Serie A takes a technical leap forward with new production centre in Lissone to centralise broadcast activities By Roberto Landini, Italian Correspondent
Tuesday, September 14, 2021 - 08:00
Print This Story
Luisella Fusco, head of media operations and broadcast, Lega Serie A
The new Serie A football season began in Italy in late August accompanied by major changes to the way the TV coverage of matches is produced, including the radical step of cutting out the middlemen in the production chain, a new centralised management of signal transport from the stadiums, improvements in signal quality, and much more.
To find out more, SVG Europe caught up with Luisella Fusco, head of media operations and broadcast, Lega Serie A, for a two-part interview.
What is the latest news on a technical level? There is talk of a great leap forward on several levels.
The process undertaken by the Lega Serie A this year at a technical level is significantly new in the sense that, first of all, it was decided to carry out all the matches in UHD, for the 380-match Championship, more for the Italian Cup, 42 matches, including the Italian Super Cup. The overall total amounts to 422 matches all produced in UHD. The signal is also made available in 1080p, so all productions are made with a progressive signal that is centrally transported from the Serie A League to the new production centre built at the Lissone headquarters, with technical partner EI Towers.
Can we therefore say that the new Lissone production centre will allow Lega Serie A to centralise a whole series of production activities that were previously outsourced?
Yes, absolutely. This season, the League has decided to internalise a whole series of services that were previously based on intermediaries or in any case outsourced with third parties, directly producing, on delegation from the clubs, the stadium matches of 14 teams (six are self-produced).
For the distribution of the signals, both the transport from the stadium and those up to the rightsholders at national, local and international level, are centralised by the League for all matches regardless of the producer.
From April to August we worked day and night to complete the centre, which is expected to officially inaugurate at the beginning of October
In addition to this, the other big news is that all the signals are processed centrally in the Lissone production centre, so they are ingested and, from there, almost all the activities that were previously carried out in situ at the stadium, are carried out remotely.
At the stadium remain the goal line technology (GLT), rendered through Hawk Eye, while the VAR, which was previously managed in the stadium, has now been centralised in Lissone; referees go to the production centre in Lissone and are able to operate the VAR service remotely, without having to physically attend all the stadiums. This makes it possible to avoid sending a special vehicle to each stage that deals with VAR and, by managing everything remotely in a centralised mode, an evident efficiency is obtained above all in the travel costs of the referees.
At the new Serie A MCR in Lissone
How did you organise the new media operations and broadcast spaces in the production centre with technical partner EI Towers, and how long did it take to create it?
First of all we had to structure ourselves internally at Lega Serie A level to complete this new great adventure that serves to manage services and content.
From April to August we worked day and night to complete the centre, which is expected to officially inaugurate at the beginning of October.
We have concentrated the process of placing the referees and their activities and operations in a new building that has two floors: on the ground floor is an area entirely dedicated to the Serie A League, the FIGC/AIA (the area that hosts the referees) with the various VAR rooms.
The VARs of Serie B are on the same floor, ready to pass remotely too. Currently Serie B still operates locally due to the lack of fibre links from around 50% of the stadiums, links which are, of course, indispensable for the centralised and remotely controlled VAR.
The second floor houses all the centralised services previously managed at the stadiums, starting with the graphics, which are partly packaged in the stadium and partly remotely from here.
Graphics are partly packaged in the stadium and partly remotely from Lissone
The same applies to virtualisation graphics for national and international customisation and for the differentiated distribution of signals, including betting streaming, as well as for all post production and centralised distribution of content; there really is a lot of news!
At the time of writing, you have faced the first days of operations from the new centre: how have you found it?
We are overall satisfied with the outcome of the first two days. There have been some flaws that we have already corrected, but overall nothing so impactful, we are really in the bubble with services.
Speaking about COVID, despite some easing, are there still limitations in television production and for the public?
We have not returned to complete normality in the sense that both from a sporting point of view and from that of the activities that usually took place on site at the stadiums, there are still limitations. In fact, from the point of view of the opening of facilities, the public still has limited access and there is a presence of no more than 50% only with a Green Pass.
With regards to the access of spectators to stadiums, typical distances are used.
From a production point of view, there is a precise protocol issued by the CTS [scientific technical committee] and the FIGC [Italian Football Federation] implemented by the Serie A League, so not all editorial activities can be exercised.
In addition, we have n
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
10/06/2026
DAZN-owned digital-media company launches three fan-first series leaning into cr...
10/06/2026
Clear-Com has announced the appointment of Jason Dino as Southwest Regional Sales Manager USA, covering Southern California and the Southwest region. Dino joins...
10/06/2026
An 11% decrease in number of global broadcast deals reflects the organization...
10/06/2026
The Women Without Boundaries Awards recognize women whose work is advancing the future of media, broadcast, AV, workplace technology, digital experience, and re...
10/06/2026
Today is match day minus two for FIFA and HBS. On Thursday, there will be two ma...
10/06/2026
SES is supporting broadcast distribution of the world's biggest football tou...
10/06/2026
NDI has announced that BirdDog has become the first hardware manufacturer to achieve full NDI 6.3 compatibility across its complete lineup of cameras, encoders,...
10/06/2026
Vince Caputo and Scott Carter, winners of the 2026 Sports Emmy for Outstanding Post Produced Audio have been announced as presenters for the 2026 SVG Advanced A...
10/06/2026
FOX One today unveiled a slate of new product features and enhancements designed to elevate the viewing experience for fans on the official streaming platform o...
