For the First Time, the Super Bowl Halftime Show Was Shot Using Cinema Cameras PRG's LIVE35! technology supported the massive show with sensor cameras By Brandon Costa, Director of Digital
Tuesday, February 23, 2021 - 3:21 pm
Print This Story | Subscribe
Story Highlights
This year's Super Bowl Halftime Show, starring Grammy-winning artist The Weeknd, may forever be known as the performance that birthed a million memes, but, in live-video-production circles, it will also be remembered for taking significant steps in the evolution of live entertainment production.
The show, produced by Roc Nation and seen in more than 90 million U.S. homes, marked the first Super Bowl Halftime Show to deploy cinema cameras as part of its equipment arsenal.
Emmy Award-winning camera operator Tor Livia uses an ARRI AMIRA camera on a Steadicam to shoot The Weeknd during this year's Super Bowl Halftime Show in Tampa, Fl. (Photo: PRG)
With the help of production-facilities provider PRG, this year's Super Bowl Halftime Show featured a sharper, more film-quality look. Director Hamish Hamilton (handling his 12th Halftime Show) worked with PRG's 35Live! system, which replaced traditional multi-camera broadcast workflows and allowed internal transmission of digital 35mm cameras and lens/iris control needed to integrate the pictures seamlessly into the traditional broadcast infrastructure.
It was a perfect storm of a lot of things, says Morgan Kellum, VP, TV and Film, PRG, for whom this was his first Super Bowl Halftime. Hamish has always been a big proponent of cinema cameras, and we've done a large number of concerts and live comedy shows using this system. We tried to keep it as simple as possible, and it just worked out pretty well.
Inside the Arsenal PRG is no stranger to supporting the Super Bowl Halftime Show, having supplied lighting in past years, but this marked the first time the company delivered camera and broadcast tech as well. And it made quite a splash.
The LIVE35! technology allows a broadcaster to incorporate almost any super-35mm sensor camera or camcorder into a traditional multi-cam broadcast environment, using 35mm motion-picture cinema lenses along with traditional broadcast lens and iris control.
This offers such benefits as super-35 depth of field and the sophisticated colorimetry and image processing provided by newer 35mm camera sensors/camera systems.
The system is camera-agnostic. On this show, the lineup of cameras included two ARRI AMIRA units and seven ARRI ALEXA Minis. One of the AMIRAs was on a Steadicam operated by Emmy Award-winning camera operator Tor Livia; one of the ALEXA Minis, used by Emmy-winning camera operator Jofre Rosero to shoot the memorable Infinity Room, was fitted with an Ultra Prime 8R fisheye lens on a handheld mini jib. It was that camera that captured many of the close-up shots of The Weeknd that became fodder for many of the memes flooding social media.
Also deployed were two RailCams (commonly seen in sports gliding along the sideline of the court during the NCAA Men's Basketball Final Four), managed by technicians Rick Compeau, Johnny Harkins, and Brian Sheid).
LIVE35! provides several fiber camera-back systems for the 35mm sensor cameras with base-station receivers at the other end of SMPTE or alternative fiber. It also incorporates traditional cinema lens control for a focus puller with wireless Focus/Iris/Zoom control.
Lead 1st AC Adam Kirschoffer played a critical role, working with the PRG engineering team to configure the lens control. Tech supervisor, cameras, Jakes Coker developed a customized, more than 500-ft.-long extension cable for the lens control.
The advantage of this setup, according to PRG's Kellum, is that the show crew is not tied to any one motion-camera manufacturer or model. He notes that the calibration process can be specific to the camera model, which is an advantage.
The technology behind the lens control was critical to the show's success. PRG has developed a lens-control system with cmotion technology, allowing use of traditional hardwired Canon or Fujinon focus and zoom controls with 35mm motion-picture lenses with motors on rods. This was seen at the Super Bowl Halftime Show through the use of a pedestal camera (operated by Allen Merriweather).
The show's equipment list included five MultiDyne 4K systems (for fiber) and four 4K AVS wireless systems (for wireless). The whole production was supported behind the scenes by a talented team of engineers, including Coker, Vince Warburton (camera engineer), Dave West (control room video engineer), and Don Burkhart (fiber specialist).
Most recent headlines
23/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
23/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
23/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
23/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
23/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
23/12/2025
Taking the Stage at Carnegie Hall-On a Global Scale Boston Conservatory Orchestra students reflect on their epic concert marking the 80th session of the UN Gene...
22/12/2025
SVG New Sponsor Spotlight: Presidio's Neerav Shah on the Role of Its Captiva...
22/12/2025
Hitting the bullseye: Sky Sports readies itself for the biggest PDC World Darts ...
22/12/2025
Unique skillset: Bringing new directors to the world of darts at The Worlds with...
