the talented sophomore is building a well-rounded foundation for a career in live sports production
In the ...
07/05/2026
Cobalt Digital has received two Future Best of Show awards at NAB Show 2026. The COBALT blueCORE platform was recognized by TV Tech, and the COBALT PACIFIC ULL-...
07/05/2026
ESPN analyst Mina Kimes will host the televised semifinals and finals of the 202...
07/05/2026
Bitmovin has announced that MUBI, the global film streaming platform, has selected Bitmovin as its cloud VOD encoding partner. Bitmovin's encoding infrastru...
07/05/2026
NBCUniversal Telemundo Enterprises and the U.S. Soccer Federation have announced...
07/05/2026
Angel City Football Club (ACFC) and Victory have announced a regional broadcast partnership bringing live match coverage to fans across the greater Los Angeles...
07/05/2026
Spiideo has announced the launch of AI Highlights inside Spiideo Play, its automated sports production platform. AI Highlights combines video, event data, audio...
07/05/2026
Leostream Corporation has announced a unified remote access ecosystem for high-p...
07/05/2026
The Atlanta Dream has partnered with Victory to stream all locally broadcast Dream games for free, expanding the team's digital distribution strategy and g...
07/05/2026
Riedel Communications has announced the appointment of Marc Engroff as Chief Fin...
07/05/2026
SES and ARD, Germany's largest public broadcasting network, have announced a long-term extension of their satellite distribution partnership through 2039. U...
07/05/2026
UpLight Technologies delivers a flexible video and lighting system for a new televised sportLaunching the Pro Cheer League required more than creating a compell...
07/05/2026
Full Day Productions and GSE Worldwide have announced Spikes Under the Lights, a...
07/05/2026
Seit dem Start im Jahr 2023 hat DJ (Beta) das personalisierte H rerlebnis von 94...
07/05/2026
Da quando stata presentata nel 2023, DJ (beta) ha aiutato a definire un'esperienza d'ascolto pi personalizzata per 94 milioni di utenti Spotify Premi...
07/05/2026
Since launching in 2023, DJ (beta) has helped shape a more personalized listenin...
07/05/2026
Desde o lan amento em 2023, o DJ (beta) j ajudou a deixar a experi ncia de ouvi...
07/05/2026
From our earliest days, Spotify has been built on a simple principle: Great audio should be easy to reach. It's what's driven us to expand from music to...
07/05/2026
Asian and Pacific Islander artists continue to shape the global soundscape, pushing creative boundaries and connecting with fans worldwide. This Asian & Pacific...
07/05/2026
Company announce long-requested choir instrument
In the latest expansion of their Symphonic Elements series, UJAM have introduced an all-new vocal instrumen...
07/05/2026
Modular-inspired sound generation with digital control
Buchla have introduced Ziggy, a new compact synthesizer built around the company's complex oscill...
07/05/2026
Combines analogue voices with digital synthesis and sequencing
Polyend have announced Drums, a new hybrid analogue and digital drum machine that combines sy...
07/05/2026
Control surface now officially supports four DAWs
When Nektar launched the Panorama CS12 control surface, it worked exclusively with Apple's Logic Pro, ...
07/05/2026
In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...
07/05/2026
Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...
07/05/2026
Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...
07/05/2026
L3Harris will be developing key features of a secure and resilient digital infra...
07/05/2026
Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show
Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing
Cobal...
07/05/2026
Software and hardware platforms, AI power and user-friendliness on show...
07/05/2026
Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...
07/05/2026
Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...
07/05/2026
Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next.
...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...
07/05/2026
At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...
Steve Yedlin, ASC, lenses Glass Onion: A Knives Out Story with ZEISS Supreme Primes 