10/06/2026
Primary production partners Dome Productions and Raycom Sports once again played...
10/06/2026
The Women in Sports Filmmaking Experienceship is an immersive professional devel...
10/06/2026
The league has expanded its HSAN architecture for the NBA Finals to manage more ...
10/06/2026
The inaugural MoonPay X Games League (XGL) Winter Draft will take place Wednesday, September 16, 2026 at Cosm Los Angeles from 7-9 p.m. PT. The event will strea...
10/06/2026
The University of Oklahoma (OU) Athletics Department and Learfield have announce...
10/06/2026
The Video Services Forum (VSF) has released TR-06-4 Part 8, a new specification for RIST Satellite-Hybrid: Out-of-Band Method. The specification creates a mecha...
10/06/2026
Riedel Communications provided the communications infrastructure for the 14th World Live Neurovascular Conference (WLNC) in Lisbon, supporting live medical proc...
10/06/2026
A still from The Doom Generation by Gregg Araki (Courtesy of Sundance Institute)
By Lucy Spicer
Have you checked out our Sundance Film Festival 101 list yet...
10/06/2026
Get Hands-On with Interfaces & Mic Preamp Brands
If youre after a new interface or preamp, then GearExpo UK is the place to be! Well have a whole host of au...
10/06/2026
November 13-14 2026, The Midway, San Francisco
Following their recent rebranding, MONO Music Conference (formerly Music Expo) have officially announced thei...
10/06/2026
Debut instrument free for limited time
deFORM is the debut release from newly founded developer ebbandflow, and it's being offered as a free download fo...
10/06/2026
Alone Australia Season 4: Meet the Cast
10 June, 2026
Media releases
WATCH THE TRAILER
Smash-hit survival series Alone Australia drops its highly anticipa...
10/06/2026
DEADLY THEN, DEADLY NOW, DEADLY ALWAYS: SBS & NITV IGNITE NAIDOC WEEK 2026 WITH ...
10/06/2026
Rohde & Schwarz and TRUMPF advance laser-based drone defense with THORIS LCS Rohde & Schwarz is showcasing THORIS at ILA 2026: A sovereign, end to end counter...
10/06/2026
MAHLE and Rohde & Schwarz develop application for sensor testing of modern drive...
10/06/2026
Production and Development Funding supports the creation of compelling, commercially viable, artistic and culturally relevant South African screen content. Deve...
10/06/2026
Media buyers and sellers can now compare YouTube reach from computer, mobile, an...
10/06/2026
Accedo, Humans not Robots, and the Institution of Engineering and Technology (IET) have announced the launch of Ecoflow X. Formerly an IBC Accelerator project, ...
10/06/2026
Frequency, the engine powering the world's leading streaming television channels, today announced that James Smith has joined the company as General Manager...
10/06/2026
At the 14th World Live Neurovascular Conference (WLNC) in Lisbon, Riedel Communications provided the communications infrastructure for live medical procedures s...
10/06/2026
Globecast, a leading provider of broadcast, media, and entertainment managed services, today announced the launch of its Content Exchange platform powered by Or...
10/06/2026
Klvr will showcase how venues, integrators and production teams are rethinking disposable battery usage at InfoComm 2026 (Las Vegas, June 17-19, booth #N6311). ...
10/06/2026
The Video Services Forum (VSF) has further enhanced the Reliable Internet Streaming Transport (RIST) protocol by incorporating a new feature, RIST Satellite-Hyb...
10/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/06/2026
10 Jun 2026
VEON's Banglalink Brings Every World Cup 2026 Match to Football...
10/06/2026
Wednesday 10 June 2026
How to watch every ICC Women's T20 World Cup 2026 match live on Sky Sports
Where is the ICC Women's T20 World Cup 2026 availabl...
10/06/2026
Wednesday 10 June 2026
P RLA brings first-ever Beautifully Clean Oral Care'...
10/06/2026
Wednesday 10 June 2026
Sky reveals pulse-pounding first teaser trailer for upco...
10/06/2026
Wuppertal June 10, 2026
Riedel Artist at the Heart of the 14th World Live Neurovascular ConferenceAt the 14th World Live Neurovascular Conference (WLNC) in Li...
10/06/2026
Back to All News
Netflix Showcases New Mobile Experience, Collections and Games Vision in APAC
Product
10 June 2026
GlobalSouth KoreaJapan
Link copied to c...
10/06/2026
Back to All News
Ready to Join? The Netflix Fan Club Arrives at Cannes Lions
Business
10 June 2026
Global
Link copied to clipboard
Download all assets
N...
10/06/2026
Chemists snap together complex 3D molecules from highly reactive radicals-without losing their shape Scripps Research team develops stereoretentive radical-radi...
09/06/2026
Kiswe announces an expanded long-term partnership with ONE Championship (ONE), t...
09/06/2026
SiriusXM will broadcast FOX Sports' English-language commentary for all 104 FIFA World Cup 2026 matches from June 11 through July 19, available to subscribe...
09/06/2026
EVS has announced it is changing its corporate name from EVS Broadcast Equipment to EVS, reflecting the company's expanded portfolio beyond broadcast equipm...
09/06/2026
Fox Corporation and the NFL have announced a multi-year agreement to bring NFL c...
Serie A takes a technical leap forward with new production centre in Lissone to centralise broadcast activities By Roberto Landini, Italian Correspondent 
