MixOne Sound creates recordings and live streams over the Internet with Blackmagic equipment Con sede en Orange (California), MixOne Sound pone en marcha un estudio destinado a grabar y transmitir en directo por Internet actuaciones musicales gracias a una din mica de trabajo centrada en productos de Blackmagic.
MixOne Sound ha puesto en marcha en Orange (California) un estudio para grabar y transmitir en directo por Internet espect culos musicales gracias a una din mica de trabajo centrada en soluciones de Blackmagic Design.
Desde que el momento en el que se abrieron las puertas de dicho estudio, MixOne Sound ha asistido con m s de 40 artistas, tales como Tinashe, Swae Lee, Chaka Khan, Dave Koz, Animals As Leaders, The Unlikely Candidates, Dreamers, Fever 333, Bad Omens, Hollywood Undead, Volumes, Crown the Empire y Chase Atlantic.
Cuando se aplicaron las restricciones a los eventos en vivo debido a la pandemia, al socio y director de fotograf a Kevin Garc a y su equipo se les ocurri una manera creativa de seguir con los shows en vivo y al mismo tiempo cumplir con el distanciamiento social: crearon un estudio en donde los artistas pod an llevar a cabo sus shows con suma seguridad mientras se transmit an los mismos por Internet o se grababan.
La nueva din mica de trabajo incluye una sala de control, as como un estudio de sonido principal, el cual cuenta con un rea de producci n de 12 metros cuadrados, una superficie audiovisual LED de casi 15 metros, iluminaci n completa, un brazo telesc pico de 6 metros y un sistema completo para transmisiones por Internet y grabaci n de contenidos.
El equipamiento Una combinaci n de se ales del modelo Blackmagic Pocket Cinema Camera 4K y 6K, Ursa Broadcast and Ursa Mini Pro G2 se enviaban al mezclador ATEM 1 M/E Production Studio 4K conectado a un dispositivo ATEM 1 M/E Broadcast Panel situados en la sala de control. Luego, la se al SDI del programa se distribuye mediante una tarjeta DeckLink 4K Extreme 12G desde el software de transmisi n en directo hasta una televisi n que se encuentra fuera de c mara, para que el artista sepa si realmente est al aire.
Asimismo, la sala de control tambi n incluye un dispositivo HyperDeck Studio Mini para realizar grabaciones de respaldo o para clientes que quieren una copia del programa no bien termina, as como un monitor Video Assist 7 12G HDR a fin de contar con copias de seguridad de las se ales del programa.
Aunque hab a una sala de audio aparte, el equipo emple una unidad Blackmagic Audio Monitor 12G en el centro de control de transmisiones para supervisar el sonido, junto con un conversor Teranex Mini Audio to SDI 12G en formato AES, a fin de lograr un audio m s limpio.
Compatibilidad total Cuando lleg el momento de comprar m s c maras para nuestro espacio, sab a que el modelo Ursa Broadcast ser a la mejor opci n, dado que ya ten a las versiones Ursa Mini Pro G2 y Pocket Cinema Camera 4K y 6K , explica Garc a. Todo es compatible, y al poder intercambiar el soporte f sico, facilit much simo la transici n personal al estudio. Valoro lo simple que es colaborar con todos los dispositivos de distribuci n y transmisi n de se ales. Tengo la posibilidad de controlar todo desde mi oficina a puerta cerrada. Ante todo, soy camar grafo de coraz n, y el hecho de poder conservar la calidad ptima incluso cuando se manejan velocidades de transferencia muy bajas para distintas plataformas es algo que Blackmagic Design nos permiti lograr .
Para los shows emitidos en vivo por Internet, MixOne Sound permite realizar una transmisi n directa a las redes sociales del artista o a la plataforma que se encarga de la difusi n del material. Por otro lado, para los conciertos grabados, Garc a est a cargo de la mayor parte de la posproducci n, y ha integrado DaVinci Resolve Studio a la din mica de trabajo a fin de realizar la edici n y el etalonaje de las im genes.
Intento grabar todo en Blackmagic RAW siempre que hacemos posproducci n , a adi . Yo mismo me encargo de gran parte de la edici n y etalonaje, de modo que la flexibilidad y los controles que ofrece este formato es algo que no quiero desaprovechar. Siempre est el elemento del error humano durante el rodaje, incluso con algo tan sencillo como el exceso o falta de exposici n, por lo que Blackmagic RAW ya me ha ahorrado estos problemas en el pasado. La calidad es maravillosa, y se ha vuelto una parte natural del proceso .
Dos semanas en aislamiento y sin vistas de que terminara pronto, sab amos que ten amos que hacer algo. Determinamos que, debido a todos los equipos que ya ten amos, no nos llevar a mucho crear un estudio si restructur bamos el dep sito. MixOne Sound Stage, respaldado por Blackmagic Design, nos permiti adaptar nuestro modelo de negocio y ofrecer a los clientes la posibilidad de seguir en contacto con sus seguidores , concluye Garc a.
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MixOne Sound creates recordings and live streams over the Internet with Blackmagic equipment Con sede en Orange (California), MixOne Sound pone en marcha un estudio destinado a grabar y transmitir en directo por Internet actuaciones musicales gracias a una din mica de trabajo centrada en productos de Blackmagic. 