22/12/2025
Gravity Media prepares for a flight of fancy with the PDC World Darts Championsh...
22/12/2025
One hundred and eighty: Gravity Media on hitting the production bullseye at the ...
22/12/2025
The Famous Group's Jon Slusser on Fascinating Fans Through Immersive Content...
22/12/2025
ESPN's Meg Aronowitz on Continuing High-Quality Broadcasts of Collegiate Spo...
22/12/2025
ESPN Takes Data-Driven Storytelling to New Heights with MNF Playbook with Next ...
22/12/2025
For a decade, popular German podcast Fest & Flauschig has hosted an annual Chris...
22/12/2025
Paramount Scores Largest Share Increase Among Distributors as Paramount and CBS...
22/12/2025
New multi-year deal integrates Roku's data to fuel Nielsen's measurement suite
Roku gains access to Nielsen's streaming ratings, showing The Roku C...
22/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
22/12/2025
Berklee Wrapped 2025: Our Top News and Stories A look back at a year highlighted by faculty milestones, major film and television projects, Bob Dylan's ho...
22/12/2025
The works of Plato state that when humans have an experience, some level of change occurs in their brain, which is powered by memory - specifically long-term me...
22/12/2025
Partnership integrates complementary satellite data and AI analytics to enhance security, infrastructure, and environmental monitoring solutions for global cust...
22/12/2025
Workflows allow you to create a sequence of planned events which may be added to your template(s) or inserted directly into your sequential or background playli...
22/12/2025
Monday 22 December 2025
Sky extends PGA TOUR partnership until 2029, as Sky Spo...
22/12/2025
Back to All News
Global Anime Hits and New Releases Take Center Stage at Jump Festa 2026
Entertainment
22 December 2025
GlobalJapan
Link copied to clipboar...
22/12/2025
Siobh n McSweeney, Rory McIlroy, Elon Musk, Catherine Connolly, Jim Gavin, Ivan Yates and Traitor Paudie Moloney lead new characters for Callan Kicks the Year 2...
22/12/2025
Winner announced in the picturesque surroundings of Wicklow's Avondale Tower and Treetop Walk
Andrew Trimble wins the show in his first series as coach
Th...
22/12/2025
The 2025 winners have been announced today, Sunday 21 December, for Ireland's largest choral competition Choirs for Christmas hosted by RT lyric fm.
Ove...
21/12/2025
Back to All News
Legoshi and Haru's Story Reaches Its Finale: BEASTARS Fin...
21/12/2025
John Shortt named Young Sportsperson of the Year Kerry are the Team of the Year
...
20/12/2025
Atomos announced the immediate availability of a new firmware update for its Ninja TX GO and Ninja TX monitor-recorders, unlocking ProRes RAW recording from the...
20/12/2025
CJP Broadcast has completed the digitisation of the European Gymnastics tape archive, converting 328 tapes containing more than forty years of recorded material...
20/12/2025
Bitmovin, the leading provider of video streaming solutions, today announced the launch of the Stream Lab MCP Server, to give AI agents and large language model...
20/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
20/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
20/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
20/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
20/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
20/12/2025
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
20/12/2025
Barack Obama Includes Laufey on His 2025 Favorite Music List The former presidents roundup of books, music, and movies includes a song from the Berklee alums ...
20/12/2025
Study reveals a key hormonal circuit in the kidneys Scripps Research scientists identify the protein that helps kidney cells regulate renin, providing foundatio...
19/12/2025
With Playout Release 2025.4, ToolsOnAir continues to push professional playout w...
19/12/2025
SVG Sit-Down: Diversified's Jared Timmins on AI for Broadcast Sports and Cre...
19/12/2025
2025 SVG Summit Audio Recap: Say What?The Audio Production and Distribution Workshop at the SVG Summit 20 took on issues including speech intelligibility, Next-...
19/12/2025
Gamified fun: Channel 5 on its NFL Big Game Night ambitions with Hungry Bear Med...
19/12/2025
College Football Playoff Preview: For ESPN, Round 1 is a Fantastic Yet Familia...
19/12/2025
AWS's Jason Dvorkin on Developing Partnerships With the NBA and PGA Tour, Em...
19/12/2025
Netflix Kicks Off Packed Sports Week with Paul-Joshua Fight Before Shifting to N...
19/12/2025
SVG New Sponsor Spotlight: Presidio's Nareev Shah on the Role of Its Captiva...
19/12/2025
Mounted to the pylon of an AH-1Z Viper helicopter, a Red Wolf vehicle successful...
For the First Time, the Super Bowl Halftime Show Was Shot Using Cinema Cameras PRG's LIVE35! technology supported the massive show with sensor cameras By Brandon Costa, Director of Digital 
