
Deluxe Spain creates a unique climate in this series shot with ARRI Alexa and network in Refugee Epic Deluxe se ha encargado de la gesti n del contenido de rodaje y los trabajos de conformado, correcci n de color y deliveries. La fotograf a ha estado a cargo de Jacobo Mart nez, mientras que Ximo Michavila se ha encargado de la correcci n de color.
Deluxe Spain ha jugado un papel determinante en el look final que la nueva serie de Bamb Producciones y Atresmedia, Refugiados. Sin duda, esta producci n para LaSexta es un proyecto t cnicamente superior con un sello de calidad que marcar un antes y un despu s en la ficci n en Espa a.
Vanessa Ruiz-Larrea, directora comercial de Deluxe Spain, reconoce que para nosotros ha sido un verdadero placer formar parte de este proyecto de ficci n, por los retos que conlleva y sobre todo confirmar las capacidades t cnicas y el talento que tenemos en Espa a para realizar series al mismo nivel que las que consumimos provenientes de fuera .
Photography
La fotograf a, al servicio de la historia y muy coherente con la trama, ha estado a cargo de Jacobo Mart nez. Deluxe se ha encargado de la gesti n del contenido de rodaje (back ups) y los trabajos de conformado, correcci n de color y deliveries.
La correcci n de color ha estado en manos de Ximo Michavila, quien ha asegurado que Jacobo Mart nez, director de fotograf a, hizo un gran trabajo con los inconvenientes que supone el rodaje en escenarios naturales y con un ritmo fren tico, caracter stico de esta serie de producciones, y d ndole un sentido est tico nuevo y adecuado a las caracter sticas narrativas sin ning n tipo de condicionantes .
La serie fue rodada con ARRI Alexa en un 90% aproximadamente, y el resto con NETWORK Epic, siempre en formato RAW, lo cual ayud mucho en la correcci n de color dado que se dispon a de una gran informaci n para poder llevar cada plano al nivel adecuado. Planos con una oscuridad notable, sin tener que sacrificar el m nimo detalle en las zonas con muy poca informaci n.
Las altas luces tambi n tuvieron su protagonismo en el proceso de correcci n de color, al efectuarse el rodaje en verano, algunas veces se trabajaba con unas condiciones de luz no muy favorables realizando un trabajo exclusivo para no perder la informaci n de zonas como: cielos, brillos, luces, , dando una sensaci n m s org nica a la imagen y evitando en todo momento reas quemadas por sobreexposici n.
Por su parte, DaVinci Resolve de Blackmagic, ha sido utilizado para la correcci n de color y conformado ya que dispone de una serie de herramientas dedicadas tanto para estas correcciones como para las de gran oscuridad.
Ha sido un placer trabajar en este proyecto para Bamb y especialmente con personas como Jacobo Mart nez o Ram n Campos (productor ejecutivo) que han sabido transmitirnos su ilusi n, y por el hecho de tratarse de una serie de calidad, con una apuesta de innovaci n tanto est tica como narrativa entre las series de ficci n nacionales explica Ximo Michavila.
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